Category Archives: artwork

More Fairy Nonsense

Yes, in writing a story about fairies set in Fairyland, I am starting to see fairies everywhere. And I am sorta doing that to myself. Here is yesterday’s art project.

Pen and ink and paper, pasted on cardboard, with colored pencils.

Using Stacy and Ricky, dolls, scissors, glue, all things I already have plenty of.

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Rickyflutter

They meet and share some Pixie Dust.

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Strawberry Fields

This foolish essay about berries that mean love to me is only partly inspired by the Beatles song, “Strawberry Fields Forever.” That’s because, of course, their song was only about meditating. In the lyrics they take you to the “Strawberry Fields where nothing is real… but it’s nothing to get hung up about…” They are talking about a blissful place of no worries where we all need to go. And then staying there forever.

This, of course, I could never do. Worrying about the future is tattooed on my behavioral imperatives in the dark part of my stupid old brain. And while I often found that place of no worries, and lingered there for a bit, I found you could never really get anything done if you stayed in that state of strawberry fields forever.

But don’t get me wrong, strawberries are a critical part of every healthy mental diet.

You see, my meditations on strawberries when I was a child of eight, nine, and ten centered on the strawberry patch at Great Grandma Hinckley’s place.

She was, as I incorrectly recall, slightly older than Jesus when I was that age. By that I mean, though she seemed museum-quality ancient to me, I had derived wisdom about life, love, and laughter from her before Sunday School taught me any of those things said in Jesus’s words.

And I was given the task of mowing her lawn in the little plot of land surrounding her little, tiny house in the Northern part of Rowan where I also lived and grew and celebrated Christmas and Halloween and Easter and the 4th of July. And though I was doing it because she was so old, I never even once thought she was too old and frail to do it herself. Grandma Hinckley’s willpower was a force of nature that could even quell tornados… well, I thought so anyway when I was eight. And she gave me a dollar every time I did the lawnmowing.

But there were other things she wanted done, and other things she wanted to teach me. There was the garden out back with the strawberry patch next to it. She wanted me to help with keeping the weeds and the saw grass and the creeping Charlie from overrunning the strawberries and choking them to death. (Creeping Charlie wasn’t an evil neighbor, by the way. He was a little round-leafed weed that grew so profusely that it prevented other plants from getting any sunlight on their own leaves, causing a withering, yellowing death by sunlight deprivation. I took my trowel to them and treated them like murderers. I showed them no mercy.)

And Grandma always reminded me not to be selfish and eat the very berries I was tending in the garden. She taught me that eating green strawberries (which are actually more yellow than green, but you know what I mean) was bad because they could give you a belly ache, a fact that that I proved to myself more than once (because eight-year-olds are stupid and learn slowly.) She also taught me that it is better to wait until you have enough strawberries to make a pie, or better yet, strawberry shortcake with whipped cream. She taught me that delayed gratification was more rewarding in the long run than being greedy in the short run and spoiling everything for everybody.

She always gave me a few of the ripe strawberries every time I helped her with them, even if I had eaten a few in the garden without permission. Strawberries were the fruit of true love. I know this because it says so in the strawberry picture. Even though I probably never figured out what true love really means.

My Great Grandma Nellie Hinckley was the foundation stone that my mother’s side of the family was built on. She was the rock that held us steadily in place during the thunderstorms, and the matriarch of the entire clan of Hinckleys and Aldriches and Beyers and other cousins by the dozens and grandchildren and great grandchildren and even great great grandchildren. I painted the picture of her in 1980 when she passed away. I gave it to my Grandma Aldrich, her second-eldest daughter. It spent three decades in Grandma’s upstairs closet because looking at it made Grandma too sad to be so long without her. The great grandchild in the picture with her is now a grandmother herself (though no one who has seen this picture knows who it is supposed to be because I painted her solely from memory and got it all wrong.) But Grandma Hinckley taught me what true love means. And true love has everything to do with how you go about taking care of the strawberry patch.

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Filed under artwork, autobiography, commentary, family, health, humor, mental health, Paffooney, philosophy, strange and wonderful ideas about life

Gooseberry Pie

I would like to contend that a blog is a form of self-portrait.  Do you want to argue with me?  Have a piece of Gooseberry Pie….

You see, gooseberries aren’t made from geese.  They don’t look like gooses… er, goosei… um, geese.  They aren’t the favorite food of a goose, unless, maybe…  Mother Goose.  The name is a corrupted form of the Dutch word kruisbes , or possibly the German Krausbeere.   You know, because people who speak English don’t know how to talk right.  They don’t have anything to do with geese.  In the same way, a person’s name doesn’t really help you understand the person that wears it.  You have to dig deeper.  Do you know, I have never actually tasted gooseberry pie?  I have seen and even picked the gooseberries.  They are danged ugly, spikey-furred snot-green berries.  I am not tempted in any way to put one in my mouth.  And yet, I should not judge gooseberry pie before I taste a piece.  I know people who adore gooseberry pie.  Maybe you are one of them.

The point is, blogs are exactly the same thing.  An artist, a writer, a producer of something, or a day-dreamy noodling goober has put together a blog to display their wares, show off their creations, and share their words and wisdom.  You have to look at them, warts and all, and actually take a bite.  You have to try them out and test them.  Follow them over time.  Read, absorb, and appreciate… not merely zoom through and look at the pictures… and maybe click “like” at the bottom of the post.

Of course, I admit, I do the very thing I am advising you not to do.  The first few times I visit a blog, I scan through and only focus on a few things that catch my falling stars.  (oop!  Shame on me… I should say “catch my fancy”.  Forgive me for lapsing into Mickian brain farts for a moment there).  But if I am lured into coming back, I dip deeper and read more… tasting it thoroughly, as it were…  And much of what I taste there will end up in my own recipe somewhere down the line.  I begin to learn who that blogger is, and their writing style… sometimes even their thinking style (though I don’t read minds… only smell brain farts and odoriferous mental cooking smells) and I picture them as people in my minds eye.  Sometimes I wonder if they match in real life the person I am picturing.  Of course, the answer is no.  People don’t look like what you think they should look like.  They don’t even look like what they think they look like either… even in photos.  So let me end this goofy pie-based argument about why blogs are self portraits with a few self portraits I have created that aren’t really what I look like , even if it is a photo.

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Me in the mirror, 1980

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Scary pictures of the artist as a creepy old man…

 

Self Portrait vxv

The novelist me…

 

 

 

 

 

 

 

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A wizard selfie taken at Mad Ludwig’s Castle in Bavaria.

 

 

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Who I am and who I was…

 

 

 

 

 

 

 

 

 

 

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Seriously grumpy me…

Gag!  Enough of the gooseberries already!  Or are they gross-berries?  I think that I really don’t look anything like me anymore.

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Special Snowflakes

snowflake12

When conservative cultural warriors, Twitter Trolls, or dyspeptic gasbags like Rush Limbaugh call you a “Special Snowflake”, I have discovered, to my chagrin, that they don’t mean it as a compliment.  In their self-centered, egotistical world you have to be as emotionally tough and able to “take it” as they believe (somewhat erroneously to my way of thinking) they themselves are.  They have no time for political correctness, safe spaces, or, apparently, manners polite enough not to get you killed on the mean streets where they never go.  Being a retired school teacher who was once in charge of fragile young psyches trying to negotiate a cruel Darwinian world, I think I disagree with them.

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Have you ever tried to draw a snowflake?  Believe me, it is difficult.  Snowflakes are hexagonal star-shapes with enough lace and  filigrees in them to make it a nightmare to draw it with painfully arthritic hands.  The one above took me an hour with ruler and compass and colored pencils, and it still doesn’t look as good as a first grader can create with scissors and folded paper.  Much better to use a computer program to spit them out with mathematical precision and fractal beauty.  That’s how all the tiny ones in the background were created.  But even a computer can’t recreate the fragile, complicated beauty of real snowflakes.

You see how the fragile crystalline structures will break in spots, melt in spots, attach to others, and get warped or misshapen?  That is the reason no two snowflakes are alike, even though they all come from the same basic mathematically precise patterns generated by ice crystals.  Life changes each one in a different way.

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And that, of course, is the reason this essay is really about people rather than mere physical artifacts of cold weather.  Our fragilities and frailties are earned, and they make us who we are.  I have a squinky eye like Popeye from playing baseball and getting hit by a pitch.  I have a big toe that won’t bend from playing football.  They both represent mistakes that I learned from the hard way.

As a teacher, I learned that bipolar disorder and anxiety disorders are very real things.  I lost a job once to one of those.  And I spent a long night talking someone out of suicide one horrible December.  Forgive me, I had to take fifteen minutes just there to cry again.  I guess I am just a “special snowflake”.  But the point is, those things are real.  People really are destroyed by them sometimes.  And they deserve any effort I can make to protect them or help them make it through the night.

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But people are like snowflakes.  They are all complex.  They are all beautiful in some way.  They are all different.  No two are exactly the same.

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And I really think boorish bastards have no right to insist that we need to take safe spaces and sanctuaries away from them.  Every snowflake has worth.  Winter snow leaves moisture for seedlings to get their start every spring.  If you are a farmer, you should know this and appreciate snowflakes.  And snowflakes can be fascinating.  Even goofy ones like me.

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Filed under 1000 Voices Speak for Compassion, artwork, battling depression, commentary, compassion, humor, metaphor, Paffooney, self portrait, Snow Babies, strange and wonderful ideas about life

The Adventure that is Art Day

If I look for the essential action shots in my art to find pictures that illustrate “Adventure” I am frustrated to find that I am much more a maker of static portraits than comic book action scenes.

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More Art Day Role Play

Again I go back to artwork done for Saturday role-playing games, a thing which I started doing in 1981. It filled my life for a time. And it also taught me to be a teacher. After all, the DM (Dungeon Master, or Game Master) has to be a story-teller and a master explainer… just like a school teacher.

A Dungeons and Dragons picture from 1981.
A Shaitan Rider, a villain from 1982.
The Giant Sorcerer’s Hand, a monster from the 2011 family game.
A heroine-ally and her pet werewolf.
The father of mys son’s player character was found at the end of an adventure. He is apparently me with fewer legs.
An enemy necromancer
Two versions of the same weretiger
This unused non-player character would become a novel character in 2019.
Some characters are borrowed directly from TV
Some characters are kept around as potential instant player characters.
A Talislantan librarian from 1992

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What Makes You Think You Can Draw, Mickey?

Drawing is a matter of life-long practice and a honing of skills. Honing? I like that word. A hone is a fine-grained whetstone for sharpening knives or cutting edges. It can also mean sharpening the details, clarifying and making more accutate the process you are performing.

So, what’s wrong with this picture?

Well, the unicorn who posed for it had round glasses and didn’t stick his tongue out while posing.

Honing is needed.

And this one… if they were actually all playing the notes we see being played here, it would be cacophony. Why didn’t you get the sound right.in this drawing, Mickey?

And these duck eyes aren’t realistic because mallards are usually much angrier when they are looking at you in real life. Where’s the red blood vessels around the edges of the eye-whites that real ducks don’t even have?

And this evil smile is not supported by necessary details. Where’s the MAGA hat? And why does his left hand not contain the severed pigtails of the girl who sits in front of him in Science Class?

And this picture? Is this supposed to be Cupid? The tip of his arrow is not dripping with love-potion. And if you look closely, you can see the wrinkles in the paper it’s drawn on. Honing is needed, Mickey!

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Role-Playing Game Art

Here I am back to doing D&D and Traveller on Saturdays. All of the art in this post was once used in conjunction with RPGs played with former students, and my own kids. I was always the game master in the past, and I used drawings and illustrations to help the imaginary adventures come to life.

Zoran-Viktor was a Mirin Ice Wizard from the Talislanta D&D campaign. The player of this character was Victor, a gifted dancer and actor from the school’s theater department.
The Lawgiver was a powerful Non-Player Character in both D&D and Talislanta. The character design came from a metal figure I painted myself.
Zoric was a Talislantan Thaumaturge, the player character of a weird kid who told x-rated jokes better than any other high-school boy I ever met.

Harun the Charmer was only ever used as a player-character once. The boy whose character it was provided the face I modeled it after. He was an absolutely arresting boy that had such a winning personality that people fell in love with him almost instantly.

He spent way more time helping another teacher grade papers than he did playing Talislanta games with goofy old Mr. B.

And I promise, only one of the facts presented here about Harun is a lie, in attempt to protect this young gentleman’s identity. We unfortunately lost him back in the 1990’s.

Crane the Sorcerer was an NPC trapped inside his own crystal ball by his own
evil familiar well before my kids met him in the D&D adventure.
Viktor, the Snow Wizard of Ice Keep, was the father of Zoran Viktor. Victor loved playing Talislanta.
Swordpoint Castle

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Mickey Plays with Pictures and Paint

Once I was finally able to scan pictures again, I did some scanning of old pictures that only got the camera treatment before on my blog.

But why stop a drawing at just the pen and ink, when there is potential for so much more?

So, I took the Microsoft generic paint program and my generic photo editor to not only this pen and ink of the Jungle Princess, but a few other pictures as well.

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This is what she looks like after being attacked with color by my arthritic old hands. (There was a day when I could have handled intricate details more cleverly, but that was many, many days ago.

Anyway, I have added new dimensions to Leopard Girrrl with color.

Now I need to add more complications to the basic story of the picture.

”’

Here is an older pen and ink.

This is Dorin Dobbs, one of the dueling plotlines’ protagonists from the novel Catch a Falling Star.

But, of course, Dorin is a more complex character than this old black and white.

So, color needs to be added.

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I had this one actually already painted in…

But in order to use it in this project, I needed to enlarge it to make it fit into the other picture.

Making this unlikely pair work together in a story is one of the challenges of doing surrealist stories. They have to be grounded in realism, but also bring jarringly different things together. Like the Jungle Princess going on an adventure with Norwall’s Lying King.

But, putting these two together is still not enough. Let’s try some other things.

The Jungle Princess together with Tomboy Dilsey Murphy is an unusual pairing.

Or what about the blue faun from Laughing Blue?

Or even Annette Funicello?

Ridiculous, I know. But don’t they look like satin sofa paintings?

And how surreal is that?

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Having My Say

Anti-Claus? Creepy Claus? //Saint Mickelaus?

No one listens to me anyway.

So, I might as well have my say.

The world will someday go away.

Maybe only me that day,

But possibly everybody else should pray.

But rhyming is just goofy play,

And this is not a poem, okay?

If I am trying hard to get stuff done before the end of life, I have made some headway in 2021, I have published Twenty-One books in my lifetime all published with three different legitimate publishers and one criminal publisher. Oh, and all currently available on Amazon. Of the soon-to-bees listed above, I have published Cissy Moonskipper’s Travels along with an unlisted novella, Horatio T. Dogg, Super Slueth. AeroQuest 4 : The Amazing Aero Brothers is finished and undergoing final edits. And I have added a working rough draft of The Necromancer’s Apprentice, a satire I hope won’t be sued by Disney Corporation.

I now own a third of the farm you see in the foreground of this picture. The farm on the far side of the road is Uncle Harry’s farm that was sold when Uncle Harry passed away long ago.

In a sense, I have already had my say in the books I have written. The themes are my fundamental thinking, the horrid insults flung at me in my internal monologue by my inner critic, the rough nuggets of supposed wisdom that I have not only cut my writer’s teeth on. but, in some cases, chewed on relentlessly for decades until it comes out again as sweet as honey. Or, sometimes, as sour as the bile and vomit created by extended illness. Whatever its quality, the writings I will leave behind me are my fair say in an attempt to help the world evolve.

There is still a considerable record of having had my say in middle school and high school English classes. That say, that attempt to influence the future, has already been written in the memories of students that sat through my classes. They endured a lot, put up with a lot of mistakes by me, but also, hopefully learned some real lessons.

Here’s the current gist of what I have to say;

We are in a time when the environment is out of control and getting worse. It will probably kill us all, including all other life on Earth. But we are creative enough and smart enough to invent our way out of that problem. If only the stupid people and the greedy-evil people will let us.

We are also in a time when there is a definite threat that our leaders are going to embrace the easy and profitable path of being a Fascist. We have to hope there is enough empathy and morality left amongst our people to avoid this and find a fairer way for all.

And that is not all I have left to say. But it will do for now.

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