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This Annette Funicello paper doll, just like one my sister once had, was made from a scan of the back of a box of 1950s Cheerios. I borrowed the thing from Pinterest, printed it out in color with my printer/copier/scanner, and then pasted it to cardboard before cutting it out.
The clothing, mostly dresses, I left on mere paper and then cut them out to dress and re-dress Annette. For instance, I like this cowgirl get-up because I saw the episode where Annette and Darlene were working jobs for teens at a dude ranch. That was fascinating to me at age thirteen. Yep. And you could take the clothes off the paper doll again, though you couldn’t actually make the doll naked, since she had yellow gym bloomers under her clothes.
I decided that if I was going to make art from paper dolls, that I wasn’t limited to pre-made dolls from other artists. I took some of my own drawings, copied, cut out, and pasted them to cardboard. Here you see young Prinz Flute, Mandy Panda, and little Henry.

This little cutie is Luz from Owl House on Disney+. But don’t sue me, Disney. She is borrowed from fan art on Pinterest, so it’s fair use of copyrighted material that actually gives you free advertising.

Where this anime nudie cutie actually came from, I do not know. But she fits Annette’s striped skirt.

As much as I would like to make a paper doll of this Shirley Temple doll, I cannot in good conscience do it since I traced this image to a site where the paper dolls are advertised for sale.
Still, it might be worth the money. My sisters had one of these too.

I will just have to be satisfied with whatever I can make from this little guy/girl? public-domain character from the 30’s. You can make wonderful things out of something like that.
Filed under artwork, autobiography, humor, photo paffoonies

This is a character from the novel The Boy… Forever. Icarus Jones is based on a kid I mentored back in the 1980’s. His real name was Jose. He was incredibly curious and good at skateboarding. He went to college at Notre Dame.

This picture was inspired by a piece of pottery I saw in 1994 in New Mexico on my way back to Texas after visiting my sister in California. The background is an imitation of the glaze on the pot. The Native American Boy is drawn from a model in a Sears catalog, one that was wearing a polyester t-shirt and narrow jeans.

These are all students I taught my very first year as a teacher. Teresa would even get a teaching degree and come back to teach in the same school district as me, though in the elementary school, not the middle school where I taught.

This is a picture inspired by a dream of being alone on a tropical island with a native island girl. Fifteen years after drawing this picture, I married a girl from the Philippines.



Dilsey Murphy is a character based about 85% on the older of my two sisters. The 81 is the number of Minnesota Vikings defensive end Carl Eller. My sister and my father were rooting for the Vikings as I rooted for the Kansas City Chiefs in Superbowl IV after the 1969 NFL season. I am still not allowed to gloat over who won.

This is a portrait of the main villain in the Disney version of Treasure Island. That book is the one that really hooked me on reading novels in the winter of 1966. I read Grandma Aldrich’s copy of the book illustrated by N.C. Wyeth that February while I was sick with the flu.

The background of this picture is my last actual classroom at Naaman Forest High School in Garland, Texas. I used it for this illustration of Mike Murphy and Blueberry Bates in my novel Magical Miss Morgan.
Filed under artwork, autobiography, humor, nostalgia, Paffooney
This post won’t be funny. So if you come seeking humor, be warned, every writer has a dark side, and this is about mine.
I have learned the hard way that there is a very special power to be gained from the Dreamlands. But it is a dark and ominous power. When H.P. Lovecraft wrote his nightmare horror stories about the Cthulhu Mythos and journeys in the Dreamlands seeking Unknown Kadath and other forbidden horrors, he may have been writing from real experience. While dreams are couched in metaphor and must be interpreted, they also touch the physical contours of our reality. And not just a light touch, either. Dreams can be made of concrete and stone. Further, I believe the dreaming mind is no longer bound by perceptual tricks we identify as “present time” in our waking lives. The existence of every man is eternal. Existence is beyond the control of the relative dimension in space we know as “time”. In dreams you can actually reach out and touch both the distant past and the future. Does this mean I think I can foretell the future? Of course not. Are you daft? If I could I would be a millionaire and far removed from health problems and dark depressions that define my inner, darker self.
But dreams shape and define my actual day-to-day existence, and not always for the better.
1966 was the year I turned ten, and the year the skies of my dreams turned dark. My best friend at the time lived next door. My best friend had an older brother who was five years older than me. One day that older brother trapped me behind a pile of tractor tires in the neighbors’ back yard. He pulled off my pants and my underpants. He wasn’t gentle. He twisted my most sensitive parts and forbid me to scream by threatening worse torture. He introduced me to pain I never knew could exist before that day. He forced me to endure torture for his personal pleasure. He told me the incident was my own fault and he made me believe it. I lost a part of my soul that day, and I would not remember what had happened for another twelve years, two-and-a-half emotional breakdowns later that school counselors and parents could never explain. I never told anybody about it for years. I could not have even written this paragraph until the summer before last… when he died of a heart attack. He had power over me until I was 56 years old.
1966 was also the year of the tornado in Belmond, Iowa. Both of my parents worked in Belmond. When we were in school that day, we were studying weather in science. The topic of nimbus clouds and storms came up. Mrs, Mennenga, our teacher, pointed out the north window of the 4th grade classroom and said a cumulonimbus cloud was just like the one we could all see in the sky over Belmond, ten miles to the north. She said that was the kind of cloud from which tornadoes would form. It was ironic that that was exactly what was happening. I spent that night at Uncle Larry’s farm knowing that a tornado had devastated Belmond, and not knowing if my mother and father were alive or dead. (My father’s business was leveled, but he made it to the basement just as the building exploded and only had a deep scalp laceration. My mother was a nurse at the hospital, and she, along with the rest of the hospital were miraculously spared. Only six people were killed in the devastation.) Needless to say, I know where my tornado nightmares come from.
So what is the real meaning behind Tornado Dreaming? I firmly believe nightmares auger something in real life. Granted it may be past as well as future, but dreams can come true for good or ill. While I was in college, I dreamed one of my childhood friends was riding in a pickup truck in the back, where no one should ever ride, but farm kids always do. A black tornado dropped out of the sky and knocked him out of the pickup and split open his head. Only a week later, in real life, that same friend fell out of the back of a pickup and nearly died. I had a tornado dream at age twenty-two that preceded remembering the sexual assault by two days. It all came back to me and floored me like being stepped on by the boot of horrendous Cthulhu. As a sophomore in high school I had a tornado dream that found me running for shelter into a house I had only entered twice in my life. It was the house of another of my friends, and everyone there, many of whom were people I didn’t know, were crying over the death of someone. My friend was there. His twin brothers and little sister were there. A woman that I later learned was his aunt was there. His mother was there too. Who were they all weeping for? The following Monday I found out that my friend’s stepfather had been killed on his motorcycle by a drunk driver the same night that I had the dream. Dreams can warn what the future holds. But you cannot do anything to change the outcome. Any attempts I made to change anything may have done more to cause the event than prevent it. So, I am left wondering if this “gift of prophecy” is not merely a curse.
I have a novel or two to write about this if God grants me enough time to write them. I am burdened by the very insight I am sharing with you here. Why am I even talking about it at all, you ask? Especially when I warned you from the start this wouldn’t be funny and practically no one will actually read this far? I must confess. Friday night I had another tornado dream. In the dream, I was in Grandpa Aldrich’s farmhouse, the place where my mother and father now live. My mother and I looked out the south window on the back porch. There, swirling in dark gray-green, was a funnel cloud dancing against an ominous electric-green sky. We were only steps away from the door to the storm cellar. But before we reached safety, the dream ended. What is about to happen? Will talking about it cause something to happen? Is Cthulhu knocking at the door? Only time will tell.
This post is a copy of the original posted in January of 2015.
Now, seven years after I originally posted this dark and scary essay, I now know what this tornado dream meant. My parents were each of them still living at the farm when the grim reaper came for the final visit. It happened, all of it, during the Covid 19 pandemic. Thus, the green sky. The color green indicated a raging growth, in this case, the growth and mutation of the virus. I have now survived the virus myself, the Omicron variant failing to kill me. Of course, neither of my parents got the virus and died of other causes. So, the green tornado may yet claim me too.
Filed under artwork, horror writing, Paffooney
I want to talk about a living artist for a change. I know that the artists I have talked about on this goofy blog-that-doesn’t-seem-to-know-what-it-is-really-for, Norman Rockwell, William Bouguereau, Paul Detlafsen, Thomas Kinkade, Fontaine Fox, and Maxfield Parrish, are all quite dead. But conversely that is a good thing because it means their art has stood the test of time. But today I want to plug a working artist I find absolutely fascinating. This is the first artist I ever seized upon as an example of a true master whose chosen medium is primarily digital art.
This is Loish. You can find her at http://loish.net/ or http://http://loish.deviantart.com/. Her name is Lois Van Baarle and she is a Dutch citizen by birth. She has worked as both an animator and a commercial artist/illustrator. She has lived all over the world in countries like France, Belgium, Germany, and the United States, but currently resides back in her home country, the Netherlands.
What I find so absolutely engaging about her work is the way she can portray ordinary folk, particularly young people and female people, in luminous digital colors (almost as if she is painting with light… and in fact that is actually what she IS doing), and in such a big-eyed, cartooney way (the way you would expect someone who does animation to do it.) Take a look at all these wondrous creations that I have borrowed from her websites or her Facebook page.
Isn’t that some of the loveliest artwork you’ve ever seen? I know some may not like it, preferring what is more realistic, gritty, hard-edged, or more cutting edge… but I love foofy art of all sorts… goofy foofy girly art… and this is among the best I have ever seen.
Filed under art criticism, artists I admire, artwork, Loish
Yesterday, before the big game, I watched the DVD I bought of Tim Burton’s Golden Globe Award movie, Big Eyes. It is the true-story bio-pic of an artist I loved as a kid, Margaret Keane… though I knew her as Walter Keane.
This movie is the bizarre real-life tale of an artist whose art was stolen from her by a man she loved, and supposedly loved her back. I have to wonder how you deal with a thing like that as an artist? I live in obscurity as an artist. My art has been published in several venues, but I have never been paid a dime for it. All I have ever gotten is publication in return for “exposure”, and limited exposure at that. But my art always brought vigor, joy, and light to my career as a school teacher. My art was always my own, and had either my own name on it, or the name Mickey on it. I shared my drawing skill in ways that directly impacted the lives of other people. It enriched my “teacher life”.
Mrs. Keane’s hauntingly beautiful big-eyed children appealed to the cartoonist in me. They expressed such deeply-felt character and emotion, that I was obsessed with imitating them. In fact, the “big-eye-ness” of them can still be detected in some of my work. I remember wondering how these children, mostly girls, could be drawn by a grown man. What was his obsession with little girls? But the true story reveals that he was a man so desperate to have art talent and notoriety that he put his name on his wife’s work, made her paint in secret, and eventually convinced himself that it was actually his. He had a real genius for marketing art, and he invented many of the art-market ploys that would later inform the careers of homely artists like Paul Detlafsen and Thomas Kinkaid. One wonders if Mrs. Keane could’ve ever become famous and popular without him.
The movie itself is a Tim Burton masterpiece that reveals the artist that lives within the filmmaker himself. I love Burton’s movies for their visual mastery and artistic atmosphere. They are all very different in look and feel. Batman was very dark and Gothic, inventing an entirely new way of seeing Batman that differed remarkably from the 60’s TV series. Edward Scissorhands was full of muted, pastel colors and gentle humor. Alice in Wonderland was full of bright colors and oddly distorted fantasy characters. Dark Shadows was Gothic melodrama in 70’s pop-art style. This movie was true to the paintings that inspired it and visually saturate it. It is beautiful and colorful, while also serious and somber. It makes you contemplate the tears in the eyes of the big-eyed waifs in so many of the pictures. It is a movie “I love with a love that is more than a love in this kingdom by the sea”… if I may get all obsessive like Edgar Allen Poe.



So, there you have it. Not so much a movie review as an effusion of love and admiration for an artist’s entire life and work. I am captivated… fascinated… addicted… all the things I always feel about works of great art.
Filed under art my Grandpa loved, artists I admire, artwork, movie review









Loving others makes you beautiful.



Filed under artwork, Celebration, humor, illustrations, kids, Paffooney
I am sick of a lot of things. Right now, Covid Omicron is probably one of those things. Oh, it doesn’t seem like it is going to kill triple-vaccinated me. But it is not making my life easy right now.
It bothers me that States with idiots in charge of the government are trying to legislate school curriculum in ways that eliminate books about black culture and black experience, life experiences of gay authors and trans people, and anything else historical or factual that makes white guys feel guilty or uncomfortable about not feeling guilty. (Notice I haven’t mentioned any particularly stupid red States like Texas or Iowa or the evil kingdom of Florida, nor have I specifically insulted moron governors like Greg Abbot or Ron DeSantis. I am behaving myself just as I learned to do from FOX News.)
It also bothers me that States with rabid monkeys in charge of the government are rewriting voting laws to seriously make things more difficult for certain people to vote, and rearranging vote certification so that the Republican party does not have to put up with people winning elections when they don’t like them. Voting is easy for me because I live in a mostly white-guy voting district and I look like somebody who might vote for Republicans. But even I could get into serious trouble if I tried to give a bottle of water of to an elderly black woman waiting in line to vote. And my side probably can’t win in the upcoming election because the majority of the voters who vote for my chosen side don’t look like me, or more obviously think like me.
And I am definitely disturbed by the fact that somebody who looks like a badly fermented mango and used to be the President of the United States, obviously, and in front of the world, incited a riot at the Capitol which resulted in violence and death for some rioters, but more Capitol Policemen. He literally tried to overthrow the US government. And a year later, he still has not been arrested and imprisoned, in spite of the fact that in many other countries he would’ve been executed for his traitorous, failed attempt at a coup.
But what good does it do to be angry about these things? Evil, greedy crooks have been running the ov er-all show since at least the 1980’s, and maybe longer, since before then I thought and spoke and acted like a child. I probably wasn’t mature enough to recognize how easily evil comes to mankind. Perhaps we were always doomed to eventual extinction by the excessive evilness rampant in the human species.
If mankind is going to be inventive enough and resourceful enough to survive nuclear proliferation, human-caused climate crisis, and de-evolution into fascistic. authoritarian, criminal empires, it will be the positive, creative, and good-natured among us that will find the solutions. Not the angry men that dominate politics and television.
I have done my part already. I taught kids to read, and a few of them to write. I hope I taught the right ones how to think. And I didn’t give them reason to become hateful. And I tried to teach them lessons on higher morality.
I finished a novel yesterday. That means Aeroquest 4, and The Necromancer’s Apprentice are both only a good proofreading away from being published.
Will I have time before the end to finish another? This I do not know. But there exists enough published stories by me to secure my right to call myself an author. Still, it is a task that makes me happy and leaves more positive than negative behind me when this life is over. It is a better, more-useful thing to do than being an angry man.
I hope you will help me, when the time comes, to vote the evil out of the government… if they let us do so. But I also hope you worry far more about being happy and fulfilled rather than angry.
Filed under angry rant, artwork, autobiography, humor, irony, Paffooney
Yesterday I used a Paffooney I had stolen to illustrate my gymnasium adventures, and in the caption I gave credit to the wonderful comic artist I shamelessly copied it from. The second imitation Takahashi that I did yesterday is now displayed next to it above. I am now compelled to explain about my goofy, sideways obsession with Anime and Manga, the cartoons from Japan. I love the art style. I have since I fell in love with Astroboy Anime as a child in Iowa. Rumiko Takahashi is almost exactly one year younger than me. As a cartoonist she is light years more successful than me. She has been crafting pen and ink masterpieces of goofy story-telling longer than I have been a teacher.

Her artwork is a primary reason I have been so overly-enamored of the Japanese Manga-cartoon style. I love the big eyes, the child-like features of even adult characters, the weird poses and still-weirder comic art conventions of this culture from practically a different planet. She has created comic series that are immensely popular in Japan, and have even put down sturdy roots in this country, especially with young adults since the 80’s. She is the world’s number one best-selling female comics artist.
Just as we Westerners have to accept numerous ridiculous things to appreciate the stories told in American comics (for instance, brawny heroes running around in tights with their underwear on the outside of their pants, nearly naked ladies with super powers diving into battle next to men encased in armored suits, and talking animals), the Manga-minded must also practice a bizarre form of the willing suspension of disbelief. In Ranma 1/2, the main character is a boy marshal artist who turns into a girl when splashed with cold water. Much of the romantic comedy of that work revolves around boys and old men finding themselves in the bath house next to naked young girls. For some reason that sort of naked surprise causes the boys to spout fountain-like nosebleeds. In Inu-Yasha the whole thing is about fighting demons with swords. Inu-Yasha himself is part demon. Apparently part-demon is a good thing to be. Japanese villains are spectacularly susceptible to fits of crying rage and tantrums. And everybody looks more like American white people than orientals. Oh, and there are talking animals.
Rumiko is a master of pen and ink. Here is a sample of of her black and white work.
And she does color well too.

The little people are a special style of Manga character called a Chibi, and all regular Manga characters can turn into one at any moment.


And, of course, to read actual Manga you have to master reading backwards. Americans read left to right. The Japanese read right to left. You have to open a Japanese book in a manner that seems both backwards and upside down.

This illustration shows how American publishers flip Japanese comics to make them more accessible to American audiences.
So now, by uncovering the fact that I am addicted to and seriously affected by Japanese cartoons, you have one more bit of evidence to present to a jury in case you decide Mickey needs to be locked up and medicated for a while. Japanese comics are a world of great beauty, but also a world unto themselves. It is an acquired taste that has to be considered carefully. And of all the many marvelous Manga makers, Rumiko Takahashi is the one I love the best.
