Category Archives: artwork

That Bluebird of Happiness

Blue birds

Yes, this is an old post from 2017r that is ironically about going back and rereading old posts.  Sorry about that.  But it made me laugh when I reread it.

I often go back and re-read old posts, particularly when I discover that someone else has read them.  It is amazing to me how differently I perceive things from when I actually wrote the post.  As you write, squeezing huge, boulder-sized portions of hot, magma-like burning ideas and passions out through writing orifices not nearly big enough to accommodate, you usually hate what you wrote and are still writhing in pain from the creation of it as you try to edit it, trim it and brush its unruly hair.  (How’s that for a mixed metaphor to make you cringe?)  But given time and distance, you can really appreciate what you wrote more than ever before.  Things that you thought were the stupidest idea a man ever put in words suddenly have the power to make you laugh, or make you cry.  You are able to feel the things the writing was intended to make you feel.  You begin to think things like, “Maybe you are not the worst writer that ever lived, and maybe that’s not why nobody ever reads your books.”  But then, of course, your sister reads the post and tells you that you write like a really old, really crabby, really ancient old man.  And you use the word “really” too much too.  I know I deserve that, Sis.  Especially the “really” part.

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Here’s a post that I reread and liked today about Bob Ross.

This is the thing about happiness;  It is elusive and rare as a real-life blue bird. But capturing it for a moment is not impossible.  And as long as you don’t try to salt its tail and keep it prisoner, you can encourage it to sing for you.  (Much better metaphor this time, don’t you think?)  vintage-coca-cola-ad-1950s-1960s-clownb

When I am accused of being gloomy, old, and boring, I can happily admit it and make it into something funny.  I am something of a conspiracy nut, but not so serious that I believe all my own assertions.  For those people who took offense at this conspiracy theory of mine; Coca-Cola Mind Control, I would like to point out that “Hey, I was joking.  I actually like clowns.”  Even though there is a serious side to everything and there can’t be laughter without some tears, I am basically happy with the way things are.

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I started listening to “Live Happy Radio” on Sunday mornings on KLUV in Dallas.  They point out on their program of endlessly droning happy-talk that happiness is something that you can work at.  Like humor writing in blogs, it takes practice and practice and time.  They even asked me to share the word about their happy magazine and products, so I am doing exactly that right here.  Sometimes you simply have to put your cynicism in a jar on the shelf next to the lock box where you keep depression and self-loathing.  So you can find their Live-Happy folderol right here.

So I am bird-watching again with an eye out for the bluebird.  You know the one.  It is out there somewhere.  And I need to hear that song one more time.

Blue birds

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Naked Creativity

Descend with me into the place where ideas come from, deep beneath the clothing you cover yourself with to protect yourself from the unknown. You come into this life naked. You can be wrapped for burial when you die, but if anything steps out of the dead body, it will not be wearing clothing. You face the inner demons and devils of life only with your naked self for defense.

Children seem, as a rule, to be more open to creativity. They are closer to the simple recombining of ideas that lead to new and creative thought. Children are also more open to living life naked. Shyness and negative body images are things that have to be carefully taught, along with racism, classism, entitlement, and a narcissist’s love of only the self. It is natural to be naked. We do not have to be taught how to be that.

I am now old and withering in body and energy and health. But as a senior citizen, I have embraced the urge to become a nudist that was always a part of me. I tend to see myself as a child when I think about the inner me, the me that lives near the actual source of all creativity. I do, in fact, more often than not, portray myself as a naked child. Though, I must warn you, my joy in my own nakedness was taken away from me at the age of ten. It took many years to get it back.

But the nakedness I am talking about in this Art Day post is not the literal nakedness of the old and spotty me. It is the willingness to stand emotionally naked in front of the world through the medium of this blog and use some of my deepest secrets as the puzzle pieces to put together a totally revealing picture of the me that is my creativity. I risk much to stand naked before the world. No armor to deflect the spears and arrows. No camouflage to hide me safely away from whatever attacks may come from those who see me for the first time, naked as I am, even when I am wearing clothes.

I wish to sing a song of myself, in the way Walt Whitman did in his Leaves of Grass. I need to make my body electric not only open to anyone and everything, but to actually become a part of all of it… to be one with all of you.

Some will look upon the fruits of my creativity and say I created something beautiful. Others will be offended and accuse me of misusing my gifts for some evil or perverted purpose.

But deep down and far below I have uncovered the naked truth. And I do not need to hide anything by trying to wear clothing as a disguise. I am a nudist. I am nothing but me. I have the curse of being creative, and that has led me to showing you what is within me, the things I have created, and the thoughts that gave birth to them. The naked me.

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Wow! Why Did You Draw That?

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Fairy Tales and Dragons (with pointillism)

Going through my old drawing portfolio, I found my children’s book project from my undergrad college years.  I have no idea now looking at the illustrations what the story was even about.  I lost the actual story, and I never made a cover for it.  But here is a look at old hopes and dreams and a way of seeing the world that begins; Once Upon a Time…

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I have no earthly idea what the heck this story is even about, but I do like the pen and ink work, and probably couldn’t repeat it if I had to.

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Seeing Through an Artist’s Eyes

It is not an easy thing to explain. Artists don’t see things using only their eyes. The brain intrudes in the process. For instance, you are welcome to interpret the picture above any way you like. But the way I see it will be nothing like what you thought this picture is about. You probably see two very different girls here. There is actually only one. I know because, as the artist who drew both parts of this picture, I actually know where the ideas came from. There is only one girl in the picture. Dilsey Murphy, in front and wearing her Carl Eller Minnesota Vikings’ jersey, is based about 33% on the older of my two sisters. On the outside she is pragmatic, no-nonsense, and focused on living a family life that is as normal as possible. But the inner Dilsey is the African leopard-princess. She dreams of going on Tarzan adventures in the movie-jungles of the mind with a handsome male hero. She is fierce, loyal, and completely independent, not even needing the hero she adventures with. In fact, she often saves him.

This picture is about the idyllic parts of my childhood. The mother figure is doing a ritual dance. She is in tune with the music of daily life. She is closely attuned also to her responsibilities of stewardship in her society. Both children are nude. I cropped this picture so that it is not rude and showing Smiling Boy’s penis. But both children are bathed in nature and sunshine, not just because I am pro-nudism personally, but because clothing covers up innocence and joy.

This one is easier to interpret. I was an ESL teacher. I had students who spoke Spanish as their first language and students who learned to speak Mandarin Chinese as their first language. It makes for a classroom that becomes a cultural mixing bowl. You have to learn how to deal with people who are very different than you,, but are benefitting from learning English together.

Every picture the artist draws or paints has its own weirdness embedded inside it. The way the artist sees it is probably never the same as how the viewer thinks about it. And that is as it should be. But as a viewer of art, it is hoped that you will at least try to think about what the artist means to say..

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Random Art for No Good Reason

Sherry Cobble, twin sister of Shelly, nudist, Iowan
When I was a child, this is what the inside of my mind looked like if you added a million more images that I didn’t have room to draw here.
Surrealism is when you make what can’t possibly be real look real.
Is this what music looks like if you can’t hear it with your ears but can only see it with your inner eyes?
Can you look into someone’s eyes and tell who they are? Especially if they tell you they are a dragon?
Can this picture make you sad? What if I told you the child died of cancer? Is it the picture that makes you sad, or what I told you?
This is a photograph. Does that mean that what is in the picture is real?
Does this picture mean anything at all? How about if I told you this entire post was put together while watching a video about the philosophy of Immanuel Kant? It was about how we use pure thought to understand everything our senses alert us to. Does the picture fit into the concepts you already have in your head? A naked child putting together puzzle pieces that are falling like snow?

I have no reason for putting this post together. But I wonder;..

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What Dreams May Come?

Lately I have been having problems with passing out during low blood-sugar moments in the middle morning, early afternoon, and shortly after supper, usually when I have already had a snack and my sugars haven’t balanced yet. When I pass out, perchance… I dream. Vivid dreams. So, for art day, I will post images I have made based on dreams I have had.

This one has shadows on everything. I exhausted three pens drawing shadows. Yet, there are no shadows on the child-figures. In the dream, they were glowing white ghosts.

Snowboy is one of the main villains in The Bicycle-wheel Genius. But the boy-robot made entirely of snow, ice, and circuitry first appeared in a 1978 dream that happened while I had a fever from the flu.

This dream is a mental-disturber caused again by fever. Here the two gigantic toys play with the little girl. I was not actually in this dream. I was an observer floating above. I think the bear was inspired by a Care-Bear.

This picture has all the elements of the actual dream, the candle, the line of glowing pixies, the sleeping princess, and Prince Charming. But nothing here looks like it did in the dream. The prince and the princess were both young teens that I did not know in real life. The fairies were larger and a lot more obviously nude.

I actually passed out while writing this post. It happened right here, before I could post this dream of living colors. All the colors were in motion in the dream, something I couldn’t really represent here.

I knew when I dreamed this dream that the Bambi-kin in this dream were members of my family, but at the time I dreamt it I had not met my wife yet, let alone had three kids of my own. Yet I knew that it was not my family at the time of the dream because one of my sisters was not there.

This is from a dream I had in college at Iowa City. I made an entire cartoon out of it called Babysitters Hate My House, It is about a babysitter having a horrible time with my two sons as she loses control when they show her the man in the basement that, “Daddy built out of a kit.”

And, finally, this dream featured not only the spirit stag and the medicine man, but the bolt of lightning in the background. The Dakotah people say having a dream with lightning in it makes you a “lightning dreamer”, a magic man, or a shaman. So, I guess that qualifies me to be one.

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Strawberry Fields

This foolish essay about berries that mean love to me is only partly inspired by the Beatles song, “Strawberry Fields Forever.” That’s because, of course, their song was only about meditating. In the lyrics they take you to the “Strawberry Fields where nothing is real… but it’s nothing to get hung up about…” They are talking about a blissful place of no worries where we all need to go. And then staying there forever.

This, of course, I could never do. Worrying about the future is tattooed on my behavioral imperatives in the dark part of my stupid old brain. And while I often found that place of no worries, and lingered there for a bit, I found you could never really get anything done if you stayed in that state of strawberry fields forever.

But don’t get me wrong, strawberries are a critical part of every healthy mental diet.

You see, my meditations on strawberries when I was a child of eight, nine, and ten centered on the strawberry patch at Great Grandma Hinckley’s place.

She was, as I incorrectly recall, slightly older than Jesus when I was that age. By that I mean, though she seemed museum-quality ancient to me, I had derived wisdom about life, love, and laughter from her before Sunday School taught me any of those things said in Jesus’s words.

And I was given the task of mowing her lawn in the little plot of land surrounding her little, tiny house in the Northern part of Rowan where I also lived and grew and celebrated Christmas and Halloween and Easter and the 4th of July. And though I was doing it because she was so old, I never even once thought she was too old and frail to do it herself. Grandma Hinckley’s willpower was a force of nature that could even quell tornados… well, I thought so anyway when I was eight. And she gave me a dollar every time I did the lawnmowing.

But there were other things she wanted done, and other things she wanted to teach me. There was the garden out back with the strawberry patch next to it. She wanted me to help with keeping the weeds and the saw grass and the creeping Charlie from overrunning the strawberries and choking them to death. (Creeping Charlie wasn’t an evil neighbor, by the way. He was a little round-leafed weed that grew so profusely that it prevented other plants from getting any sunlight on their own leaves, causing a withering, yellowing death by sunlight deprivation. I took my trowel to them and treated them like murderers. I showed them no mercy.)

And Grandma always reminded me not to be selfish and eat the very berries I was tending in the garden. She taught me that eating green strawberries (which are actually more yellow than green, but you know what I mean) was bad because they could give you a belly ache, a fact that that I proved to myself more than once (because eight-year-olds are stupid and learn slowly.) She also taught me that it is better to wait until you have enough strawberries to make a pie, or better yet, strawberry shortcake with whipped cream. She taught me that delayed gratification was more rewarding in the long run than being greedy in the short run and spoiling everything for everybody.

She always gave me a few of the ripe strawberries every time I helped her with them, even if I had eaten a few in the garden without permission. Strawberries were the fruit of true love. I know this because it says so in the strawberry picture. Even though I probably never figured out what true love really means.

My Great Grandma Nellie Hinckley was the foundation stone that my mother’s side of the family was built on. She was the rock that held us steadily in place during the thunderstorms, and the matriarch of the entire clan of Hinckleys and Aldriches and Beyers and other cousins by the dozens and grandchildren and great grandchildren and even great great grandchildren. I painted the picture of her in 1980 when she passed away. I gave it to my Grandma Aldrich, her second-eldest daughter. It spent three decades in Grandma’s upstairs closet because looking at it made Grandma too sad to be so long without her. The great grandchild in the picture with her is now a grandmother herself (though no one who has seen this picture knows who it is supposed to be because I painted her solely from memory and got it all wrong.) But Grandma Hinckley taught me what true love means. And true love has everything to do with how you go about taking care of the strawberry patch.

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Pictures In My Head

I do draw some pictures from models, photos, or other illustrations… but fantastical things that you can’t find a model for are what occur most often in my stupid head.

I was back in a classroom yesterday as a sub. 6th graders. It did look an awful lot like this, but I was holding another teacher’s giant pencil. Except for the fact that I re-posted this from 2019. I have not been able to sub since before the pandemic lockdown happened in 2020.
This is the ski-jump on Valwood Parkway in Farmer’s Branch. I merely changed the railroad tracks into a stream.
I taught all three of these kids when they were thirteen, but one in ’81, one in ’92, and one in ’94. Oh, and not on Mars.
No models were used in this picture, though I did know several blue children.
Done without a model, unless you believe 3″ tall fairies are a real thing.
No werewolf girls posed topless for this picture.
This classroom photo was entirely in my stupid old head, not in a school gymnasium full of snow.
Even the mountains in the background were drawn directly from my mind’s eye.
A lot of what I draw is merely emotional flim-floogery and provides a look inside of me that makes a portrait of me drawn even more naked and vulnerable than if I drew myself nude.

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More Old Art Re-Photographed

This oil painting hangs in my library and is hard to light properly. This one is better than before.
The eyes of the tiger are important to get right. The Tyger in William Blake’s poem expresses the duality of good and evil, as this picture is also trying to do.
This is the oldest colored-pencil picture I have, not hard to photograph, but easy to overlook.
Pencil remains difficult for the camera to capture in all its nuances.
Pen and ink is easier, but the white still turns out gray without the best possible lighting.
This is high-school years old.
The subject of this drawing is inside my head.
My Vietnamese War painting from the 80s got me criticism for being political.

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