Tag Archives: drawing

Chibi Exchange

My last post, “The Time is Coming”, was about as down and depressed as I am capable of getting.  I am better now.  Maybe I should explain how I did that.

I brought myself out of depression by grading papers.  I know, teacher cliché, right?  But there is much, much more to it than that.

In my last period class, I have one precious girl student who has been paying me for my many cartoon drawings on the dry erase board.  You see, I have for many years been using my cartoonist skills to illustrate things on the board and draw attention especially to the lesson focus and objectives.  Kids love these.  It inspires them to commit random acts of doodlery.  They imitate my toons and sometimes create their own.  I don’t do Mickey Mouse and Bugs Bunny any more, not because I can’t, but because the owners of those copyrights have become unreasonably litigious and have sued teachers for imitating their copyrighted work.  I only use cartoons of my own creation now.  I have developed my own cast of characters.  Some of my students have done the same.

The girl, whose name and identity I cannot here divulge (it is the law that protects student identities, but I thoroughly buy into the notion) turned in a paper yesterday with Chibis all over it.  She gives me drawings of her own creation because she likes to repay me for sharing my cartoons with her.  She also covers her papers with these things because of the laws of doodlery.  When you are in a high school English class, your life is at risk because you could easily become bored to death.  The first law of doodlery says that you must use every spare moment of the lesson to draw something.  This keeps both your mind and your hands active enough to keep you alive.  The second law of doodlery requires that you make maximum use of every blank part of your answer page.  The third and final law of doodlery is to draw things that are different.  If you  draw too mundane, or too much the same, your mind goes numb and death by boredom is looking in through the windows of your mind.

Image

 

So today’s Paffooney, this offering of Chibis, is the same set of doodles that pulled me out of the darkness.  I copied the pencil Chibis from her paper, as precisely as I could in every way except size.  Then I inked them and colored them.   I won’t tell you what the Vietnamese word means or why it is there.  You are entitled to your best guesses.

A Chibi is a version of a manga or cartoon character that is child-proportioned or deformed by an exaggerated cuteness.  I gave the main figure blue hair because in manga language blue hair means youthful, energetic, cool, and introverted, a perfect description for my little Bishoujo, my little Chibi-doodler.  She is now officially a life-saver, a heroine in my book.

Yesterday’s post was dark and depressing, and I fear the issues that created it are real, and they are not going away.  But don’t worry for me.  I know how to handle such things.  And I do have help.

Leave a comment

Filed under Uncategorized

Player #3

Player #3

Over the years as a teacher, you run into a large number of students that you will absolutely fall in love with. And sometimes… they will fall in love with you also. Oh, my! What a potentially dangerous situation! But it doesn’t have to end in hurt feelings or criminal charges. Sometimes you find the perfect balance. The little girl that sits in the front row can be the apple of your eye… and you never actually take a bite… and neither does she. It becomes a silent dance of swirling smiles, and laughter. The occasional tear… the valentine card… Making her parents feel good with your testimony about what a wonderful scholar she is. Nothing ever has to be wrong… and if it isn’t, the picture stays with you for a lifetime. One day you will have to paint it. Sweet, sentimental perfection.

Leave a comment

March 20, 2014 · 12:26 am

Sit Right Back And You’ll Hear A Tale…

Sit Right Back And You'll Hear A Tale...

There was a time when students who hated me and wanted to ridicule me called me Gilligan. I was young and thin and dorky, and they really wanted to belittle me. Well, I started calling my classroom “the Island” and they soon realized that Gilligan was on a deserted island with at least two beautiful babes who were also single. (Yes, I did for a while have two girlfriends at the same time in real life… Well, I did. It’s not completely untrue!) The joke got turned back on them. Kids started to like the class. Some, who learned a lot, began calling me “Professor” instead. We went coconuts for a while. I could say “no pun intended”, but it wouldn’t be true.

6 Comments

March 19, 2014 · 2:06 am

That Silly Old Writer, Me!

Image

 

I was invited to take part in the “My Writing Process” blog tour by a fellow young adult fiction writer, Stuart West.  (https://stuartrwest.blogspot.com)  Stuart is the author of the Tex, the Witch Boy series of paranormal YA thrillers.  He is something of a mentor to me, and easily the best published author I am personally acquainted with.  Before you take me seriously, you should definitely check out his blog.

For this little exercise, I have to answer four questions, then invite three other authors to do the same.  I’m a little slow on getting others to agree to this plan, but I am shameless when it comes to opportunities to talk about my own writing.  I will post the three authors later this week, after I am done begging and bribing.  

Step 1: Acknowledge the person and the blog site that invited you to take part.

As you can see, I’ve done that above, but here is the second mention; Stuart R. West .  (https://stuartrwest.blogspot.com

Step 2: Answer four questions about your writing process.
1)      What am I working on?
2)       How does my work differ from others of its genre?
3)       Why do I write what I do?
4)       How does your writing process work?

  1. What I am working on now is a story that is sequel-requel-prequel to my novel Catch a Falling Star.  That means that it uses characters from that novel, a bunch of new ones, and some from other stories of mine as well to tell what happened before that novel, during that novel, and after that novel.  Silly plan!  Believe me, I realize that while sweating over re-quel details (a phrase that here means a retelling of parts of that novel – I do also realize I stole this particular conceit from Lemony Snicket).  The book will be called The Bicycle Wheel Genius about a scientist who is a super-genius inventor trying to live incognito in a little Iowa farm town after leaving government service.  He is trying to live down a family tragedy while at the same time befriending the boy next door, avoiding government agents and assassin robots, dealing with an alien invasion by invisible alien frog people,  juggling time travelers, creating rabbit-men, and engineering old-fashioned high-wheel bicycles. 
  2. How does my work differ?  You have to ask?  Unlike all the careful plotters, step-by-step writing crafters, and picky editor types out there, I put words and ideas in a blender, mix on the “Are you insane?” setting, and then let it all come pouring out into pages and scenes and chapters (although I call them cantos for some bizarre reason).  I also have to admit that I base a lot of my characters on real people that I either grew up with in Iowa, or met over my thirty plus years as a mostly middle school teacher.  And these stories have percolated in my head for twenty to thirty years.  Did I mention already that I am not a person who thinks in straight lines?  You can tell by the shifts, reverses, and loopty-loops in this paragraph that much of what I call humor comes from my purple paisley prose (a phrase which here means overly ornate, wordy, and down-right convoluted sentences and paragraphs).  (Thanks again, Lemony).
  3. Why do I write it?  Let me think.  Could it be because teaching middle school students for too long leads to insanity, and if the insane are going to be useful in society, they have to do something at least mildly interesting for people who live in the real world?  I mean, if I just sit in a room all day drooling and counting and re-counting my Pez dispenser collection, that wouldn’t be entirely helpful.   Writing honors all the people I have known, alive and now departed, who touched my life and made a difference to my heart.  It also helps me make sense of things that have happened to me over time and shaped me as person… hopefully a person you might like to get to know.  And you can know a person through their writing long after they are personally worm food.  How could I live without Mark Twain or Charles Dickens in my life, and both were dead long before I was born?  And I know you’re going to ask yourself what makes me think that other people couldn’t live their lives better without knowing me?  But don’t ask.  I have developed a certain amount of wisdom over the course of my life, and I know I really don’t want an answer to that question.
  4. How does my writing process work?  I have taught the writing process in the classroom so many times, that the only answer I am still sane enough to give is that everyone’s process is entirely different.  I can, however, drop an insight or two on you.  First of all, everything I have ever written is still a part of what I call Prewriting… with a capital P.  Everything ever written can be rewritten and improved.  Secondly, it is important to re-read what you write.  I hate typos and mistakes in what is supposed to be “finished” writing.  It is the reason I hate the entire experience of my first published novel, Aeroquest.    That writing will never be okay until I have a chance to re-write it and re-tell it and re-everything it.  Dang it.  Thirdly, you must carefully consider who to allow to have input on your rough draft and re-worked copies.  Even some professional editors don’t bother to try to see things in a way that reflects the fact that they care about what you have written.  You need someone on your side to share it, and love it, and cherish it the way you do.  Only that person will give you input that is worth listening to.  Fourthly, if you reach fourthly your list is too dang long.  And finally, publish it.  Share it.  Don’t put it away in a drawer for the mice and spiders to read when you are long gone. 

So, Stuart, how did I do?  I hope at least it proves what you have known all along.  That Mickey guy writes like his hair is on fire and his pants are unraveling… in front of girls.

(Three writers to be named later will take up this same blog tour… I hope.)

1 Comment

Filed under Uncategorized

Google Paffooney

Google Paffooney

Honestly, this is my brazen attempt at goopy self-promotion. If you do an image search on the word Paffooney, you come up with mostly my artwork, and, inexplicably, pictures of women named Valerie Clarke. (Valerie is the name of the heroine in my novel Snow Babies, but I honestly never put that name in a tag or a category.) So if you’d like to see, Google it. (“Google it” almost sounds like a Paffooney term itself, doesn’t it?)

2 Comments

March 8, 2014 · 7:37 pm

Breaks from School

Breaks from School

Once again a little ice is on the roads and we miss a day of school. And on a State testing day! Today was supposed to be one of the very last TAKS tests. High stakes tests in this State were intended from the beginning to make us fail and prove that public schools are unworkable. The powers that be want to take public education money away to use for private schools and for-profit schemes. They think of education as a commodity meant only for those who can afford it. The stone-age thinking among rich Texans has iced us over. So, I sit at home impotent and waiting to hear how we will proceed. We have to get educating again or the dinosaurs are going to eat us.

1 Comment

March 3, 2014 · 11:03 pm

Rooster Riding

Rooster Riding

In the early 90’s I created a comic strip called Hidden Kingdom. It was about three inch fairies, pixies, and creatures that live among us and have their own kingdoms and empires hidden in our world. They, of course, were of a size that allowed them to use creatures like chickens as riding beasts. That is the source of the idea behind this Paffooney. The fairy princess and her bug-boy servant are taking a ride.

5 Comments

March 2, 2014 · 11:01 pm

Thanks for the Memories, Mr. Disney

This post is going to sound an awful lot like stuff and nonsense, because that is what it primarily is, but it had to be said anyway.    Last night my family took me to see the movie Saving Mr. Banks, a deeply moving biographical story of P.L. Travers, the creator of Mary Poppins, and how she had to be convinced to surrender her beloved character to the movie industry which she so thoroughly detested and distrusted.  It is also about one of my most important literary heroes, Walt Disney, and how he eventually convinced the very eccentric and complicated authoress to allow him to make her beloved character into a memorable movie icon.

“We create our stories to rewrite our own past,” says Disney, trying to tell Mrs. Travers how he understood the way that her Mary Poppins character completed and powerfully regenerated the tragedy of her own father’s dissolution and death.  This is the singular wisdom of Disney.  He took works of literature that I loved and changed them, making them musical, making them happy, and making them into the cartoonish versions of themselves that so many of us have come to cherish from our childhoods.  He transforms history, and he transforms memory, and by doing so, he transforms truth.

Okay, and as silly as those insights are, here’s a sillier one.  In H.P. Lovecraft’s dreamlands, on the shores of the Cerenarian Sea, north of the Mountains of Madness, there roam three clowns.  They are known as the Boz, the Diz, and the Bard, nicknames for Charles Dickens, Walt Disney, and William Shakespeare.  These three clowns, like the three fates of myth, measure and cut the strings of who we are, where we are going, and how we will get there.  They come to Midgard, the Middle Earth to help us know wisdom and folly, the wisdom of fools.

Why have I told you these silly, silly things?  Do I expect you to believe them?  Do I even expect you to read all the way to paragraph four?  Ah, sadly, no…  but I am thinking and recording these thoughts because I believe they are important somehow.  I may yet use them as the basis of a book of my own.  I enjoy a good story because it helps me to do precisely as Mr. Disney has said, I can rewrite my own goofy, silly, pointless past.

 Image

Leave a comment

Filed under Uncategorized

Snowboy

Image

 

Yesterday I may not have fully explained about the Bond villain-esque villain that I have deployed into the dark waters of my manuscript novel The Bicycle-Wheel Genius.  Snowboy is not fully human, but he is trying.  He was a robot built by a joint American-Alien project in Area 51.  He was created as a living weapon and deployed against the brother-in-law of the Bicycle-Wheel Genius himself.

During the course of the story his robot brain is turned off by sudden electro-magnetic trauma, and the scientist is able to piece him back together in the form of a boy.  But he’s not a normal boy in any way.  His nuclear core malfunctioned and caused his cooling units to ice him over, making him a living Snowboy.

What makes him the villain is his determination to torment and destroy those people who gave him his resurrected life.  He has emotions for the first time in his life, and he totally misuses them.  His internal struggle with the truths of life translates into destructive treatment of others.

Okay, I know it doesn’t all make sense.  I’m still working on it.  But it gives me an excuse to show you another picture of him, this time with a less washed out photo of the drawing.

2 Comments

Filed under Uncategorized

Writing Good Villains

Right now in my writing I am in need of a sinister villain.  The story I am writing, The Bicycle-Wheel Genius, is the story of a super genius who has lost all the people he loves in a terrible fire caused by a lab accident.  The themes of the book include that human beings are inherently good.  Another theme is that those good human beings need other human beings, friends, family, acquaintances, experts, clowns, entertainers and those people who will ultimately help a person define himself and become the person he or she is meant to be.  The science fiction in the story includes instances of time travel, electro-magnetics, genetic manipulations of age and even species, alien encounters, and robots who are nearly human.

So how do I make a good villain to support stuff like that?  Villains are by definition not good.  They pervert the basic nature of human beings to serve their own selfish ends.  Goldfinger uses his financial and technical genius to defeat James Bond and enrich himself with Fort Knox’s gold.  Of course, he’s a bad guy, so the good guy, Bond, defeats him.    Moriarty is a dastardly villain who tries to outthink and outwit Sherlock Holmes for the selfish satisfaction of beating Sherlock, possibly to prove himself the most intelligent force in the universe.  Of course, he’s also a bad guy, and when both he and Sherlock plunge over the waterfall, only Sherlock survives to be victorious.

Image

My villain has to be so caught up with self benefit, that he must be willing to pervert goodness and cause others to suffer and die.  What better villain, then, to use other than the government assassin robot that the genius rebuilds into a pseudo-replica of his own son?  And because of his robotic, soulless nature, violent government assassin programming, and human elements introduced by his re-animator, he becomes a philosophical and existential mess.  The assassin Crackerbutton is transformed into a boy-robot whose cooling unit overcompensates for loss of mass and turns him into the Snowboy.  Okay, I know I should explain why he’s evil and how things work out, but forgive me if I save that for my book.  In a selfish and perverted way, I am seeking to entice you into buying that book and reading that book to see if the Mickey-villain stands any chance at all of being what I am claiming it to be.

Leave a comment

Filed under Uncategorized