Catch a Falling Star

Johann Sebastian Bach may or may not have written his organ masterpiece, Toccata and Fugue in D Minor in 1704. All we know for sure is that the combined efforts of Johannes Ringk, who saved it in manuscript form in the 1830’s, and Felix Mendelssohn who performed it and made it a hit you could dance to during the Bach Revival in 1840 made it possible to still hear its sublime music today. Okay, maybe not dance to exactly… But without the two of them, the piece might have been lost to us in obscurity.

The Toccata part is a composition that uses fast fingerings and a sprightly beat to make happy hippie type music that is really quite trippy. The Fugue part (pronounced Fyoog, not Fuggwee which I learned to my horror in grade school music class) is a part where one part of the tune echoes another part of the tune and one part becomes the other part and then reflects it all back again. I know that’s needlessly confusing, but at least I know what I mean. That is not always a given when I am writing quickly like a Toccata.

I have posted two different versions for you to listen to in this musical metaphor nonsensical posticle… err… Popsicle… err… maybe just post. One is the kinda creepy organ version like you might find in a Hammer Films monster movie in the 1970’s. The other is the light and fluffy violin version from Disney’s Fantasia. I don’t really expect you to listen to both, but listening to one or the other would at least give you a tonal hint about what the ever-loving foolishness I am writing in this post is really all about.

You see, I find sober thoughts in this 313-year-old piece of music that I apply to the arc of my life to give it meaning in musical measure.

This is the Paffooney of this piece, a picture of my wife in her cartoon panda incarnation, along with the panda persona of my number two son. The background of this Paffooney is the actual Ringk manuscript that allowed Bach’s masterwork not to be lost for all time.

My life was always a musical composition, though I never really learned piano other than to pick out favorite tunes by ear. But the Bach Toccata and Fugue begins thusly;

The Toccata begins with a single-voice flourish in the upper ranges of the keyboard, doubled at the octave. It then spirals toward the bottom, where a diminished seventh chord appears (which actually implies a dominant chord with a minor 9th against a tonic pedal), built one note at a time. This resolves into a D major chord.

I interpret that in prose thusly;

Life was bright and full of promise when I was a child… men going to the moon, me learning to draw and paint, and being smarter than the average child to the point of being hated for my smart-asserry and tortured accordingly. I was sexually assaulted by an older boy and spiraled towards the bottom where I was diminished for a time and mired in a seventh chord of depression and despair. But that resolved into a D major chord when the realization dawned that I could teach and help others to learn the music of life.

And then the Fugue begins in earnest. I set the melody and led my students to repeat and reflect it back again. Over and over, rising like a storm and skipping like a happy child through the tulips that blossom as the showers pass. Winding and unwinding in equal measure, my life progressed to a creaky old age. But the notes of regret in the conclusion are few. The reflections of happinesses gained are legion. I have lived a life I do not regret. I may not have my music saved in the same way Johann Sebastian did, but I am proud of the whole of it. And whether by organ or by violin, it will translate to the next life, and will continue to repeat. What more can a doofus who thinks teaching and drawing and telling stories are a form of music ask for from life?

Yes I will continue to coddiwomple for a while.  On my birthday in November of 2014 after retiring in May, I decided I would do a blog post every single day for at least a year.  Now, two years and four months later, I am still posting every single day.  I think that I shall continue for a while because there are real benefits to doing so.

• It keeps my seriously old and worn-out brain active, chugging along even though it is held together with mental duct tape.
• It challenges my ability to come up with new ideas.  I admit, sometimes I set down to write a post with nothing in my head but random snippets of music and empty space.  Yet, I have managed to increasingly create bizarre and exotic thought-artifacts at an increasingly volatile pace.  Perhaps soon the ideas reach critical mass and my writing goes boom like  a series of fireworks.
• It has increased my visibility on WordPress and the reach of my writing through social media.
• It has taught me how much I hate Twitter.  People tweeting in a rage at each other makes the world a birdhouse full of angry birds.
• It has also taught me to edit carefully and quickly because my writing time is theoretically limited, as is my target word-count.
• And I have learned that some days I need to do a simple and easy post like this to give my mind-muscles a chance to rest and grow.

So I will continue to post on WordPress, putting up pusillanimous Paffoonies to treat and entertain you.  (Yes, I know that “pusillanimous” means timid.  But the root words mean “small mind”, and my mind is nothing if not small.  And I also needed a multi-syllabic p-word to make the alliteration sound funnier.)