Small Town Inspirations

Having just finished telling a story that has been in my head for 40 years, I discovered that story-telling is still very much on my mind.

authormbeyer's avatarCatch a Falling Star

Pesch Street

I grew up in a small rural town in North Central Iowa.  It was a place that was, according to census, home to 275 people.  That apparently counted the squirrels.  (And I should say, the squirrels were definitely squirrelly.  They not only ate nuts, they became a nut.)  It was a good place to grow up in the 60’s and 70’s.  But in many ways, it was a boring place.

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Yes, there were beautiful farmer’s daughters to lust after and pine for and be humiliated by.  There was a gentle, supportive country culture where Roy Rogers was a hero and some of the best music came on Saturdays on Hee Haw where there was a lot of pickin’ and grinnin’ going on.  There were high school football games on Friday nights, good movies at the movie theaters in Belmond and Clarion, and occasional hay rides for the 4-H Club and…

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November 12, 2018 · 4:03 pm

Another Novel Done

Sing Sad Songs cover a

I finished another rough draft novel last night.  And when I say rough draft, I really mean I have pieced it together at a rate of about 500 words a night, about two nights per Canto (What Mickey inexplicably calls a chapter), with revisions and editing already complete.  Of course, there is no such thing as a final draft.  The majority of my novels have been plotted and planned and created over the last 40 years of my life.  I will continue twiddling, correcting, and messing with all of my novels until I drop dead.  But this draft I just finished is actually 95% finished and almost ready for publication.  The books I have lined up now for a final effort are Recipes for Gingerbread Children, The Baby Werewolf, and finally including Sing Sad Songs.  Look for all three of them soon.

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Bedbug Crazy Planning

I decided to re-post this because it was liked overnight by a WordPress site ironically called Seattle’s Best Pest Detection.

authormbeyer's avatarCatch a Falling Star

It occurs to me, (usually suddenly in the middle of the night making me leap out of bed with a light bulb over my head that tends to evaporate if I don’t write it down), that you may not be able to make much sense of the order of my posts, or the way that I leap from one pond frond paragraph of ideas to another with nary a bridge over troubled water between them.  The phrase, “Crazier than a bedbug” may have just leaped into your head.  If it didn’t, then I didn’t do a very good job of planting it there just now with this loony opening paragraph and my witlessly wired title for today’s post.

The problem probably begins with seeing the world as I see it.  As in, “Nobody sees the world the way you do, Mickey!”  For example, look closely as this picture of me…

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Hidden Kingdom (through page 19)

authormbeyer's avatarCatch a Falling Star

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HK31Hk51HK61hk71hk81hk91hk101hk111ahk121ahk131hk141hk151ahk161ahk171ahk181ahk19

Almost there.  Page 20 is the end of Chapter 1 : Sundered.  Stay Tooned…

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Flying the Magic Flying Carpet

Since I am too ill to really write well today I will let this older post do the thinking for me today.

authormbeyer's avatarCatch a Falling Star

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There are many ways to fly.  Airplanes, bird wings, hot air balloons, bubble-gum-blowing goldfish… well, maybe I am really talking about flying by imagination.  The more my six incurable diseases and old age limit my movement, my ability to get out of bed and do things, the more I rely on reading, writing, and the movie in my head to go places I want to be.

Wings of Imagination

Sometimes the wings I use to fly come from other writers.  I get the flight feathers I need not only from books, but also from YouTube videos, movies, and television shows.

This magic carpet ride in video form is by the thoughtful creative thinker Will Schoder.  In it he carefully explains how Mister Rogers used the persuasion techniques of Logos, Ethos, and Pathos to talk to elephants and convinced a congressman intent on cutting the budget to actually give Public Television more money for…

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Ginger Ale


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Long about the middle of October every year I have to partake of the miracle that is Ginger Ale during pollen season.  And believe me, in Texas, pollen season lasts until the parched grass and dry air sets in again during the droughts of middle July through September.  Sometimes in a wet year (which used to be rarer than now) the tree pollen, mold spores, mountain cedar, and ragweed fill the air year around.  Ginger in any form is a god-sent cure-all for ailments of the lungs, ears, nose, and throat.  It reduces inflammation, dilutes mucus, and helps you restore the breath of life.  I have developed a real taste for ginger products of all sorts as a result of the medicinal boost it gives me every year.  It explains my addiction to gingerbread.  Also why I often put ginger root in a pot on the stove filled with boiling water and then inhale the fumes.  I love Ginger Ale because it makes me feel good.

Simon’s Cat on YouTube is another kind of Ginger Ale for me.  Admittedly it is a mental sort of medicine, not a drink or a cookie or a steam inhaler.  But watching those simple black and white cartoon antics that are so realistically catlike makes me laugh and increases serotonin in the brain, and it provides a very real depression medicine.

Now, I know full well that I am connecting two very unlike things and calling them both Ginger Ale on the mere passing similarity of the medicinal benefits.  But life is far more metaphorical than it is literal.  And that is why I continue to maintain that poets live better lives than the rest of us even if they die young for love of beauty.  And it is better to be a cartoon cat than a literal king.

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Ravel’s Bolero

One of the first pieces of classical music to grab me by the ears and absolutely force me to love a piece of music with no words was Ravel’s Bolero.

Miss Malek played it on a phonograph for us in the basement of the Rowan Schoolhouse when I was in 3rd grade back in the fall of 1965.  Shortly after that, my father bought a record of it for our record player at home.  I must have listened to it a hundred times before 4th grade.  It was the first piece of music I learned to listen to with pictures creating themselves in my mind.  Here’s the basic picture in fact;

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Yes, it suggests to me that life is a long plodding march toward inevitable battle, a battle that one day will end in defeat and death.  No one lives forever and no song continues without end.  But there is beauty, pageantry, and color to be felt and filled with along the way.  And the march is not without purpose.  What music we will create along the way!  It is glorious to be alive and provide the drumbeat for the march of the creations of your soul, your children and the words you come to live by.  I do not intend to retreat to the castle as many would do.  I will not cower as I await the conclusion.  I will march to meet it in a glorious crescendo.  And that, dear reader, is what Maurice Ravel’s Bolero is about, as far as I am concerned.

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Aeroquest…Canto 40

 

Aeroquest banner aCanto 40 – The Thin White Duke

      Castle Orpheum was a completely enclosed and very unusual under-water city.  The Dancer Downport was on a floating platform anchored nearly a mile above the city dome.  The vast underwater dome could only be reached by commuter submarine.  It was isolated and difficult to reach, yet a critical link in the chain of interstellar commerce, as well as the shadier parts of the “package industry”.

To reach it, one normally had to surrender all personal security to the good will of the Blackhawk Corsairs.  They were as much pirates as they were protection, though.  Aero and Cloudstalker both didn’t want to risk trusting them.  So, Ham Aero had flown the Leaping Shadowcat straight into the world-wide sea on the planet Dancer.  When they located the entry base on the top of the city dome, Arkin Cloudstalker communicated his intentions directly to the Thin White Duke.  Miraculously, Castle Orpheum opened to them and allowed them in without ever consulting the Blackhawks who ruled there.  The ship was parked in the main vehicle bay where it had ample room.  The crew locked it up and headed down a lift shaft into the city itself.

“We are going to have to be careful here,” said Arkin to the crew.  “Razor Conn is a good man, but his organization is full of less than trustworthy types.”

“Didn’t this planet once belong to a Mechanoid?” asked Ham.

“Khoolbas DiQuiri, yes.  He was half computer, half lard.  The fattest Mechanoid ever re-animated.  Razor Conn took over this planet and this city from him.”

“Is he dead then?” asked Duke Ferrari.

“No, Han,” said Arkin.  “Half of this planet’s artificial systems run through his computerized brain.  If Razor had killed him, this planet would lose atmosphere and become a giant ice ball again.  He’s a prisoner, but he’s still alive somewhere here in Castle Orpheum.”

As the access port to the lift shooped open, the crew stood looking at a Chinese man in a black suit with a gangster hat and black cape.

“Greetings, gentlemen.  I am Shad Blackstone, Razor Conn’s number two man.  I’ve come to take you to the White Duke.”

Nothing more was said.  In a single file line, the group followed the mysterious caped Chinaman into the city streets.  Castle Orpheum was a detailed reconstruction of 1930’s Chicago back on the planet Earth.  Everyone dressed like Al Capone and the only vehicles allowed in the city were 1930’s-style roadsters with photon-battery engines.  Many openly carried ACR’s (advanced combat rifles) shaped like Tommy guns.  Molls and urchins roamed the streets trying to con the toughs into cutting them in on the action.  It was like an alien culture to the crew of the Shadowcat.

“What’s with this place?” asked Duke Ferrari.

“It has style,” said Blackstone mysteriously.

Most of the buildings they passed were styled as theaters, speak-easies, and pool halls.  Most, however served functions different than they appeared to, and almost all had private dwellings in the upper stories.  The dome’s sun-source and artificial lights were set on a kind of permanent twilight, making the whole place eerily like the set of a film-noire movie.

Shad Blackstone led them into a building marked as Keyser’s Old-Style Brewery.  The six guards they saw wore Blackhawk combat armor and carried plasma guns.

“No one breaks in here, do they,” said Ham.

“Are we gonna get shot at?” asked the Lupin boy, Sahleck Kim.

“No,” said Blackstone, “at least, not by us.”

The party entered a small computer room to be scanned.

“This is Fortunato Tomb,” said Blackstone, introducing the Kritiian with the four scanners.  Tomb was an insect-man from the planet Kriti 5.  He had a brown carapace and four hands.  He walked upright on his hind two legs.  In the face he looked like a huge praying mantis with multi-faceted eyes and big, sharp mandibles.

“Hold still and this will go quickly,” said Tomb with a creepy voice coming through a universal translator device he wore on his abdomen.

“Where’s your hat, bug man?” asked Trav.  “Everybody else in this place has a gangster hat.  Or maybe I should call it a Ged Aero hat?”

“I ate mine, monkey man,” said Tomb, “but I’m still hungry.  Maybe you’ll be so kind as to hand me yours?”

Tomb ran the scanners over everyone, though no one would say what he was looking for.  Trav held his gob hat in his hands the entire time.

“Gentlemen,” said Blackstone, “it is time to head into the inner sanctum of the Thin White Duke.”

A bookcase rolled away from the wall to reveal a secret staircase.  Shad Blackstone led the way up the stairs, which re-sealed after they all had passed.  The inner sanctum was styled after a public library with numerous book racks and tables that left ample room for study.  There were computers and holo-displays built into the surface of every table.  A few leather-bound paper books were open and spread about on the tables.

The Thin White Duke himself was obviously well nick-named.  He had white hair, a white suit like Mark Twain, and was rail thin in an almost emaciated way.  He also wore a white half-cape over his left shoulder.

“So, I am honored by your visit, Hannover Ferrari,” said the White Duke.

“We had no choice,” said Duke Ferrari plainly.  “You are the Sector Duke, and we can’t operate in your sector without your permission.”

“Nothing illegal, I suppose?”  The White Duke arched an eyebrow.

“Well,” said Cloudstalker, “we plan to rebel against the Galtorr Imperium.”

“I know your plan.  I dispatched agents to this planet Don’t Go Here and I have information for you about Ged Aero’s journey to a planet called Gaijin.  I would like to know what you are planning to do about the ancient relic that your Goofy Dalgoda plans to steal.”

The group was astounded by the revelation of the depth of the White Duke’s intelligence sources.  Ham Aero turned red in the face on Goofy’s behalf, but Trav himself showed no change of expression at all.

“Uh…” Arkin Cloudstalker tried to say, “we never actually… um… approved Dalgoda’s plan.”

“Don’t panic, my friends.  Razor, Shad, and I have talked it over carefully.  We want you to take the thing.  It is dangerous beyond belief and we don’t trust anyone to handle it more than Ged Aero.”

“What is this thing?” asked Ham, alarmed.

“We’ll examine it tomorrow.  For now, let’s just say that we are planning to give it to you.  In return for taking it off our hands, I will help you with your rebellion.  The planets Dancer, Regal One, and Inchon will join your alliance.  We no longer claim White Palm.  That was Nefaria’s planet, and the Count disappointed me greatly in his recent dealings.  He and his Expedition One archeologists have another ancient device buried somewhere that, if I knew where it was, I would give to you.  My agents are supposed to try to make things happen in the Imperium, especially since the Emperor went insane, but Nefaria started dealing in the darkness with things I can’t control.  I won’t have it.  My agents all answer to me.  My allies merely have to swear that they are on my side.”

“You aspire to be Emperor yourself, Duke Keyser?” asked Duke Ferrari.

“No, Han.  I expect I will be supporting YOU for the next Emperor of the Galtorr Imperium.”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Clowns Complete

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Clowns in Color

    Clowns Complete

          Clowns with Smelly,

                    Great Big Feet!

The picture I have been working on of the clowns of Sing Sad Songs is now finished.

These are the clowns;

  • Mr. Dickens (Boz) the clown of character
  • Mr. Shakespeare (the Bard) the clown of creativity
  • Mr. Disney (Diz) the clown of comedy
  • Mr. Poe (with his pet raven Nevermore) the clown of consequences

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The Secret Life of Clowns

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The clowns of Sing Sad Songs; Mr. Dickens, Mr. Shakespeare, Mr. Disney, and Mr. Poe

The truth is, clowns are rarely happy people under the greasepaint and the manic grin.  An underlying feature of every funnyman is a background of hardship, suffering, and sadness.  There is a reason why Robin Williams committed suicide and Lenny Bruce died of a drug overdose.  If you listen to the comedy of George Carlin in his last few years, he became a horribly bitter and cynical man.

The reason for all this wearing of clown masks and underlying sadness is really based on a very simple equation.   Living a hard life, but dealing with it with the power a sense of humor gives you, yields wisdom.  And how do you best deliver wisdom to all the people out there?  A sugar-coated candy shell is just the thing.  A spoonful of sugar helps the medicine to go down, to plagiarize Mary Poppins.  Say your wise words like a wise guy and say it with a smile.

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So why am I so clown-happy and therefore clown-posty today?  Well, I have used clowns in a very metaphorical way in the novel I am now finishing, Sing Sad Songs.  Clowns are definitely on my mind.  And I have a sneaking suspicion creeping up on me that maybe… just maybe… I am myself a clown.

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