I honestly have a thing for artists that critics hate and common folk like my parents and grandparents loved. Norman Rockwell is a bit like that. He enjoyed commercial success as a magazine illustrator. That is about as far from avant garde art as you can get. But what can I say? I don’t call myself an artist. I am a cartoonist and all around goofball. I don’t do serious art. So the questions surrounding Thomas Kinkade bounce off my tough old non-critical hide like bullets off the orphan of Krypton. I love his pictures for their gaudy splashes of color, his way with depicting puddles and water of all sorts (splashes of splashes), and his rustic homes and landscapes of another era. This is a man who does lovely calendar art and jigsaw puzzle art. He is roundly criticized for factory production of “original” oil paintings which are actually a base he created and made a print of painted over by an “assistant” artist or apprentice. But I don’t care . I like it. And you used to be able to see his originals without going to museums, in art stores at the shopping mall. He is unfortunately dead now. For most great artists, that makes their work more valuable and more precious. Kinkade’s art hangs in so many homes around the country already that his fame has probably already reached its peak. Look at these works that he did for Hallmark and Disney and various other mass-market retail outlets. I dare you not to like it.
After five years of bankruptcy, I have finally started collecting dolls again. These are purchases since my debt was put to rest.
As a writer, I am often asked what kind of audience I think I am writing for. “Who, Mickey, is going to read your silly fantasy stories?”
To be perfectly clear… I started out as a writer intending to be a YA novelist, writing for more mature middle school and high school readers, probably more female than male. But any good YA writer writes stories that appeal to the adult, even if it is only the adult part of teenagers. Books like To Kill a Mockingbird, The Giver, The Hunger Games, and Ender’s Game are well known because of the adult readers who read, love, and praise those stories. I’m not saying you can’t intentionally write for a young adult audience. But I am saying you can’t write down to those readers, or you will certainly offend and lose them before the end of your story. You have to understand that they are becoming adults.
Uh, oh! I forgot that there is also a doll of Wanda, the Scarlet Witch. Now she wants to murder everyone with magic. Is Batman immune since he comes from DC rather than Marvel? Does Marvel Magic work on DC heroes?
But you can’t please all readers. Two readers who left devastating reviews on two of my books basically over-reacted to what I wrote, and let me have it with both barrels of their “Save-the-world-from-icky-Mickey” crusades. One thought Sing Sad Songs was reprehensible and evil because two of the characters, young Valerie, and Francois, the boy from France, experience sexual attraction to each other, and then both have to deal with the emotions it causes by talking about it with friends and families. The reviewer insisted that children should not talk or think about sex in a story. That was a moral violation according to her, even though no actual sex scene occurs in the story beyond a French kiss. The other lady reviewer objected to depictions of the nudist Cobble sisters in The Baby Werewolf. She claimed that the depiction of the girls, particularly Sherry, was entirely too “creepy” even though the book is a horror comedy and built on creepiness in the central conflict. Authors apparently have to have a thick skin, as every kook and prude is entitled to their own opinion.
On the positive side, though, I have gained a lot of readers who are nudists because of the Cobble Sisters and their status as at-home-on-the-farm nudists. Particularly in the companion book of The Baby Werewolf, Recipes for Gingerbread Children. The idea of nudist characters and naked people in a story makes many potential readers turn up their noses, assuming it is something perverted or pruriently sexual. I think, though, that I have successfully depicted nudists as they actually are, having been a part of the Texas nudist community, at least on the fringes. They are definitely not perverts and sex fiends, as the girls are routinely explaining to their non-nudist friends.
But I can basically describe my personal philosophy of writing for a target audience this way;
I write with an imaginary member of my target audience reading over my shoulder. Sometimes they sock me in the back of my head for things I have written. But I am not writing for him or her. I am writing for me, the things I want to write, like to write, have to write, and need to write to live.
There are many, many things I appreciate about other people’s artwork. It is not all a matter of envy or a desire to copy what they’ve done, stealing their techniques and insights for myself, though there is some of that. Look at the patterns Hergé uses to portray fish and undersea plants. I have shamelessly copied both. But it is more than just pen-and-ink burglary.
I like to be dazzled. I look for things other artists have done that pluck out sweet-sad melodies on the heartstrings of my of my artistically saturated soul. I look for things like the color blue in the art of Maxfield Parrish.
I love the mesmerizing surrealism of Salvador Dali.
I am fascinated by William-Adolphe Bouguereau’s ability to create photo-realistic and creamy-perfect nudes.
Basil Wolverton’s comic grotesqueries leave me stunned but laughing.
The dramatic lighting effects employed by Greg Hildebrandt slay me with beauty. (Though not literally. I am not bleeding and dying from looking at this picture, merely metaphorically cut to the heart.)
I even study closely movie-poster portraits like Bogart and Bergman in this Casablanca classic poster.
I could show you so many more art pieces that I dearly love to look at. But I will end with a very special artist.
This is the work of my daughter, Mina “the Princess” Beyer. Remember that name. She’s better than I am.
It was during that eight-hour period set aside for sleep that Ged awoke in a sweat. Dreams again! He couldn’t quite recall what he’d been dreaming, but it gave him the uneasy feeling that it was about his brother Ham, and that it was one of those dreams a Psion sometimes has that comes true. He was sandwiched in between two small, warm bodies. Junior was snuggled next to him on one side, snoring softly. Sarah was on the other side, her small body sheathed in her white body suit, looking like an angel and radiating angelic energies.
The spaceship, in the form of an Ancient Red Dragon, continued to purr with power as it flew through jump space.
Ged knew sleep was highly unlikely for him now. Still, he didn’t turn on the lights or re-absorb the short brown fur that his Psion power generated every evening now to keep him warm. He looked at the two sleeping children. They had grown a lot while in his care.
Junior reminded him of Ham as much as any blood relative would have. The blue face was totally different from the handsomer half of the Aero Brothers’ Space Safari Service, but the unruly blond hair was similar. And Ged couldn’t help but call to mind the boy’s wistful smile, so like the smile that made his brother Ham so engaging and heroic. With one furry hand, Ged reached over and stroked the boy’s yellow hair. This child was precious to him. So alien, yet now become an indispensable part of Ged’s life as a spacer.
Sarah, on the other side, was probably the most beautiful child he had ever encountered. As he looked at her intently, he couldn’t help but think it was far more than a physical beauty. Her father was one of a handful of so-called Forever Men in the galaxy. He was an immortal, capable of traveling in a straight line through a thousand years. He had gifted his daughter with more than a thousand years worth of human wisdom, culture, and literature. What was more, she was able to draw entire libraries full of learning directly from her father’s head via telepathy. At less than twelve years old, she was more learned than Ged would ever be.
What was he doing on this alien space craft in a bed between these two amazing children? How could he ever hope to be worthy of caring for them and protecting them? Worse, he was now taking them from the relative safety of the planet Gaijin, back into an Imperial Space full of war and violence, cruel pirates, and shambling hordes of rot warriors who were no more than animated skeletons with a computerized control system. Not just these two, either. He had a whole shipload of special children that he was now somehow responsible for. What was he doing here? How could a talented hunter and space traveler from Questor suddenly be a teacher and the only adult guiding these children toward a highly questionable future? The thought made him quiver in spite of the warm fur.
Maybe being a teacher wasn’t so bad, though. He was a natural with loving discipline. Except for Alec Songh, all of these children adored and looked up to him. It felt good to be addressed with respectful honorifics and awe. It seemed he did have something to teach them.
Shu Kwai had become a powerful telekinetic because of Ged’s success in describing for him the workings of the inner eye.
Ged’s own perceptive powers had grown exponentially as he continued to practice changing his own shape. He could transform now not just by taste and touch, but by scent and even by imagination. He could almost become the creatures of his dreams by placing them at the focus of his powerful inner eye.
Friashqazatla was gaining a lot in shape-change power from the instruction Ged gave him. So far, he could only take a humanoid shape with canine features or a small, black wolf with a human brain and voice, but the rest would surely come with time and practice.
Gyro, the other Nebulon boy besides Junior was learning practically everything Ged knew about starship repair and maintenance. He could find and pull the skills directly out of Ged’s memory. He seemed to have a really vast aptitude for anything mechanical or electronic. He was also a god of mathematics and space-travel equations. The need to find an astrogator was quickly becoming irrelevant.
Even the Phoenix and Rocket Rogers were learning from him. They had a power over fire that he did not comprehend at all. It was a Psion power completely un-like his own. Still, they learned to work together from Ged, in the way he had always done so naturally with his brother Ham. He taught the two boys the hunting language of hand signs and gestures that allowed non-telepaths to speak in silence. He taught them tracking skills and the interpreting of signs left by those who pass through a place.
But the question that bothered Ged most was, “What have I become?” He had taken pride in being a moral man, a servant of the true God. Now, he was the lover of two different women, one little more than a child herself. His love had caused them both pain and trouble. And the more he became a Psion and used his power, the more he felt degraded and sick. He had become a monster. And what about his brother Ham?
Still, as he lay there awake and troubled he couldn’t help but turn back to thoughts of Ham. They had escaped from Imperial Space. They had found paradise. Don’t Go Here was a source of potential wealth. He and Ham had liberated the population, revived the starport, and wove them into the great web of space. They owned the starport and had control over who came in.
Gaijin was even better. There he had found acceptance. They didn’t seem to care that he was different and tainted with Psion blood. They seemed to think it was a good thing. He and Ham could have a good life between those two planets. And now, it seemed, both of them were being drawn back into the dangerous realm that was the Imperium. Looming doom seemed to be beckoning to them both. Ged hunkered down again between the two sleeping children. He needed to get some sleep. Thoughts of the other children in his care, Billy Iowa, Jadalaqstbr, Mai Ling, Hassan Parker, Taffy King, and difficult Alec Songh, could be put off for the moment. Still, thinking about the future made his stomach churn and sleep remained a stranger.
In the hold, three decks below in the belly of the Ancient dragon starship, the malevolent Tesserah continued to percolate with sickly green and purple lights. Whatever evil thing the device was supposed to do, it was busy doing it.
Where we now stand, if you are going by the picture, is outside in the Texas sunshine and heat. We should be standing, if we were smart, under the shade of the mushrooms that grew up quickly as a result of so much unseasonable rain. Of course, that would be assuming that Mickey is currently a pixie with dragonfly wings, which he probably is not… at least, not right at this moment. Climate change is turning Texas into a giant pressure-cooker with enough leftover hurricane moisture in it to reach an explosive boil by the end of July.
We are being manipulated now by the crafty, vile servants of the deposed idiot-king, treating the righteously-installed successor as an illegitimate usurper.
We are hearing now the testimony of the castle guards as they detail the failed assault of orcs and other monstrosities as they tried to dethrone the legitimate ruler. And one wonders why there are not more beheadings going on in the currently secure castle courtyard. The villains apparently have gained more rights than they deserve.
Still, in a kingdom beset by many ill omens and partisan Republicans, there are good things happening too in the sunshine.
Mickey’s latest free-book promotion gave away twelve e-book copies of AeroQuest One: Stars and Stones. And I have actually sold for money four e-book copies of other books as well, and an additional 400+ pages read on Kindle Unlimited of three other books.
And my mother, now gone from us for ten months, has left me enough inheritance to be out of my bankruptcy for the first time in five years, and, with my two sisters, be a part owner of the family farm that has been in the family for 150 years.
So, we stand together tentatively now, worried about what tomorrow and the next election may bring. But holding the high ground, a good defensive position.
I am a writer who learned to write by reading. Seriously. No, stop laughing at me. I mean it this time. I know I joke more often than not. But this is real. All the good and bad things about my life, all the pain I have endured, all the joy I have allowed to tickle me blue (I refuse to turn pink when tickled, I choose blue instead,) and all the wisdom I have gained by being battered by experience come from the same place, the library of the reading I have done and taken to heart.
Life began for me with Dr. Seuss. The Cat in the Hat and the Cat in the Hat Comes Back taught me that you have to learn hard lessons from life. If you let the cat in the door, not only will your talking goldfish end up in a teapot, but he will be unhappy and two little things will mess up your house. Oh, and if you make the added mistake of letting the cat take a bath, you will turn the snow in the entire neighborhood Pepto Bismol pink. Horrors! But I not only learned the wisdom of not repeating mistakes I have made, but I never let any cats with red-and-white top-hats into our house throughout my entire childhood. Not even the ones who could talk.
The most important lesson I learned from multiple books I read as a child, Treasure Island, Kidnapped, Robinson Crusoe, and The White Stag, was that I could experience other people’s lives through reading a good book. I was ready for most of the bad people and bullies in my youth because I had been on that ship with Jim Hawkins. I could deal with loneliness and isolation because I had been on that island with Robinson Crusoe. I could evaluate the amount of trouble I was in and make a plan to get out of it because I had been Kidnapped in the book. And I had my own white stags to follow in the forests of my planned future… and fortunately, lost the trail to become a teacher.
Of course, when you read a book, the author gives you insights into the nature of the characters in the story. You see inside the people being told about, learning that they have their own inner story that you can clearly read and learn from and even become.
And the truth of the matter is that real people have their own inner story too. Something is going on inside almost everyone. (Maybe not carrot people. I have only ever met one. But vegetables, unlike humans are simple and not filled with conflict.)
You can read real people’s stories too. If you watch them carefully with empathy as your quiet superpower, you can read the elements of conflict within them. Though never as thoroughly as you could if you were reading them in a book. You can sense their embodiment of familiar archetypes.
Reading living people in the real world is something school teachers do. Students especially are emotionally naked almost every minute of almost every class. (Not literally naked. That would be gross… and possibly illegal.) But the stories pass before your eyes constantly. It would be impossible NOT to read them.
I have seen and studied in depth the writing of Ernest Hemingway, William Faulkner, Mark Twain, Michael Crichton, Terry Pratchett, and Neil Gaiman. By reading I have learned how they write. And they Write Naked. That’s the book Diane Callahan talks about in the very excellent video I linked to the start of this post.
Sometimes I write literally naked. (I know you may think that’s gross, but I have my reasons. And, besides, I am literally a nudist.) But I write emotionally naked too, as the video suggests I should. That involves writing about certain horrible words that make up what I most need to write to be authentic. Let me list a few of those.
Death – Here is a thing that everyone needs to deal with in order to reach maturity and survive growing older without going completely insane. Somewhere in life you have to make peace with the Grim Reaper. And I have haggled with the old bone-head more than a few times.
Suicide – I have been in Emergency Rooms five times with severely depressed people. I was not the one contemplating suicide. I was there to help. I have lost a second cousin, three former students, a high school classmate, and a fellow teacher to suicide. I only survived my own bout with it because of a friend on the other end of a telephone line. And, thank God, so far I have saved more depressed people who confided in me than I have lost. I can give you no names here. But I have to write about it in fiction form.
Sexual Assault – In the long run I have forgiven him, now that he is dead. But he seriously screwed up my life. And I was only ten. It only happened once, but once is enough. And some of my best fiction is linked to this emotional nakedness. I have written more than one book about it.
Depression – This killer of dreams I still deal with. Diabetes makes it worse. Thankfully it is not the deadly thing it was for Sylvia Plath that Diane talks about in her video while discussing The Bell Jar.
Loneliness – The ache of being invisible when that’s the last thing you need to be.
Fear – H.P. Lovecraft and the Bible helped me with this one. Of the two, the Bible is far more scary. But you have to face fear not to be consumed by it.
Is that a good enough list to write naked from? Let’s add feelings of inadequacy. But still the list is not complete. It will never be enough and there is not enough time left in the universe to write it all.
So, I write with awful words about terrible things. And it is apparently a key to writing well. What some of us won’t do to touch your heart with nest sentence! Thank you for putting up with me.
I now have the ability to scan an artwork with my phone. And this is significant because I do have a number of artworks too big to scan in my current scanner/printer. But I really don’t have anything more to say about this particular picture. I will not tell you what it means. That is for the viewer to decide.
I am only going to be 65 years old for four more months. Then I will be 66… even if I croak off this mortal coil before my birthday. It is heck getting older. My eyes and memory and joints all work far less well then they did a decade ago, even a year ago, heck, even last week. They don’t tell you this when you’re young, but you don’t have to be dead to start decomposing. And that doesn’t mean un-writing this essay, though maybe that would be a good idea based on that last sentence.
It is inevitable that the longer we live, the more our aging bodies are going to gradually break down, work properly with more difficulty, and cause us pain and loss.
And as we age, our minds drift back to childhood and days long gone. We obsess about little things. Especially the little things we have lost.
The sense of adventure is mostly gone from our daily lives. Things have settled into a permanence, and the limits of fame, fortune, and future expectations have all been irreversibly set. All we can do to reclaim any of that is to reflect, to remember, and to tell stories about it.
I had a recent story idea that I have begun calling by the title The Haunted Toy Store. It is about a small-town store filled with antique toys that nobody ever buys. And the store owner is very creepy and quiet and does practically no business. People wonder how he makes a living. But there are definitely ghosts in the toy store. And in the long run, it is discovered that the true customers are the ghosts. And the toys are actually the people that are lured in, especially the children, that the ghosts play with. It is not a horror story. It is a comedy adventure. But, like any good story, there is conflict and a number of scary moments.
Why would I even consider telling a story like this? Well, because I am old. There are certain truths, certain experiences, and a lot of goofy observations that I still need to tell about my life, and pretend that somehow it all adds up to wisdom. I am growing old, walking around naked more than ever, forgetting where I put my glasses while I am still wearing them, grumbling to myself like a cereal killer (I did not misspell that, I mean killing boxes of high-fiber cereal,) and arguing with the dog about whether or not dogs can talk, or if I can trust her to write another blog post or not. I will probably be losing my mind soon. I keep forgetting which box I put it in last night when I wake up in the morning and need it again. So, I better slow down and try to do it all the right way.
Yes, the universe was not formed in a big bang. It hatched from an egg. And God is the Ultimate Mallard.
Anatidaephobia (pronounced anna-tidy-phobia) is a pervasive and irrational fear that you are being watched by a duck. A person with this rare phobia fears that somehow, somewhere a duck is watching their every move.
This phobia about being watched by a duck may seem like a strange basis for forming a new religion. But I may have had an epiphany as a child when a goose at Deer Farm Zoo stuck his neck, head, and beak of retribution out through a hole in his chicken-wire cage and nearly nipped me in my five-year-old neck. That epiphany led to recurring nightmares about being chased by a duck with large white teeth that looked like he had bad human dentures in his bill.
This I tended to interpret as a sign that I was facing a big decision about what I would attempt to do with my young life, and would do it wrong.
Ducks in the farmyard, you see, are temperamental, often impulsive, and randomly violent. They will punish you for sins you did not know you were committing.
So, in this Quackatoon faith in judgmental ducks who are constantly watching our every move, thought, and deed, we should be taking Saint Donald Duck as our role-model and guide. When we see sin and wrongness in the world we are watching, we must dissolve in incoherent rage. Point your finger. Shout things that no one understands. Get the world’s attention. Confuse them completely. And get them to wonder what they did to make you so rage-filled and dangerously aggravated.
Then, hopefully, they will realize their sin and immediately mend their ways. Or at least, rearrange their feathers.
Or we can rely on the incompetent vengeful wrath of Saint Daffy Duck to see the unrighteousness in the rabbits of the world around us, posting Rabbit Season signs everywhere, and getting his duckbill blown off via the shotgun of a nearby Elmer who has been tricked into thinking ducks are rabbits.
Well, that might not be the most efficient prosecution of God’s will on Earth. But at least it will leave us laughing. And who can sin who is laughing that hard?
At this point in trying to establish this new religion, I should probably be talking about financial matters. Where you can send donations to the Church of Perpetual Quackers? Will there be t-shirts with religious slogans like, “You’re Driving Me Quackers!?” Do we still bring deviled eggs to church socials?
But I can’t talk about that right now… a duck is probably watching.
These images can be found at http://thomaskinkade.com/
Catch a Falling Star 
Other Folks’ Artwork
There are many, many things I appreciate about other people’s artwork. It is not all a matter of envy or a desire to copy what they’ve done, stealing their techniques and insights for myself, though there is some of that. Look at the patterns Hergé uses to portray fish and undersea plants. I have shamelessly copied both. But it is more than just pen-and-ink burglary.
I like to be dazzled. I look for things other artists have done that pluck out sweet-sad melodies on the heartstrings of my of my artistically saturated soul. I look for things like the color blue in the art of Maxfield Parrish.
I love the mesmerizing surrealism of Salvador Dali.
I am fascinated by William-Adolphe Bouguereau’s ability to create photo-realistic and creamy-perfect nudes.
Basil Wolverton’s comic grotesqueries leave me stunned but laughing.
The dramatic lighting effects employed by Greg Hildebrandt slay me with beauty. (Though not literally. I am not bleeding and dying from looking at this picture, merely metaphorically cut to the heart.)
I even study closely movie-poster portraits like Bogart and Bergman in this Casablanca classic poster.
I could show you so many more art pieces that I dearly love to look at. But I will end with a very special artist.
This is the work of my daughter, Mina “the Princess” Beyer. Remember that name. She’s better than I am.
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Tagged as Saturday Art Day