The Toy Tiger

This is Baby Tiger. My daughter named her shortly after learning to talk.

I have a certain mania about hoarding old toys. My toys. My children’s toys. Other toys like abandoned toys from Goodwill and ReSale stores and liquidation toys from the bargain bins in Walmart and Toys-R-Us.

You see, the dependence on the importance in my life of people who are not real began with my own perceptions when the lights first went on in my little attic. Yes, my parents and my grandparents were real people. And I sometimes admitted, when forced, that my little sister was too. But so was Tagger, my own stuffed toy tiger.

This is not Tagger. This is a rare Stieff collectible. Tagger was loved to pieces.

I definitely treated him as my best friend and greatest confidant. I told him my troubles, and he protected me from monsters in bed at night. He often was included when I played with my sisters and their dolls. He was wise and brave and caring, and he talked with a voice that sounded very much like mine. In fact, I often think he was such a part of me that, when I no longer needed him in bed with me to help me sleep, I internalized him and he became a part of me. He did not meet his physical end until my parents had to leave Iowa and move to Texas while I was in grad school. What my sister did with his physical form, I really never wanted her to tell me. The house had to be cleaned out, and stuffed toys from the attic did not fair well.

Baby Tiger came into our lives in October of 1995.

I had almost given up ever being married and having a family when, at the age of 37, I finally fell in love, and then had a family, first of two, and then of three by the end of 1995. On the day my oldest son was born, as the doctor had told me to go home and get some sleep, I went to Walmart and bought a toy tiger. He was not orange like my Tagger, but white. He was about the same size as Tagger, and significantly larger than my infant son. Truthfully, neither number one son or number two son actually played with him. They slept with him and used him as a pillow, but they never even gave him a name. It was my daughter, my youngest child, who took him over and made him into a her. She named her Baby Tiger, loved her, talked to her, carried her around everywhere, and miraculously never loved her to pieces to the point that we don’t still have her 24 years later. The photos of her prove the miracle.

I am not Calvin of Calvin and Hobbes fame. But I do understand the importance of toy tigers. They help to make you who you are. And while they are technically not real people, technically you could argue, “Yes, they are too real!” and argue it very loudly. Of course, people will think you are a crazy fool if you do. But I doubt that changes anybody’s mind about Mickey.

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Follodori Amoretto

NO, it’s not Italian. It’s nonsense.

And so is the internet.

I have discovered my primary email is on the dark web. What does that mean? It means that nonsense can bite you if you are not careful.

I have, of late, been barraged by messages from followers that I thought were interested in my books or my drawings. They said, “Hello.” I said the same in return. They asked where I was from. I answered, “From the Dallas suburbs. And I am here on Instagram to promote my books because Elon has made Twitter funky.” They ask, “Are you married? And do you have kids?” And I tell them I have been married for 27 years and have three grown children. And they ask if I am seeking a relationship.

Uh-oh!

Almost instantly they fall in love with me. They ask for a picture. I give them one where I look disheveled and greasy. They tell me how handsome I am.

Yes, I know I should immediately leave the conversation and block them.

But they tell interesting made-up stories about their starving children and how they recently lost their job.

And they are all young enough to be my grandchildren, and they have little-girl faces with pleading expressions. And they show me pictures with very few clothes on, and immediately start calling me “honey,” “baby,” and sometimes “sweetie.” And before the first conversation is old, they tell me they are in love with me and they need money for something.

And they have to be reminded repeatedly that I live with my wife and my daughter. And I am older than dirt. And I am not looking for a new tomato to squeeze. And I try to be polite as I tell them, “I am broke. I am a retired teacher, so of course, I have no money. And you look like a little girl to me. And please go away. Stop talking.

And then, after I make them explain how to find a WhatsApp app so we can talk encryptedly, and I made about five of them tell me that in the past week, even though I am now an expert on WhataSapp, I sometimes receive naked pictures from them to make my wife angry with, and sometimes I can see their phone number starts with 234 which routes their communications through Nigeria and firmly provides proof that the authorities told me means they are scammers. (I got that information from the time a Russian man tried to blackmail me and I turned the matter into the police who forwarded it on to… the FBI? Maybe?)

So, today I had to yell in all CAPS to one of them, “I know you are a scammer, so LEAVE ME ALONE!” And I blocked two of them before I wrote this post.

I am not paying for cancer treatments for any African princesses’ mothers.

And I know that I should not answer any more young ladies’ DMs. The email address on the dark web guarantees more of them will come my way. They think I am an easy mark. But some of them might actually be interested in books. And if they freely give me nude pictures, I can use them as models for nude illustrations to use with my nudist and naturist stories.

Geez, I am bad!!!

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Eine Kleine Nachtmusik

It is, of course, one of the most powerful, masterful, and best-known pieces of music ever written.

Mozart completed the “little serenade” in Vienna in 1787, but it wasn’t published until 1827, long after Mozart’s untimely death.

The Serenade is incorrectly translated into English as “A Little Night Music”. But this is and always has been the way I prefer to think of it. A creation of Mozart written shortly before he hopped aboard the ferryman’s boat and rode off into the eternal night. It is the artifact that proves the art of the master who even has the word “art” as a part of his name. A little music to play on after the master is gone to prove his universal connection to the great silent symphony that is everything in the universe singing silently together.

It is basically what I myself am laboring now to do. I have been dancing along the edge of the abyss of poverty, suffering, and death since I left my teaching job in 2014. I will soon be taking my own trip into night aboard the ferryman’s dreaded boat. And I feel the need to put my own art out there in novel and cartoon form before that happens.

I am not saying that I am a master on the level of a Mozart. My name is not Mickart. But I do have a “key’ in the name Mickey. And it will hopefully unlock something worthwhile for my family and all those I loved and leave behind me. And hopefully, it will provide a little night music to help soothe the next in line behind me at the ferryman’s dock.

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Talking to Nobody

I entered the classroom silently. Death doesn’t have to make any sound when it enters a room, but I remember many times when I entered a classroom in a fully enraged-lion roar. Probably too many times.

This time it was a small lesson to a small class. Little Mickey, ten years old, was sitting there in a front-row desk. He was wearing that stupid purple derby hat that he always wore in his imagination. And he was wearing nothing else besides.

I gave him that old death-eye stare of disapproval. He grinned and shrugged. “Hey, I like to write about nudists, okay? They tell the truth more than most people.”

I simply nodded.

Sitting the next row over, in the front seat also, middle-aged Mickey was slumped in his seat like the cynical, world-weary teacher-thing he actually was. I nodded disapprovingly at him too. “I know, I know,” he said. “My time is running out. I have to get started on my writing plan for real this time. My stories will never get written if I don’t.”

The third seat in the third row contained Old Coot Mickey with his wrinkled clothes, his long Gandalf-hair, and his frizzy author’s beard. He grinned his goofy grin at me and nodded at me cheekily. “I’ve got fourteen novels written and published now. Taint my fault that nobody ever reads ’em. They are mostly good stories, too.”

I rolled my eyes at the dark ceiling.

On the chalkboard I wrote out. Today’s Lesson Is

“I know! I know!” shouted little Mickey, naked except for his purple hat. “The next novel is A Field Guide to Fauns. It is all about nudists in a nudist camp. I am definitely down with that!”

“Is that really a good idea, though?” asked middle-aged Mickey. “I think I was meant to be a writer of Young Adult novels, like the ones I taught so often in class. I know how those books are structured. I know their themes and development inside and out. I know how to write that stuff.”

“But the little naked guy has it right. You have ta be truthful in novels, even as you tell your danged lies.” Old Coot Mickey made his point by punctuating it with a wrinkled hand thumping on the top of his desk. “You have written novels with characters forcing other characters to make porn films in The Baby Werewolf, and sexual assault of a child in Fools and Their Toys, and lots of naked folks, and betrayal and death… All of that is the kinda stuff kids really want ta read. And them stories don’t glorify that stuff neither. Stories can help fight agin that stuff.”

“Remember, that stuff is hard to write about because I actually went through some of that stuff in my own life. It’s possible for even a fiction book to be just too real for a YA novel.” Middle-aged Mickey had entered fighting mode with his fists on his hips.

“But the underlying truth is why you had to write those stories to begin with. You have truth to tell… But in fiction form,” argued little Mickey.

“And horrible experiences turn into beautiful survival stories and heroes’ journeys with time and thoughtfulness and art,” said Old Coot Mickey.

I agreed with all three of me. I nodded and smiled.

“But you are Death, aren’t you?” asked middle-aged Mickey.

“And you’ve come to take away at least Old Coot Mickey!” declared little Mickey.

“You’ve got me all wrong,” I answered all three of me. “I am not Death. I am Nobody.

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Mortality

When I saw that she had passed, my first recollection was of watching her in the movie 1,000,000 Years B.C. I watched it on the midnight monster movie that I was forbidden to watch.

Of course, at twelve in 1968, I saw her without the fur bikini in my wicked little mind’s eye. And I believe I shucked off my pajamas too to give her full naked support as she fought and ran from the dinosaurs.

I was wrapped in my quilt, though, because Iowa can be cold after midnight, and I never knew if somebody upstairs would hear the television playing the movie real low and the commercials with the sound off so they could come halfway down the stairs and yell at me.

She was my idea of a perfect woman.

And I never actually saw her completely naked. Just like I never saw Annette Funicello au naturel. I bought Playboy magazines in college because Raquel was in them. But she was never fully naked in any of them. You don’t actually need to see that to know she’s perfect.

But even perfect people don’t last forever. Especially when they’ve already lasted for more than eighty years.

And people I really thought might last forever began proving that no one is immortal. First George Burns some time ago fell short of his 100th birthday. And my father died in 2020, shortly before he turned 90. And my mother died in 2021. And Betty White didn’t make 100 either.

So, there is no immortality. Not that you can prove in anyone who physically, provably exists… or ever existed. And now Raquel Welch is also gone.

And I think about my own mortality. And I slowly shake my head.

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The Art of Contemplation

I believe one of the primary reasons that art exists at all is because we are thinking creatures with a need to spend serious time in deep minding of the consequences of existence. We need to question everything. And art helps us do that by depicting the thoughts that existed first in the mind of the artist, and then must be translated through experiencing into the mind of the viewer.

Landscapes are very useful for contemplation. They present an interpretation of the real world you can mentally walk around in.
If you are walking around mentally in a work of art, you are seeing more than just a place. You are walking mentally through the mind and the perceptions of the artist. You see what he or she has seen, even if you see it differently. Even if it is a photo the artist took.
The people, places, and things your viewer-eyes encounter when mentally walking around in a work of art have to have some overall meaning. Some purpose. Some reason for being.
What do you suppose the picture above means? I can’t tell you, even though I drew it. You, the viewer, must give it meaning.

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Setting the Scene

As a rabid Dungeons and Dragons player, I have labored for years to build up my collection of miniature figures.  Now, like the action figures and the dolls, the collection is growing so fast it may eat the house.  So, in order to play with them and get some use out of them, I built a cardboard castle, complete with grid for playing D & D.  It is a scene that can be used to play the game, but it is also a place to display my collection.

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Toy companies have recently started putting out collectible miniatures in an almost D & D scale.  They only cost about a dollar apiece.  That makes them cheaper than candy bars.  And I am diabetic, so I can’t buy candy bars.

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I like to position them in my D & D background and take pictures of them, even though DC Superheroes are not D & D figures.  I can work them into the story of the next RPG sessions.  Batman is a paladin.  Aquaman is a sea-based druid.  Wonder Woman is an Amazon.

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Adam West Batman is really, really cool.  Wham!  Pow!  Sock!

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Killing a dragon is a big event in a D & D campaign.  And I can do that now with miniatures.

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The Flash can rescue Jessica Rabbit from a mad goblin in the Skull Plaza.

So, I reached a point in setting the scene for the game that it has become almost cinematic.  And I like taking pictures of it as I continue to play with all  of it.  Forgive me.  I will forever be twelve years old in my head.

 

 

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The Haunted Toy Store… Canto 9

Canto 9 – Mr. Mephisto

Mark and Shandra were both hanging up against the theater wall by their strings.  Both were naked.  But they were no longer real children.  They were now both jointed wooden marionettes.

“Mark?  Can you still talk?”

“How did you say that without moving your mouth?”

“You must have some idea, dummy.  Your mouth didn’t move either.”

“Yeezus, Shandra, what happened to us?”

“That damned toy man changed us into Pinocchios.”

“Oh, no!  Does that mean we have to get swallowed by a whale in order to turn back into human beings?”

“Gawd dang, Mark.  You are such a child.  We have been cursed by some kinda monster devil-man.  We are screwed.”

The curtain opposite the two puppets parted and a man came through.  It was the man who had pulled them out of the toy man’s magic box.

“Well, well… awake again, are we?”

“What are you doing to us, devil-man?” shouted Shandra.

“You are a feisty one, I’ll give you that.  It’s no wonder the archangel asked me to hide you two.”

“That’s what you be doing to us?” asked Shandra.

“You need to not have Poppa Dark find you for a while, am I right?”

“Well… yeah.  But you changed us without our permission.”

“And you made us naked too,” whined Mark.

“Oh, shut up, Mark.  You ain’t suffering by being naked.  You don’t even got no little wooden dick on you as a puppet.”

“She has a point.  While in this guise, you can more-or-less be anything or anyone by simply dressing you up in new puppet costumes.  Want to be a girl for a while Mark?  New wig and a gingham dress, and voila!  Mark becomes Mary.”

“Do I gotta be a girl?  Or can I be like a pirate?”

“Or maybe a soldier?” said the man.

“Oh, yeah.  That would be neat!”

“Now, wait just a minute, devil-man.  Who the hell are you?  You gonna help us?  Or cook us and eat us?”

“Now, Shandra, my dear, if I were going to eat the two of you, would I have turned you into wooden puppets?  Kind of harder to chew that way, don’t you think?”

“Well, how do we know you don’t like to eat wood like a dang beaver?”

“I have no plans on changing myself into a beaver.”

“Who and what are you?” Shandra sharply demanded.

“My name is Nicholas L. Mephisto.  I am the owner of Aunt Phillia’s Toy Emporium.  And you two have been changed into marionettes to put on a few shows before we try to solve your collective problems.”

“Well, whatever you gonna do to us… you better at least put some clothes on us.  And don’t you dare touch my private parts while you are doing it!”

“Shandra, you don’t any longer have any private parts,” reminded Mark.

“Oh, yeah.”

Mr. Mephisto smiled at the girl marionette as he picked out for her a nice red dress with white polka dots and a frizzy blond wig to complement her ebony black-painted skin and super-sassy attitude.

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The View Through the Fog

I am slowly losing the ability to see.

But things have never been more clear.

The world is literally dying,

And it is life-threatening to be here.

And yet, what dies can be reborn.

And the blind can better hear.

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For the Love of Korngold

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When I was in Cow College at Iowa State University I spent most of my study time listening to KLYF Radio in Des Moines.  They would eventually transform into an easy-listening music station, but the time I truly lived a K-LYFe was when they played classical music.  And it was there that I first fell deeply in love with the Saturday Matinee stylings of  Erich Wolfgang Korngold, the first incarnation of John Williams of Star Wars fame.  Yes, movie music.  Classical movie music.  And it seemed, mostly movie music for Errol Flynn movies.

 

 

 

My sister was always a lover of Errol Flynn movies, and when KGLO TV Channel 3 would play one on the Saturday Movie Matinee in the early afternoon, we would have to watch it, the whole thing, no matter how many times we were repeating the same four movies.  Nancy would memorize the lines from the Olivia deHavilland love scenes.  I would memorize the sword fight scenes with Errol and Evil Basil Rathbone (Good Basil was Sherlock Holmes, and we had to watch those too.)  Early evenings on those Saturdays were all about playing pirate and Captain Blood adventures.  Or better yet, Robin Hood.

 

 

 

But the music of adventure was by the composer Erich Wolfgang Korngold.  He did the sound tracks for Captain Blood, Robin Hood, and the Sea Hawk.

I sincerely love the corny old movie matinee music because it was not only genius-level mood music and story-telling in a classical music instrumental masterpiece, but because even now it takes me back to the boy I was at twelve years old, playing pirate on Grandpa Aldrich’s farm.   Making Robin Hood bows out of thin tree branches and arrows out of dried ragweed stalks.  Sword fighting to the death with sticks with my cousin Bob, who was always Basil Rathbone in my mind. while I’m sure I was Basil Rathbone in his mind.

To be honest, there is much more to Korngold than I have relentlessly gushed about here like a hopeless nerdling fan-boy in the throws of a geeky movie passion.  He was a musical child prodigy like Mozart.  He wrote a ballet called Der Schneemann (the Snow Man) when he was only eleven, and became the talk of the town in Vienna, Austria in 1908.  He became the conductor of the Hamburg Opera by 1921.  He wrote some very fine classical music in the 20’s that still rings through orchestra halls to this day before coming to America in the early 30’s with film director Max Reinhardt.  He scored his first film in 1935, adding music to Reinhardt’s Midsummer Night’s Dream.  He was fortunate to escape Europe just as the Nazis were coming to power in Germany, and also at the right time to team up with new movie star sensation, Errol Flynn.  He won his first Oscar for the musical score of the movie Anthony Adverse in 1936 and he won his second for The Adventures of Robin Hood in 1938.  He died in 1957, a year after I was born.  But I promise, I didn’t kill him.  I was in college in the 1970’s when his music underwent a revival, complete with renewed popularity.

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His music was pure gold to listen to in the fields of corn in Iowa in the 1970’s.  It was just as good as that last pun was terrible.  So, in other words, really, really, spectacularly good.  It was the music that scored my childhood fantasy adventures.

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