This digital angel was drawn after the painting by William Adolphe Bouguereau
Today I had to return to the dermatologist to see if the skin cancer she treated three weeks ago would have to be biopsied for malignancy. It turns out that the treatment, freezing the cancerous cells, worked perfectly. The threat was completely gone.
But going to the doctor for cancer treatment got a scammer off my back. They do all sorts of things to rob you by phone, or by deceptive emails representing what seem to be real companies I deal with daily. Telling a scammer I have to go and get cancer treatment tends to shut them up quicker. And I wasn’t even lying.
I continue taking and trying to adjust to four new meds. Two for diabetes. One for cholesterol. And one for blood pressure control.
The chance for future improved health is looking good.
Of the people in the school picture from Rowan Rural School #4 (a one-room schoolhouse from Midwestern history and lore) all the ones who survive are octogenarians. Three of the survivors were at our family reunion for Great Grandma Hinckley’s descendants. My mother and uncle were there. Their cousin was also there. The school house stood on the Aldrich corner, near the house where my Grandpa and Grandma Aldrich lived, the farm house of a farm that’s been in the family for over a hundred years. My mother and Uncle Don and Uncle Larry could easily walk there. The rest came from country miles around by horse-drawn wagon.
This is not a school-bus wagon, but rather, an oat-seed spreader. So, almost the same.
Uncle Larry is now gone, but they have survived from the time of President Franklin Delano Roosevelt to the time of Criminal President Doofenschmertz Jehosephat Trumpennoodle. Things have changed. The house I now sit in was, back then, a place with a windmill and hand-pump for water, an outhouse for bathroom chores, and a radio for entertainment.
If they hadn’t endured through World War Two, and Joe McCarthy’s Red Scare, and the assassination of JFK, we wouldn’t even be here. We are the children of hardship, endurance, and conviction of the rightness of life on Earth.
We saw progress through the creation of Disneyland, landing the first man on the surface of the moon, Bugs Bunny cartoons, Scooby Doo, and the Pink Panther… Nixon and his Watergate break-in, Hee Haw and Lawrence Welk, Laugh-in… President Ford falling down stairs, Saturday Night Live, the Peanut-farmer President, Reaganomics… the Iranian hostage crisis… Saved by the Bell, Ghostbusters, Indiana Jones… The invasion of Panama… Operation Desert Storm… the second war in Iraq… the downfall of Saddam Hussein… Thundercats, Jerry Seinfeld, Friends, the Wonder Years…
I am especially impressed that they lived through all those Jerry Lewis Labor Day Telethons. And Leisure Suits… Aagh!
Mother’s entryway table with pictures of Grandpa and Grandma Aldrich in the back
And their time is not completely up. Mother and Dad and Uncle Don still move on and go to reunions and bury loved ones… and tend to the needs of grandkids and great-grandkids… And pass on the good things to the next generation… and the next. So it goes, towards times not yet dreamed of.
I have been enjoying my time playing with digital art tools. I bought a stylus to use on my Chromebook computer with the touch screen. My daughter downloaded a Krita digital art program. And my Chromebook summarily broke down. So, everything I am doing now has to be done on my HP laptop with no touch screen. The stylus works on the mouse pad, but not well. And I found another program that will take a drawing that I have done and photographed or scanned and turn that into digital art, refining the lines, color blending, and detail work. I like it, but it is like rolling the dice to get the percentages right for the danged AI painter in the program to accurately recognize anything in my picture.
The AI made her cross-eyed and I couldn’t fix it.
But the computer art thing is a good thing. There are more than enough bad things this week to fill my baggage. I am alone with the dog at home while the rest of the family is in San Antonio. Grandma (my mother-in-law) was very ill, almost went into hospice care, and then recovered well enough to return home, out of the hospital. They are all visiting her. But I’m not in good enough health to make that trip.
Arthritis, diabetes, and my doctor’s appointment tomorrow for potential skin cancer made it impossible for me to ride in a car in which five people were already travelling. And no room for the dog who loves grandma too, but is not welcome in a car travelling that far.
I have had time to write too, which has been difficult to do with hot weather and arthritis pain in the way. But that hasn’t helped my readership. Viewing of WordPress posts is way down this summer. I have had an uptick in selling e-books, but I am still earning less than ten dollars a month in royalties.
And I have been sleeping poorly at night due to pain and heat. Imaginary granddaughters playing guitar music is not enough to help since it is entirely imaginary.
Does this one look like Shirley Temple? I tried. But not quite.
While visiting in Iowa, I ran into an old high school friend at a local eatery. I remember how in high school and junior high, I played basketball on the same team with him, I listened to his exaggerations about a probably non-existent sex life, and helped him on one or two occasions to get answers on Math homework (even then the teacher in me wouldn’t let me just give him the answers, I always made him work out the answers step by step).
Now he is a judgmental and basically crabby old coot. He is a Trump supporter, hater of immigrants who take American jobs, and an unpleasant arguer of politics. And the sorest point about his intractable coot-i-ness is the fact that, as a classmate, he is the same age as me and I am, therefore, just as intractably coot-y as he is.
So, how exactly do you talk to a mean old coot?
Well, you have to begin by realizing that it is not like the dialogue in a novel or TV show. This is a real person I was talking to. So, I had to proceed by accepting that he thinks I am an idiot and anything I say and think is wrong. Not merely wrong, but “That’s un-American and will lead to a communist takeover of our beloved country!” sort of wrong. I can then laugh off numerous Neo-Nazi assertions by him, make snarky comments about his praises for the criminal president, and generally get along with him like old friends almost always do. I play my part just as furiously as he plays his, and we both enjoy the heck out of it.
We are both of us crazy old coots, likely to say just about anything to get the other one’s goat. Getting goats is apparently vital to the conversations of real people. But we have more in common than we have as differences. We don’t keep score in our world-shaking debates, nor do we count how many goats we get. And that is how you talk to real people.
I admit it. I am prosaic. I think in sentences. I speak in paragraphs. I write in 5-paragraph essays. I should stop with the repetition of forms and the parallel structures, because that could easily be seen as poetic and defeat my argument in this post. I write prose. Simple. Direct. Declarative. But those last three are sentence fragments. Does that fit the model of prose? How about asking a question in the middle of a paragraph full of statements? Is that all simple enough to be truly prosaic?
Prose is focused on the everyday tasks of writing. It seems like the world thinks that the mechanical delivery of information in words and sentences should be boring, should be functional, should be simple and easy to understand.
I don’t mean to be pulling your reader’s mind in two directions at once, however. I need to stop confusing you with my onslaught of sentences full of contradictory and complex ideas. I should be more clear, more direct, and more to the point.
So here is my thesis, finally clearly stated; The magic of writing prose, it turns out, makes you the opposite of prosaic.
Ah, irony again! It ends up being anything but simple. You can write in simple, adjective-and-adverb-free sentences as Hemingway did, and still manage to convey deeply complicated and thoughtful ideas. One might even suggest that you can create poetic ideas in mere prose, dripping with layers of emotion, conflict, theme, and deeper implied meaning. You can also write prose in the intensely descriptive and convoluted style of a Charles Dickens with many complex sentences and pages-long paragraphs of detail, using comic juxtapositions of things, artfully revealing character development, and idiosyncratic dialogue all for comedic effect. Prose is a powerful and infinitely variable tool for creating meaning in words. Even when it is in the form of Mickian purple paisley prose that employs extra-wiggly sentence structure, pretzel-twisted ideas, and hyperbolically big words.
Simply stated; I am a writer of prose. I am too dumb about what makes something poetry to really write anything but prose. But I do know how to make a word-pile like this one that might just accidentally make you think a little more deeply about your writing… that is, if you didn’t give up on reading this three paragraphs ago. I find it useful to examine in writing how I go about writing and what I can do with it. I try to push the boundaries in directions they haven’t been pushed before. And hopefully, I learn something from every new essay I write. What I learned here is that I am prosaic. And that is not always a bad thing.
I am impressed by digital art programs. I had my Chromebook set up for making digital pictures. I learned how much easier it is to lay out light and shadow patterns on your original drawing. Blending colors is so much easier with a stylus on a touch screen. And a stylus is easier to maneuver with arthritic fingers than a colored pencil is. And no amount of eraser curds flying in the air fixes a mistake better than a simple back-up click and redo. But of course, before I could make the process start to fly, my Chromebook decided for whatever reason to commit ritual computer suicide, apparently shorting out during a long walk with the dog.
So, I bought an AI-assistant program to help me convert my colored-pencil drawings into digital pictures. But you don’t have control over details to the degree that you would if you were drawing the whole thing with a stylus. The AI has to interpret everything it sees and render it with properly lit and blended colors trying to mimic the patterns you have presented it with. Of course, the AI is stupid and has to be trained. You can’t just edit the details like the finger damage you see above. You have to adjust the amount of control it has to interpret things the way it thinks is stupidly correct. You adjust from 1% to 90%. O% is the same picture you gave it. 91% and above looks nothing like your drawing. And then you re-create the entire picture again with the new percentage and whatever the AI has learned from your picture.
This one looks more like my version of Valerie, but the AI still has work to do on the background, the box of quilt pieces, and making the girl less anime-cartoony.
This is better. Still not there. But better.
I really like the face and hair on this one. Colored rocks in the box? And I would have to remove the writing on the box with a paint program from HP. In other words, a pixel edit.
This one is the best one so far. That almost looks like quilt blocks in the box. The expression on Val’s face is right for the Snow Babies story.
So, I almost think I need to rush out and buy a new Chromebook with touch screen. I can’t wait to have more control over this whole process. Still, I enjoy noodling with this stupid AI.
This book is a miracle. It makes words into music and fills your imagination with some of the most beautiful guitar music ever played. It introduces you not only to a very convincing portrait of a fictional musician and Rock and Roll icon, but a vast array of very real musicians and show people who agreed to be used as a part of the story, approved the sections about them, and even helped Mitch Albom to compose it. These include notable music makers like Lyle Lovett, Darlene Love, Tony Bennett, Paul Stanley, and Burt Bacharach. The story itself transcends its fictional form, giving us a look at a musical history whose scope goes from the Spanish Civil War of the 1930’s to Woodstock, and on to the present day. It even gives us glimpses into the distant musical past, framing the story with the song Lágrima by the classical guitarist Francisco Tárrega. And all this music the book fills your mind with is actually performed only in your imagination and memory. Albom proves again with this book how his mastery of language makes him an absolute master story-teller.
And now, here is me trying to make sense out of a reading experience that made my figurative heart grow wings and soar into the clouds in ways brought forth only by the strains of a sweet, classical Spanish guitar.
Stories like this one make a unique music in the mind, and though it is all fiction, occurring silently in the theater of your mind, you hear the music in your heart. This story elicited the music of Rodrigo’s Adagio throughout, a piece I know intimately. I myself have never written a musical book the way this fiction book was written. But I know now that I have to try. Poetry becomes song lyrics, right? There is a connection between a good archetypal story about life and love and laughter, and the bittersweet strains of music on a Spanish guitar.
I truly and utterly fell in love with this beautiful book. Mitch Albom is a genius… for a Detroit Tigers baseball fan. And I would not risk telling you anything that might spoil such a beautiful story. All I can say is, don’t read it… listen to it as you would a piece of beautiful music. Listen to it and love it.
Toonerville is really all about creating art with my HO model railroad toys. So, here’s a picture of the newest arrangement of the downtown as it now sits in my bedroom/studio.
The buildings are a combination of models I put together and plaster buildings that I bought unpainted and then painted them.
The Ghost Busters van in front of Mike’s Farmer’s Market was recently bought for less than a dollar and added to collection. Just in time too. There is apparently a ghost in Mike’s clock tower.
The two Thomas the Tank Engine toys were recently added after they were recovered from a junk pile in the garage.
Here’s a shot of the Toonerville Trolley that was the first trolley added to my HO train layout back in the early 70’s.
So, this is a small bit of insight into the workings of a toy collector and artist with excessive amounts of hoarding disorder. And I am sharing with you the most recent pictures I have made of the things in my collection.
When you know someone has an imaginary friend, something like Elwood’s six-foot invisible rabbit called Harvey, don’t you immediately think that person is crazy? I do. But I have imaginary people as friends. I think most writers do. So am I crazy? Probably. But hopefully it is a good kind of crazy.
It began with imaginary friends from books. The Cat in the Hat was my friend. Jim Hawkins was my friend, as was Mowgli and all the members of the Swiss Family Robinson. They entered my dreams and my daydreams. I told them my troubles the same way I listened to theirs through their stories.
I began to have imaginary friends that came from my own imagination too.
I used to tell my mere human friends about my friend Davalon from outer space. I told them that he was real and secretly visited me at night to talk about being able to learn about humans on earth by walking around invisibly and watching them. I got so involved with these stories that my sixth grade class began saying, “Michael is from Mars.”
When I was a teenager, I began having conversations with a faun. His name was Radasha. He was a creature from Greek Myth, a sensual Dionysian creature who, in his child body, was both younger than me and way older than me. I didn’t realize until much later in life that he was the result of my repressed memories of a childhood sexual assault that I was the victim of. I could talk to him about my fear of nakedness. I could tell him about my blossoming interests in naked girls and their bodies. I could talk to him about all the things I was somehow too terrified to talk to my male friends about, even though none of them had the same reluctance to discuss sex. Ra was imaginary. But he helped me heal.
Then the story-telling seriously began. I used Davalon as one of the main characters in my novel Catch a Falling Star. I created Torrie Brownfield, the baby werewolf to express the feelings I had as a boy about being a monster and secretly terrible and deformed. Torrie is a normal boy with a condition called hypertrichosis. I am working on The Baby Werewolfnow. And then there’s lovely Valerie Clarke. She is the main character of Snow Babies which is a finished novel, edited and proofread and ready to publish. It is I book I will have to find another way to publish since the recent death of PDMI Publishing. She is not a me-character, based on my own thoughts and feelings. She is based on former classmates and students who told me things that express the sadness and isolation of growing up female. So she is even more imaginary than my other characters.
They become real people to me. They have their own point of view. They talk to me and I learn things from them. But they are imaginary. So am I crazy? Yes… as a loon. And happy as Elwood P. Dowd to be that way.
Catch a Falling Star 
Being Prosaic
I admit it. I am prosaic. I think in sentences. I speak in paragraphs. I write in 5-paragraph essays. I should stop with the repetition of forms and the parallel structures, because that could easily be seen as poetic and defeat my argument in this post. I write prose. Simple. Direct. Declarative. But those last three are sentence fragments. Does that fit the model of prose? How about asking a question in the middle of a paragraph full of statements? Is that all simple enough to be truly prosaic?
Prose is focused on the everyday tasks of writing. It seems like the world thinks that the mechanical delivery of information in words and sentences should be boring, should be functional, should be simple and easy to understand.
I don’t mean to be pulling your reader’s mind in two directions at once, however. I need to stop confusing you with my onslaught of sentences full of contradictory and complex ideas. I should be more clear, more direct, and more to the point.
So here is my thesis, finally clearly stated; The magic of writing prose, it turns out, makes you the opposite of prosaic.
Simply stated; I am a writer of prose. I am too dumb about what makes something poetry to really write anything but prose. But I do know how to make a word-pile like this one that might just accidentally make you think a little more deeply about your writing… that is, if you didn’t give up on reading this three paragraphs ago. I find it useful to examine in writing how I go about writing and what I can do with it. I try to push the boundaries in directions they haven’t been pushed before. And hopefully, I learn something from every new essay I write. What I learned here is that I am prosaic. And that is not always a bad thing.
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