I am a writer who learned to write by reading. Seriously. No, stop laughing at me. I mean it this time. I know I joke more often than not. But this is real. All the good and bad things about my life, all the pain I have endured, all the joy I have allowed to tickle me blue (I refuse to turn pink when tickled, I choose blue instead,) and all the wisdom I have gained by being battered by experience come from the same place, the library of the reading I have done and taken to heart.
Life began for me with Dr. Seuss. The Cat in the Hat and the Cat in the Hat Comes Back taught me that you have to learn hard lessons from life. If you let the cat in the door, not only will your talking goldfish end up in a teapot, but he will be unhappy and two little things will mess up your house. Oh, and if you make the added mistake of letting the cat take a bath, you will turn the snow in the entire neighborhood Pepto Bismol pink. Horrors! But I not only learned the wisdom of not repeating mistakes I have made, but I never let any cats with red-and-white top-hats into our house throughout my entire childhood. Not even the ones who could talk.
The most important lesson I learned from multiple books I read as a child, Treasure Island, Kidnapped, Robinson Crusoe, and The White Stag, was that I could experience other people’s lives through reading a good book. I was ready for most of the bad people and bullies in my youth because I had been on that ship with Jim Hawkins. I could deal with loneliness and isolation because I had been on that island with Robinson Crusoe. I could evaluate the amount of trouble I was in and make a plan to get out of it because I had been Kidnapped in the book. And I had my own white stags to follow in the forests of my planned future… and fortunately, lost the trail to become a teacher.
Of course, when you read a book, the author gives you insights into the nature of the characters in the story. You see inside the people being told about, learning that they have their own inner story that you can clearly read and learn from and even become.
And the truth of the matter is that real people have their own inner story too. Something is going on inside almost everyone. (Maybe not carrot people. I have only ever met one. But vegetables, unlike humans are simple and not filled with conflict.)
You can read real people’s stories too. If you watch them carefully with empathy as your quiet superpower, you can read the elements of conflict within them. Though never as thoroughly as you could if you were reading them in a book. You can sense their embodiment of familiar archetypes.
Reading living people in the real world is something school teachers do. Students especially are emotionally naked almost every minute of almost every class. (Not literally naked. That would be gross… and possibly illegal.) But the stories pass before your eyes constantly. It would be impossible NOT to read them.
I have seen and studied in depth the writing of Ernest Hemingway, William Faulkner, Mark Twain, Michael Crichton, Terry Pratchett, and Neil Gaiman. By reading I have learned how they write. And they Write Naked. That’s the book Diane Callahan talks about in the very excellent video I linked to the start of this post.
Sometimes I write literally naked. (I know you may think that’s gross, but I have my reasons. And, besides, I am literally a nudist.) But I write emotionally naked too, as the video suggests I should. That involves writing about certain horrible words that make up what I most need to write to be authentic. Let me list a few of those.
- Death – Here is a thing that everyone needs to deal with in order to reach maturity and survive growing older without going completely insane. Somewhere in life you have to make peace with the Grim Reaper. And I have haggled with the old bone-head more than a few times.
- Suicide – I have been in Emergency Rooms five times with severely depressed people. I was not the one contemplating suicide. I was there to help. I have lost a second cousin, three former students, a high school classmate, and a fellow teacher to suicide. I only survived my own bout with it because of a friend on the other end of a telephone line. And, thank God, so far I have saved more depressed people who confided in me than I have lost. I can give you no names here. But I have to write about it in fiction form.
- Sexual Assault – In the long run I have forgiven him, now that he is dead. But he seriously screwed up my life. And I was only ten. It only happened once, but once is enough. And some of my best fiction is linked to this emotional nakedness. I have written more than one book about it.
- Depression – This killer of dreams I still deal with. Diabetes makes it worse. Thankfully it is not the deadly thing it was for Sylvia Plath that Diane talks about in her video while discussing The Bell Jar.
- Loneliness – The ache of being invisible when that’s the last thing you need to be.
- Fear – H.P. Lovecraft and the Bible helped me with this one. Of the two, the Bible is far more scary. But you have to face fear not to be consumed by it.
- Is that a good enough list to write naked from? Let’s add feelings of inadequacy. But still the list is not complete. It will never be enough and there is not enough time left in the universe to write it all.
So, I write with awful words about terrible things. And it is apparently a key to writing well. What some of us won’t do to touch your heart with the next sentence you read! Write with real emotion. Thank you for putting up with me.
Catch a Falling Star 
The Real Magic in that Old Home Town
Rowan, Iowa… Not the place I was born, but the place where I got to be a stupid kid, and have the lessons of the good and god-fearing life hammered into my head hard enough to make a dent and make it stay with me for more than half a century. I got to go to grade school there. I learned to read there, especially in Miss Mennenga’s third and fourth grade class. Especially in that old copy of Treasure Island with the N.C, Wyeth illustrations in it, the one Grandma Aldrich kept in the upstairs closet in their farm house. I got to see my first naked girl there. I learned a lot of things about sex from my friends there, and none of them were true. I played 4-H softball there, and made a game-saving catch in center field… in the same game where my cousin Bob hit the game-winning home run. But those were things kids did everywhere. It didn’t make me special. There was no real magic in it.
Being a farm-kid’s kid taught me the importance of doing your chores, every day and on time. If you didn’t do them, animals could get sick, animals could die, crops could be spoiled, the chickens could get angry and petulant and peck your hands when you tried to get the eggs. Cows could get grumpy and kick the milk bucket. Cats could vow revenge if you didn’t direct a spray or two at their little faces as they lined up to watch you milk the cows. And you never knew for sure what a vengeful cat might do to you later, as cats were evil. They might jump on the keyboard during your piano recital. They might knock the turkey stuffing bowl off the top of the dryer when Mom and Grandma and several aunts were cooking Thanksgiving Dinner. And I know old black Midnight did that on purpose because he got to snatch some off the floor before it could be reached by angry aunts with brooms and dustpans. And all of it was your fault if it all led back to not doing your chores, and not doing them exactly right.
But, even though we learned responsibility and work ethic from our chores, that was not the real home-town magic either. I wasn’t technically a real farm kid. Sure, I picked up the eggs in the chicken house at Grandpa and Grandma Aldrich’s farm more than once. And I did, in fact, help with milking machines and even milking cows by hand and squirting cats in the faces at Uncle Donny’s farm. I walked beans, going up and down the rows to pull and chop weeds out of the bean fields at Uncle Larry’s farm. I drove a tractor at Great Uncle Alvin’s farm. But I didn’t have to do any of those things every single day. My mother and my father both grew up on farms. But we lived in town. So, my work ethic was probably worth only a quarter of what the work ethic of any of my friends in school was truly worth. I was a bum kid by comparison. Gary G. and Kevin K, both real farm kids and older than me, explained this to me one day behind the gymnasium with specific examples and fists.
Being a farm kid helped to forge my character. But that was really all about working hard, and nothing really to do with magic.
I truly believe the real magic to be found in Rowan, Iowa, my home town, was the fact that it was boring. It was a sleepy little town, that never had any real event… well, except maybe for a couple of monster blizzards in the 60’s and 70’s, and the Bicentennial parade and tractor pull on Main Street in 1976, and a couple of costume contests in the 1960’s held in the Fire Station where I had really worked hard on the costumes, a scarecrow one year, and an ogre the next, where I almost won a prize. But nothing that changed history or made Rowan the center of everything.
And therein lies the magic. I had to look at everything closely to find the things and strategies that would take me to the great things and places where I wanted to end up. I learned to wish upon a star from Disney movies. I learned about beauty of body and soul from the girls that I grew up with, most of them related. And I invented fantastical stories with the vivid imagination I discovered lurking in my own stupid head. I embarrassed Alicia Stewart by telling everyone that I could prove she was a Martian princess, kidnapped and brought to Earth by space pirates that only I knew how to defeat. And I learned to say funny things and make people laugh… but in ways that didn’t get me sent to the principal’s office in school. Yes, it was the magic of my own imagination. And boring Iowa farm towns made more people with magic in them than just me. John Wayne was one. Johnny Carson was one also. And have you heard of Elijah Wood? Or the painter Grant Wood? Or the actress Cloris Leachman?
Yep. We were such stuff as dreams were made on in small towns in Iowa. And that is real magic.
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