“Lately Mickey hasn’t been doing much of any writing on his work in progress. I, a professional Professor of knowing practically everything and knowing most of it wrongly, am here to give the hopeless goofy guy some much needed advice. Of course, I shall offer that advice incognatively… err, incontranatively… err… anonymously because Disney enjoys suing schoolteachers and other criminals who misuse their intellectual property.”
“But I can’t help myself when it comes to giving opinions on stuff that ain’t really my business but fascistinates… err, fusstinates… err… highly interests me. So, here goes.”
“Write about something Over the Rainbow. I mean your imagination is really garganteelian… err… gigantickingly… err… really pretty big. You can make up something being about made-up worlds, witches who fly around in soap bubbles and other such nonsensical things. Maybe talking scarecrows and heartless metal guys and really big kitty cats… make a story with something beautiful and imaginative, though maybe not as beautiful as that Judy Garland chick… she was really georgeous… err… magnifical… err… really hot-looking! But she is so old she is dead now. So, you can’t put her in the film version of what you write.”
“Or you could write something extra creepy. Something totally like the Addams Family. You’ve got a talent for writing stuff that seems extra morbeedious… err… mackahbreebrious… err… extra spooky. You can turn peoples’ stomachs inside out and make them feel all gooey in their courageousness because of weird evilness and dark happenstances… err… murderiferous scenarios… err scary stuff. It helps that you can be funny here and there when you scare us. You can be totally spooky-ooky in your stories and sometimes you make us sharpen wooden stakes and make necklaces of garlic. Do an Uncle Fester shtick. Of course, Jackie Coogan is so old he is dead now, so you can’t use him in your film version.”
“Or there is always the absolutely romantical… like a story about a three hour cruise where funny guys get shipwrecked on a desserted island with girls that wear bikinis where you don’t see the cutie’s belly button. And “desserted” is the right word because the dessert is actually coconut-cream pie. But you are good at writing about faskinating… err… interesstrial… err… attention-requiring young women and really dorky guys and how they can fit together like puzzle pieces that you don’t even have to use scissors to make them fit together. Romantical comedy is a thing you can do too. So, we don’t even need to talk about Dawn Wells who played Mary Ann. You couldn’t cast her in the movie version because you’re still sad about Covid having taken her away in 2020.”
“But anyway, you got no excuses now, Mickey! You know you can write It’s just getting anybody to read the danged thing you can’t do. So, write something!!!”










Ah, irony again! It ends up being anything but simple. You can write in simple, adjective-and-adverb-free sentences as Hemingway did, and still manage to convey deeply complicated and thoughtful ideas. One might even suggest that you can create poetic ideas in mere prose, dripping with layers of emotion, conflict, theme, and deeper implied meaning. You can also write prose in the intensely descriptive and convoluted style of a Charles Dickens with many complex sentences and pages-long paragraphs of detail, using comic juxtapositions of things, artfully revealing character development, and idiosyncratic dialogue all for comedic effect. Prose is a powerful and infinitely variable tool for creating meaning in words. Even when it is in the form of Mickian purple paisley prose that employs extra-wiggly sentence structure, pretzel-twisted ideas, and hyperbolically big words.











The Diminishing Man
We get smaller as we age. Both physically and mentally and in terms of property…. smaller is what we get.
The car problem was solved by buying a new car (a new used car.) I bought a 2015 Ford Focus that I am quite happy with in spite of the fact that I will have to pay for it for 72 months and may well have to give up driving for medical reasons well before that.
But then the car problem got significantly complicated when the insurance company, instead of totaling the car that hit the pothole and giving me the current value of it less the deductible, decided to okay the repair of the transmission, in spite of the fact that the total cost couldn’t have been more than a few dollars less than the total value of the car. So, I will pay $800 to get back a beat-up car that I no longer want or need.
As a writer, I am also diminishing in my ability to produce output on my laptop keyboard. My mind is still churning out story ideas and daily progressions, but my fingers, arthritic and covered with numerous band-aids, can’t seem to control the typing anymore. Just typing this paragraph forced me to correct letters that seemingly for no reason appear in the wrong space, even in the wrong sentence, paragraph, and wrong page. How does that work? Muscle twitches? Not remembering where the proper letter goes? Or possibly the curser is simply wandering for no reason, highlighting and deleting things at random.
Just as the fairies I have been obsessively telling stories about lately have diminished from human-sized in the Middle Ages to three inches tall today, so too have I become much smaller as a storyteller than I was when I was teaching. I used to have 6 captive audiences 5 days a week. Now I have had 28 pages read on Kindle in the last week, and only made $2.25 in the last month as a writer. Definitely not challenging James Patterson for space on the Walmart bestseller display.
So, I am tiny now. Less well known than I was as a school teacher. Less wealthy than I was two weeks ago. And, if you measured me with a yardstick, probably shorter than I used to be too. Only three inches tall before you know it. And not even any magic to overcome my disadvantages with.
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