Category Archives: writing

Olfactory Story Telling

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My dog Jade

While walking the dog yesterday, we struck up a conversation about writing and being a writer that proved once and for all that DOGS REALLY DON’T KNOW HOW TO WRITE!

She turned around on the end of her leash and looked at me with that woeful you-don’t-feed-me-enough look on her little well-fed face.  “You know, I was reading your blog today, and I think I know how to make you a well-known writer and best-selling author.”

“Oh, really?” I said.  “Since when do you know anything about being a writer or marketing fiction?”

“Well, you do remember that I wrote a couple of blog posts for you already.”

“True.  But I can’t afford to do that again.   You type with your tongue and it leaves the keyboard all sticky.  I haven’t gotten it truly clean and working properly again since that last time.  If you are asking to write another post, you can forget it.”

“Well, sorry about that.  But I do think I know how to make your writing more popular with a bigger audience.”.

“Oh?  How could you possibly know that?”

“Hey, talking dog here!  That has to count for something, doesn’t it?  Don’t you think people would be amazed to learn about things from a dog’s perspective?”

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“Nobody’s going to believe I have a talking dog.  That isn’t something within the realm of what is normal.  They are all going to think I am just a crazy old man.”

“Well, you are a crazy old man.  I can’t help that.  But what if you told stories from a dog’s perspective?  You know, things that only a dog could’ve come up with?”

“Oh, like what, for instance?”

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Why does the neighbor’s dog always smell like burritos?

“Well, you know that more than half of what a dog perceives about the world she gets through her sense of smell?”

“Okay…”

“Like that spot on the grass over there.  Boy dog.  Handsome border collie… ate three hotdogs about four days ago.  Ooh!  He smells perfect!”

“You’re talking about poop smells again, aren’t you?”

“Well, yes.  But I can also tell you about the pigeons that were in that live oak tree there yesterday.”

“Oh?  What color were they?”

“I don’t know… gray maybe?”

“Bird doo.  You are smelling old bird poop!  You want me to write about poop more?”

“Well, no… not exactly.  But if you could tell your stories through the sense of smell more…  that would be unique and different.  People would like that a lot because it’s never really been done before.”

“You do understand that I can’t use my laptop to write smells?  There are no words I could use that will automatically put smells into the reader’s nose.”

“Well, but if you could invent one…”

“According to you, it would be mostly poop smells anyway.  Who wants to sniff that?”

“It would make your blog more popular with dogs.”

“But dogs don’t read!”

“How do you know for sure?  You believed me when I said I read your blog today.”

“Well, you certainly got me there.  Now, don’t we have some important business to take care of?”

“Yes, but…  You see that squirrel over there?”

“Yes, so?”

“So one day soon, I’m gonna eat him!”

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Crazy Head-Bashing List-Making

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Sometimes I have to stop and think where ideas for posts come from.  Yes, and that is usually the point at which my head is empty and I am out of ideas.  I spent years teaching the writing process and I advocated many different pre-writing idea-generating strategies.  I should be able to come up with something to write about without resorting to bashing my right temple with a hand-held blunt object.  After all, those ideas come out kinda wobbly and full of strangely-colored stars.  So, let me find a broom in the upstairs broom closet in the empty hallways of my mind and sweep together all the possible ideas I have in one pile to look at, grimace, and compare.

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There is a letter with a Martian stamp on it.  Inside it proposes I hold an aliens-only poetry writing contest and put the worst possible results into a post.  That could be worth a few chuckles, and possible a gazorpingwallow or two.  At least, that’s what the letter suggests.  It is from some Ixcanixian from the spinward edge of the Sagittarius Spiral Arm of the Milky Way.  20160508_113700

 

I have several ongoing cartoon projects.  I could be adding another page to the Hidden Kingdom graphic novel I have been working on for thirty years.  I could also do more action-figure comics to rationalize all the time I spend playing with dolls.  And I like to do novel illustrations to go along with the many bizarre and mentally warped novels I have created.

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Of course we have recently received the kind of political Christmas gift that most of us would like to track Santa down to his lair for and return back inside the reindeer butt that it came out of.  Insulting the new orangutan king is an easy source of insult-based humor that I don’t have to work too hard at or feel too guilty about.  But too much of that is like getting drunk on cough syrup.  You intended to cure the problem, but you have only managed to add new problems and a hangover headache to top it all off.blue-and-mike-in-color

I still have to fix the cracked and leaky swimming pool before next spring, so that should yield some cementing-your-feet-into-the-pool-wall stories later on.  And there are the numerous frustrations of living life with six incurable diseases to write about.  I can probably make the flaking off of all the skin on the back of my neck from psoriasis sound pretty funny if I try hard enough.  The family dog is still producing dog poop at Guiness-Book-of-World-Records rates… and, oh, yeah, I am still a long way from being done telling you about the bad jokes from more than a quarter of a century of classroom cut-ups.

You know, I think the way to deal with the problem is to simply make a list of ideas.  I can throw darts at the list if I still can’s decide.

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Writing Every Day

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These are volumes 3&4 of my daily journal that I have kept since the 1980’s.

Writing every single day is something I have been doing since 1975, my senior year in high school.  It is why I claim to be a writer, even though I have never made enough money at it to even begin to think of myself as a professional writer.  I kept a journal/diary/series of notebooks that I filled with junk I wrote and doodles in the margins up until the middle 90’s when I began to put all my noodling into computer files instead of notebooks.  I have literally millions of words piled in piles of notebooks and filling my hard drive to the point of “insufficient memory” errors on my laptop.  I am now 60 years old and have been writing every day for 42 years.

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There are days in the past where I only wrote a word, or a sentence or two.  But there were a lot of words besides the words in my journal.  I started my first novel in college.  I completed it the summer before my first teaching job in 1981.  I put it the closet, never to be thought of again, except when I needed a good cringe and cry at how terrible a writer I once was.  I have been starting, stopping, percolating, piecing together, and eventually completing novel projects ever since… each one goofier and more wit-wacky than the last.  So I have a closet full of those too.

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It would be wrong of me to suggest that my journals are only for words.  As a cartoon-boy-wannabee I doodle everywhere in margins and corners and parts of pages.  Sometimes the doodle is an afterthought.  Sometimes it precedes the paragraph.  Sometimes it is directly connected to the words and their meaning.

Sometimes the work of art is the main thing itself.

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But always, the habit of writing down words and ideas every single day takes precedence over every other part of my day.  That’s the main reason I am stupid enough to think of myself as a writer even though I don’t make a living by writing.

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But I did put my words into my profession too.  As a teacher of writing, I wrote with and to my students.  I did that for 31 years as a classroom teacher, and two years as a substitute.  I required them each to keep a daily journal (though they only got graded for the ones they wrote in class, and then only for reaching the amount of words assigned).  We shared the writing aloud in class, making only positive comments.  I wrote every assignment I gave them, including the journal entries.  They got to see and hear what I could write, and it often inspired them or gave them a structure to hang their own ideas upon.  And often they liked what I wrote and were surprised by it almost as much as I liked and was surprised by theirs.   Being a writer was never a total waste of time and effort.

So am I telling you that if you want to be writer you have to write every day too?  If I have to tell you that… you have totally missed the point.

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K.I.S.S.

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When learning to write, you have to learn the rules.  And then you start writing, and you learn that you have to break all the rules to do it well.  But what do I know?  You have to be pretty desperate to get your writing advice from a Mickey.  After all, it’s not like Mickey was a writing teacher for over thirty years… oh, wait a minute… yes, he was.

Okay, so I decided to write today about the K.I.S.S. rule of writing.  That’s right, Keep It Simple, Stupid.  Other writing teachers tell me it should be, Keep It Simple, Sweetie, because you can’t say “stupid” to a kid.  Okay, that’s mostly true.  But I use “stupid” when I use the rule myself.  I’m talking to Mickey after all.

So, I better stop “bird-walking” in the middle of this essay, because “bird-walking”, drifting off topic for no purpose, is the opposite of keeping it simple.

I try to write posts of no more than 500 words.  I write an introduction that says something stupid or inane that speaks to the theme I want to talk about.  Then I pile in a few sentences that talk more about the theme and do a good job of irritating the reader to the point that they can’t wait to get to the conclusion.  Finally I finish up with a really pithy and wonderful bit of wisdom to tie a knot in the bow of my essay.  I save that bit for the end as a sort of revenge for all the readers who don’t read all the way to the end, even on a short post like this one.  Of course, I could be wrong about how wonderful and pithy it is.  What does “pithy” even mean?  It can be like the soup in the bottom of the chili pot, thicker and spicier than what came before… or possibly overcooked with burned beans.

That was another bit of “bird-walking”, wasn’t it?  See, you have to break the rules to make it work better.

So, in order to keep it simple, I guess I need to end here for today.  Simple can be the same thing as short, but more often you are trying to achieve “simple and elegant” and pack a lot of meaning and resonance into a few lines.  And I, of course, am totally incapable of doing that with my purple paisley prose.  And there’s the knot in that bow.

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“Unfortunately, you are a Writer,” He Said.

I have made up my mind to risk investing more money in getting another book published.  Being an author, especially an unknown Indie author, is really just an expensive hobby.  Even investing in professional editorial services and print-on-demand publishers can’t help you make any money at it, even if you are talented and good at story-telling.  The best I can really hope for is to get my books in print and pray that people will discover them and like them after I die, beaten to death for a crust of bread in debtor’s prison.

So, why would anyone in their right mind want to be a writer?

It is entirely possible that I was simply born that way.  I have been drawing cartoons and telling stories since I was about five years old.  Maybe even before that.  I don’t have many clear memories of my pre-school years.  It is possible that I was lost in a library once… or dropped on my head… or in a library and having a book dropped on my head… something set it off if it wasn’t simply in my genes.

I am planning to publish Magical Miss Morgan with Page Publishing.  They are a pay-to-print publisher who are slightly more affordable than I-Universe that I used to get Catch a Falling Star into print.  I feel like I have to get it published before I die because it is the distillation of my entire life as a classroom teacher.  Books like this are important to me.  In the Bible, there are prophets and holy men who are filled with the Word of God, men like Jeremiah, that claim the Word is burning within them, and will burn its way out of them if they don’t speak it.  My stories that I am working at turning into books are like that.  They are consuming me from the inside out.  I have to get them written and printed if I possibly can.

I have recently tried and failed to get novels like Snow Babies, Magical Miss Morgan, and Superchicken published with publishers that don’t charge for their services.   I got several rejections and one contract that came to nothing because of the economic failings of the publisher.  I have tried being infinitely patient.  It doesn’t work.

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I will try to bargain for the most affordable deal I can to get Magical Miss Morgan into print.  They will apparently let me input artwork into the final cover.  I understand that successful writers tend to starve for at least fifteen years before they see any success and profit.  At best, I have six more years of that to go.  But this, after all, is my life now.  I need to write books and I need to get them published.  I am, unfortunately, a Writer.

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Tenfold…

Once again my computer betrayed me and wiped out three paragraphs in this article, instantly saving the changes so that I had to start over with nothing but the title and a lower case letter “u”.  Soon the danged machine will probably explode scattering my words all around the bedroom and getting random punctuation in my chicken soup.

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I was trying to write a post about the difficulties of becoming an “author” when my computer decided to ironically make it harder.  And this goofy notion that I know anything at all about the topic came about because of a random WordPress comment that appeared on one of my old posts.  I was told by the commentator that I had several posts that were good enough to go viral, and that if I wanted to make that happen and improve my “brand”, then all I had to do was Google “Jemensso’s tricks”.

Challenge accepted.  I know how to Google stuff.  I learned by being a tinfoil-hat-wearing conspiracy nutcase.  (Did you know that you can not only find numerous well-argued sources that indicate we never actually went to the moon, and only faked the moon landings in Hollywood, but also visual confirmation that we actually did land with high resolution photos of the various landing sites taken from space telescopes this month?  And those photos even show the tracks where the moon buggies traveled through the sands of the moon.)  So, I first discovered that my blog is not the only blog that got this message.  I found a plethora of them, some in the exact same words.  And then I located this informative page HERE.

It would seem to indicate that any benefits you can get will cost you at least some money.  And that is the biggest irony of being a writer who foolishly imagines that he can become something called an “author”.   You end up having to pay money instead of earning it.  Each of my two published novels were done with different publishers.  The first was a squirrelly print-on-demand company that doesn’t charge you to print your novel.  They don’t employ any editors or marketers either.  It is a good way to get student work into book form, and parents will gleefully shell out the money for a copy of their darlings’ writing in book form, but it is no way to get a novel published.  I could have sent them a 200 page manuscript of monkey-typing, and they would have put it in book form.

The second book, Catch a Falling Star, was done with I-Universe, a publisher that is now a branch of Penguin Books.  But it is basically an Indie publisher.  I had to invest my own money in the creation of the book.  I had to pay the editors, proofreaders, and marketers that I got to work with.  I ended up with a product that made me proud, but that I really couldn’t sell.  I am still more than $6,500 short of recouping my investment.  I do not recommend that path, unless, like me, you really crave the experience of working with competent, professional editors.  It was worth it to me to do it once.

But now I am out of money and out of options.  I led with a banner that shows I have four complete and unpublished manuscripts that I want to do something with.  I am busy with three more that are past the 15,000-word threshold… where you have to consider the work for completion because it is, at that point, almost half done.  Where will I go with them?  What will I do with them?  The answers will, I hope, eventually appear here in this goofy blog.  And I am sure they will probably surprise us both.

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Filed under autobiography, blog posting, dreaming, feeling sorry for myself, humor, novel plans, NOVEL WRITING, Paffooney, work in progress, writing

Stardusters… Canto Three

Installment 3 in my ongoing unfinished Sci-Fi saga is here for your perusal.  Hopefully it is not too awful.  It is a little bit racy in a junior-high sort of way… and it might turn your eyes black to read it, but it is also a little bit funny.

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Canto Three – In the Tadpole Chambers Aboard the Base Ship

Alden Morrell was astounded by the changes alien technology had made in him.  His wife, Gracie, inhabited a child’s body which had been artificially created by the Tellerons.  Her mind had been lifted out of her dying brain and placed into a container which had automatically adopted her DNA.    So the aliens had offered him a chance to be the same age and size as his now child-like wife.  They had put him in a device that resembled a tanning bed and processed him like a naked frog in a microwave oven.  When he had come to… no more body hair, penis reduced to a tiny pink mushroom, bald head re-forested with hair, and a renewed youthful energy he could barely contain.

Alden sat now in the moist sauna-bath that was known as the Tadpole Chamber wearing only his fruit-of-the-looms.  Gracie sat next to him, naked, and feeling apparently far less embarrassed than Alden himself felt.  Five naked Telleron tadpoles were with them, Davalon, Tanith, Brekka, Menolly, and George Jetson.  The tadpoles were the reason they were there.  Nutrient baths were absolutely necessary to the continued health of the amphibianoid children.

“We should dance,” suggested Brekka.  She was a lovely female Telleron tadpole with skin of forest green and having a delicate reddish blush on cheeks and neck, as well as her shapely buttocks.  Alden shuddered when he realized what he had been looking at.  He looked away and blushed deeply maroon himself.

“Why do you always want to dance?” asked Tanith, another pretty young female of emerald green.  “You suggest that forty times a day.”

“Since we learned to do that on Mars,” said Brekka, “I haven’t wanted to do anything else.  I want to dance like the Mickey Mouse Club kids we saw on the Earther broadcasts.”

“It doesn’t hurt to exercise,” said Davalon.  “I learned that by playing baseball.  It makes the muscles hurt at first, but then you come back stronger and more filled with power.”

Alden beamed at that.  He had been the one to teach Davalon about baseball during that brief time on Earth when he had tried to adopt the abandoned fin-headed alien boy.

“The computer system has Mickey Mouse Club music recorded from Earther TV,” reminded Menolly.    “We just have to ask for it.”

“Yeah!  Great idea!” said George Jetson.  Like many of Captain Xiar’s children, George was named for something on Earther TV that Xiar particularly liked.  “Computer, play all the Mickey Mouse Club songs.”

Alden didn’t know the song that started to play, but it had a good dance beat and the green children began to sway and move and dip and boogie.  It was a wild collection of dance moves from Earth filtered through alien perceptions.

“Let’s dance too,” said Alden’s beloved wife Gracie.   She stood and held out a hand to him.  “We can show them how it’s done.”

Alden was forty years old and Gracie was two years younger.  But now they inhabited children’s bodies, having been reduced in age to twelve and ten.  Their health was so much better, and many years had been added to both of their lives.  Still, it felt unnatural and somehow wrong.  She was younger now than when they’d first met in Belle City High School in Iowa when he was seventeen and she had been fifteen.

“Do you really have to be naked in front of the children?” he asked her in a whisper.

“Why, yes, you old coot.  I think I do.  You should take those soggy shorts off too.  This is like a sauna bath after all.”

“You know Mrs. Castille wouldn’t approve.”

“That old fuddy-duddy doesn’t have a say in this.  Prudes would tell us we have to wear swimsuits in the bath tub because they have issues, not because we do.”

Alden nodded.  He didn’t agree, but he nodded because that was what he thought Gracie wanted.   She was a mere child again, but his love for her made his twelve-year-old body want her mightily.  He had to dance bent forward because he didn’t want mushrooms blooming and embarrassing him while he danced with naked girls in an alien nutrient bath.

*****

My Art

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Filed under aliens, artwork, goofiness, humor, kids, NOVEL WRITING, nudes, Paffooney, writing, writing humor

Like Pulling Teeth from a Chicken

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Life is hard here in the Kingdom of Paffoon where you labor hard at a labor of love and try to give birth to something eternal that ends up going nowhere… stacks of old writing litter my closets, and the prospects of being published grow dimmer and dimmer.  My book Snow Babies has a contract with a publisher, but, apparently they are not going to be able to publish it after all.  I am at the very least going to have to find another publisher for the rest of my books, both finished manuscripts and works in progress.

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I do intend to follow through and get published, though.  I can no longer teach, but I feel a powerful force pushing me towards the sheer precipice of authordom.  One way or another I am going to make it over the edge and plummet to the bottom of that cliff.  I am compelled by the need to tell stories, and I have a captive audience every school day no longer.

I used to tell my classes that doing impossible things was like trying to pull chicken teeth with pliers.  You know, impossible things like getting a book published or teaching a mostly Spanish-speaking student how to read in English…  every-day-sort-of impossible things.

“But, Mr. B, chickens don’t have teeth,” some bright-eyed student would say after realizing that “chicken” was the English word for “pollo”.

“Exactly!” I would say.  “That’s what makes it so challenging!”

And now I must put on my chicken-catching socks, find my tooth-pulling pliers, and get ready to make more novels happen.  After a brief bout of consternation and depression, I actually feel a bit better about the whole fiasco.  There are other publishers, and publishers seem to like my writing, even if they can’t publish it.  And I have waited two years to get Snow Babies published, all apparently for nothing.  It is time to stop wasting time.  And maybe to stop repeating repetitions too.

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Catch a Falling Star – Book Review

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I finally got the book review from Serious Reading.  If you are actually interested, you can find it here;

Seriousreading.com Book Review

I have not been a very successful marketer of my own book.  But I have made attempts to get help with it.  This book review is an example of that.  I have chosen to reproduce the interview here as a way of ditching my responsibility for writing anything new in this post.

Interview with Michael Beyer, author of “Catch a Falling Star”

A common misconception entwined with authors is that they are socially inept, how true is that?

Quite true… the person who goes on to become a successful author is the sociopath who sits in the back of the classroom during his freshman year of high school watching everybody through pop-bottle-bottom glasses and taking notes on everything everyone else is doing or saying. But, the rub is that you cannot successfully write anything without learning how to talk to people first. This is why most of them take years to get their books successfully completed. It is also why some authors have closets full of manuscripts that no one has ever seen.

Do all authors have to be grammar Nazis?

Alle begrüßen die heiligen Worte! Yes, authors must pass through the grammar Nazi stage, even if they are to become grammar anarchists like Kurt Vonnegut or Terry Pratchett. You have to know the rules you are breaking before you can break them without simply being stupid.

If you could have been the original author of any book, what would it have been and why?

My own book. The good books that are out there are good only because you couldn’t rewrite it and make it any better than it already is. I also don’t want to waste my time re-writing a dumb book or an evil book or a goofy book… well, I might have to think twice about the goofy book.

What makes this particular genre you are involved in so special?

I was a public school English teacher for 31 years in Texas. I write YA novels because, not only are kids my main audience, but also my primary source material. All the best fantasy, science fiction, and humor ideas can be accidentally happened upon and written down somewhere in a middle school classroom. All the best characters and clowns too.

What works best for you: Typewriters, fountain pen, dictate, computer or longhand?

For twenty years I wrote everything out in longhand in spiral notebooks. It took considerable work to copy it all out on a typewriter. Then some nut invented that computer thing, and an even nuttier nut showed me how to use one. The world will live to regret those two big mistakes.

When did it dawn upon you that you wanted to be a writer?

I started writing things down in the back of the classroom when I was about twelve. Before that I told stories to everyone who would listen… or couldn’t escape listening. My sisters still blame me for recurring nightmares and my grade school best friend still reminds me that I am not actually a changeling left on Earth by Martians. I guess I haven’t actually made up my mind yet about becoming a writer.

How often do you write?

Are you asking how many times a day? Or how often I stop writing? The second one is easier to answer… never.

Do you have a set schedule for writing, or are you one of those who write only when they feel inspired?

I write whenever life doesn’t interfere. Now that I am retired from teaching I write every morning for at least an hour and at least 500 finished words. But I am writing in my head even when I am at Wal-Mart returning the sneakers my daughter begged me for because I wasn’t smart enough not to buy pink ones.

How hard was it to sit down and actually start writing something?

About as hard as it is to remember to breathe. As an English teacher I always made it my policy to write any writing assignment I ever assigned to my students. Other members of the faculty all knew that I was willing to write anything that needed writing, and the State of Texas requires teachers to write huge stacks of B.S. daily. So at least some of their lesson plans look suspiciously like mine.

Writers are often associated with loner tendencies; is there any truth to that?

I know a lot of other writers who are stressed by being around stupid people too much. But, as a former school teacher, I like people… especially kid people… even the stupid ones.

Do you think writers have a normal life like others?

No. I don’t have to explain that one, do I? The world does not have as many writers as there are normal people. There has to be a reason for that, don’t you think?

Do you set a plot or prefer going wherever an idea takes you?

I have in the past mapped out elaborate road-maps of plot and character motivation. I never followed a single one to the “X marks the spot”. You only find treasure if you learn to dig for treasure along the way.

What, according to you, is the hardest thing about writing?

Quitting for the session. I try always to leave something unwritten that I wanted to say to pick up next time… and it often brings me back to do some more well before I had planned to.

What would you say is the easiest aspect of writing?

Everything about writing is hard. I do it easily now only because I have worked at it since I was twelve. Years of practice and re-writing, trying new things and failing badly, trying again and failing again, ironing out the wrinkles and then putting them back in… It takes effort, just like building the Great Wall of China, one brick at a time… but isn’t it a danged big old wall now?

Have you ever experienced “Writer’s Block”? How long do they usually last?

Dang! How am I ever going to answer that? I have to really think about it. Maybe I can answer by next Tuesday.

Any tips you would like to share to overcome it?

Well, I guess that wasn’t really that hard after all. All I did was write something down as soon as it came into my head. If it turns out to be a stupid idea, computers make it easy to erase and replace. I told you that you were going to regret that particular invention, didn’t I?

Do you read much and if so who are your favorite authors?

Terry Pratchett, Michael Crichton, Louis L’Amour, R. A. Salvatore, William Faulkner, William Shakespeare, J.R.R. Tolkein, Madeleine L’Engle, Ernest Hemingway, Mark Twain… and these are just the authors I have read three or more books from (over ten from each of the first four) Reading allows me to live more than one life.

Over the years, what would you say has improved significantly in your writing?

My ability to finish a story to the point I don’t feel that it has to be totally re-written.

What is the most important thing about a book in your opinion?

Whether it makes you laugh or makes you cry or both, the most important thing is that one sweet-sad moment when you have to tell yourself, “Yes,this is true.”

If you had the choice to rewrite any of your books, which one would it be and why?

I am busy rewriting all of them now, except for the two I already have published, and I am busily thinking about at least one of those.

What is your take on the importance of a good cover and title?

Something about the title and cover has to entice the reader into making the mistake of picking the book up and looking inside. It is the essential booby trap that makes or breaks a book.

Have you ever designed your own book cover?

Yes. And so far publishers have ignored my wishes every time. I have found a small publisher called PDMI that may let me do the cover illustrations for the book they have foolishly agreed to publish.

Does a bad review affect your writing?

If I get a review that honestly defines the problem the reader had with my work, then of course I will try to fix the problem. Most bad reviews however are of the sort where very little thought went into it, and the only purpose was to vent and take something out on me as the author. It doesn’t always seem to be reflecting my writing… rather the prejudices that stand between the reader and my work.

Any advice you would like to give to your younger self?

Don’t worry about looking like an idiot, because you will, and you are, and the only thing you can do about it is write more and worry less.

What did you want to become when you were a kid?

I told my parents when I was five that I wanted to be a clown. When I was in junior high I decided I wanted to be a writer and a cartoonist. I said in high school that the last thing I would ever want to be is a teacher. So I went to college and learned to be a teacher, and along the way I got to be the other three things as well.

Do you recall the first ever book/novel you read?

The White Stag by Kate Seredy. I picked it off the classroom reading shelf in third grade because it had a plain red cover… the dust jacket was long lost. I believed that wonderful things were concealed by plain and ordinary appearances. I kept it for three months and read it at least four times. My teacher thought I was crazy. But by the end of fourth grade she asked for my help reading the book Ribsy by Beverly Cleary aloud to the whole class. I turned into a surprisingly good oral reader, and had from that first book onwards developed a lifelong love of reading.

Which book inspired you to begin writing?

I suppose it was Robert Louis Stevenson’s Treasure Island which I read in the fourth grade. It colored all the stories I told my friends and cousins in our little Iowa town. I loved adventure. I loved N. C. Wyeth’s illustrations in the edition my Grandma had in her house. I knew from halfway through the first chapter that I had to be like young Jim Hawkins and tell a story like that.

Did you ever think you would be unable to finish your first novel?

Yes. For most of the twenty-two years it took me to finally reach the last page.

Do you read any of your own work?

How can I write anything without reading it? I like to go back regularly to re-read as much as I can, and every time I do that, I get to the point that I almost think I actually know that dumb old guy who wrote that nonsense.

Tell us about your writing style, how is it different from other writers?

I can’t say, really. When I am writing I hear the voices in my head not as my own voice, but as the characters in the story. The characters are all people I know, though every character has some part of me mixed in too. I try to write what makes me laugh and makes me cry and makes me feel good inside… and I leave it up to the reader to try to feel that too.

Do your novels carry a message?

Every novel has to be full of metaphor and meaning. If we can’t as readers jump inside the characters and walk around in their lives for a bit, then what was the point of even writing it? There is no one message. There is a multitude of messages. And readers should maybe read stuff backwards and upside down to look for clues. You never know what else might be in there. Maybe Elvis is really alive and ordering chili every day at a Wendy’s in Michigan and that can only be revealed by reading the paragraph on page 23 in reverse order.

How much of yourself do you put into your books?

Jeez! I have to work hard to keep some stuff out of my books and save it for myself. Otherwise there would soon be nothing left of me. I don’t have any secrets left in life that aren’t found in my writing somewhere. I keep my ears out of my writing, or else what would I hear with? I keep my fingers out too so I have something to draw pictures with. I use much more of me than I should.

Have you ever incorporated something that happened to you in real life into your novels?

Yes. My friend Robert remembers when the aliens tried and failed to invade my hometown when we were boys. That became the basis for Catch a Falling Star. Of course, I changed a few things, because if Robert realized which character in the book was him, he’d probably want to punch me in the nose. The characters in my stories are all students I have taught, kids I grew up with, and people I have known. Even the really weird ones were real once upon a time. Sorry, Robert, but it’s true.

How realistic are your books?

I write humorous books about science fiction subjects and fantasy adventures. They are filled with lies and exaggerations. So everything is photo realistic. You believe me, don’t you?

What books have influenced your life the most?

Tolkien’s Lord of the Rings trilogy, Douglas Adams’ Hitchhiker’s Guide to the Galaxy trilogy… er quadrilogy… or maybe five-ilogy… I don’t know…, and Frank Herbert’s Dune. I have a thing for realistic fiction.

Are there any books that you are currently reading and why?

I started reading Terry Pratchett’s Hogfather because it is the only Terry Pratchett book I own that I haven’t read yet, and I haven’t gotten hold of a copy of Hat Full of Sky already.

Have any new writers grasped your interest recently?

I love John Green’s books Paper Towns and The Fault in Our Stars.

Is there anything you are currently working on that may intrigue the interest of your readers?

I am trying to get published a novel called Snow Babies. It is a fantasy-comedy about freezing to death in a blizzard and it has snow ghosts and clowns in it. That is a rather fast and flippant summation about a book that I think will make you cry a little and laugh a lot, but it is also fairly accurate. I am hoping the publisher I signed the contract with stays in business long enough to publish it. They have also made the mistake of allowing me to submit a cover illustration.

Who are your books mostly dedicated to?

I dedicate what I write to the people I have known and used as characters. I dedicate my writing to former students, friends, family, and co-workers, because what other reason could I have for writing?

It is often believed that almost all writers have had their hearts broken at some point in time, does that remain true for you as well?

My heart breaks every time a child fails in the classroom. My heart breaks every time I see something incredibly beautiful that I know will not last much longer. I have fallen in love at least five times, and had my heart broken by that at least ten times, maybe more. The scars you carry on the inside either fester and kill you, or they turn over time into pearls, the same way oysters deal with irritants inside their shells, and they can also be called “books you have to write” once they become pearls.

 

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Stories from the Gingerbread House

Gingeyhouse1n

So, I have been struck by a lightning bolt of inspiration.  While working on the werewolf story I have been writing since 1998, I decided to make the sweet little old German lady from the Gingerbread House into the main character of her own novel.  I can’t help it.  Grandma Gretel is based on a real person I knew as a child.  She was a concentration camp survivor from WWII who lived by herself in our little Iowa town.  And I loved her.  I can’t help but write a story about her in fictional form.  So, here is the start of my goofy new project;

Recipes for Gingerbread Children                                                                                          (Rezepte für Lebkuchen-Kinder)

A novel by Michael Beyer

Gretel baked gingerbread the way Mozart composed  symphonic masterpieces, or Leonardo DaVinci painted women with mysterious smiles.  People loved her gingerbread cookies and were hooked with one single taste.  And her recipes were a carefully guarded secret, as was the reason that she lived alone in the little town of Norwall, Iowa, on the eastern edge of Wright County.  Gretel was basically a very happy person, a very loving person.  But there were good reasons for her secrets to remain secrets, and though the people of her little Iowa town loved her and took care of her, they must never know the truth.

“Gretel, old girl, you make me work hard for my milk,” complained Lumpkin the Brownie as he deposited the special bag of flour on the kitchen table.

“Ya, you are such a kidder, you are,” Grandma Gretel snapped at the little brown-skinned man who had just climbed through her kitchen window and thrown the small bag of magical ingredients on the table.  Lumpkin was a local fairy and benign spirit who got away with living in town because he was only three inches tall and could turn invisible at will.

“No kidding, Grandma.   Brownies don’t like to do work.  We’re just as lazy as human beans.  We only do this stuff because we are compelled… or bribed.  And your milk and your gingerbread is magical.”

“Ya ya, magical… this I know.  But what you can be telling me is… did you have to do any bad things to get the fairy flour?”

“We are not the Unseely Court, Grandma Gretel.  We don’t deal in evil or pain.  We do it for love.”

“Love of cookies and milk I am thinking.”

The brownie grinned a great, wide, and particularly ugly grin.  “Still counts as love, old woman.”

 

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Filed under humor, work in progress, writing, writing humor