Category Archives: strange and wonderful ideas about life

I Love to Laugh

“Mickey, why can’t you be more serious the way smart people are?”

“Well, now, my dear, I think I take humor very seriously.”

“How can you say that?  You never seem to be serious for more than a few seconds in a row.”

“I can say it in a high, squeaky, falsetto voice so I sound like Mickey Mouse.”

“You know that’s not what I mean.”

“I can also burp it… well, maybe not so much since I was in junior high.”

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“I distinctly remember getting in trouble in Mrs. Mennenga’s third grade class in school for pantomiming pulling my beating heart out of my chest and accidentally dropping it on the floor.  She lectured me about being more studious.  But I made Alicia sitting in the row beside me laugh.  It was all worth it.  And the teacher was right.  I don’t remember anything from the lesson on adding fractions we were supposed to be doing.  But I remember that laugh.  It is one precious piece of the golden treasure I put in the treasure chest of memories I keep stored in my heart.”

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“I always listened to the words Groucho Marx was saying, even though he said them awfully fast and sneaky-like.  I listened to the words.  Other characters didn’t seem to listen to him.  He didn’t seem to listen to them.  Yet, how could he respond like he did if he really wasn’t listening?  In his answers were always golden bits of wisdom.  Other people laughed at his jokes when the laugh track told them to.  I laughed when I understood the wisdom.”

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“Laughing is a way of showing understanding.  Laughing is a way of making yourself feel good.  Laughing is good for your brain and your heart and your soul.  So, I want to laugh more.  I need to laugh more.  I love to laugh.”

 

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Mickey the Reader

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I like to think that I am different than other readers, that the quirky, insane way I practice reading makes me somehow unique and individual.  But if you have read very much of my goofy little blog, you probably realize already that I am a deeply deluded idiot most of the time.  So let me explain a little about how I go about reading.

  1.  I am basically guilty of reading anything and everything I can get my hands on.  And the stupid internet puts an infinite variety in your hands.  Some of it is toxic and probably will kill me… or land me in jail.  (Does the NSA really care about what Mickey is reading?)
  2. Here is an example of my internet reading this morning;  Diane Ravitch’s Education Blog , An Article from British NaturismRachel Poli’s Article about Fantasy Writing, and Naked Carly Art’s post about creating a painting.  My browser history portrays me at times as some kind of communist brainiac pornography-loving terrorist painter or something.  I hope the NSA is using telepaths to investigate me, because the reasons I look at a lot of this stuff is important.  It is a good thing I don’t write mystery novels so they would be upset down in the NSA break room about my searching out creative ways to kill people.
  3. Besides being Eclectic  with a capital “E”, I am also obsessive.  My daily reading project now is Garrison Keillor’s novel, Lake Wobegon Days.

I only spend about an hour a day reading this novel, but I am totally immersed in it.  I am living inside that book, remembering the characters as real people and talking to them like old friends.  I tried to read that book before and couldn’t make progress because I like so much to listen to Keillor tell stories on A Prairie Home Companion on the radio and it just wasn’t the same entirely in print.  When he tells a story, he pauses a lot.  In fact, that moment when he stops to let you reflect on what he just said is critical to the humor because you have to stop and savor the delicious irony of the scene.  His pauses are funnier than the words.  Man, if he just stood there and didn’t talk at all, you would probably die laughing from it.  So, in order to get into the book, I had to read it with Garrison’s voice in my head, pausing frequently the way he does.  Now the stories of Clarence Bunsen and Pastor Inqvist break me up all over again.  I will soon acquire and read everything he has ever written.  I truly love Garrison Keillor.

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So there is a description of how strange a practicing reader I am.  Think about how you read.  Is the NSA watching you too?  Do you ever read two books at the same time?  Do you read everything and anything in front of you?  If you are self-reflective at all, even if you are not pathological about it the way Mickey is, you may well decide that as strange as my reading habits are, they are probably normal compared to yours.

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That Bluebird of Happiness

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I often go back and re-read old posts, particularly when I discover that someone else has read them.  It is amazing to me how differently I perceive things from when I actually wrote the post.  As you write, squeezing huge, boulder-sized portions of hot, magma-like burning ideas and passions out through writing orifices not nearly big enough to accommodate, you usually hate what you wrote and are still writhing in pain from the creation of it as you try to edit it, trim it and brush its unruly hair.  (How’s that for a mixed metaphor to make you cringe?)  But given time and distance, you can really appreciate what you wrote more than ever before.  Things that you thought were the stupidest idea a man ever put in words suddenly have the power to make you laugh, or make you cry.  You are able to feel the things the writing was intended to make you feel.  You begin to think things like, “Maybe you are not the worst writer that ever lived, and maybe that’s not why nobody ever reads your books.”  But then, of course, your sister reads the post and tells you that you write like a really old, really crabby, really ancient old man.  And you use the word “really” too much too.  I know I deserve that, Sis.  Especially the “really” part.

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Here’s a post that I reread and liked today about Bob Ross.

This is the thing about happiness;  It is elusive and rare as a real-life blue bird. But capturing it for a moment is not impossible.  And as long as you don’t try to salt its tail and keep it prisoner, you can encourage it to sing for you.  (Much better metaphor this time, don’t you think?)  vintage-coca-cola-ad-1950s-1960s-clownb

When I am accused of being gloomy, old, and boring, I can happily admit it and make it into something funny.  I am something of a conspiracy nut, but not so serious that I believe all my own assertions.  For those people who took offense at this conspiracy theory of mine; Coca-Cola Mind Control, I would like to point out that “Hey, I was joking.  I actually like clowns.”  Even though there is a serious side to everything and there can’t be laughter without some tears, I am basically happy with the way things are.

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I started listening to “Live Happy Radio” on Sunday mornings on KLUV in Dallas.  They point out on their program of endlessly droning happy-talk that happiness is something that you can work at.  Like humor writing in blogs, it takes practice and practice and time.  They even asked me to share the word about their happy magazine and products, so I am doing exactly that right here.  Sometimes you simply have to put your cynicism in a jar on the shelf next to the lock box where you keep depression and self-loathing.  So you can find their Live-Happy folderol right here.

So I am bird-watching again with an eye out for the bluebird.  You know the one.  It is out there somewhere.  And I need to hear that song one more time.

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Why Mickey Writes

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If you are wondering, “How in the Heck can Mickey write nonsense like that essay he wrote yesterday?”, then please be aware that Mickey is pondering that same question.

Seriously, why would a writer publish personal thoughts and allude to personal tragedies?  Especially when they are about things that once upon a time nearly killed him?  (Please note that when Mickey starts a sentence with “Seriously” it is probably about to lead to a joke, the same way as when Trump says, “Believe me” we should  assume he is telling a lie and knows it.)

The answer is simply, writers write stuff.  They have to.  If they didn’t, they wouldn’t be writers.

It is really not something to do to earn fame and fortune.  Fame and fortune happen to rare individuals like J. K. Rowling and Steven King… and even Stephanie Meyer, to prove that it is totally random and not based on actual writing talent… except for sometimes.

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You write to get your head right about bad things that happen in life.  You find that factor in Mark Twain whose infant son died, as well as most of the rest of his family, before him, forcing him to face survivor’s guilt and the notion that life is random and death does not come for you based on any kind of merit system.  Charles Dickens wrote about the foibles of his father, on whom he based the David Copperfield character Wilkins Micawber, a man who was overly optimistic and constantly landing in debtor’s prison because of it.  He also wrote in his stories about the women he truly loved (who were not, it seems, his wife) one of whom died in his arms while yet a teenager.  Dickens’ amused take on the innate foolishness of mankind gave him a chance to powerfully depict great tragedies both large (as in a Tale of Two Cities) and small (as in Oliver Twist).  I wrote yesterday’s post based on the connection between the nudity I write about in novels and my own traumatic assault when I was only ten.

You write because you have wisdom, an inner personal truth, that you are convinced needs to be crystallized in words and written down on paper.  It isn’t necessarily real truth.  Lots of idiots write things and post them in newspapers, blogs, and even books.  And it is often true that their inner personal truth is complete hogwash.  (But, hey, at least the hogs are cleaner that way.)  Still, your wisdom is your own, and it is true for you even if some idiot like Mickey reads it and thinks it is only fit for cleaning hogs.

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And you truly do have to write.  If I did not write my stupid, worthless novels, all the hundreds of characters in my head would get mad and start kicking the pillars that hold up the structures in my head.  I do have structures in my head.  My mind is organized in boxes that contain specifically sorted ideas and stories and notions.  It is not a festering stew pot where everything is mixed together and either bubbling or boiling with hot places or coagulating in the cold corners.  (That is how I picture Donald Trump’s mind.  It is certainly not an empty desert like many people think, because deserts don’t explode all over Twitter early in the morning like the stew pot metaphor obviously would.)

And so, I have done it again.  I have set down my 500+ words for today and made a complete fool of myself.  And why do I do it?  Because Mickey is a writer, and so, Mickey writes stuff.

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Nudist Notions

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This nudist camp is entirely fictional.  The actual camp in Clear Lake is a Methodist Youth Camp.

I have learned a lot more about nudists in the last few months than I probably ever wanted to know.  The book I wrote about a boy being invited to go camping with the family of a girl he liked, and then finding out it was a nudist camp, was written as rough draft back in the late 1980’s about life experiences I had in the early ’80’s.  Some things I learned back then have proven to still be true.  Some things have changed.  The things that have changed, are mostly about me.

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Nudist families in touch with nature are beautiful in ways I can’t explain.  It’s not the clothes the wear.

Naturists are happier than normal people.  They shed a lot of their hang ups and worries with their clothes.  Sunshine and cool breezes on bare skin have a healthy psychological effect.  I know this from having experimented myself.  Socially nudists are able to comfortably “live in their skin”.  Their confidence in self translates into sensible nude social behavior.  It is not about sex.  Sex is private behavior to a nudist, not public.  When nudists interact, the conversations occur eye to eye, not eye to somewhere else.  And the acceptance of how others look when naked is a critical factor in nude social interaction being beneficial.  Most nudists are not beautiful or ugly.  They are a spectrum of everything in between.  And they don’t talk about body parts or make comparisons.  Nudist men talk about sports teams and vehicle repair and politics the same way the guys in overalls at the Nutrena Feed and Farm Store.  Nudist women talk about… well, the stuff women talk about in the secret language of women that guys like me don’t understand.

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Sherry Cobble at the Sunshine Club

So those things about the nudist community have not changed over time.  True in the 1960’s is true today.  The thing most of you don’t realize is that there are lot more nudists in the world than you are reasonably ready to admit.  And the nudist community has a lot more old naturists than you probably thought possible.  Naked wrinkles and beer bellies are a thing.

What I have learned about myself by joining the nudist community (though only once at only one of the several nudist camps available in sunny Texas) is that the nakedness and thoughts about nakedness in my novels is there for a reason, and it will not go away.  I am trying to be a Young Adult novelist, which means my novels are basically aimed at a junior high and high school audience.  I have to dance a carefully straight line between the need to be honest with naked reality and Amazon’s prohibition of adult content in YA novels.  Sherry Cobble luring young boys into going camping naked with her family is on that borderline.  It is not sexual content.  But it is naked content and the barriers have been physically set aside.  The humor caused by sexual tension can’t cross the line into bawdy or lewd or pornographic.  Nor would I want it to.

But people who write fiction do it not because it’s fun.  It is necessary.  We have lived lives that leave us damaged in ways that can only be fixed through fiction.  The world has to be reshaped in words by people who can’t live with the world the way it was.  The truth is, I was sexually assaulted when I was a child, one traumatic event that clouded and warped my self-confidence, my sex life, and my self-concept.  Healing has been a life-long process.  In fiction, it means characters having to deal with the naked truth and make peace with it.  This I believe I have done in so many different ways as a teacher, a husband, a father, and a story-teller, that it simply has to be shared.  I will publish Superchicken on Amazon soon, and hopefully Edward-Andrew’s nudist adventure will pass the Amazon test.  I have some nutty nudist notions in my nerdy old noodle, but in a novel, they can all be made new.

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Starships

One of the things I discovered by relentlessly playing outer-space D & D is the unique setting for fiction presented by the basic interstellar starship.  Here you have a cookie-cutter setting with a basic set of requirements that can’t really change.  It takes the crew as the primary cast from one possible site of adventure to the next, offering a complete barrier to carry-over conflicts and interactions, and also providing a setting for forced internal conflicts that can have profound story consequences.

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Starships are an enclosed environment where you cannot simply run away from your troubles.  Especially when you are alone aboard with a hungry flesh-eating alien and surrounded by empty, airless, interstellar space.  You have to confront both inner and outer demons face to face.  There is no mileage available to put between you.

It has a certain set of requirements for who is on board and available to be hero friends or friends turned adversary.  There must be a pilot.  Somebody has to know how to drive the thing.  There must be an engineer.  Somebody needs to be able to fix things and keep things running.  Somebody needs to know how to manage food and drinking water and the general odor of this enclosed place.  That last is a position that is too often overlooked in movies and science fiction novels.  Scotty cannot be expected to clean the toilets on the Enterprise.  And somebody needs to be in charge.

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Express boats in Traveller are one-man-crew affairs, basically in the service of carrying information between the stars, an interstellar postal truck of sorts.  These can be the setting of man-versus-himself  sorts of conflicts.  If starships are in our future, and it is obvious with global warming we don’t have a future without them, then we are going to have to confront the concept of living with boredom.  Boredom can become mindless or it can become raving insanity.  This is why, in my Traveller games the X-boats all carried the current favorites among episodes of I Love Lucy reruns.  Aliens have been watching that stuff for years now in real life.  It will one day be a galaxy favorite.

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Starships are also filled with a fascinating complexity.  There will be times when there is no gravity so up and down can become irrelevant.  If the heat goes out, deep space can freeze you solid.  If you go outside, you need a space suit so you don’t blow up from your own internal pressure suddenly released in a pressure-free environment.  And you have no air outside the spaceship.  James Holden’s favorite coffee maker could malfunction and foul the air with poisons from burned plastic, causing a serious problem-solving situation that could result in you needing to get really, really, a thousand times really good at holding your breath.

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And, of course, there is the obvious conflict of meeting another starship with lasers and meson cannons and nuclear missiles all controlled by a captain who is a homicidal maniac and knows your sister and really, really wants to get revenge on her whole family for what she said about his zilfinbarger back on Metebelius III.

So, as a role-playing gamer, and as a creator of science fiction, I really, really love starships.  I will probably talk about them a time or too more until it gets really, really annoying… almost as annoying as the whole “really, really” thing.

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Giving and Taking Stupid Advice

Let’s begin with some stupid advice. I don’t have time to write a lot today because the Princess is ill and must go see the doctor in Plano.  So the advice is; Set aside time for writing and always allow plenty of time for it.  You will probably notice already that I am giving you advice that I am not taking myself this morning.  So don’t follow that advice.  It is stupid advice.  I have given it to creative writing classes for years and thought I meant it.  But looking back on real life, I realize, it has never been true for me.  My best ideas, my best writing, always seem to come in the middle of the pressure-cooker of daily struggle and strife.  I have battled serious illness for most of my adult life.  I have the luck of a man who tried to avoid letting a black cat cross his path by crashing his bicycle at the top of a hill covered in clover with only three leaves each and then rolling down the hill, under a ladder, and crashing into a doorpost which knocks the horseshoe off the top.  The horseshoe lands on my stupid head with the “U” facing downward so the luck all drains out.  Bad things happen to me all the time.  But it makes for good writing.  Tell me you didn’t at least smile at the picture I just painted in your mind.  You might’ve even been unable to suppress a chuckle.  I am under time pressure and misfortune pressure and the need to rearrange my entire daily schedule.  So it is the perfect time to write.

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This essay, however, is about bad advice.  And I am a perfect person to rely on as a resource for bad advice.  I am full of it.  Of course, I mean I am full of bad advice, not that other thing we think of when someone tells me I am “Full of it!”  So here’s another bit of writing advice that is probably completely wrong and a bad idea to take without a grain of salt, or at least a doctor’s prescription.   You should stop bird-walking in your essay and get to the damn point!

 I know a lot about the subject of depression.  When I was a teenager, I came very close to suicide.  I experienced tidal waves of self-loathing and black-enveloping blankets of depression for reasons that I didn’t understand until I realized later in life that it all came from being a child-victim of sexual assault.  Somehow I muddled through and managed to self-medicate with journal writing and fantasy-fixations, thus avoiding a potentially serious alcohol or drug problem.  This is connected to my main idea, despite the fact that I am obviously not following the no bird-walking advice.  You see, with depression, Bad advice can kill you.  Seriously, people want to tell you to just, “Get over it!  Stop moping about and get on with life.  It isn’t real.  You are just being lazy.”

I have been on the inside of depression and I know for a fact that not taking it seriously can be deadly.  In fact, I have faced suicidal depression not only in myself, but in several former students and even my own children.  I have spent time in emergency rooms, mental hospitals, and therapists offices when I wasn’t myself the depression sufferer.  One of my high school classmates and one of my former students lost their battles and now are no longer among the living.  (Sorry, have to take a moment for tears again.)  But I learned how to help a depression sufferer.  You have to talk to them and make them listen at least to the part where you say, “I have been through this myself.  Don’t give in to it.  You can survive if you fight back.  And whatever you have to do, I will be right here for you.  You can talk to me about anything.  I will listen.  And I won’t try to give you any advice.”  Of course, after you say that to them, you do not leave them alone.  You stay by them and protect them from themselves, or make sure somebody that will do the same for them stays with them.  So far, that last bit of advice has worked for me.  But the fight can be life-long.  And it is a critical battle.

So taking advice from others is always an adventure.  Red pill?  Green pill?  Poison pill?  Which will you take?  I can’t decide for you.  Any advice I give you would probably just be stupid advice.  You have to weigh the evidence and decide for yourself.  What does this stupid essay even mean?  Isn’t it just a pile of stupid advice?  A concluding paragraph should tell you the answer if it can.  But, I fear, there is no answer this time.

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Dancing Towards the Brighter Light

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In Texas a little girl who has cerebral palsy committed the crime of crossing a border patrol station near Laredo on the way to having life-saving gall bladder surgery.  So the border patrol followed her to the hospital, waited until the surgery was finished, and then took her to a detention facility for deportation.  Wow!

We are a heartless people.  We elect heartless representatives to congress to make heartless laws to punish people for being poor, or not being white, or not being patriotic enough at football games during the playing of the national anthem.  We elected an orange-faced creature with bad hair to the presidency rather than electing a human being with a beating heart.   And why did we do that?  Because too many people were in favor of health care laws and regulations that help people we don’t like.  We elected him to send a message to all the people we don’t like.  That message was, “Screw you, why don’t you just die already?”  We like that message because we are a heartless people.

 

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But while we are only thinking of ourselves and vowing to let everybody else go to hell, somewhere the music of the dance begins to play.  Hear it yet?

Somewhere children are laughing.

Somewhere Santa Claus is real.

Holidays are approaching and, with indictments sealed and in the hands of prosecutors, possible impeachment looms.  The happy dance is about to begin again.

Or maybe it never really went away.  People did care, do care, about the crisis in Puerto Rico.  After the hurricane, Dippy Donald Dimwit tossed paper towels to survivors, apparently suggesting that all he needed to do was that to symbolically get all the people cleaning up while holding on to their own bootstraps and pulling with all their might.  Apparently heartless people believe you can levitate if you pull upwards on bootstraps.  But Tesla gifted the city of San Juan with solar panels and batteries and started set-up of an island-based solar power grid to get Puerto Rico back online in the modern world.  And Elon Musk is taking the steps towards building the future that the pumpkinhead in chief can’t even conceive in his empty pumpkin head.  The music sways and builds.  The dancers circle each other and first steps in ballet shoes begin.

We are a heartless people.  We suffer in our cubicles alone, angry at a heartless world.  “Why don’t you love me?” each one of us cries, “aren’t I worthy of love?”  But crying never solved a problem.  No, counting our regrets and hoarding the list of wrongs done to us never started a heart to beating.  But the music builds.  Try smiling at that hard-working clerk who takes your information at the DMV, and then thanking them at the end for their hard work even though they have to deny you the permit because there are more bits of paperwork that have to be found and signed.  Try making a joke in line at the post office that makes the other hundred and ten people actually laugh while waiting interminably.  Do your best to bring light to the darkness, not for yourself, but for other people.  The music builds.  Do you know the steps to the dance?  No?  Well, the steps won’t matter if you begin to move to the music, begin to glide… And the heart starts pumping, and we begin to feel alive again.  Hallelujah!  We are dancing towards the light again.

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Wielding the Big Pencil

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The guy holding the big pencil used to be me.   I know you are thinking, “But, Mickey, you are not a rabbit!”  Well, that’s true, but it is also true that the whole thing is a metaphor, and metaphorically I was always Reluctant Rabbit, pedagogue… teacher… the holder of the big pencil.  It is a writing teacher thing.  The best way to teach kids to write is to have them write.  And the best way to show them what you mean when you tell them to write is to write yourself.  You learn to read better by reading a lot.  You learn to write better by writing a lot, reading what you wrote, and reading what other people wrote, especially if those other people were holding the big pencil in front of the class.

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I was recently reminded by people who know me that once I held the big pencil in the front of the class.  They both asked me, “Really?  You were a teacher?”

I suppose it is hard to believe when once you’ve gotten to know me, at least a little bit.  I don’t strike people as the sour-faced, anal-retentive English-teacher type.  I smile and laugh too much for that.  They can’t believe that someone like me could ever teach.

But over the years, I got rather good at holding the big pencil.  I learned, first of all, that anyone can be a good teacher.  You only have to be competent in the subject area you are trying to teach, and open to learning something new about teaching every single day for the rest of your life.

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Here’s something you have to learn about teaching to be any good at it; Discipline is not about making kids behave.  You can shout, stamp your feet, and hit them with a ruler and you will never get them to do what you want to them do.  It has to be about limiting the choices they have for what they will do.  Yes, one of those choices is to be removed from the classroom to go have fun sitting in the uncomfortable chair next to the assistant principal in charge of discipline’s desk, but the good teacher knows you should emphasize that they can either sit like a lump and imitate a rock, or they can participate in the activities presented.  And in my classroom, activities led to jokes and laughing and trying new stuff… some of it hard, but most of it easy.  Kids don’t end up having a hard time making the right choice.

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Here’s something else you absolutely have to learn to be any good at it;  You have to like kids.  Not just the well-behaved teacher-pleasers, but also the class clown who’s too smart to sit still for stuff he already knows, the shrinking violet who is a wonderfully complex well of deep thoughts who is only a little bit too scared to actually speak in class and share her thoughts, and the dark snarky demon who is quietly plotting the next outburst that will make your life a living hell so he or she can spend time with their old and dear friend, the chair in the assistant principal’s office.  If you don’t like them, you can’t teach them, and driving dynamite trucks in war zones is an easier job.  It pays better too.

I often try to picture Donald Trump teaching English to seventh graders.  What a slapstick comedy that would be.  The man doesn’t know anything.  He is always angry.  And he hates everybody except his daughter Ivanka.  My fourth period class wouldn’t merely eat him alive, they would skeletonize him faster than a school of piranhas could ever hope to match.  And it might be entertaining to watch (assuming it was metaphorical, not literal).

And I sincerely wish I could hold the big pencil in front of class again.  It was the act that defined who I was and what purpose I had in life.  But it isn’t gone since I was forced by ill health to retire.  I held the big pencil for over two thousand students in the course of thirty-one years.  And I will always hold the big pencil in their memories of it.  It is a sort of immortality for teachers.

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Small Town Inspirations

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I grew up in a small rural town in North Central Iowa.  It was a place that was, according to census, home to 275 people.  That apparently counted the squirrels.  (And I should say, the squirrels were definitely squirrelly.  They not only ate nuts, they became a nut.)  It was a good place to grow up in the 60’s and 70’s.  But in many ways, it was a boring place.

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Yes, there were beautiful farmer’s daughters to lust after and pine for and be humiliated by.  There was a gentle, supportive country culture where Roy Rogers was a hero and some of the best music came on Saturdays on Hee Haw where there was a lot of pickin’ and grinnin’ going on.  There were high school football games on Friday nights, good movies at the movie theaters in Belmond and Clarion, and occasional hay rides for the 4-H Club and various school-related events like Homecoming.

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I lived in a world where I was related to half the people in the county, and I knew at least half of the other half.  People told stories about other people, some of them incredibly mean-spirited, some of them mildly mean, and some of them, though not many, that were actually good and actually true.  I learned about telling good stories from my Grandpa Aldrich who could tell a fascinating tale of Dolly who owned the part of town called locally “Dollyville” and included the run-down vacant structure the kids all called the Ghost House.   He also told about Dolly’s husband, Shorty the dwarf, who was such a mean drunk and went on epic temper tirades that often ended only when Dolly hospitalized him with a box on the ear.  (Rumor had it that there were bricks in the box.)

And I realized that through story-telling, the world became whatever you said that it was.   I could change the parts of life I didn’t love so much by lying… er, rather, by telling a good story about them.  And if people heard and liked the stories enough, they began to believe and see life more the way I saw it myself.  A good story could alter reality and make life better.  I used this power constantly as a child.

There were invisible aliens invading Iowa constantly when I was a boy.  Dragons lived in the woods at Bingham Park, and there were tiny little fairy people everywhere, in the back yard under the bushes, in the attic of the house, and building cities in the branches of neglected willow trees.

Donner n Silkie

I reached out to the world around me as an artist, a cartoonist, and a story-teller and plucked details and colors and wild imaginings like apples to bake the apple pie that would much later in my life feed the novels and colored-pencil pictures that would make up my inner life.  The novels I have written and the drawings I have made have all come from being a small town boy who dreamed big and lived more in stories than in the humdrum everyday world.

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Filed under artwork, autobiography, colored pencil, dreaming, fairies, farm boy, goofy thoughts, humor, NOVEL WRITING, Paffooney, strange and wonderful ideas about life