Category Archives: publishing

Like Pulling Teeth from a Chicken

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Life is hard here in the Kingdom of Paffoon where you labor hard at a labor of love and try to give birth to something eternal that ends up going nowhere… stacks of old writing litter my closets, and the prospects of being published grow dimmer and dimmer.  My book Snow Babies has a contract with a publisher, but, apparently they are not going to be able to publish it after all.  I am at the very least going to have to find another publisher for the rest of my books, both finished manuscripts and works in progress.

Blue and Mike in color (435x640)

I do intend to follow through and get published, though.  I can no longer teach, but I feel a powerful force pushing me towards the sheer precipice of authordom.  One way or another I am going to make it over the edge and plummet to the bottom of that cliff.  I am compelled by the need to tell stories, and I have a captive audience every school day no longer.

I used to tell my classes that doing impossible things was like trying to pull chicken teeth with pliers.  You know, impossible things like getting a book published or teaching a mostly Spanish-speaking student how to read in English…  every-day-sort-of impossible things.

“But, Mr. B, chickens don’t have teeth,” some bright-eyed student would say after realizing that “chicken” was the English word for “pollo”.

“Exactly!” I would say.  “That’s what makes it so challenging!”

And now I must put on my chicken-catching socks, find my tooth-pulling pliers, and get ready to make more novels happen.  After a brief bout of consternation and depression, I actually feel a bit better about the whole fiasco.  There are other publishers, and publishers seem to like my writing, even if they can’t publish it.  And I have waited two years to get Snow Babies published, all apparently for nothing.  It is time to stop wasting time.  And maybe to stop repeating repetitions too.

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Filed under humor, novel plans, NOVEL WRITING, Paffooney, publishing, self pity, writing, writing humor

Catch a Falling Star – Book Review

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I finally got the book review from Serious Reading.  If you are actually interested, you can find it here;

Seriousreading.com Book Review

I have not been a very successful marketer of my own book.  But I have made attempts to get help with it.  This book review is an example of that.  I have chosen to reproduce the interview here as a way of ditching my responsibility for writing anything new in this post.

Interview with Michael Beyer, author of “Catch a Falling Star”

A common misconception entwined with authors is that they are socially inept, how true is that?

Quite true… the person who goes on to become a successful author is the sociopath who sits in the back of the classroom during his freshman year of high school watching everybody through pop-bottle-bottom glasses and taking notes on everything everyone else is doing or saying. But, the rub is that you cannot successfully write anything without learning how to talk to people first. This is why most of them take years to get their books successfully completed. It is also why some authors have closets full of manuscripts that no one has ever seen.

Do all authors have to be grammar Nazis?

Alle begrüßen die heiligen Worte! Yes, authors must pass through the grammar Nazi stage, even if they are to become grammar anarchists like Kurt Vonnegut or Terry Pratchett. You have to know the rules you are breaking before you can break them without simply being stupid.

If you could have been the original author of any book, what would it have been and why?

My own book. The good books that are out there are good only because you couldn’t rewrite it and make it any better than it already is. I also don’t want to waste my time re-writing a dumb book or an evil book or a goofy book… well, I might have to think twice about the goofy book.

What makes this particular genre you are involved in so special?

I was a public school English teacher for 31 years in Texas. I write YA novels because, not only are kids my main audience, but also my primary source material. All the best fantasy, science fiction, and humor ideas can be accidentally happened upon and written down somewhere in a middle school classroom. All the best characters and clowns too.

What works best for you: Typewriters, fountain pen, dictate, computer or longhand?

For twenty years I wrote everything out in longhand in spiral notebooks. It took considerable work to copy it all out on a typewriter. Then some nut invented that computer thing, and an even nuttier nut showed me how to use one. The world will live to regret those two big mistakes.

When did it dawn upon you that you wanted to be a writer?

I started writing things down in the back of the classroom when I was about twelve. Before that I told stories to everyone who would listen… or couldn’t escape listening. My sisters still blame me for recurring nightmares and my grade school best friend still reminds me that I am not actually a changeling left on Earth by Martians. I guess I haven’t actually made up my mind yet about becoming a writer.

How often do you write?

Are you asking how many times a day? Or how often I stop writing? The second one is easier to answer… never.

Do you have a set schedule for writing, or are you one of those who write only when they feel inspired?

I write whenever life doesn’t interfere. Now that I am retired from teaching I write every morning for at least an hour and at least 500 finished words. But I am writing in my head even when I am at Wal-Mart returning the sneakers my daughter begged me for because I wasn’t smart enough not to buy pink ones.

How hard was it to sit down and actually start writing something?

About as hard as it is to remember to breathe. As an English teacher I always made it my policy to write any writing assignment I ever assigned to my students. Other members of the faculty all knew that I was willing to write anything that needed writing, and the State of Texas requires teachers to write huge stacks of B.S. daily. So at least some of their lesson plans look suspiciously like mine.

Writers are often associated with loner tendencies; is there any truth to that?

I know a lot of other writers who are stressed by being around stupid people too much. But, as a former school teacher, I like people… especially kid people… even the stupid ones.

Do you think writers have a normal life like others?

No. I don’t have to explain that one, do I? The world does not have as many writers as there are normal people. There has to be a reason for that, don’t you think?

Do you set a plot or prefer going wherever an idea takes you?

I have in the past mapped out elaborate road-maps of plot and character motivation. I never followed a single one to the “X marks the spot”. You only find treasure if you learn to dig for treasure along the way.

What, according to you, is the hardest thing about writing?

Quitting for the session. I try always to leave something unwritten that I wanted to say to pick up next time… and it often brings me back to do some more well before I had planned to.

What would you say is the easiest aspect of writing?

Everything about writing is hard. I do it easily now only because I have worked at it since I was twelve. Years of practice and re-writing, trying new things and failing badly, trying again and failing again, ironing out the wrinkles and then putting them back in… It takes effort, just like building the Great Wall of China, one brick at a time… but isn’t it a danged big old wall now?

Have you ever experienced “Writer’s Block”? How long do they usually last?

Dang! How am I ever going to answer that? I have to really think about it. Maybe I can answer by next Tuesday.

Any tips you would like to share to overcome it?

Well, I guess that wasn’t really that hard after all. All I did was write something down as soon as it came into my head. If it turns out to be a stupid idea, computers make it easy to erase and replace. I told you that you were going to regret that particular invention, didn’t I?

Do you read much and if so who are your favorite authors?

Terry Pratchett, Michael Crichton, Louis L’Amour, R. A. Salvatore, William Faulkner, William Shakespeare, J.R.R. Tolkein, Madeleine L’Engle, Ernest Hemingway, Mark Twain… and these are just the authors I have read three or more books from (over ten from each of the first four) Reading allows me to live more than one life.

Over the years, what would you say has improved significantly in your writing?

My ability to finish a story to the point I don’t feel that it has to be totally re-written.

What is the most important thing about a book in your opinion?

Whether it makes you laugh or makes you cry or both, the most important thing is that one sweet-sad moment when you have to tell yourself, “Yes,this is true.”

If you had the choice to rewrite any of your books, which one would it be and why?

I am busy rewriting all of them now, except for the two I already have published, and I am busily thinking about at least one of those.

What is your take on the importance of a good cover and title?

Something about the title and cover has to entice the reader into making the mistake of picking the book up and looking inside. It is the essential booby trap that makes or breaks a book.

Have you ever designed your own book cover?

Yes. And so far publishers have ignored my wishes every time. I have found a small publisher called PDMI that may let me do the cover illustrations for the book they have foolishly agreed to publish.

Does a bad review affect your writing?

If I get a review that honestly defines the problem the reader had with my work, then of course I will try to fix the problem. Most bad reviews however are of the sort where very little thought went into it, and the only purpose was to vent and take something out on me as the author. It doesn’t always seem to be reflecting my writing… rather the prejudices that stand between the reader and my work.

Any advice you would like to give to your younger self?

Don’t worry about looking like an idiot, because you will, and you are, and the only thing you can do about it is write more and worry less.

What did you want to become when you were a kid?

I told my parents when I was five that I wanted to be a clown. When I was in junior high I decided I wanted to be a writer and a cartoonist. I said in high school that the last thing I would ever want to be is a teacher. So I went to college and learned to be a teacher, and along the way I got to be the other three things as well.

Do you recall the first ever book/novel you read?

The White Stag by Kate Seredy. I picked it off the classroom reading shelf in third grade because it had a plain red cover… the dust jacket was long lost. I believed that wonderful things were concealed by plain and ordinary appearances. I kept it for three months and read it at least four times. My teacher thought I was crazy. But by the end of fourth grade she asked for my help reading the book Ribsy by Beverly Cleary aloud to the whole class. I turned into a surprisingly good oral reader, and had from that first book onwards developed a lifelong love of reading.

Which book inspired you to begin writing?

I suppose it was Robert Louis Stevenson’s Treasure Island which I read in the fourth grade. It colored all the stories I told my friends and cousins in our little Iowa town. I loved adventure. I loved N. C. Wyeth’s illustrations in the edition my Grandma had in her house. I knew from halfway through the first chapter that I had to be like young Jim Hawkins and tell a story like that.

Did you ever think you would be unable to finish your first novel?

Yes. For most of the twenty-two years it took me to finally reach the last page.

Do you read any of your own work?

How can I write anything without reading it? I like to go back regularly to re-read as much as I can, and every time I do that, I get to the point that I almost think I actually know that dumb old guy who wrote that nonsense.

Tell us about your writing style, how is it different from other writers?

I can’t say, really. When I am writing I hear the voices in my head not as my own voice, but as the characters in the story. The characters are all people I know, though every character has some part of me mixed in too. I try to write what makes me laugh and makes me cry and makes me feel good inside… and I leave it up to the reader to try to feel that too.

Do your novels carry a message?

Every novel has to be full of metaphor and meaning. If we can’t as readers jump inside the characters and walk around in their lives for a bit, then what was the point of even writing it? There is no one message. There is a multitude of messages. And readers should maybe read stuff backwards and upside down to look for clues. You never know what else might be in there. Maybe Elvis is really alive and ordering chili every day at a Wendy’s in Michigan and that can only be revealed by reading the paragraph on page 23 in reverse order.

How much of yourself do you put into your books?

Jeez! I have to work hard to keep some stuff out of my books and save it for myself. Otherwise there would soon be nothing left of me. I don’t have any secrets left in life that aren’t found in my writing somewhere. I keep my ears out of my writing, or else what would I hear with? I keep my fingers out too so I have something to draw pictures with. I use much more of me than I should.

Have you ever incorporated something that happened to you in real life into your novels?

Yes. My friend Robert remembers when the aliens tried and failed to invade my hometown when we were boys. That became the basis for Catch a Falling Star. Of course, I changed a few things, because if Robert realized which character in the book was him, he’d probably want to punch me in the nose. The characters in my stories are all students I have taught, kids I grew up with, and people I have known. Even the really weird ones were real once upon a time. Sorry, Robert, but it’s true.

How realistic are your books?

I write humorous books about science fiction subjects and fantasy adventures. They are filled with lies and exaggerations. So everything is photo realistic. You believe me, don’t you?

What books have influenced your life the most?

Tolkien’s Lord of the Rings trilogy, Douglas Adams’ Hitchhiker’s Guide to the Galaxy trilogy… er quadrilogy… or maybe five-ilogy… I don’t know…, and Frank Herbert’s Dune. I have a thing for realistic fiction.

Are there any books that you are currently reading and why?

I started reading Terry Pratchett’s Hogfather because it is the only Terry Pratchett book I own that I haven’t read yet, and I haven’t gotten hold of a copy of Hat Full of Sky already.

Have any new writers grasped your interest recently?

I love John Green’s books Paper Towns and The Fault in Our Stars.

Is there anything you are currently working on that may intrigue the interest of your readers?

I am trying to get published a novel called Snow Babies. It is a fantasy-comedy about freezing to death in a blizzard and it has snow ghosts and clowns in it. That is a rather fast and flippant summation about a book that I think will make you cry a little and laugh a lot, but it is also fairly accurate. I am hoping the publisher I signed the contract with stays in business long enough to publish it. They have also made the mistake of allowing me to submit a cover illustration.

Who are your books mostly dedicated to?

I dedicate what I write to the people I have known and used as characters. I dedicate my writing to former students, friends, family, and co-workers, because what other reason could I have for writing?

It is often believed that almost all writers have had their hearts broken at some point in time, does that remain true for you as well?

My heart breaks every time a child fails in the classroom. My heart breaks every time I see something incredibly beautiful that I know will not last much longer. I have fallen in love at least five times, and had my heart broken by that at least ten times, maybe more. The scars you carry on the inside either fester and kill you, or they turn over time into pearls, the same way oysters deal with irritants inside their shells, and they can also be called “books you have to write” once they become pearls.

 

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Timeline – Part 2

Val B22You may remember that yesterday I was giving a run-down of my various Home Town Novel projects according to the order they supposedly happen in real time (measured in years).  Here is what I went over yesterday;

Superchicken, set in 1974, the first Home Town Novel that I completed.

The Baby Werewolf (also possibly titled The Wolf in the Attic), set in the Fall of 1974, not yet completed.

The Forever Boy, set in Spring 1975, not yet written in manuscript form.

Sweet Pickles, set in the Fall of 1974 and Spring of 1975, half written, but possibly too graphic to publish.

Under Blue Glass, set in 1977 and not yet written in manuscript form.

When the Captain Came Calling, is set in 1983-84, the manuscript is currently at 25,000 words and being worked on.

And the novel I am editing for publication this week, Snow Babies, set in the Winter of 1984.  Snow Babies is the story of how the small town survives the raging blizzard and faces the prospect of freezing to death.  Valerie Clarke, in the picture above, is the central character in a large cast trying to avoid being the one the snow spirits have come to claim.

The second generation of Norwall Pirates, the boys’ club of dreamers, goofballs, and liars, have come to be led by a girl, Mary Philips and Valerie is the second girl ever to join the club.

Crooner

Francois
The next novel has undergone two transformations.  It started as a book called Little Boy Crooner.  It is about an orphan from France who comes to live with ne’er-do-well Iowegian relatives.  Homesick and deeply troubled, the boy has discovered a natural talent for karaoke, and has a voice that people come from miles away to hear.  Then, the clowns of the Dreamlands began invading this story and had to be renamed.  It is now called Sing Sad Songs… with Clowns.  I may, however change the name to just Sing Sad Songs.

 

Sing Sad Songs and the next novel in the series, Fools and Their Toys, happen at the same time in 1985-86.  They not only share a setting and many of the same characters, but they share a villain and many of the same plot-shaping events.  They are, however, very different stories.

Fools n Toys

 

Fools and Their Toys is the story of autistic Murray Dawes.  Because he has never really been able to communicate before, his turning point comes when a new member of the family, an adopted little brother, makes for him a ventriloquist’s dummy in the form of a zebra.  He calls it Zearlop and uses it to unleash the hidden intelligence that was there through all those years when other people thought he was retarded.  Unfortunately, just as Murray is blossoming, a serial killer comes along, targeting young boys.  More unfortunately still, some from the area believe Murray may be the killer.

class Miss Mcover

Leadership of the Pirates is passed from Mary to Valerie.  And in 1988 I have set my current contest novel The Magical Miss Morgan.  Valerie passes the leadership of the Pirates to her highly imaginative and extremely annoying cousin Timothy Kellogg.  Tim is a the second most important character in the story of the teacher, Miss Morgan, who loves to teach.  Miss Morgan is the sister of original Pirate wizard, Milt Morgan.  Because of her brother, she inherits responsibility for a local war between good and evil fairies, while at the same time trying to save her job from evil principals, parents, and school board members and teach a lesson or two worth remembering forever.  This full manuscript novel is currently being judged for the contest, and will be submitted for publication after.

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Tim Kellogg is one of two main characters in the next novel, The Bicycle-Wheel Genius.  Orben Wallace, the inventor, is the title character who may have accidentally created a time machine.  The novel is set in the years from 1988 to 1990, and it is about how the genius’ old inventions come back to haunt him as he tries to solve the problem of having invented a time machine, having worked on mysterious government projects, and having helped to fight off an alien invasion.  This novel is also complete and merely awaiting the proper time to get published.

 

Catch a Falling Star is the published novel that started this blog and my dream of making it as a novelist.  It is set in 1990 and tells the story of when the Telleron alien empire of frog-like fin-headed aliens fail to invade Norwall, Iowa because they hadn’t reckoned on meeting the Pirates.See Catch a Falling Star on Amazon here.

My Art 2 of Davalon

I guess I leave it here for today.  It seems there is enough more to fill another blog… Part 3.

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Filed under aliens, characters, clowns, humor, Iowa, novel plans, NOVEL WRITING, Paffooney, publishing, Snow Babies, writing humor

Sharing

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Yesterday I re-blogged a post by Daven Anderson because he was doing such an excellent job of promoting my current publisher PDMI Publiching, LLC.

Daven’s post about PDMI

PDMI Banner 2014

I am relying on this publisher to get my work into print.   I have no way of knowing how much longer I can stay alive since only six incurable diseases, financial hardship, and the cruel winds of fate are all trying to overturn my little metaphorical boat.  I have found them to be like a family, concerned about all of the members and willing to go to great lengths to help.  I am pinning my literary hopes on them.  If my novels don’t get noticed soon and cared about by someone other than me, they may die out shortly after I do.  At the rate I am going, I don’t know how many I can push into existence, and I’m fairly sure I will not see all of them in print.  But I am trying.  This is my legacy, my lifetime of collected wit and wisdom, and it is the most worthy thing about me.  So I am trying very hard to promote everything I can to help make the publishing company as a whole to thrive and work.  But it is not for this reason only that I promote the work of others.

It is my philosophy of literature and art that good work must be shared.  If you haven’t seen my posts about Loish, or William Adolphe Bouguereau, Norman Rockwell, or Maxfield Parrish, you really should look them up.  I mean the artists, though I won’t object if you want to find and read my posts, either.  Part of my job as a writer and a cartoonist is to make others aware of the good things I have found in life.  And good art, good story-telling, good music… those things are some of the very best things that humanity has to offer.  It is those creations that are the true purpose of life on Earth.  We may not be around as a species very much longer because we are such poor care-takers of the planet, but human culture in all its depth and richness had to exist.  It is the real purpose God granted to us.

So I encourage everyone who creates art of any kind… anyone who looks at, reads, or listens to art of any kind, to please share anything and everything you find that is good.  The more good there is, the less room there is for evil to exist.

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Filed under NOVEL WRITING, publishing, sharing