
Self-reflection is the bane of stupid people. Essentially, they don’t want to risk encountering evidence that they actually are stupid. It would shatter their world to learn that they are idiots and most of what they believe is true is actually wrong. This fact goes a long way towards explaining why the Republican Party in its current form even exists, let alone the actions of the current mutant Cheetos monster that pilots their agenda and hates healthcare, the Special Olympics, and Puerto Rico.
So, if I am doing a self–reflection piece today, then that proves I am not a stupid person, right? What do you mean you agree with that? Yes, I can actually hear you mentally answering my questions as you read this. And if you believe that, then you have proven that even relatively smart people like you and I are capable of stupid thinking.
I believe in some stupid things, even though I think I am not stupid.
An example of this stupidity factor is my lingering belief that I am a nudist. I mean, I am rarely ever nude any more. I keep most of me covered up constantly because when my psoriasis plaques dry out they tend to flake and itch and force me to scratch to the point of infected bloody sores.

Obviously this is not totally a photograph from the 60’s. That does not make it a total lie either, though.
I have been pretty much accepted as a member of the nudist community on Twitter. I enjoy the artful pictures of nude people they share with me. And since I did a couple of blog posts for nudist websites, there are actually completely nude pictures of me available on the internet. I can be found on Truenudists.com for one, if your eyes can stand the horror. But I have only been to a nudist park, the Bluebonnet Nudist Park in Alvord, Texas. one time as an actual nudist. I can tell you, it was a very hot day even though I was not wearing clothes. I am comfortable with nudity. I am comfortable around nude people. I fully accept it all as a non-sexual thing. But am I really a nudist? Or am I only playing at it? If you follow me on Twitter, then you know I don’t retweet pictures of naked people. I engage a lot with other writers there, and most of them are not also nudists, or even open-minded about naturism. I write about nudists in some of my books, but they are not about nudism, and most of them don’t even mention it. So, what good does it do me to think I am a nudist? Well, the very idea of it does a heckuva good job of embarrassing my wife and daughter. So, I do get some crazy-old-coot satisfaction out of it. Otherwise it simply proves that rational and otherwise intelligent people can be committed to irrational ideas.

I am also of the often mocked and ridiculed opinion that not only are alien beings from other worlds real, they are capable of space travel and have been visiting us for as long as there has been an us. I did not always believe this, however. Before I wrote my novel Catch a Falling Star I believed as Carl Sagan said on the original Cosmos that it is wrong to accept things without proof, and true results are testable. My novel was about aliens who watched a lot of Earther TV and learned to speak English from watching I Love Lucy reruns, I wanted to make the aliens different from humans, but at the same time, alike with humans in the most fundamental ways that translate easily into humor and relatability. Not all of my hero-characters were Earth humans.

As I did research on the internet (a tool I didn’t have when I originally created the story in the 1970s), I found a ton of researchers and writers and con men and MUFON and the Disclosure Project and nuclear physicists and astronauts Gordon Cooper and Edgar Mitchell who were all believers and mostly not stupid. Wow! What a huge and complicated hoax! Why would anybody believe , based on so little tangible evidence, and so much contradictory evidence, that the government’s position could possibly be right? I learned that I now believed, until significant further proof comes along, that I believe stupidly in alien visitors.
Today’s self-reflection post has now proven that I am a stupid old coot who thinks he is a nudist and an insightful conspiracy theorist. But the results of my look into the mirror have not made me upset about my stupidity. Maybe I am simply satisfied nudism is healthy and the universe is more complex than I am capable of understanding. Whatever the case, that’s enough with the mirror for today. You have to keep such dangerous weapons out of the hands of clowns.















































Wrestling with Themes… Part 6
Concluding this meandering ridiculous rant about how you distill the meaning of your books into themes is no small task. My limiting goal was to identify one main theme for each of my books. It has to be limited because every well-written book has multiple themes of varying complexity and scope.
And then when you tie everything together as I have done with my Hometown Novels, there are themes that cross the borders from one book into the next. This essay will sum up by telling about the books I have written beyond the borders of my Hometown books.
The Wizard in his Keep
This book is unique in dozens of ways. It is an orphan-journey through a virtual-reality video game that you can actually live inside because of the full-body interface suits that get you into the game. It is science fiction because of the virtual-reality technology, but the competition within the game is set in a fantasy kingdom running on magic and super powers. And the plot is a parallel of Charles Dickens’s The Old Curiosity Shop.
This book is the conclusion to several character arcs that begin with the Hometown Novels’ very first book, Superchicken. One character’s life ends in death, but on his own terms. Another character finds the answers to his missing sister and the family she kept secret from him. And the orphans find a loving family that they never knew existed. So, one big theme is that; “You make your own happy endings by hard work, risk, and perseverance, not by magic or luck” But this is an overarching theme that covers more than one story in more than two or three other books.
The book also holds true to several other things that are true about my stories. It is a comedy with at least one character dying sometime before the story ends. It is surrealism, giving a rational grounding in realism to some rather fantastic things. And the characters who find success are empathetic types who realize that loving others is more important than loving ourselves.
A Field Guide to Fauns
An important facet of my novel-writing experience has come about through the general audience reception of my works. Specifically, nudists and naturists were attracted to my books through the nudist characters in my book Recipes for Gingerbread Children.
That is the reason this book, A Field Guide to Fauns even exists. I wrote it specifically for an audience of nudists, naturists, and people like me who have always been fascinated by nudism and were simply afraid to actually try it until we grew old, mature, and goofy enough not to care what other people think about me being a naked old man..
The book is about a boy named Devon who goes from a traumatic event that took him out of his divorced mother’s home and put him in his father’s house. But his father is remarried to a woman with twin daughters who are dedicated nudists, and live in a residence that is located in a South Texas nudist park. He has to recover from his trauma by becoming a nudist living a naked life himself. The theme is, “You can overcome childhood trauma if only you are open to being nakedly honest about yourself… especially being nakedly honest with yourself.”
Stardusters and Space Lizards
This story is one of the sequel messes written to go with Catch a Falling Star. It follows the alien characters and three of the human characters from that book out into the stars. It is basically an allegory for the climate-change crisis we face here on planet Earth. Besides the fact that this book offers the idea that inventive children can solve world-wide problems, and Texas politicians can be translated into lizard-people monsters who are actually to blame for everything, the theme of this book is really, “To solve ecological problems on a world-wide scale, we must first acknowledge that those problems are not caused by lack of understanding, but by the disregard for life that people have when they are motivated by personal gain, power, and reputation.”
Laughing Blue
This book is even harder to give a main theme to since it is a book of essays. Every entry, every single essay, has it’s own unique theme, ideally expressed in a topic sentence that states the theme.
But it is not impossible to find an over-arching theme. It is filled with short vignettes and stories about my childhood, my life as a teacher, my cartoons and bizarre sense of humor, my philosophical musings, and complaints about the things that have hurt me. It is largely autobiographical. And the main theme is basically, “When life gives you lemons, make a lemony joke of some sort because laughing is much better than crying and a better thing to do when you’re blue.”
I know, I know… purple paisley prose.
I am well aware that I have not put a theme to every single book I have written. But I think I have, in the course of 6 essays, done a fair job of puzzling together and proving my point that a novel, or even other kinds of books, need a coherent main theme, and the author should, hopefully, know what those themes are. So, the essay ends here. Mostly because I am old and cranky and tired of repeating myself endlessly.
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