Category Archives: Paffooney

Aeroquest… Canto 3

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Canto 3 – A Game of “Bridge”

 

When Ged and Trav reached the bridge of the Leaping Shadowcat, Tron’s angry face already filled the view screen.  Next to him stood the flame-haired beauty known as Maggie the Knife with one hand protectively shielding their small son, Artran.

“So!  Ged and Ham both?  How could you both be so stupid as to take up with that worthless clown?” growled Tron in a gravelly voice.  His somewhat handsome face was marred not only by anger, but by a hideous laser scar that ran from the top of the left side of his forehead, through the eye socket of his artificial left eye, down to the left side of his lantern jaw.

“Tron,” said Ged as diplomatically as he could manage, “You know me.  You know I would never take up with a swindler and a pirate like Trav willingly.  You must also know that I have troubles of my own about now.  If you leave us in peace, I can promise Trav’s presence aboard this ship will result in banishment for him.  You will never see his face in Imperial Space again.”

“Ged, I respect you more than any other space man I know.  Your word is good, and you never lie.  I wish your worthless brother and I both had your integrity.  We’d be kings among men.  But Goofy stole a priceless treasure from us and both Slimeball Harris and Blue Death Jones just died trying to get it back.  Both of their corsairs were destroyed by that rotten space barge Goofy was flying.”

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“You’re moaning about Slimeball and Old Blue?” asked Trav in an incredulous voice.

“Well, those corsair ships were very valuable!” growled Tron.

“Oh,” replied Trav.  “Sorry.”

“What if we give you the treasure, Tron?” asked Ham.

“No!” cried Trav.  “You have to let me explain that to you in private, first!”

“Yes,” growled Tron.  “Give me the blue metal box and the Nebulon slave girl. You can keep the rest. And you can keep Goofy forever, for all I care.”

“Now, wait!” interrupted Ged.  “Slavery is just plain wrong.”

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“Yes,” said Tron, “but this one is a princess among the Space Smurfs.  She is the first daughter to the Sinjarac Warlord, whatever that means.  We’re not just talking slave here, but a potentially valuable hostage for the Imperial Space Navy.  They would pay well to get their hands on her.”

“Why a hostage?” asked Ham.

“You didn’t see the Imperial Scout Data we intercepted,” said Maggie softly in a musical voice.  “A coreward border war has erupted between a huge convoy of Nebulons in their Space-Whale Cruisers and the Galtorr Imperium.  Nobody in the Imperium seems to know why, but there is a massive migration of Space Smurfs going on just beyond the Imperial Border.”

“You can’t have the girl,” said Ged.  “I’d be happy to give you the box, though.”

“No!” protested Trav.  “You don’t know what’s in it!”

“What is in it?” Ged asked Trav.  His eyes narrowed.

Trav blushed furiously.

“You have to give us what we want.”  Tron seemed too confident.  “We have corsairs blocking every jump route back into known space.  Soon we’ll have a hundred of them here ready to board your crappy little safari ship.”

“Yes,” said Maggie prettily.  “We will take the treasure anyway and you’ll all be skinned alive with a dull knife.”

“Oh, great,” said Ged.

“Are you ready with our little surprise?” Trav asked Ham.

“It’s plotted in the nav computer,” Ham answered.

“It’s time to hit it, then.”

Ham leaped into the pilot’s seat and slammed down on the jump button.  The jump into lightspeed-plus was jarring.  Space began to fold around the ship.  The surprised faces of Tron and Maggie the Knife faded away into white static, soon replaced by a red-and-blue-shifting starfield in jump space.

“What have you done?” Ged asked Ham with shock on his face.

“You didn’t think I would start this leap of faith without at least one jump already planned and programmed?”

“Trav?” asked Ged.

“Oh, yes.  I plotted a course to a planet almost nobody has ever heard of.  It’s a place with the silly name of Don’t Go Here.”

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That Bluebird of Happiness

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I often go back and re-read old posts, particularly when I discover that someone else has read them.  It is amazing to me how differently I perceive things from when I actually wrote the post.  As you write, squeezing huge, boulder-sized portions of hot, magma-like burning ideas and passions out through writing orifices not nearly big enough to accommodate, you usually hate what you wrote and are still writhing in pain from the creation of it as you try to edit it, trim it and brush its unruly hair.  (How’s that for a mixed metaphor to make you cringe?)  But given time and distance, you can really appreciate what you wrote more than ever before.  Things that you thought were the stupidest idea a man ever put in words suddenly have the power to make you laugh, or make you cry.  You are able to feel the things the writing was intended to make you feel.  You begin to think things like, “Maybe you are not the worst writer that ever lived, and maybe that’s not why nobody ever reads your books.”  But then, of course, your sister reads the post and tells you that you write like a really old, really crabby, really ancient old man.  And you use the word “really” too much too.  I know I deserve that, Sis.  Especially the “really” part.

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Here’s a post that I reread and liked today about Bob Ross.

This is the thing about happiness;  It is elusive and rare as a real-life blue bird. But capturing it for a moment is not impossible.  And as long as you don’t try to salt its tail and keep it prisoner, you can encourage it to sing for you.  (Much better metaphor this time, don’t you think?)  vintage-coca-cola-ad-1950s-1960s-clownb

When I am accused of being gloomy, old, and boring, I can happily admit it and make it into something funny.  I am something of a conspiracy nut, but not so serious that I believe all my own assertions.  For those people who took offense at this conspiracy theory of mine; Coca-Cola Mind Control, I would like to point out that “Hey, I was joking.  I actually like clowns.”  Even though there is a serious side to everything and there can’t be laughter without some tears, I am basically happy with the way things are.

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I started listening to “Live Happy Radio” on Sunday mornings on KLUV in Dallas.  They point out on their program of endlessly droning happy-talk that happiness is something that you can work at.  Like humor writing in blogs, it takes practice and practice and time.  They even asked me to share the word about their happy magazine and products, so I am doing exactly that right here.  Sometimes you simply have to put your cynicism in a jar on the shelf next to the lock box where you keep depression and self-loathing.  So you can find their Live-Happy folderol right here.

So I am bird-watching again with an eye out for the bluebird.  You know the one.  It is out there somewhere.  And I need to hear that song one more time.

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Nebulons

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Part of the Traveller Role-Playing Game is dealing with alien races.  So, as a game master for the Traveller Adventures back in the 1980’s, I had the opportunity to create alien races of my own.  Truthfully, the alien Telleron race that I created for the novel Catch a Falling Star already existed in my cartoons and fiction stories before I began playing the role-playing game.  The Nebulon Race, however, was invented entirely for the game.  Only later did they become a part of my fiction.

Space Cowboys3  So, what are Nebulons?  Gyro Sinjarac on the left in the picture is an example from Aeroquest of a Nebulon.  They are aliens who are human in every respect except for their blue skin.  Interestingly they can even successfully interbreed with Earther humans.  This is apparently due to either the evolution of Nebulons from Earther explorers, or, more likely, the galaxy being seeded with Earth humans and Earther DNA by the mysterious alien race known only as “the Ancients”.  What is not debatable is that Nebulons have unique skin.  The blue skin with high levels of natural copper sulfate in it has evolved as a protection from interstellar nebula radiation.  No one who has learned their language and studied their culture has ever identified a planet of origin.  Instead, the Nebulons have been a space-born race since humans first encountered them, travelling in  their symbiotic space-whale space cruisers.  They are a mysterious deep-space race of alien beings who use organic symbiotes,  in other words, living creatures, as their pervasive technology.

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Junior Aero makes an excellent example to use to explain what Nebulons are.  You can see by this picture that not only does he possess the Nebulon blue skin, but also the bright yellow hair, the red heat-transfer cheek organs, and the small stature that makes them easily satirized as “Space Smurfs” in honor of Peyo’s beloved blue comic characters.

The Nebulons as a race are often cited as evidence of the evolutionary trend of intelligent races towards neoteny, the retention of childlike features into maturity and adulthood.  Even the oldest and the most physically fit of the adult Nebulon population resemble children and young teenagers rather than Arnold-Schwarzenegger-like humans.   But believing them to be soft and weak like children is a mistake that often yields tragedy for those who contend against them, especially in battle.  The Nebulons have often fought in space wars like the 5th Unification War, both for and against the human-led Imperium.

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But the Nebulons are not automatically at odds with humanoid races in any way.  They are generally happy in demeanor and temperament,  easily befriending other races, even the snake-eyed Galtorrian humans that tend to dominate the Imperium.  They seem to be particularly fond of Pan-Galactican Space Cowboys, having helped them during the border conflicts with the mysterious race known as the Faceless Horde.

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So, there is a glop of information about an alien race from my science-fiction comedy writing that you can sort out as you like, and can probably learn from as a science fiction writer yourself.  They are probably an excellent example of what not to do when creating a science-fiction-style alien race of your own.

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Regrets…

Veterans day is here again.  It means something different now that my son is a Marine.  It was always a solemn and somber occasion in the past.  My great uncle on my father’s side died in World War II, a training accident inside a Navy gun turret.  My great uncle on my mother’s side was part of the second wave on the beach in Normandy.  He was injured by a German grenade and moderately disabled for the rest of his life.  I never got to hear war stories.  He was too damaged to ever talk about anything that happened in the war.  My mother’s cousin was flying a plane in the Viet Nam Conflict.  It went up, and didn’t come down again.  You think of those things, and wish it could be different.  You pray that it will be different for your son who is a soldier.

But when the worst that can happen comes to pass… there are no regrets.  Whatever future we have is rooted in the past.  Pain and suffering are difficult to manage, but when you manage them, it leaves you stronger… better as a person than you were before.  So I don’t take anything for granted.  I was not a warrior in this life.  I was a teacher, a story-teller.  And I made some mistakes along the way.  I have lost some whom I cared about very deeply.  Ruben, Fernando, and J.J. are all gone tragically.  I will always feel I should have done more to help them when they were boys and needed help.  Miraculously with the Gulf War, Afghanistan, and Iraq I have lost no former students to war, though many of mine have fought.  I pray that my luck continues to hold.

But there are no regrets.  And “you can listen as well as you hear”, so listen to this.  I love you.

Yes, I am talking to sons and daughters, to former students, to former colleagues, to everyone I have ever known.  And even if I don’t know you, never met you, even if you never get a chance to hear this message… I am talking to you also.  We are all one.  We all live and love and strive together, and even if we disagree to the point of war… we still belong to each other.  Thank you for being you.  You needed to hear that at least as much as I needed to say it.

My son is coming home on leave for Thanksgiving.  I will be giving thanks.

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Why Mickey Writes

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If you are wondering, “How in the Heck can Mickey write nonsense like that essay he wrote yesterday?”, then please be aware that Mickey is pondering that same question.

Seriously, why would a writer publish personal thoughts and allude to personal tragedies?  Especially when they are about things that once upon a time nearly killed him?  (Please note that when Mickey starts a sentence with “Seriously” it is probably about to lead to a joke, the same way as when Trump says, “Believe me” we should  assume he is telling a lie and knows it.)

The answer is simply, writers write stuff.  They have to.  If they didn’t, they wouldn’t be writers.

It is really not something to do to earn fame and fortune.  Fame and fortune happen to rare individuals like J. K. Rowling and Steven King… and even Stephanie Meyer, to prove that it is totally random and not based on actual writing talent… except for sometimes.

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You write to get your head right about bad things that happen in life.  You find that factor in Mark Twain whose infant son died, as well as most of the rest of his family, before him, forcing him to face survivor’s guilt and the notion that life is random and death does not come for you based on any kind of merit system.  Charles Dickens wrote about the foibles of his father, on whom he based the David Copperfield character Wilkins Micawber, a man who was overly optimistic and constantly landing in debtor’s prison because of it.  He also wrote in his stories about the women he truly loved (who were not, it seems, his wife) one of whom died in his arms while yet a teenager.  Dickens’ amused take on the innate foolishness of mankind gave him a chance to powerfully depict great tragedies both large (as in a Tale of Two Cities) and small (as in Oliver Twist).  I wrote yesterday’s post based on the connection between the nudity I write about in novels and my own traumatic assault when I was only ten.

You write because you have wisdom, an inner personal truth, that you are convinced needs to be crystallized in words and written down on paper.  It isn’t necessarily real truth.  Lots of idiots write things and post them in newspapers, blogs, and even books.  And it is often true that their inner personal truth is complete hogwash.  (But, hey, at least the hogs are cleaner that way.)  Still, your wisdom is your own, and it is true for you even if some idiot like Mickey reads it and thinks it is only fit for cleaning hogs.

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And you truly do have to write.  If I did not write my stupid, worthless novels, all the hundreds of characters in my head would get mad and start kicking the pillars that hold up the structures in my head.  I do have structures in my head.  My mind is organized in boxes that contain specifically sorted ideas and stories and notions.  It is not a festering stew pot where everything is mixed together and either bubbling or boiling with hot places or coagulating in the cold corners.  (That is how I picture Donald Trump’s mind.  It is certainly not an empty desert like many people think, because deserts don’t explode all over Twitter early in the morning like the stew pot metaphor obviously would.)

And so, I have done it again.  I have set down my 500+ words for today and made a complete fool of myself.  And why do I do it?  Because Mickey is a writer, and so, Mickey writes stuff.

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Nudist Notions

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This nudist camp is entirely fictional.  The actual camp in Clear Lake is a Methodist Youth Camp.

I have learned a lot more about nudists in the last few months than I probably ever wanted to know.  The book I wrote about a boy being invited to go camping with the family of a girl he liked, and then finding out it was a nudist camp, was written as rough draft back in the late 1980’s about life experiences I had in the early ’80’s.  Some things I learned back then have proven to still be true.  Some things have changed.  The things that have changed, are mostly about me.

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Nudist families in touch with nature are beautiful in ways I can’t explain.  It’s not the clothes the wear.

Naturists are happier than normal people.  They shed a lot of their hang ups and worries with their clothes.  Sunshine and cool breezes on bare skin have a healthy psychological effect.  I know this from having experimented myself.  Socially nudists are able to comfortably “live in their skin”.  Their confidence in self translates into sensible nude social behavior.  It is not about sex.  Sex is private behavior to a nudist, not public.  When nudists interact, the conversations occur eye to eye, not eye to somewhere else.  And the acceptance of how others look when naked is a critical factor in nude social interaction being beneficial.  Most nudists are not beautiful or ugly.  They are a spectrum of everything in between.  And they don’t talk about body parts or make comparisons.  Nudist men talk about sports teams and vehicle repair and politics the same way the guys in overalls at the Nutrena Feed and Farm Store.  Nudist women talk about… well, the stuff women talk about in the secret language of women that guys like me don’t understand.

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Sherry Cobble at the Sunshine Club

So those things about the nudist community have not changed over time.  True in the 1960’s is true today.  The thing most of you don’t realize is that there are lot more nudists in the world than you are reasonably ready to admit.  And the nudist community has a lot more old naturists than you probably thought possible.  Naked wrinkles and beer bellies are a thing.

What I have learned about myself by joining the nudist community (though only once at only one of the several nudist camps available in sunny Texas) is that the nakedness and thoughts about nakedness in my novels is there for a reason, and it will not go away.  I am trying to be a Young Adult novelist, which means my novels are basically aimed at a junior high and high school audience.  I have to dance a carefully straight line between the need to be honest with naked reality and Amazon’s prohibition of adult content in YA novels.  Sherry Cobble luring young boys into going camping naked with her family is on that borderline.  It is not sexual content.  But it is naked content and the barriers have been physically set aside.  The humor caused by sexual tension can’t cross the line into bawdy or lewd or pornographic.  Nor would I want it to.

But people who write fiction do it not because it’s fun.  It is necessary.  We have lived lives that leave us damaged in ways that can only be fixed through fiction.  The world has to be reshaped in words by people who can’t live with the world the way it was.  The truth is, I was sexually assaulted when I was a child, one traumatic event that clouded and warped my self-confidence, my sex life, and my self-concept.  Healing has been a life-long process.  In fiction, it means characters having to deal with the naked truth and make peace with it.  This I believe I have done in so many different ways as a teacher, a husband, a father, and a story-teller, that it simply has to be shared.  I will publish Superchicken on Amazon soon, and hopefully Edward-Andrew’s nudist adventure will pass the Amazon test.  I have some nutty nudist notions in my nerdy old noodle, but in a novel, they can all be made new.

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Aeroquest – Canto 2

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Canto 2 – A Bit of Blue

 

The two spaceships finally locked together belly to belly in the middle of a barrel roll.  Dalgoda’s fireball was tearing itself apart from inside.  Flaming projectiles tore free on every side of it, sparking out in airless space.  Meanwhile, Tron’s Pinwheel Corsairs were bathing the two spiraling space dancers with hot laser fire.  Two of the six corsairs had a pretty decent lock on Trav’s ship and were peeling more chunks off the drive core.

“Ged!” hollered Ham, “can you get the Goofer out of his ship before it blows?”

“I can try,” said Ged, more to himself than to Ham.  His brother was busy trying to fly the ship in a carnival-ride maneuver.

Ged scrambled down the hatchway ladder to the ventral docking port.  The metal around the port doorway was already glowing red from heat.  With a moment of panicky concentration, his hands grew fire-lizard scales all over them, like gloves that appeared out of nowhere.  How did he do this thing?  Well, he had to admit to himself that as a safari leader, he’d skinned more than a few of the fire-resistant xeno-beasts in the past twenty years.  He knew the feel and look of the skin quite well.  His protected hands could spin the locking wheel of the heated door and throw it open without singeing his fingers off.

“Goofy?  You there?”

“Atta-boy, Ged-boy!  You’re a hero.”

Ged expected to see the thin, eye-patched face next, but instead he found himself looking into the beautiful blue face of a Nebulon woman.

“Who are you?” Ged asked with open mouth.

The blue-skinned young lady with the yellow hair just shrugged and eyed Ged like she didn’t understand.

“She’s part of my treasure, Ged!” called a goofy voice from somewhere behind her.  “Pull her into your ship.  Not all Nebulon slave girls speak Galactic English, you know!”

Ged pulled her into the Leaping Shadowcat.

“Here’s more,” called Trav.

An elfin blue-skinned boy with bright yellow hair was held up next to be rescued.

“Another slave?”

“He’s the son of the Nebulon Princess.”

“Your son?”

“No way!  I’m greedy, not perverted!”

Ged couldn’t argue that.  He pulled the boy in too.

“Where’d you get the cool lizard gloves, Ged?” asked Trav as he clambered through the doorway and eyed the scales with his one uncovered eye.

“I kinda made them,” Ged answered sheepishly.

“Is our boy, Ham, ready to jump out of this mess?”

“I hope so.”

“Good.”  Trav hauled a huge gravitic cargo-bag into the ship after him and slammed the portal door.  “Eeyow!” he cried as he burned holes through the fingers of his own gloves.  It was fortunate the Goof always wore those stupid white gloves.  They saved him from burning flesh off his fingers.

“Ham, you can let ‘er go!” hollered Ged into his commo dot.  The communicator was glued comfortably to his throat.

They heard a rumble as the Leaping Shadowcat released her grip on Trav Dalgoda’s nameless ball of flame and melting hull.  The rumble was followed shortly by a huge boom and jarring shockwave.

“Ged!  Get the Goofer up here.  We’ve got big problems with his corsair friends.”

Ged’s eyes widened.  “What happened that made that shock wave?”

“Goofy’s ship exploded and took out two of the trailing corsairs.”

“Jeez!” moaned Goofy, “I hope Maggie and Tron are all right.  They’re good friends of mine.”

“Do I read the situation right?” asked Ged.  “If they live, they are going to kill us?”

“Well, yes, but I still love Tron like a brother.”

Ged nodded unhappily.  He wished he lived in the same alternate universe as Trav Dalgoda.

Junior Aero

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Dilsey Murphy in Living Color

Dilsey Murphy

I finished the art project.  Here is Dilsey Murphy as she looked in 1990 while wearing her dad’s old Carl Eller Minnesota Vikings jersey from the 70’s.  I wasn’t sure I could finish it this quickly, but the colored pencils blaze with speed when you are coloring someone you love.

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A Girl Called Dilsey

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Mary Murphy, mother of Dilsey and Little Sean… among others.

If you have never written multiple novels about the same set of characters, you will not have inside knowledge of the process I am going to talk about in this goofy blog post.  Because you don’t fully understand what I am talking about, you are welcome to call me an obsessive-compulsive fool.  I am definitely a fool, but I prefer to believe the obsessive-compulsive part is off base.

I fell in love with Dilsey Murphy.

“You’re kidding!” you say with a disbelieving smile.  “You fell in love with a fictional character from one of your stupid hometown fantasies?  Nonsense!  Not only is she not real, she’s just a supporting character.”

I think that might be the one thing I love most about Dilsey.  She’s never the one demanding to be on center stage.  She’s a shy, sweet-natured girl from a big family who does the best she can to avoid being the ant under her brothers’ magnifying glass.  And yet, when she is called upon for empathy, or a little bit of sister wisdom, she mines the gold from King Solomon’s mine.

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A new picture of Dilsey Murphy wearing her father’s old Carl Eller T-shirt.

You may not know this if you are not a writer of fiction, but a lot of the character-building process consists of compiling the character’s personal facts, personal history, and back story, developing an in-depth storehouse of details that may, in fact, never get used in any book, short story, or other writing.  In order to create a character that feels real to the reader, an author must know the character far more intimately than the reader will ever be made privy to.

Dilsey is a member of the Murphy family who live in Norwall, Iowa.  Her parents are Warren Murphy and Mary Murphy.  Her father was a member of the infamous Murphy Boys, all of them brothers, that played brutal linebacker defense for the Belle City Broncos high school football team in the 1960’s.  Mary Murphy is famous for being a small woman with a very large personality.  The family is Catholic and of Irish heritage, determined to avoid church and yet hoping to get into heaven.  They ar e also devout Minnesota Vikings football fans.

Dilsey’s older brother is Danny Murphy, a skinny, goofy kid that grows up into a reliable problem solver and mature young man.  Danny eventually falls in love with Carla Bates, the sister of Blueberry Bates, Mike Murphy’s girlfriend.  Danny and Carla marry in 1992.

Dilsey is the second oldest, born in 1977, so she is a young teen in most of the stories she appears in.

Mike Murphy is her younger brother, a member of the Norwall Pirates, a kids’ gang and 4-H softball team.  Mike is a year younger than Dilsey. His girlfriend, Blueberry Bates, has a terrible secret, one that makes Mary Murphy turn resolutely against her even though she previously loved her.  Mike and Dilsey refuse to abandon Blueberry even when Mike is forbidden to see her any longer.

Tim Kellogg is Mike’s best friend.  Dilsey believes him to be a jerk and a hopeless goon. And yet, even though Dilsey hates him and is a year older than Tim, he is the only boy she dreams about naked.  They eventually go on dates in high school and it is rumored that they will be married in 2000, though my hometown stories never progress beyond the 20th Century.

Dilsey is based on my unmarried sister and my daughter, though she really isn’t very much like either one in the long run.

Okay, so I know I haven’t sufficiently explained why I am so much in love with Dilsey Murphy.  I, of course, take that as a challenge.  I will write more stories.  You will fall in love with her too.

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Giving and Taking Stupid Advice

Let’s begin with some stupid advice. I don’t have time to write a lot today because the Princess is ill and must go see the doctor in Plano.  So the advice is; Set aside time for writing and always allow plenty of time for it.  You will probably notice already that I am giving you advice that I am not taking myself this morning.  So don’t follow that advice.  It is stupid advice.  I have given it to creative writing classes for years and thought I meant it.  But looking back on real life, I realize, it has never been true for me.  My best ideas, my best writing, always seem to come in the middle of the pressure-cooker of daily struggle and strife.  I have battled serious illness for most of my adult life.  I have the luck of a man who tried to avoid letting a black cat cross his path by crashing his bicycle at the top of a hill covered in clover with only three leaves each and then rolling down the hill, under a ladder, and crashing into a doorpost which knocks the horseshoe off the top.  The horseshoe lands on my stupid head with the “U” facing downward so the luck all drains out.  Bad things happen to me all the time.  But it makes for good writing.  Tell me you didn’t at least smile at the picture I just painted in your mind.  You might’ve even been unable to suppress a chuckle.  I am under time pressure and misfortune pressure and the need to rearrange my entire daily schedule.  So it is the perfect time to write.

Val in the Yard

This essay, however, is about bad advice.  And I am a perfect person to rely on as a resource for bad advice.  I am full of it.  Of course, I mean I am full of bad advice, not that other thing we think of when someone tells me I am “Full of it!”  So here’s another bit of writing advice that is probably completely wrong and a bad idea to take without a grain of salt, or at least a doctor’s prescription.   You should stop bird-walking in your essay and get to the damn point!

 I know a lot about the subject of depression.  When I was a teenager, I came very close to suicide.  I experienced tidal waves of self-loathing and black-enveloping blankets of depression for reasons that I didn’t understand until I realized later in life that it all came from being a child-victim of sexual assault.  Somehow I muddled through and managed to self-medicate with journal writing and fantasy-fixations, thus avoiding a potentially serious alcohol or drug problem.  This is connected to my main idea, despite the fact that I am obviously not following the no bird-walking advice.  You see, with depression, Bad advice can kill you.  Seriously, people want to tell you to just, “Get over it!  Stop moping about and get on with life.  It isn’t real.  You are just being lazy.”

I have been on the inside of depression and I know for a fact that not taking it seriously can be deadly.  In fact, I have faced suicidal depression not only in myself, but in several former students and even my own children.  I have spent time in emergency rooms, mental hospitals, and therapists offices when I wasn’t myself the depression sufferer.  One of my high school classmates and one of my former students lost their battles and now are no longer among the living.  (Sorry, have to take a moment for tears again.)  But I learned how to help a depression sufferer.  You have to talk to them and make them listen at least to the part where you say, “I have been through this myself.  Don’t give in to it.  You can survive if you fight back.  And whatever you have to do, I will be right here for you.  You can talk to me about anything.  I will listen.  And I won’t try to give you any advice.”  Of course, after you say that to them, you do not leave them alone.  You stay by them and protect them from themselves, or make sure somebody that will do the same for them stays with them.  So far, that last bit of advice has worked for me.  But the fight can be life-long.  And it is a critical battle.

So taking advice from others is always an adventure.  Red pill?  Green pill?  Poison pill?  Which will you take?  I can’t decide for you.  Any advice I give you would probably just be stupid advice.  You have to weigh the evidence and decide for yourself.  What does this stupid essay even mean?  Isn’t it just a pile of stupid advice?  A concluding paragraph should tell you the answer if it can.  But, I fear, there is no answer this time.

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