My life as a school teacher is definitely over. That part of my story is complete. I thought, as I found that driving for Uber to earn extra money was becoming too difficult to do, that maybe I could get healthy enough to be a substitute teacher again. Money-wise it makes sense. Three days of substituting in a single week would easily surpass my best days as an Uber driver. And they correctly figure withholding for tax purposes, something that neither my teacher pension nor my Uber account seem capable of doing. I face tax penalties again for 2018.
But my health never seems to stabilize since the car accident in August. Of course, that figures too since my diabetes has gotten worse, insulin has gotten more expensive, and my personal economy tanks monthly. So I have to let go of teacher daydreams. Those chapters are now closed. I must read on more slowly and carefully in the Book of Life.
The way forward is now through being a story-teller. Writing and drawing are things that I can do without leaving the house, sometimes without even getting out of bed. I know that becoming even more sedentary is basically a slow death sentence. But my arthritis, COPD, and diabetes have all worked hand-in-hand to reduce my mobility. They also make driving more dangerous. So, slowing down probably reduces the chances of sudden and destructive death. And I have never been more prolific in my writing.
I have published eight novels. They are, in order of publication, Catch a Falling Star, Magical Miss Morgan, Stardusters and Space Lizards, Snow Babies, Superchicken, The Bicycle-Wheel Genius, Recipes for Gingerbread Children, and The Baby Werewolf. Number nine, Sing Sad Songs, is in the revision and editing stage and will be completed early in 2019. I have When the Captain Came Calling well under way, though the end is not yet in sight. And I recently began work on the rough draft of Fools and Their Toys. I am also working to finish my graphic novel, Hidden Kingdom.
These novels of mine will probably never generate meaningful money in my lifetime, but the creation of them feels like the fulfillment of my life’s arc. I spent four decades in education, and now I am investing my remaining life force in story-telling, using many of the students and fellow teachers in novels of surrealistic fantasy and humor, giving meaning to the memories of a life spent in service to higher ideals.
So, there you have it, the Story So Far. I will continue to work on it, polish it, perfect it, and continue not to worry if no one reads it or even cares. It is my story, the story I live to create, and that is all the meaning that matters.
Catch a Falling Star 
The Art of Being Mickey
I have published my eighth novel in the last six years. Sure, it is through mostly self-publishing of novels that no one but me has ever read. Catch a Falling Star and Snow Babies both had a professional editor, one who had worked for Harcourt and one who worked for PDMI. Magical Miss Morgan has had a proofreader who made numerous stupid-mistake errors that I had to change back to the original meticulously by hand. But all three of those novels won an award or were finalists in a young adult novel contest. I do have reason to believe I am a competent writer and better even then some who have achieved commercial success.
But what is the real reason that I am so intent on producing the maximum amount of creative work possible in this decade? Well, to be coldly objective, I am a diabetic who cannot currently afford insulin. I have been betrayed by the for-profit healthcare system that treats me as a source of unending profit. I am like a laying hen in the chicken house, giving my eggs of effort away to a farmer who means to eat my very children if time and circumstance allows. I am the victim of six incurable diseases and conditions that I got most likely as a result of exposure to toxic farm chemicals in the early 70’s. I am also a cancer survivor from a malignant melanoma in 1983, and for three years now I have not been able to get the preventative cancer tests I am supposed to be receiving every year for the rest of my life. My prostate could very well be cancerous as I write this. If that is so, it will kill me unawares, because I don’t even want to know about having a disease I can’t possibly afford to fight all over again.’
So, the basic reason I am going through the most productive and creative period of my entire life is because I have a great rage to create before I die and I could be dying as soon as tonight. All of the countless stories in my head clamoring to be written down before it is too late cry out to me desperately for my immediate attention.
I will, then, continue to write stories and draw cartoons and other Paffoonies for as long as I am still able, and possibly even afterward. I have, after all, threatened repeatedly to become a ghostwriter after I die. And, yes, I understand when you scream at my essay that that is not what a ghostwriter is. But if a woman can channel the ghost of Franz Schubert and finish his unfinished symphony…(https://en.wikipedia.org/wiki/Rosemary_Brown_(spiritualist))
—then I should also be able to tell my stories from beyond the grave. I have been percolating them in my head and writing and drawing them in whole or in part since 1974. I have too much time and too many daydreams wrapped up in them to let it all just evaporate into the ether. In summation, I am claiming stupidly that my novels, crack-brained and wacky as they are, are somehow destined to exist, either because of me or in spite of me. So just be happy that I write what I write, for there is an art to being Mickey, and I am the one artist and writer who is the best Mickey possible if truly there ever was a real Mickey.
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