Category Archives: Paffooney

When the Captain Came Calling… Canto 22

Canto Twenty-Two – A Beach-Front Home

I followed the naked girl and her pet red panda about a mile along the beach.  She skipped and sang songs in a language I didn’t recognize, but sounded a lot like the Filipino language.  The panda sported about like a playful puppy, following her devotedly.  I didn’t think you found red pandas on small Pacific islands like the one we were on, but it didn’t matter what I thought.  I was no scientist or naturalist, so I didn’t really know.  I kept looking worriedly out to sea.  I mean, I did know for a fact that Chinooki the mermaid could eat people.

“We have been coming to this house, my tahanan,” she said proudly, showing me a beached submarine from World War Two.  It had a large rising sun flag from the Empire of Japan painted on the conning tower.

“You live in a submarine?”

“It is where Mangkukulan wants me to stay while we wait for the volcano.”

“Oh.  It’s like that, is it?  Well, show me.  Do you have any guns aboard?  Or swords?  Something to protect us from Chinooki?”

“Oh, silly captain man, Chinooki serves Mangkukulan.  She will not be harming me.  And she is ordered not to be hurting you also.”

I was a little worried about the actual intentions of this coo-coo man.  I didn’t think he really had Malutu’s best interests at heart.  Not if he meant to toss her naked into an erupting volcano.  I followed her warily up the side of the submarine and down into a hatch near the nose.

“My goodness, this is certainly rusty and rather dreary,” I said as I surveyed the narrow candle-lit corridor in the center of the submarine.  I followed her into the forward section where I really expected to see a forward torpedo room.  I found, however, that it had been hollowed out, lined with bamboo, and turned into a cozy and rather decent living space.  It had a bed in the center of the not over-large room.  There was a potbellied stove that had obviously been put there for cooking.  The room was also decorated with carved wooden idols.  They were the kind of Tiki idols that you could buy in Honolulu if you were a tourist who liked kitschy stuff to decorate your porch back in Iowa with.  Especially one large ugly idol with a man-like body and wearing a frightful carved mask.

“You have a nice home here.  Didn’t you say something about clothes you could put on?”

“Oh, yes.  Or… you could be getting naked too, Captain.”

“No, no.  Put on a dress please.  You need to be decent around me.”

She pulled out a rather nice red cloth dress with a white flower pattern on it.  It was a Hawaiian sort of wrap-around affair.

“This okay?  Or are you wanting the kimono?”

“That one is fine.  You are very beautiful like that.”

“Yes, I am being beautiful for you.  It is being important that I get you to like me very, very much.”

“Oh, yes?”

“I am liking you.  But I must be telling Mangkukulan that you are here now.  Chinooki has done well.”

“Um, maybe we can hold off a bit on telling the coo-coo man.”

“Why?  I am supposed to be telling him immediately… faster if it is being possible.”

“Are you sure that coo-coo man has our best interests at heart?  I mean, it seems to me like he might be trying to hurt us in some way.”  I was imagining being tossed into the volcano along with the girl.

“Oh, no.  This he will not be doing.  I will be sending the juju to tell him you are here.”

She went over to the biggest, ugliest Tiki idol and tapped his tattoos, once each until she had tapped them all.  And she sang;

“Juju do dah goodah… oojie-magoober!”  Purple smoke poured out of the top of the Tiki’s head and filled the room with a smell like burnt sugar.

“Is that a magic spell or something?”

“Yes, it is being something.  We are wanting you to be very comfortable here, Captain mans.  Will you not be taking off your clothes?”

“I most certainly will not.”

“Okay.  We will be doing the talking about it.  You will see.”

To my utter shock and horror, the Tiki man began to glow with an unearthly greenish-blue light.  He moved as if he were alive and trying to shake himself awake.

“It’s alive?”

“Don’t be being silly.  It is made of wood.  But, Oojie-magoober, please be telling Mangkukulan that the Captain is here.”

“Juju doo dah!  Yaya!” said the wooden creature.  Then it scampered out of the room and out of the submarine.

“You are liking Malutu, yes?” she asked me.

“Yes.  You are very beautiful.”

“Good-good!  Now you will be taking off your clothes, Captain.”  And just like that she had me naked.  I was as much under her spell as the wooden Tiki man.

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When the Captain Came Calling… Canto 17

Canto Seventeen – Invisible People

The next day Valerie had a chance to hang out with Pidney and Mary again, so she took it.  She road into town on the school bus after school with Danny Murphy.  They didn’t actually talk about anything the whole way.  Anticipation is often better than the real thing.  And it wasn’t often that Mary and Pid were both off directly after school.  Pidney had no football practice that afternoon, and Mary canceled whatever school meetings she had planned that day in order to come back to Norwall with him after school.  The four Pirates were supposed to meet in the Library for Pirate business.

“There’s Mary and Pid,” said Danny pointing as he and Val stepped off Milo’s school bus.

“Yeah, but who is that?” Valerie asked, pointing at a mysterious cloaked figure standing behind the tree by the Library door.  She was instantly reminded of the cloaked man she had seen the day they got the Tiki idol.

“Hey, Pidney!” Danny shouted, “who is that near you behind that tree?”

Pidney was holding the door of his step-dad’s old 70’s Lincoln Mercury to help Mary get out.  Mary carried a tall stack of books.  They had driven home from the high school in Belle City together.

“What man?  Where?”  The figure moved out of sight behind the large fluffy pine tree.

“Look behind the tree!” shouted Valerie.

Pid walked around to where he could see behind the tree.  He looked back a Valerie and Danny and shrugged.  “Nobody here that I can see,” he said.

“You guys need to see what we found in the high school library,” said Mary waving them to come towards the Library building.

Valerie looked at Danny.  He shrugged.  They both walked toward the Library.

“I found some old high school yearbooks in the library,” said Mary.  “We can use them to get an idea what Captain Dettbarn used to look like.  He’s kinda hard to describe any other way.”

“And there’s a book about the ship, Mary Celeste.  It tells about the old ghost ship, not the Captain’s ship, but I still think it is important,” said Pidney.

Valerie and Danny walked across the street from the bus stop to join the two high school kids.

“Here’s the 1962 Belle City Bronco yearbook,” said Mary, handing the black-bound thin book of pictures to Valerie.  “The Captain is in the Junior Class in that one.  He had a beard then, just like the one he had on his face the last time I saw him.”

Valerie opened to the page of Junior portraits and ran her finger over the C’s and D’s until she got to Dettbarn.  He was kind of a dumpy fat boy even then, with blonde hair, blue eyes, and a derfy smile that showed his crooked teeth.  He had a rather ratty looking beard, which was perfect for a rodent-like face, that, while it didn’t look like a rat, it did look an awful lot like the face of a woodchuck, or some kind of short-toothed beaver.

“He’s kinda funny looking,” Val said to herself, but loud enough for all to hear.

“Now, see here!  I take exception to that remark!” said a cloaked and hatted figure stepping out of the shadow of the evergreen tree by the door.

“Who…?” croaked Mary, leaping away from the figure and towards Pidney.

“Help me…!” squawked Danny as he awkwardly leaped into Pidney’s arms, the football muscles catching hold of the smaller boy easily.

“Don’t you get mad at me!” said Valerie hotly.  “It is not like I was talking to you… whoever you are!”  She lunged toward the stranger, grabbing his yachting cap and yanking it off his head. 

But where the head was supposed to be… nothing at all there except a pair of thick bifocal glasses hanging in the air like they were weightless in outer space.

Valerie looked at the glasses, and then down at the yearbook picture still in her other hand.  Yes, it was an updated version of the same style of thick glasses. 

“Erm…  Captain Dettbarn.  It’s you!”

“Uncle Noah?” Mary said.  “What happened to your head?”

“Oh, um… it’s still there, Mary dear.  Head-hunters didn’t eat it or anything.  I am just the victim of a curse.  A curse that makes my body completely invisible.”  He removed the cloak to reveal a free-standing pair of pants, a short-sleeved red-and-white-striped shirt, and empty neckerchief, and floating white gloves that didn’t seem to be properly attached to the invisible dumpy body wearing the sailor’s clothes.

“Er, uh… sir?” asked Pidney, “What is all this purple smoke coming out from behind the pine tree?  It has a funky smell, like burning sugar or something.”

“Well, I hate to say it, but that is an indicator that the witchdoctor himself is watching us at the moment from somewhere not too far away.  That purple smoke always seems to come around right before some evil magic happens.”

“Oh, that’s not good.  Maybe we better go inside the library before anything bad can happen.”  Mary was looking around the street for signs of the evil witchdoctor.

Pidney put Danny on the ground and both boys headed up the Public Library steps.

“Um, uh… Pretty girl, can I have my hat back.  I want to go in the library in disguise.  No sense in scaring the librarian.”

Valerie frowned at the invisible man as she handed him back the hat and the disembodied gloves placed it back on top of his invisible rodent-like head.

“Let’s go inside the Library,” said Mary.  “We have things to talk about and questions to ask… Lots and lots of questions to ask.”

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Raiders of the Lost Penwork

Still being ill, I had time to go through old notebooks for scan-able pen and ink art. I found a dragon’s horde full in the notebooks I had for collections of Dungeons and Dragons pictures, from games of old played with former students in Cotulla, Texas in the 1980’s and early 1990’s.

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Mickian Art…70’s Style

Most of my novel stories have lived in my head since the 1970’s. I began recording the ideas in a notebook that I called the libretto. I drew illustrations to solidify the characters and some of the plot elements in my mind. But the basic natures of the characters and the style of my artwork grew from these original artistical notations.

I got better at art over time. And the characters benefited from my teaching experience in that I was able to depict numerous characters with nuances and details gained from students and other people I hadn’t met yet when I drew these pictures. Dorin Dobbs, for instance, is based in large part on my eldest son, who wouldn’t be born for another 18 years when I drew these pictures (He’s the yellow-haired boy in both of the first two pictures.)

Francois, the singing sad clown from my book Sing Sad Songs, is based on a student from the 80’s who was actually Spanish speaking and of Mexican-American descent.

I drew this picture of him in 1976.

I taught the boy in 1983.

I wrote and published the book in 2018.

The inter-dimensional traveler, the Man-Cat, is an idea from a story I have not written yet, and probably never will.

Disney-Michael Stewart and his gang of Milk-Lovers is another story I haven’t written yet, and though more likely, is still probably a novel I will never get to.

Invisible Captain Dettbarn and Francois ended up in separate stories from this picture. The other three boys in the picture were babies or not yet born when their stories happen.

So, today was a chance to look at and re-evaluate the past. All of these drawings were done in the 1970’s. All I did was scan them with a good scanner and crop them a little to make them better compositions. And they allow me to keep track of where my mind has already been, that I might successfully chart the future of where it is going.

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Dancing With Alan Watts

It seems sometimes, in a Judaeo-Christian society, that we are a constantly being scrutinized by a rather harsh all-knowing God who rewards getting the faith-words accurately correct, to the letter, and the faith-based actions perfect, without a single mistake. And He punishes missteps of word or deed with pain and suffering and the potential of an eternity in Sheol or Hell. And that is a tough God to live with. He is like a teacher who uses his or her God-like powers to reward or punish to lead his students all down an exacting, narrow path to a destination that does not have room for everyone when they arrive.

It doesn’t take long in childhood for a highly intelligent person to realize before childhood is over that this cosmology is actually a load of horse pucky. It didn’t even take long for somebody as semi-stupid as me.

What I like about listening on YouTube to the wisdom of Alan Watts is that he gives us an alternative way of seeing the universe and ourselves. This he can offer through his studies of Eastern and Buddhist philosophies. Everything appealing in John Lennon’s signature song “Imagine” comes from Lennon’s love of listening to the lectures of Alan Watts. He is obviously a wise-guy.

Alan Watts teaches us the pathways that lead to finding yourself, who you truly are, and how you fit into the universe as a whole. When Carl Sagan says that we are all made of star-stuff, he is not only telling us what is literally true, as the elements our bodies were formed from were literally made in the nuclear forges at the centers of stars that later exploded in nova-bursts to scatter the elements across the skies of everywhere. He is also telling us that what Alan Watts says is metaphorically true, that everything in the universe is part of the same thing and we are all one in this way.

There is plenty to worry about in my little life. I could easily drop dead at any time from any one of my six incurable diseases or even the return of the skin cancer I beat in 1983. I suffer from the consequences of disease daily, as I have for many years now. My sins are many. I broke my promise the other day to never show you the horrors of my naked body on this blog. I constantly eat the wrong thing and continue to do things that I know are bad for the environment and the health of my body. I am prejudiced against racists, stupidity, and the actions of dedicated Trump-lovers. In many ways I deserve God’s wrath and brutal correction. I have come to truly believe that climate change is going to end life on Earth. I am horrible.

But I have learned from Alan Watts that all of those concerns mean nothing. I don’t believe in Heaven or an afterlife. But I do not fear death. I am one with the universe. And the universe goes on even if I do not. And I will always be a part of it, even after I am no longer alive. The universe has a mind and is intelligent And I take part in that because one small part of that intelligence is me, and lives in my head.

There is comfort to be found in the words of Alan Watts. And living in pain as I do, I really need that comfort most of the time. That is why I have attempted to share a bit of that comfort with you.

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Filed under artists I admire, commentary, feeling sorry for myself, finding love, foolishness, healing, health, humor, Paffooney, philosophy

When the Captain Came Calling… Canto 21

Canto Twenty-One – The Deserted Beach

I was all alone on the island for all I knew, so I immediately got busy on my best Robinson Crusoe plan.  And then my headache made me rethink that, and I went back to sleep for another two hours.  I think it was two hours, estimating by the sun, but I don’t really know how to estimate time by the sun, and as I decided the first order of business had to be to locate any useful wreckage from the ship that had washed up on the shore, my head started hurting again, so I slept again.  Now, I know from re-reading this paragraph that I was probably sleeping way too much… and I didn’t know for sure that Chinooki wouldn’t come up on the sand to eat me, but, well… having this kind of horror-story adventure in the South Seas was really tiring.

When I did finally search the beach, I found almost nothing at all to help me.  I needed a knife, or a hammer, or a gun, or a shovel… but all I found was this log book and a wooden crate full of Pink Fizz Cherry Soda Pop.  Luckily, I also discovered I still had a pencil in my jeans pocket, otherwise I might’ve forgotten everything that happened before I could write it all down.  I know my thinking was a little fuzzy at the time… or possibly Pink Fizzy… but I wrote down everything as truthfully as I possibly could so that whoever found the book would know what happened to the Reefer Mary Celeste and her crew. 

Inland on the island was jungle… a rather thick jungle.  But I desperately needed food and fresh water.  And if I tried walking the beach until I either found civilization or discovered I was on a deserted island; I might die of dehydration and thirst before I discovered I was all alone for certain.  So, I made a brief foray into the island.  If I met headhunters or an evil killer gorilla, I couldn’t do any more about it than writing a scathing commentary on why they shouldn’t be eating me raw in this log book.  I could write that I hoped to give them a fatal case of indigestion as long as they ate my writing hand last.

The jungle was very hot and humid, but I found a rainwater pool a short way into the jungle and was able to slake my thirst. Coconuts and bananas were growing in abundance near the pool.   I also ate.  And it was then that I saw her for the first time.  She was a young girl.  I admit, at the time, I didn’t really know how young.  But she was lovely.  She was Asian-looking with slanted eyes and caramel-brown skin.  She had black hair and dark brown eyes that twinkled at me as she smiled.  And she was standing on the edge of the pool completely nude.  The only thing she wore was an adolescent red panda sitting on her shoulder and grimacing at me with a raccoon-like smile.

“Parlez vous Francais?” she said.  “Tagalog?  Maybe English?”

“I understand English,” I confessed.

“Ah, so good.  I am liking practicing my English.  We don’t be speaking it on this island.  Maligayang pagdating sa masasamang isla.  That means be welcome to Evil Island.”

I didn’t know whether to be frightened or worried about the name of the place, or be incredibly embarrassed that I was talking to a completely naked girl.  “I… I’m sorry… I didn’t mean to spy on you while you were bathing.  I will give you some privacy…”

“Huwag pumunta!  I mean… don’t be going away!  I be liking you.  I don’t be wearing clothings on this island, but I am having a kimono back at my bahay… my house.  I can be putting it on if hubad is wrongness for you.”

“Um, well, I…”  I didn’t know what to say. I was seven kinds of flustered and at least three kinds of embarrassed.

“Please.  Gwapong Lalaki and I are wanting to be talking to you.  It is lonely on the island, waiting for sa galit na bulkan…  for the volcano.”

“You… you are waiting for the volcano?”  I looked up at the high mountain peak about a mile inland.  Black smoke curled nastily out of the top of it.

“Yes.  I am being the virgin bride.  I am waiting for my husband to be.”

This of course sounded like some of the worst rumors I had ever heard about South Seas islanders.  It seemed they intended to throw this beautiful, naked young girl into the volcano to appease an angry god or some such nonsense.

“We have to get you out of here,” I said as bravely as I could manage.

“Yes, yes, that is what I am waiting for.”

“Um, you are?”

“Oh, yes, my husband is to be coming and taking me away from here forever.”

I was determined to rescue the poor girl.

“What is your name, sweetie?”

“I am Malutu… the Red Flower of Matuling Lupa.”

“I don’t have a way off the island at the moment, but I can build us a boat or something…”

“First you are coming to the house of Malutu and Gwapong Lalaki.  Follow us.”

She padded out of the clearing on bare feet and back towards the beach.  She apparently had a house to live in while she waited for her evil people to throw her into the volcano.  I followed her, not knowing what else to do.

“Um, Malutu?  You haven’t seen any mermaids on the beach have you?”

“Mermaids?  You are meaning sirena Chinooki?”

“You actually know about her?”

“Of course, silly man…  She is being the one who brought you to me.”

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Spinning Wheels of Thought

Picture borrowed from; https://www.townsends.us/products/colonial-spinning-wheel-sp378-p-874

I start today with nothing in my head to write about. I guess I can say that with regularity most days of the writing week. Sundays in particular are filled with no useful ideas of any kind. But I have a certain talent for spinning. As Rumpelstiltskin had a talent for spinning straw into gold, I take the simple threads of ideas leaking out of my ears and spin them into yarns that become whole stories-full of something to say. And it is not something out of mere nothing. There is magic in spinning wheels. They take something ordinary and incomplete, and turn it into substantial threads useful for further weaving.

Of course the spinning wheel is just a metaphor here for the craft of writing. And it is a craft, requiring definable skills that go well beyond merely knowing some words and how to spell them.

My own original illustration.

The first skill is, of course, idea generation. You have to come up with the central notion to concoct the potion. In this case today, that is, of course, the metaphor of using the writing process as a spinning wheel for turning straw into gold. But once that is wound onto the spindle, you begin to spin yarn only if you follow the correct procedure. Structuring the essay or story is the next critical skill.

Since this is a didactic essay about the writing process I opened it with a strong lead that defined the purpose of the essay and explained the central metaphor. Then I proceeded to break down the basic skills for writing an essay with orderly explanations of them, laced with distracting images to keep you from dying of boredom while reading this, a very real danger that may actually have killed a large number of the students in my writing classes over the years (although they still appeared to be alive on the outside).

My mother’s spinning wheel, used to make threads for use in porcelain doll-making, and as a prop for displaying dolls.

As I proceed through the essay, I am stopping constantly to revise and edit, makeing sure to correct errors and grammar, as well as spending fifteen minutes searching for the picture of my mother’s spinning wheel used directly above. Notice, too, I deliberately left the spelling-error typo of “making” to emphasize the idea that revising and proof-reading are two different things that often occur at the same time, though they are very different skills.

And as I reach the conclusion, it may be obvious that my spinning wheel of thought today spun out some pure gold. Or, more likely, it may have spun out useless and boring drehk. Or boring average stuff. But I used the spinning wheel correctly regardless of your opinion of the sparkle of my gold.

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Hidden Kingdom (Chapter 3 to page 3)

Here is the complete Chapter 1 link; https://catchafallingstarbook.net/2018/11/24/hidden-kingdom-chapter-1-complete/

Here is the complete Chapter 2 link;https://catchafallingstarbook.net/2019/05/04/hidden-kingdom-chapter-2-complete/

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Pencil, Pencil, Pen, Pen, Pen…

Yes, students actually eat pencils in class.

My daughter forgot her pencil case in school over the weekend. Now, for normal students, this is no really big deal. But for the Princess, like it is for me as an amateur artist, the pencil case, with her colored pencils and pens in it, is one of the most necessary things for life.

Of course, we did not have an opportunity to go back to school for her pencils and pens. So, panicky, she texted her teacher whereupon the pencil case in question was found and put aside for her until early this morning. She then stole my pens and pencils for the weekend, depriving me and causing me to be the one with the anxiety disorder and heart palpitations.

Of course, pens and pencils were always a critical issue when I was a teacher for 31 years, plus two years as a substitute teacher. Unlike the Princess, students in an English classroom NEVER have a pen or a pencil to write with. I swear, I have seen them gnaw pencils to pieces like a hungry beaver or termite. And they chew on pens to the point that there is a sudden squishy noise in their mouth and they become members of the Black Teeth Club. (Or Blue Teeth Club for the more choosy sort of student.)

A piece of an actual classroom rules poster.

Having students in your class who actually have pencils and pens to learn with is a career-long battle. I tried providing pens for a quarter. I would by cheap bags of pens, ten for two dollars, and sell them to panicky writers and test takers with a quarter (and secretly free to some who really don’t have a quarter). I only used the pen money to buy more cheap pens. But that ran afoul of principals and school rules. A teacher can’t sell things in class without the district accountant giving approval and keeping sales tax records. Yes, the pencil pushers force teachers to give pens, pencils, and paper away for free. I finally settled -on a be-penning process of picking up leftover un-popped pens, half-eaten pencils, and the rare untouched writing instrument apparently lost the very instant the student sat down in his or her desk. These I would issue to moaning pencil-free students until the supply ran out (which it rarely ever did) at no cost to myself.

I also tried telling them repeatedly that they had to have a writing instrument, or they needed to beg, borrow, or steal one. And if they couldn’t do that, I’d tell them, “Well, you could always prick your finger and write in blood.” That was a joke I totally stopped using the instant a student did exactly what I said. A literalist, that one. And it turns out you can’t read an essay that a student writes in actual blood.

But, anyway… My daughter is safely in school now and no longer panicking because she has her precious pencil case back in her possession. And she probably will not ever make that same mistake again. (And she will probably not return my pens and pencils either.)

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Sunday Silly Artistical Posts

I like to dig through old piles of artwork I have done to re-purpose things and mash things together to make weird art salad.

Xeribeth the Sorceress and her parrot Herkimer

I used to play a Dungeons-and-Dragons-like game called Talislanta with groups of adolescent boys, most of whom had previously been my students in middle school. It was a weird world where weird things made artistical challenges for me that taught me to be a better and more imaginative artist.

Xeribeth was a member of an almost-human race that had yellow skin and wore colorful face tattoos. She also had to be somewhat alluring to trick adolescent boys into undertaking dangerous and possibly suicidal adventures (meaning characters who only lived on paper might die and have to be re-rolled with dungeon dice.)

Zoric, being a green Cymrillian wizard, gave me numerous opportunities to creative Kermit-the-frog-colored portraits. And he was a player character, so his greed and penchant for unwise actions decided on in the heat of battle (like turning himself into a fish-man while adventuring in the waterless desert) didn’t come from me.

Playing those games gave me training as a story-teller as well.

My efforts to see color with gradually worsening color-blindness led me to create eye-bashing color compositions that attempt to portray realistically things and feelings that can’t possibly be physically real. Thus I gradually became, over time, a surrealist (a juxtaposer of unlike and jarring things to deliver a visionary picture of reality) (How’s that for surrealistic gobbeldegook in definition form.)

Rabbit castles are the obvious answer

I often solve the problems of my life by drawing something and making cartoonish comments with serious consequences.

Little people and Slow Ones like us have different problems, but share the same world.

Ultimately, it boils down to the fact that the world on the inside of me is decidedly different than the world on the outside of me. But I have to live in both. And I can do that by drawing my colored-pencil Paffooney stuff, and posting it, and writing about it on a silly Sunday.

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