Category Archives: novel writing

July 26, 2020 · 7:46 pm

The Secret Identity of Super-Mickey

Cartoon villains take note; Super-Mickey’s secret identity is Filbert Hazelnut. I make that revelation without worry. After all, Mickey is not really me. So, if the Messmaster, Badnose the Clown, or Daniel Quilp are going to try to apply the Mickian version of Kryptonite, not laughing at the jokes, in order to slay Super-Mickey, Filbert is immune to that. I am too for that matter. If you are a school teacher who uses humor in the classroom, you soon learn that only the smartest kids actually understand the jokes, and half of them are just too cool to laugh when the teacher wants them to. (Although they will tell you years later that they still use concrete details in their writing because you said that if you routinely whack the reader in the head with verifiable concrete examples, they will be totally stunned enough to believe you know what you are writing about. That was, you must understand, a concrete detail I just whacked you with to help you remember what it is, not to make you laugh… even though it was a joke… but you are permitted to laugh if you want to.)

The basic point of this essay is Mickey is not really me. I never went by that name as a kid.

I was always called Michael, sometimes Mike (though they were usually talking about the Other Mike when anybody said Mike in school back then… circa 1963 to 1969). In high school I was given the nickname Superchicken after the Saturday Morning cartoon on the George of the Jungle Show. In college I was given the rhyming nickname Spike by my college freshman roommate because he ludicrously thought I was the opposite of a Spike, like calling a huge football player Tiny Tim, or a midget Big Bad John.

When I started teaching school, they called me Gilligan because I was thin and they wanted to pretend I was a hopeless stumbling fool (Which I was at times my first two years, just as all beginner teachers are.) My classroom became known as Gilligan’s Island on the day in third period when I made the comment, “Gilligan is lucky enough to be the only really eligible bachelor on the same island with Ginger the movie star and cute little Mary Ann. I would find out later that same day that three eighth grade girls in that very class had huge crushes on me and were fighting over which one was Mary Ann and which one was Ginger and, unsurprisingly, which one was the other girl.

And, of course, Rudolfo Hernandez tried to get everybody to call me Batman because I bought a used Ford Torino with fins on the back. But to promote the nickname, Rudy came to class wearing a Halloween Batman mask and afterwords had to learn to live with being called Battyman himself. (I wish i could take credit for calling him that first, but I am sure I did not. I distinctly remember it coming from a girl in his class that made fun of him for every stupid thing he did because she apparently adored him. I just reinforced it about a thousand times.)

Mickey is a name that I have only ever been called by me myself. It was a name I signed some of my cartoons with (using The Little Fool, Le Petit Fou, Leah Cim Reyeb, and Dr. Seebreez on the rest.) It also became the name I use to refer to myself on this blog when I talk about myself in the third person like a crazy person.

I have given myself other pseudo-pen-names in my writing. Googol Marou, as the only first-person narrator of the AeroQuest series, speaks with my voice as the primary storyteller in the tale. In Norwall, the fictionalized version of Rowan, Iowa in most of my other books, Branch McMillan, the writer-character, is actually me. (Like Charles Dickens switched his initials to write the semi-autobiographical David Copperfield, I created that one by switching the M and the B.

Of course, the many me-characters in my fiction books are also basically me. Superchicken is me. Milt Morgan is a combination of me and the Other Mike. Brent Clarke is the football-player me combined with two other football teammates. Certain parts of Todd Niland’s story are really about things that happened to me, and things I was afraid of at his age.

In some ways Tim Kellogg and Dorin Dobbs are me too, though both of those characters are actually based on my eldest son. It is possible, I suppose, that you could consider my actual son to be a me-character too, as people do live on through their own children.

But, while Mickey might be me more than I care to admit, Super-Mickey’s secret identity is definitely Filbert Hazelnut.

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Filed under autobiography, cartoons, humor, novel writing, Paffooney

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July 17, 2020 · 7:14 pm

I Sweetpotato What I Sweetpotato

If you are as goofy and cartoon-obsessed as me, you may remember that Popeye the sailor was known for the catchphrase, “I yam what I yam”. And if you do remember that, it will not surprise you that, when told a yam is another name for sweet potato, Popeye was furious. “It cannot be!” he argued. “I would not say I sweet potato what I sweet potato! That’s ridicumess!”

Well he has a point.

But I would like to talk today about the things that I sweet potato, and why I sweet potato those things.

First of all, I yam a humorist.

I yam this thing not because I am funny. You may think I yam funny because I say really goofy things for no apparent reason, and then keep on talking long enough to convince you that I did have a point to make, but my brain leans so far to the left that I am hardly right about anything.

And I make bad puns a lot.

You see, I have to use humor constantly to deal with all the hard things in life, because being too serious in the face of the world’s basic uncaring cruelty only leads to depression and taking a beating from life. In fact, I can think of any number of situations in my past where I avoided a beating only because I made a joke that made the bully laugh.

So, being a humorist is a survival tactic. Humor keeps you alive.

You see someone like me has to face all the pain and heartache and cruelty the world has to offer by using humor. The real reason is that, when faced with a bad situation, if the humor gland can’t empty itself of all the jokes it produces, it will begin to swell. The humor gland is located either in the brain or maybe in the behind (I am not medically qualified to tell you which it really is), and it can only swell to a certain point, and then it will explode. This is very bad thing for you, if you survive it, and certainly unpleasant for anybody nearby.

But the joke, properly launched at the target, will make somebody laugh, even if it is only the humorist himself. And laughter is the best medicine. Unless it kills you. You have to be careful not to die laughing. The angels will be offended, and the demons will all laugh too.

But I yam not only a humorist. I yam also a teacher.

I began to realize that I might be a teacher when, in graduate school to get a remedial master’s degree to help with the fact that plain English majors all starve to death, I discovered I had a talent for explaining things in simple terms. And then, immediately afterwards, I discovered I had an even greater talent for being ignored while the people I was explaining to made the mistakes they wouldn’t have made if only they had listened to me, before they failed spectacularly, and then realized how the solution I had explained would’ve made them succeed instead. There is apparently no better way to learn an important lesson.

Teaching is, of course, a pretty cool job. You tend to have the summers off. And you get paid for summer because they split the amount of money you earn for the year (which considering what a babysitter makes on average per child and per hour is far too little for the hours you put in) into twelve monthly pittances.

Of course you are expected to have a university degree (although no teacher college in the world can teach you what you really need to know in order to face that many little monsters… err, darlings… every day) and preferably some grad school, and a certification to teach in your chosen subject, and an additional certification if you are going to teach more than one subject (and ESL and Speech and Journalism, all of which I was expected to teach, are separate certifications) and you have to take hours of additional training every single year, and you have to get re-certified every five years, and… Well, you have to be basically smarter and much better-educated than Bill Gates… But the school janitor will probably be making more money per month than you do.

Anyway, it’s a job you just gotta love. I yam a teacher.

And really, there are a whole lotta yams in my basket yet that I could tell you about. I yam a Red Skelton fan. I yam sometimes a nudist (when I don’t have to put on clothes to keep myself from scratching all my psoriasis-plagued skin off). I yam also an artist (of the type known as a cartoonist). I yam pig-headed sometimes, and I yam Grumpy sometimes (so I go from being Porky to one of the Seven Dwarfs.) I yam a lotta things. And my sweet-potato basket is large.

But I can’t talk about all of my yams today. Too many yams are bad for my diabetes.

But here’s one last yam. I yam a storyteller. And I have a free Kindle e-book promotion this weekend. The book is the first in my series of AeroQuest books. It is a science fiction story with a humorous bent. And I mean, it is seriously bent in some places.

So, click on the link and get yourself a copy. It’s funny. And I will save the other sweet potatoes for another day.

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Filed under humor, metaphor, novel writing, Paffooney, self portrait, writing teacher

Tagged as AeroQuest 1

July 13, 2020 · 6:46 pm

Treading Water with Swimming Talent

I would like to dwell on yesterday’s topic for a change. Usually when I do a daily blog topic, I use my goldfish-brain swimming ability to totally forget what I wrote about yesterday. Relating one topic to the next is not something I normally do.

To be clear (see that nod to yesterday’s topic?) I had to link lessons and daily topics religiously as a teacher, going through review checklists after warm-ups and discussing prior learning daily before proceeding with new content. So, I’m not UN-intentionally failing to do that here. I am merely trying to recover from a lifetime of ingrained teacher habits.

My purple mouse avatar does actually have two ears.

Yesterday I wrote about not measuring myself by the standards most people use to think about whether or not a writer is successful. I concluded that if you are going to limit that assessment to financial realities or wide readership and critical acclaim, I am a failure. But here are some key points that deserve consideration.

I do have a fan base, even if it is not large. I have been given honorary membership in the group of pro-naturist writers on Twitter even though, as a nudist, I am hardly ever naked myself. I discovered them as I was researching nudism for my book Recipes for Gingerbread Children through the website https://www.clothesfreelife.com/. They discovered my book which only has two naturist characters in it, both of whom try to promote naturism to the other kids in their circle of friends, and liked it enough to review it and include me in their Twitter group. The story is really more about fairy tales and Nazi Germany in World War II than it is about nudists, but they liked it never-the-less.

I have also gathered a Twitter following among other unique groups. The international Twitter fan group that idolizes Tom Hiddleston as Loki regularly fill up my notifications inbox. One Russian member of this group bought and liked Sing Sad Songs, for reasons that were explained, but not in clear enough English for me to understand.

As I spent most of a decade as an ESL Teacher, I probably have been read by more Honduran refugees and Vietnamese immigrants than any of the other writers I know on Twitter and Facebook. And while that is mainly because they were in my High School ESL Class, that does not negate the fact that my writing has a truly international reach.

I am also proud of the fact that I was able to give a copy of the best novel I have written so far, Snow Babies, to the girl I grew up with and named the main character after. She read it, loved it, and recommended it to the school where she works, the school we both graduated from in 1975.

But I don’t want you to take either this post or yesterday’s as some sort of bragging. I humbly submit to you, my accomplishments as a teacher in public schools far outweigh anything I have done as a writer. Still, it is not nothing. And even if I die tomorrow (with my health problems and the current pandemic, a very real possibility) it is enough.

And, hopefully, that covers what I should’ve added yesterday.

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July 2, 2020 · 8:12 pm

Tingly Time

I have now seriously started The Wizard in his Keep. It is most likely to be the next novel I publish. Though AeroQuest 4 and Hidden Kingdom are both in the running. But I have already gotten the tingles from this new work in progress. It is beginning to feel like a good story. It is rolling out of the word processor as easy as pouring hot molasses from a glass jar. And it smells just as sweet. (Wait, do novels have smells? I think they must. This one is green apple, caramel, and molasses.)

I already wrote about the three main characters in the above illustration. So, you should probably already know that they are Mortie, Daisy, and Johnny Brown, the orphaned children of the late Stacy and Brom Brown.

The two characters in the new illustration at the start of this post are Hoodwink and Babbles. They are not so much real people as they are non-player characters in a virtual-reality video game. The program behind the game has slightly too much intelligence for a computer thingy. But that’s what makes it ripe for an unexpected intrusion of fairy magic and the wizardry of the game master, Milt Morgan. It results in a boy named Hoodwink and a Kelpie named Babbles that are a little bit more than merely human.

I could tell you more, but I actually need to save it for the rough draft. This story has a tingly feeling about it that it shares with my best work.

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Filed under fairies, humor, novel, novel writing, Paffooney

Tagged as The Wizard in His Keep

June 29, 2020 · 9:09 pm

Character Developments

If I am ever going to sound at all like an author talking about his craft, then I guess there is really no better place to start than with character development.

This is the first illustration in my work in progress, ***The Wizard in his Keep***.

One of the most important factors in starting a new novel is how you put together the jigsaw-puzzle pieces that are the characters. I have had the characters in my head since about 1974. Daisy Brown and her two younger brothers, Johnny and little Mortie (short for Mortimer Snerdly Brown, named after his Great Grandpa Mortie and his Grand Uncle Snerdly) are the three characters that the story starts with on the night of the car accident.

Notice that the plot throws the three children above directly into a conflict right from the start. They were all in the back seat of the car. Their parents were in the front. Dad (who’s name is Brom, short for Bromley Mortimer Brown) has a bad reputation for reckless driving and being an alcoholic. He is driving. But he is sober. Mom (who’s name is Stacey Clarke Brown) is in the front passenger-side seat. Both of them are killed in the wreck. (Ironically the young man who hit them also dies, but he is the one guilty of drinking and driving on the night of the accident.) Some of those details come out in the first two chapters. Some of those details never actually come out in the course of the story. That’s the thing about characters, the author must have an idea of all the important details of their lives from early on in the creation process. But many of those details are not necessary to use in the story. You just need them so that you sound like you know them as you write about them.

Let me start by describing the development of my protagonist, Daisy Stacey Brown. She has been the protagonist of this tale since 1974. She was originally based on the younger of my two younger sisters. That is where the adventurous spirit comes from. And the slightly ditsy quality of her highly-imaginative inner monologue comes basically from my sister’s daughter who was born about 1993-ish (and the story, of course, happens in 1996, so it is based more on the present form of my niece shoe-horned into Daisy’s fifteen-year-old skinny body). Daisy is followed as the focus-character in a third-person-limited-point-of-view narrative. Here is a sample of that described in the story’s opening and filtered through Daisy’s unique brain;

The sound of the ambulance siren was raucous behind the car, like someone trying to play an AC/DC medley with a circus air-horn. And a clown playing it who was drunk on too many pre-show hits from the gin bottle in the straw at the bottom of the lion cage.

It kinda made Daisy smile to think of that analogy. She needed something like that to get her mind off what had happened that horrible night, a mere half an hour before.

I haven’t given any physical descriptions of Daisy in the first chapter of the story. Those things are slipped in later in nearly unnoticeable bits and drops. The fact that she has strawberry-red curly hair doesn’t get said until well after the reader sees it in the black-and-white illustration. Her skinniness, pale coloring, and awkwardness will be in descriptions that happen later in separate and isolated spots.

Far more important is the way her mind works, which I try to show rather than tell. She is one of those people who is both innocent without being ignorant, and imaginative without being merely random.

Other characters will be established too with an eye on what they are like at the beginning, and a mindfulness of what they will become as the plot changes them over time.

Johnny is a sad-sack introvert who blossoms as he overcomes problems associated with the initial tragedy. He grows as he proves to himself that he is neither a coward nor a fool.

Mortie is unflappable from beginning to end in the way small children often are. He possesses a powerful sense of wonder that overwhelms fear and sadness over his losses.

That is probably enough of an insight into how I am shaping these characters for now. If you look inside this process too closely, and compare it to my last post, I run the risk of letting you see how I may be using this story to process my own upcoming loss of a parent. The pandemic and my father’s Parkinson’s disease ironically is hitting this story with enough irony to iron out more than just the wrinkles. It may well iron me flat.

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Filed under characters, humor, illustrations, novel writing, Paffooney, work in progress, writing, writing teacher

Tagged as The Wizard in His Keep

June 22, 2020 · 6:21 pm

Day After Day

Posting every day keeps the imaginary writing muscles toned and renews my basic energy levels. But it also becomes a chore on certain days. Like today. The weather has got me down with arthritis woes. Typing like this is it not as easy as it should be. And when I have to labor at it to make the paragraphs flow, sometimes I just turn it all into rambling babbling. I spin my mental wheels and get nowhere.

I can use this post to tell you, however, that I have now started a new work-in-progress. I have already pounded out the first four thousand words of The Wizard in His Keep.

This is the final story in the arc of the character Milt Morgan. This story has been gestating in my brain since 1995. Though, if I am honest, it began with fantasies I had back in fifth grade. The main character, Milt Morgan, is half me and half the other Mike from our gang back in Rowan in the 1960’s. Back when Mike and Michael were sometimes good friends and sometimes the brains behind evil plans and terrible tricks. He supplied the devious know-how, and I provided the creative spark that lit the schemes on fire.

But this story is advanced to the computer age.

Milt Morgan is 50% me and 50% my best nemesis, Mike Bridges

In 1996, Milt Morgan was a 34-year-old video game designer living a double life in a high-tech, state-of-the-art computer lab. It is then that he mysteriously kidnaps the three children of his child-hood friend’s sister and takes them away to a magical world that only two people in the entire world have the keys to. Milt is the Wizard. The other Key-Master is Daniel Quilp, the Necromancer. A battle for the soul of the world must take place, and Daisy, Johnny, and Mortie Brown are a part of it.

Anyway, the words are beginning to pile up again. And again I have made something out of nothing. My book promotion is still going on until tomorrow. The link above can still get you a free e-book copy until after midnight tomorrow. And nobody, it seems, still wants my book for free. (How’s that for a pathos pitch?) We’ll see how it all ends tomorrow.

Johnny Brown in Purple Glammis (the Magical Kingdom)

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Tagged as The Wizard in His Keep

June 7, 2020 · 8:05 pm

Success is All in My Head

Like any Indie writer who has had enough of paying publishers to publish my work, any tiny bit of success is immediately seized upon and cherished, and immediately all goes into my head to swell the ego and make me strut like a rooster in the barnyard who doesn’t realize the next step for him is either the stew-pot or the oven.

I have read enough Indie books to realize that a vast majority of them are written by strutting roosters that, once their head is removed, still won’t realize that they are not the greatest writer since Hemingway and Faulkner. (They can’t compare themselves to Donald Barthelme, or James Thurber, or J.D. Salinger because most of them have never heard of those writers, let alone read anything like City Life, My Life and Hard Times, or Franny and Zooey.) I confess… At least I know I am no Hemingway or Faulkner. But I continue to protect my delusion that I am a good writer of young adult novels.

But this week I got more sugar pills for the ego in the form of reviews and evidence that people are actually reading my books.

My teacher story, Magical Miss Morgan got read at least twice on Amazon Prime, one of those yielding another 4-star review. And A Field Guide to Fauns got its first review, a 5-star review, that can be seen here;http://tvhost.co.uk/april-and-may-reading

That review is written by a fellow author whose novels also contain nudist characters like the Field Guide does.

So, a little bit of success like that makes the old heart keep pumping with hope. But I am still a long way from any kind of financial proof or critical acclaim sort of proof that I am a successful writer. Any notions of success are still all in my head. And that’s where they really ought to be. After all, it is only my belief that my writing is worth doing that will cause any more of it to happen. And more of it should happen. Otherwise my head might explode. And wouldn’t that be a terrible mess?

A road map to the inside of my stupid head. I’m sure there’s a bit of success in there somewhere.

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Filed under book review, commentary, humor, maps, novel writing, Paffooney, publishing, strange and wonderful ideas about life, writing humor

Tagged as Writing success

May 27, 2020 · 7:02 pm

How to Make a Mickey

It is a fairly difficult thing to face a blank page every single day. I usually win in the battle to write something every day. But not always. Some days it is just too hard. Some days I am not well enough to make my stupid old brain spin up a spider-web of words. Some days the words are just Teufelsscheiße (poop coming out of the Devil in German).

But staring at a blank page today got me thinking about the process again, how the words come, where they come from, and why.

I just finished the most successful free-book promotion I have ever had. I gave away more books than ever before, and I gave some away every single day of the promotion. Some who downloaded the e-book even thanked me and told me they would read it. One even promised to read it right after he finished reading one of my other books.

Of course, you can see that this novel has nudist characters in it, and it is even set in a nudist park. So, naturally, the copies were mostly grabbed by members of the Twitter-nudist circle of friends and acquaintances I have on Twitter. But it is thrilling to know someone is actually going to read one, or even two of my books. I haven’t gotten enough of that feeling as an author. It is one of the main purposes of my writing, to have readers.

But this post is supposed to be about process, not publication. So, how did I come to write this thing? This nudist novel and this blog about writing it?

Well, like most real writers, I choose to write about what I know. And I am acquainted with naturism. I had a girlfriend once whose sister lived in a nudist apartment complex in Austin. I was inside that place a dozen times or so. I have also been to the nudist park north of Dallas. I have experience of nudists and at least some idea of what it is like to be one.

And the characters in the story are all based on real people. The main character is at least fifty percent me. The other fifty percent is a member of my family. The stepmom in the story is a combination of two former girlfriends. Her twin girls are partly based on my twin cousins (who have never been nudists) and on twin girls in my class in the 80’s (who lived naked at least once in a while, if not as much as the twins in the story).

But the critical themes in the story are not really about being a nudist. Naked is a metaphor for honesty, being able to hide nothing because you no longer wear the armor that you once used to hide from repressed memories of abuse. The main character, Devon, is battling depression and suicidal thoughts brought on by a life full of abuse. And he learns to overcome these life-threatening things by being honest with others, especially by being honest with himself. A little bit of naked honesty turns out to be the key that unlocks his prison cell.

As I put words and stories and blog posts together, I invariably find myself writing about certain things over and over and over again. They are the things I wrestle with daily. I write to keep my mind active, and to keep my heart and soul alive.

It isn’t too much to expect to look at a blank page every day, and to find there the words that I need to say. It is daunting, but doable. And it gets easier with practice.

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Tagged as My writing process

May 26, 2020 · 4:13 pm

AeroQuest 3… Canto 90

Canto 90 – Little, Medium, and Big Are All the Same (the Blue Thread)

Unlike other impending revolutions, the upheaval of the planet Djinnistan was so far overdue that the inequity and inequality between races was laughable.

The gigantic Afrits were all treated as machinery rather thinking, feeling, sentient beings. The Faulkner Genetics executives who ruled the star system felt that someone with artificially limited intelligence didn’t have to be treated as equal to anyone. They continued to follow orders blindly because they were simply not smart enough to question them, although there was no doubt about whether there was suffering going on in the Afrit community. No one bothered to suggest to them that they might vomit lava on their oppressors and be easily done with them.

The tiny Peris had an opposite sort of problem. They were child-sized even as adults, and though they were highly intelligent, some of them more intelligent than their corporate masters, they were easily frightened and intimidated by the security beasts (basically genetically enhanced primates in Nazi uniforms who were excessively violent, limited in thinking ability, and fond of the taste of Peri children).

The security beasts themselves enjoyed conflict and violence. They understood two-word sentences like, “Kill Peris,” “Eat children,” “Throw this,” “Scare Peris”, and “Hit that.” A few were genius enough by comparison to understand, “Hit that hard!” But they, themselves, were unjustly tormented by bosses that starved them on purpose to make them fiercer. And they were not smart enough to realize they could do to their corporate masters the same things they did to Peris and Eaglemen because they were so physically more powerful.

The winged Djinn, also called Eaglemen, were of average intelligence. They were mostly manipulated by the genetic coding that made them docile unless their masters needed them to be warlike, and then code words could instantly turn them into crack shock troops.

This was the situation Arkin Cloudstalker found himself in as he, Lazerstone, and Black Fly sat down to a meal with the leaders of Djinn Rebellion.

The meeting was held in a huge light-blue desert tent. In the far corner sat a group of three Afrits, keeping their distance from everyone to avoid choking them with the natural Afrit corona of sulfur and black smoke. A smoke-hole had been placed in the tent roof directly above where they sat.

The head table held a party of Eaglemen, ten male and five females. There were exactly two Peris at the table, a male and a female, both of indeterminate age.

The head Eagleman stood and introduced himself. “I am Alsama’ Alzirqa’. I am the sultan of the enslaved ones. I lured you here because agents of the White Duke have been urging me to rebel.”

A second Eagleman stood and spoke also. “I am Mutasabiq Alsama’. I am the sultan’s adversary. And I am disappointed that you did not arrive with an army.”

Arkin didn’t have much of an idea what was expected of him, especially in the matter of what to say next. Both bird-men stood looking at him expectantly.

The male Peri then stood.

“Ahem! I am Another Danged Boy 152. And, yes, that really is my name. I am brother to the famous Another Danged Boy 143, may he rest in peace. What the sky-guys are trying to get across in their bird-brained way is that we know the White Duke wouldn’t have sent you, specifically, the three of you, unless he thought you could solve our problem.”

“Ahem, also!” said the female Peri. “I am Pretty-in-Patches. That is also really my name. I am the sister of the famous Uggo Uglygirl. And I am here to come up with a creative solution if you goony birds fail to figure it all out.”

“Um, yes, I see,” said Arkin. “We are supposed to help you rebel against your corporate masters. The trouble is, I really don’t know anything about you people or your world.”

ADaB (Another Danged Boy 152) then spent twenty minutes recounting all the information about Djinnistan that I have already explained earlier, so you don’t need to worry about his recitation of it. Besides, PiP (Pretty in Patches) spent considerable time and effort in contradicting and correcting him, so I will try not to bore or confuse you more than I already have.

“So, if I understand everything rightly, you outnumber the bad guys by a thousand to one, but you simply can’t take the fight to them because you are scared of the security beasts.”

They all looked at Arkin with some surprise registering on their faces, partly because Arkin had understood ADaB perfectly, and partly because PiP didn’t believe she hadn’t worked hard enough to fudge up ADaB’s explanation.

“Okay… But you still don’t seem to have an army to solve our problem with,” said ADaB.

“We do have an army,” said Lazerstone.

“We do?” asked Arkin.

“Plenty of harmonic crystal out there in the sand, yes. But also, look at them.” His sweeping gesture took in all the Freaks present. “They can take this planet by sheer force. They just have to be willing to try.”

“We can trap Dr. Bludlust in his lab easily, if we just don’t have to worry about the security beasts,” said ADaB.

“Would the Afrits be willing to aid us in battle against the security beasts if Lazerstone and I took them on by ourselves?” Arkin asked.

“You are powerful enough to do that?” asked Alsama’ Alzirqa’.

“Are we powerful enough?” Arkin asked Lazerstone.

“Definitely.”

“Uggo Uglygirl?” Black Fly asked PiP.

“Daddy had just endured a twenty-five-year run of only daughters, and he was desperate for another son.” “Okay, then, let’s get this battle underway,” said Arkin.

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Tagged as AeroQuest 3

May 19, 2020 · 6:19 pm

AeroQuest 3… Canto 89

Canto 89 – Back to Darker Skies (the Blood Red Thread)

Ham finally had the Leaping Shadowcat reloaded and ready to return to space. It was a pleasant thing to take part in celebrations for a new government, but the reality was that soon the rot warriors and death commandos of the Galtorr Imperium would be descending. Admiral Tang would hear about Ferrari’s victory and wish to turn it into an ultimate defeat.

The Imperium could bring far more warships and troops to bear than a single planet like Farwind could possibly hope to possess. The only real hope was to activate alliances with other planets.

There was always Coventry. The high-population world was Ferrari’s home planet, and likely to be even more easily swayed to Ferrari’s cause than Farwind had been.

Ham’s crew was reassembled. Duke Ferrari would return as astrogator and navigator because he knew the routes to Coventry better than the rest.

The two Lupins, Sinbadh and Sahleck Kim, would continue to serve as stewards. Sinbadh would be the cook and sometimes the copilot. Sahleck was the cabin boy and did the cleaning.

I was back aboard as the ship’s engineer and chief mechanic. I could also lay claim to the job of Science Officer, though nobody really took a Star-Trekky job like that seriously in the modern universe. Space travel had never truly been imagined right by the movies and TV.

Besides, I was one of the few that really took Astrophysics and Xenobiology seriously. Most spacers would much rather kill it than study it, regardless of what it was. The Kritiian Bugbright was left in charge of the revolutionary government, and we took off on a new mission.

The Leaping Shadowcat rose smoothly through the bright blue skies of Farwind. It was basically a water world, only a few small islands showing on the surface of the ocean-covered blue planet. I watched the planet become smaller below us as I looked out through the viewport on the bridge.

I knew that Coventry would be far different. It was a planet with practically no oceans. Ninety per cent of the water there was underground, or contained in sealed water systems. When you looked at a smoggy brown high-population world like that, all you really could see was a vast, seamless cityscape. I didn’t relish the idea of going there.

“Are we gonna have to make another commando raid against impossible odds when we get to your homeworld Duke?” Ham asked pleasantly.

“I hope not,” Ferrari answered. “You probably noticed that I am no good at such things at all.”

“How do you plan to reconquer it?”

“I don’t really know. Maybe we can luck into something as we get there. Like we did on Farwind.”

“I think…” I said, offering vast wisdom on the matter, “I think we should seriously list those who are on our side in the area.”

“Well,” said Ferrari, “I know we can’t count on Galtorrian or Fusion troopers to aid us this time. Coventry has three different Imperial Training Academies on the planet, all of them fiercely loyal to Slythinus. The local pirate or corsair forces are the Monopoly Brigade, and we’ve learned from Tron Blastarr that their leader is dead set against us.”

“Well, that’s two definite no’s,” I commented wryly.

“How about the White Duke?” offered Ham.

“He’s powerful throughout the sector with gamblers, smugglers, and thieves, but do we really want them on our side?”

“Are there many Unhumans in the system?” asked Sinbadh innocently.

“Mostly as part of the downtrodden under classes. The Imperium treats sentient aliens almost as badly as the Classical Worlds do.”

I had to shake my head on that one too. Genetic freaks were also abused in the area as far as I knew.

“Are there any allies for us there?” asked Ham, concerned.

“Not really,” said Duke Ferrari. “The people loved me when I ruled there, but I championed them and alienated all those who had power. It was the beginning of my downfall.”

“I thought the Imperium was not a republic or a democracy,” offered Sahleck. He was a bright-faced boy for a Lupin. I had always thought Lupins were thoughtless brutes before.

“That’s true,” said Duke Ferrari, “but even a cruel tyranny like the Galtorr Imperium has to have the consent of the governed to rule.”

“Maybe,” said Ham, “that is precisely what we need. The people are behind you, Han, not the current rulers. We just have to let them know what the Imperials tried to do with you.”

“Well, I be hornswoggled!” said Sinbadh. “Ye have found a solution Ham-boy!”

The simpering Lupin lackwit had suddenly reversed my opinion of Lupins once again. The Shadowcat, now fully prepared, but not fully confident, embarked through jump space for the next fateful destination, the planet Coventry. If only we had failed to tell Captain Dalgoda and the First Half Century where we were going!