Category Archives: NOVEL WRITING

The Haunted Toy Store… Canto 17

Canto 17 – The Balcony Scene

Rogelio found himself looking up at the second-floor balcony of the Zuniga Inn.

“So, you wanna climb up there?” he asked Steven.

“I have now done it countless times in more than a century of practicing this moment over and over again.”

“So, I won’t die if we fall headfirst on our stupid head?”

“You can’t actually die in this reality unless another living human kills you here.”

“And that’s what we’re gonna do to Yesenia when we get up there?”  Rogelio felt a bit panicky over having no control over his own body.

“Not here.  Not now.  I told you I would give you the reasons for why we have to kill her.  But those reasons don’t apply to this moment.”

Steven took control of Rogelio’s arms and legs.  He began to shinny up one of the columns that supported the balcony on the second floor.  Then like a monkey he swung his legs up over the edge of the balcony railing.  It was all solid wood, but Rogelio still felt as if it could fall apart at any moment and they would plummet headfirst to the ground.  But he found himself standing on both legs outside the first room on the second floor. 

“What if the balcony door is locked?” Rogelio asked.

“It’s not.  These balcony doors don’t even have locks.”

He reached over and slowly, silently pulled open the balcony door.  Quietly, he entered the room.  It was a simple, sparsely furnished room in a Spanish inn.  The bed was occupied by two skeletons, a large, blue male one and a smaller pink one that looked like it could be Imelda’s mother.

“Don’t say anything with your mouth.  You’ll wake them,” said Steven.

“Are they both asleep?” Rogelio asked nervously in his head only.

Then the male snored loudly enough to remove all doubt.  The female moaned at the noise, but merely poked her husband and rolled over.

Steven quietly moved them out of the room and closed the door after them.

“So, I was supposed to expect you to sneak into Momma and Poppa’s room?” said Yesenia/Imelda on the next balcony.

Steven grinned sheepishly.  Rogelio noticed that the moonlight made the ghost nightgown she was wearing more visible, but you could still see through it to Yesenia’s beautiful naked body underneath.

“Why don’t you try this room instead?”

The two balcony railings were separated by only about three feet of empty space.  Getting up on the railing, it was easy for Steven/Rogelio to step across the gap.

“Gringo, I am surprised that you actually did this.  I thought it was just talking.”

“I was talking… to a pretty girl whom I may have fallen in love with at first sight.”  Steven was laying it on thick, but Rogelio also knew he was deeply in love with Imelda.

Imelda blushed using Yesenia’s face.

“Come into my room where Momma won’t hear you.  If she finds out, she will make Poppa kill you.”

Steven let Imelda take him by the hand and pull him into the bedroom.

“Is what I think is about to happen really going to happen?” Rogelio asked Steven.

“It depends on what you mean by really happen?” he answered by thought alone.

“Have you ever made love to a woman?”

“Only one time in my whole life, but I have relived it more times than I can count on all the fingers in Dallas.”

“And you are going to relive it again now?”

“Yeah… so?”

“In my body?  And Imelda in Yesenia’s body?”

“And you are a virgin… huh?”

Then Rogelio saw Imelda pulling them toward the bed.  And he began to remember how beautiful Yesenia was in real life.  He was about to become a man in the world of the ghosts and skeletons.

                                                *****

“You will come to my quinceañera, Steven?”

“I will.  And we will run away together?”

“I will go anywhere with you.  I love you, Steven.”

At that moment, a loud banging at the door frightened them both.

“Imelda!  LET ME IN!  I will kill him!”

“It is my padre!  He will kill us both!  Get out now!”

 Steven scrambled out of the bed and grabbed at his clothing.  The ghost materials all slipped through his fingers except for his floppy cowboy hat.  He was out over the balcony rail in mere moments.  Completely naked… with a hat on his head.

Several splinters pierced his hands, forearms, and thighs as he shinnied down the support column. “You come back here, gringo!  You will marry my daughter now, or you will die a horrible death!” 

The angry shadow loomed over the street, huge and terrible.  It shook a black skeletal fist at Rogelio and Steven as they ran down the street naked, not wearing even ghost clothing.  Rogelio’s heart hammered hard enough for two people as they barefooted their way down the dirt street.

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Filed under ghost stories, horror writing, humor, novel, NOVEL WRITING, Paffooney

Like Pulling Teeth from a Chicken

This is an old re-purposed post from 2016 to kill some time so that this blog doesn’t kill me.

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Life is hard here in the Kingdom of Paffoon where you labor hard at a labor of love and try to give birth to something eternal that ends up going nowhere… stacks of old writing litter my closets, and the prospects of being published grow dimmer and dimmer.  My book Snow Babies has a contract with a publisher, but, apparently they are not going to be able to publish it after all.  I am at the very least going to have to find another publisher for the rest of my books, both finished manuscripts and works in progress.

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I do intend to follow through and get published, though.  I can no longer teach, but I feel a powerful force pushing me towards the sheer precipice of authordom.  One way or another I am going to make it over the edge and plummet to the bottom of that cliff.  I am compelled by the need to tell stories, and I have a captive audience every school day no longer.

I used to tell my classes that doing impossible things was like trying to pull chicken teeth with pliers.  You know, impossible things like getting a book published or teaching a mostly Spanish-speaking student how to read in English…  every-day-sort-of impossible things.

“But, Mr. B, chickens don’t have teeth,” some bright-eyed student would say after realizing that “chicken” was the English word for “pollo”.

“Exactly!” I would say.  “That’s what makes it so challenging!”

And now I must put on my chicken-catching socks, find my tooth-pulling pliers, and get ready to make more novels happen.  After a brief bout of consternation and depression, I actually feel a bit better about the whole fiasco.  There are other publishers, and publishers seem to like my writing, even if they can’t publish it.  And I have waited two years to get Snow Babies published, all apparently for nothing.  It is time to stop wasting time.  And maybe to stop repeating repetitions too.

I would like to here note that I now have 21 books published, all but one of which is self-published on Amazon and fully under my control. My other book, the award-winning novel from I-Universe, Catch a Falling Star, continues to be little-purchased and less read, though I discovered they pay all my royalties to my wife’s bank account. That was unexpected. Chicken teeth where they can’t be reached by me.

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Filed under humor, novel plans, NOVEL WRITING, Paffooney, publishing, self pity, writing, writing humor

The Haunted Toy Store… Canto 15

Canto 15 – Dolls with White Wigs

Dora McMaster had been carefully studying the doll that she thought she had somehow made and forgotten.  She seemed especially interested in the white-haired wig the doll wore.

“This wig on the doll…  Did you know that it is made with real human hair?” Dora asked Brittany.

“No, I did not.  It is the only thing that isn’t like my own daughter.  She has black hair.”

“Molly had black hair too before…”

“Before what?”

“The news came about her father, and both she and her mother took sick.  Apparently high fever, or something like it, turned Molly’s hair ghost white.”

“That’s strange.”

“Yes, and stranger still that I don’t remember ever making a white wig before.  But I have been planning to make one for the doll who is supposed to be Molly.  To remember her as…”

“…As she was before you lost your chance to save her.”

“Yes.  But where did the doll-maker who made this wig get white human hair?  And why put it on my creation in Aunt Phillia’s horrible store?”

“Is it dyed, perhaps?”

“No.  It contains strands that still have black roots, and the color all seems natural, just like Molly’s own.  But it couldn’t be made from Molly’s hair… not after the fire.”

“You will make the Molly doll with white hair?”

“Yes, of course… but where to get white-colored human hair to make such a wig?”

“Mention her own white hair,” said Molly to Brittany in a voice Dora apparently couldn’t also hear.

“You have some white hair on your own head the same color as that,” said Brittany.

“Why, yes… I do.  It will take time to grow out enough to use it without making myself bald,” Dora said, giggling to herself.

“Why do you have white hair?” Brittany whispered to the doll.

“Not here.  We will talk later in private.  I can show you at the witching hour.”

Brittany nodded to herself at the doll’s answer.  She didn’t much like how demonic and spooky the doll seemed.  But the doll was also so like Hannah, and endearing enough to make it necessary for Brittany to know everything.  In a ghost story, it is the unknown thing that scares you the most.  And it could only be a good thing to make the unknown a little more known.

Dora had taken out the pieces of a doll’s skull cap and began singing softly to herself as she began to sew and prepare the cap to have human hair added.

“Dora?  Would it be all right if I step out in the yard for some air while you do that?” Brittany asked.

“Certainly.  And thank you so much for the inspiration.”

Brittany took the doll with her out onto the veranda in the back of the house opposite the flower garden.

“Okay, Molly.  I need some answers.”

“Honest answers?  Or do you prefer to be lied to?”

“Honest answers, of course!”

“About what, then?”

“Why did you bring me here?”

“You mean to Dora’s house?”

“I mean, this time… this place… this world?”

“I paid the toy man to get my momma back again.”

“What?  What does that have to do with me?”

“The toy man said that if I chose you to play with, that could help me get momma back.”

“Play with me?  What does that mean?”

“I don’t know all the details… yet.  But you are alive… and my momma is not.  I need to use you to make her alive again.”

Brittany stared at the smiling porcelain face.  The creepy smile chilled her to the bone.

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The Haunted Toy Store… Canto 13

Canto 13 – The Doll’s Bargain

The owl-guy had demanded that Maria work for another half hour dusting toys that apparently hadn’t been moved even an inch in five decades.  And when she was done, the toys seemed to have accumulated the exact same amount of dust as they had possessed before she started cleaning.

Stan had spent time talking and prodding the weird old man all the time Maria had been working, and then when it was over, the private dick wouldn’t even tell her what they had been gossiping about.

She went straight to her room, her laptop and her cell phone, as soon as she was home.

Mom was no help.  She had gone to bed the moment that she had drug herself home from work.

And then… the phone rang.

“Hello?”

“Ma-Maria?  C-can I talk to you… please?”

“Who is this?”

A little girl was crying into the phone on the other end.

“Hannah?  Is that you?”

“Yeah… you said I could… call you?”

“Of course, I did.  But what’s the matter?”

“I have to tell you something.  Something terrible.”

“What is it?”

“It’s something terrible… that I did.”

“What did you do?”

“If I tell you… You will never forgive me.”

“Yes, I will.  I promise.”

“You can’t.  Daddy won’t forgive me if I tell him.”

“Please, Hannah.  You can tell me.  And maybe I can help you tell your daddy in a way that will make him forgive you…”

“Really?  You would do that?  For me?”

“I promise.  I like you, Hannah.  You are a nice little girl.”

“No, I’m not.  I made a deal with a Lonely One.”

“A Lonely One?”

“She was a ghost… err… something… inside a really cool doll.  And she… she was…”  Hannah dissolved in tears, unable to finish the sentence.

“You can talk to me, Hannah.  You can tell me anything.  I wish you were here right now.  I could hold you… hug you.  Make you feel better.”

“The doll was made of hard white stuff.  And she was beautiful… She looked just like me… but her hair was all white.”

“And the doll did something?”

“She asked me for something.”

“What did she want?”

“She asked if she could play with my mom.  She said if I just let her play with Mom for a while, she could make Mommy love me better…  She said…  But she lied to me.”

“What was the lie?”

“She was supposed to give Mommy back to me.  But when… when she was done playing her tricks, Mommy was sleeping on the floor and couldn’t wake up.  I let a monster play with my mom.”

“She tricked you, Hannah.  You didn’t do anything bad.  She did.  It was not your fault.”

“But, can your daddy get my mom back from the ghosts?  I mean… the Lonely Ones.  She said they were not ghosts, but Lonely Ones.”

“Stan is a very good detective.  He’s solved cases nobody ever thought he could.  If anybody can get your mom back, he’s the one who can do it.”

“You promise me?”

“I can’t promise for sure.  But if he can’t do it, then nobody can.”

“Thank you, Maria.  I love you,” Hannah said in a tiny, strained voice.

“I love you too, Hannah.  Hang in there.  I’m gonna tell Stan.  Then we’ll figure out these Lonely Ones you are talking about.”

Maria spent the next half hour listening to the little girl cry over the phone.  She tried to comfort her whenever she was given the chance, but it was mostly just being there to listen that mattered.  Maria was crying too by the time she went to the living room to tell Stan.

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Illustrating in Novel Ways

I have just finished a novel project that I worked on for a year, from Spring of 2016 to Spring of 2017.  And part of my personal project procedure involves using drawings to help me visualize the characters in the story and begin to view them as real people, even when they most certainly aren’t real.  I even have this derfy Mickian idea that Paffoonies (those picture ideas that are inseparably fused to words) are essential to Mickian fiction.  (Mickian fiction= another frighteningly goofy idea that needs to go unexplained.)

Gingerbread Children

The book, Recipes for Gingerbread Children is about an old woman, a German immigrant and Holocaust survivor, who comes to a small Iowa town with a gift for story-telling and a gift for baking things, especially gingerbread cookies.

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Grandma Gretel Stein, seen in the Paffooney on the left, is the main character of the story.  She tells stories, mostly fairy tales, that have lessons about being true and faithful even in the face of great evil.  The fairy in her hand is General Tuffaney Swift, an immortal Storybook fairy who leads the army of the local fairy kingdom called Tellosia.    Gretel believes he is real  Honestly, she gets so into story-telling that her fairy friends seem absolutely real to her.  And who is to say that there aren’t little magical people living in a hidden kingdom among the cornfields in Iowa?  Gretel convinced me that they were real.  She even has a hand in making new fairies by the baking of gingerbread.  She gets a magical recipe from the fairy Erlking, a wise and magical being, and uses it to create living gingerbread boys and gingerbread girls.

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The gingerbread girl on the right is Anneliese, named after Gretel’s own daughter and decorated with frosting, food coloring, and gumdrops by the favorite story listener who constantly listens to Gretel’s stories and helps bake Gretel’s gingerbread, Sherry Cobble.

Sherry is a beautiful young eighth grade girl who reminds Gretel of her long-lost daughter.  Sherry has a twin sister named Shelly and they are identical twins, but Sherry not only looks like Anneliese once did, she acts like her with the same confidence and enthusiasm for life that Anneliese once had before the war.

Sherry and Shelly are both part of the Cobble family, who have a reputation locally as wacky-pants loonies because they believe firmly in being nudists and engaging in nature completely naked while not actually wearing any wacky pants.  I haven’t done any actual pictures of Sherry  in the nude, but if you look carefully at the first picture of her above and see clothing, then you are seeing things that are not there.  Yep, the girl bakes and decorates gingerbread men in the buff, wearing her pale pink birthday suit, even when the weather outside in Iowa makes that nonsensical.

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So by now you can probably draw several conclusions about me as both a novelist and an illustrator.  #1, There is definitely something a little bit off about me.  #2, I haven’t said anything yet about this book having dead Nazis and a werewolf in it, even though I rarely talk about this book without throwing those things in somewhere.  #3, Number 2 is actually taken care of in a backhanded way if you are reading this whole list carefully.  #4,  This story is probably about things that really aren’t just gingerbread recipes.  #5, You should congratulate yourself if you read this far in this post.  You have unusual amounts of patience and curiosity, and an extremely high tolerance for levels of goofy that put actual Goofy to shame.

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The Haunted Toy Store… Canto 12

Canto 12 – The Interview with the Ghost Owl

“So, somebody’s going to pay you for all of this?” Maria asked in the car before they reached the toy store.

“The Merriweathers want their boy Mark back.  They are going to pay me the standard investigation fee for every day it takes to find him.  Of course, I have to find him to earn the money,” Stan answered while turning the corner in his run-down little Ford Fiesta.

“What about Rogelio’s parents?”

“The cops told them that he’s a probable runaway.  They didn’t seem interested in paying to get him back.  The dad says that if Rogelio ran away to be with Yesenia, then he’s following his heart.  And if he’s been murdered, they are not anxious to find that out.  Of course, no body has turned up for either of the missing kids.”

“And the little black girl?”

“To be honest, I got a real bad vibe from that stepfather.  They call him Poppa Dark, but his real name’s DeAndre Rork.  He doesn’t like answering questions.  And he’s probably the killer, if my instincts are right.”

Maria shivered as they turned into the parking lot near the toy store.

“Two dollars for the rest of the day,” said the attendant.

Stan grumbled something about wishing for an empty parking meter as he fumbled in his pocket for change.  Then he handed it to the attendant.

“Park in F13.”

Stan and Maria parked and went into the toy store.

The man behind the counter looked to be old… the indeterminate age sort of old.  He had white hair, a wrinkled white face, and glasses that made his eyes look huge, a magnifying effect.

“Eule Gheist?” Stan asked.

“Yes.  I’m still me.”

“We need to ask you a few questions.”

“The young lady still owes me a few hours of cleaning.”

“I finished picking up the mess I made that day, trying to open that door, I mean,” Maria said defensively.

“How about dusting the shelves where the wood goods sit?  That could count as another of your hours.”

Maria gave Geist a pouty-lip look, took the feather duster from him, and headed for the wood goods.

“So, Eule, how many toys did you sell today?”

“None.”

“And how many have you sold this week?”

“None.”

“This month?”

“Again, none.”

“Not a very profitable business, it seems.”

“Mr. Mephisto is a collector of rare antique toys.  We are not in business to sell toys.  He is a billionaire, and he uses this business as a tax-write-off.”

“Hmm.  How much do you make working here, if I may ask.”

“I make nothing.”

“Then how do you live?”

“Quite well for a barn owl that was made human by magic.”

”That’s just a tale you tell kids, right?”

“If that’s what you choose to believe.”

“A barn owl?”

“What the Latinos call a Lechuza.

“Sure they do.  Did the police ask you about a boy named Mark Merriweather?  Or a girl named Shandra -Johnson-Rork?”

“Yes.  They were in here, apparently right before they decided to disappear.”

“Did you see where they went?”

“Not where, exactly, but I know they left with a dark gentleman.”

“Did you tell the police that?

“Yes.  It seemed to be exactly what they wanted to hear.”

“Wait a minute… did you say a black man?”

“Of course not.  He was dark of personality, not skin color.”

“Did the police verify that too?”

“Of course not.  They heard dark and accepted that as what they wanted to hear.”

“So, what do you mean by dark?”

“Like the devil is dark.”

“Are you saying the devil took them?”

“Something like that.”

As Stan was pondering that, Maria came back to the front of the store with a decorated paper skull like the one she had told him about before..

“This is the one Rogelio was talking to,” she said, showing him the decorative thing.

“Eule?  What do you know about that?”

“It’s cursed.  It’s also a family heirloom.”

“Can we borrow it to study it?”

“Help yourself.  But don’t damage it in any way.”

“Because it’s valuable?”

“No.  Because it’s cursed.  And it can take revenge.”

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The Haunted Toy Store… Canto 11

..

Canto 11 – The Safe House

“Where do you expect me to go in this world that isn’t even in my… time?”

Molly looked at her with those creepily lifelike glass eyes.  “There was a place I could safely go when I was alive.  Let’s go there.”

Brittany was in a fog as the doll guided her down one street and then onto another.  They kept going past all those clunky-looking old-time cars with lumpy and rounded body parts, like out of a black-and-white gangster movie.  The ladies all wore dresses with big shoulders and puffy sleeves.  The men were mostly older and mostly all wearing those old-time hats like Indiana Jones or something… “fedora” was the word stuck in Brittany’s mind.

“This house!  This is Dora McMaster’s house.”  The doll pointed at an old Victorian-style house with a rounded, tower-like structure on the left side of the front of the house.  The whole thing was painted slate gray with black trim.

Brittany knocked at the door, rapping half-heartedly with her knuckles.

The door opened, and a woman with a bee-hive hairdo and reading glasses answered the door.

“Oh, hello.  How can I…?”  The woman swallowed audibly as she saw the doll.

“Is something wrong?” Brittany asked.

The woman held her right hand in front of her mouth.  “That’s Molly’s doll…  But it can’t be.  I haven’t even finished painting the face of it yet.”

“You… you made this doll?”

“No!  That isn’t possible.  Come in… I’ll show you why.”

Brittany followed the woman into her home.  Through the entryway and into a sitting room where there were hundreds of porcelain dolls, only half of them finished.  In the center of the room on a worktable stood the hairless head and upper torso of the very doll that Brittany held in her arms.

“This is the doll I was making for poor little Molly.  It is a portrait of her.  I made it myself, and shared the design with no one, although I do have the mold for the head in the basement next to my porcelain kiln.”

“You’re a doll-maker?”

“Yes, and if you have stolen one of my designs, I am not happy about it.”

“You have to tell her lies to make sense of it,” said the doll.  “She will never understand otherwise.”

“I can’t lie…” said Brittany aloud.

“I should hope not.”

“You obviously made this doll.  It looks like my own daughter Hannah, which is why I bought it.  She somehow must look exactly like your Molly.”

“Well, if that’s the truth, then that doll must have my mark on it.  Show me the back of her neck.”

Brittany handed her the doll.

Mrs. McMaster’s eyes bulged as she spotted her own signature in blue porcelain glaze at the base of the doll’s neck where the ball joint fit neatly into the neck socket.

“I apparently did make this doll.  Did you come here to buy new clothes for it?”

“I don’t want any new clothes,” said the doll to Brittany.  “I prefer to be nude since the fire.”

“I don’t really have any money right now.”  That, at least, was not a lie.  “But I would like to learn more about this Molly who looks like my Hannah.”

“Oh, of course.  But, may I ask…?  Where did you get this doll?  I don’t remember making it or selling it to you.”

“Um, Aunt Phillia’s?”

“Oh, that explains a lot.  That old devil’s toy store never sells anything that I didn’t give them for free.  I still don’t remember making one for anyone whose daughter looks so much like poor Molly Beeman.”

“Tell me more about Molly…”

“Ah, the poor little thing…  She would come around here looking so lost and forlorn after her daddy died in the North Africa campaign.  The Germans killed him with artillery.  He was in Tunisia with the 1st Armored Division.  Molly’s mother took it too hard and went off the deep end…”  Dora’s eyes filled with tears.  She suddenly seemed to have lost the ability to talk.

“Something terrible happened?  A fire perhaps?”

“I could have saved Molly if I had known…  Oh, she could’ve lived here with me…  Such a precious little thing.”

Dora was openly weeping now.  Brittany put a hand on her shoulder.

“Molly died in a fire?”

“Yes.  Her mother burned their house down with Molly in it… on purpose.”  Brittany hugged Dora as the doll maker wept.

“Did the mother die too?”

“Not in the fire.  They called it murder.  She was hanged before the month was out.” Brittany’s stomach felt cold as the truth sunk in.  The porcelain doll seemed to be cuddling against Mrs. McMaster’s shoulder as the poor woman wept.  Was this thing of porcelain also a thing of evil?  What did it want?  And what was it doing to them?  Brittany intended to learn.

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Silly Sunday Stuff

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I made a choice, long about 1980 or so.  And I have not regretted that choice.  I became a teacher instead of the writer/artist I thought I wanted to be.  And the more I look back on it now, if I had gone the writer route back then, I could’ve eventually become an author like Terry Brooks who wrote the Shannara books.  I might’ve even been as good as R.A. Salvatore whose fantasy adventure stories have reached the best seller list.  Back then, in the 1980’s I could’ve eventually broke into the business and been successful.  Even as late as when Frank McCourt broke onto the literary scene with his memoir, Angela’s Ashes in 1996, I might’ve been able to transition from teacher to writer the way he did.  But I chose to keep going with a teaching career that enthralled me.

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Publishing and the literary scene is changing now.  And it is no longer possible for someone like me to break into the big time.  I am an author who has come aboard a sinking ship.

But I have stories to tell.  They have lived inside me for more than thirty years.  And I am scrambling now to get them told before my crappy old body completely betrays me and makes the chance go away.  I will get them told… even if no one ever listens.

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And there are some advantages to doing it the way I have done it.  It is, and always has been, about the people in my life.  My wife, my children, my students, my co-workers, my cousins by the dozens, my little town in Iowa…  they are the people in my stories.  My stories are true to life, even if they have werewolves and fairies and living gingerbread men and nudists in them.  I live in a cartoon world of metaphor and surrealism, after all.  I would not have had the depth of character-understanding in my stories without my experiences as a teacher.  And I really don’t have to worry about the whole marketing thing any more.  I am not on that treadmill.  I do not have to be aware of what the market is looking for.  If my writing ever turns a profit, I won’t live long enough to see it anyway.  And that has never been what it is all about.

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I can do anything I please with my stories.  They belong to me.  I do not owe the world anything.  What I give you now in this blog and in my books, is given for love, not profit.  I can even write a pointless blog post about Sunday blather and illustrate it with Tintin drawings by Herge. And you can’t stop me.  And, hopefully… you don’t even want to.

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Filed under autobiography, feeling sorry for myself, humor, NOVEL WRITING, publishing, strange and wonderful ideas about life, writing, writing humor

The Haunted Toy Store… Canto 10

Canto 10 – Rogelio and Steven

Rogelio found himself standing naked in a dark, night-time alley.  A horse was tied up to a hitching post nearby and eating oats out of a wooden bucket.  But the horse, though moving and apparently alive, was nothing but the skeleton of a horse with a ghostly outline of mane, flesh, and saddle overlaid upon it.

“What have I gotten into?”

“I paid the toy man the usual fee, and he gave me you to play with as the toy I need for this,” said Steven, apparently from inside his own head.

“What are you?  Are you a ghost possessing me, or something?”

“We don’t use the word ghost, actually.”

“Spook, then?”

“If you must know, we call ourselves the Lonelies.  Or, as you will soon see, the Bones of the Lonelies.”

“What are you if you are not ghosts?”

“We are the ones left alone when we died.  Those who died a terrible, lonely death.  Or were cursed.  Or simply did not have the love during life that life owed us.”

“How sad for you.  But what do you need me for?  And why am I standing here naked in an alley with a horse made of bones?”

“I need your body to do what I must do.  Just as Imelda needs the body she is playing with.  But we don’t need your clothes.  In 1875 nobody wears impractical crap like that.  And everybody is dead in my time compared to your time, so all you can see of them is their bones and the memory of their flesh.”

“Like the horse over there?”

“That’s Blue, my horse.  We’re gonna ride him to the quinceañera.”

“What quinceañera?”

“The birthday celebration of the girl I have to kill.”

“Kill?  What do you mean kill?”

“Don’t worry.  I will explain it before we go. That’s just a simple time-ride on old Blue.    I will show you everything that happened.”

“That’s why Yesenia and I are both here in the flesh?  You’re going to kill her?”

“I must kill Imelda.  But Imelda is using the living girl to relive the quinceañera celebration.”

“You have to let me go.  I won’t help you do that!”

“You can’t go anywhere until I am done with you.  And I will not be done with you until I stab Imelda to death once again.”

“You’ve done this before?”

“Hundreds of times.” Rogelio was suddenly sick to his stomach. But he couldn’t throw up.  Steven was in complete control of his body.  He was, apparently, merely along for the ride.

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Talking to Nobody

I entered the classroom silently. Death doesn’t have to make any sound when it enters a room, but I remember many times when I entered a classroom in a fully enraged-lion roar. Probably too many times.

This time it was a small lesson to a small class. Little Mickey, ten years old, was sitting there in a front-row desk. He was wearing that stupid purple derby hat that he always wore in his imagination. And he was wearing nothing else besides.

I gave him that old death-eye stare of disapproval. He grinned and shrugged. “Hey, I like to write about nudists, okay? They tell the truth more than most people.”

I simply nodded.

Sitting the next row over, in the front seat also, middle-aged Mickey was slumped in his seat like the cynical, world-weary teacher-thing he actually was. I nodded disapprovingly at him too. “I know, I know,” he said. “My time is running out. I have to get started on my writing plan for real this time. My stories will never get written if I don’t.”

The third seat in the third row contained Old Coot Mickey with his wrinkled clothes, his long Gandalf-hair, and his frizzy author’s beard. He grinned his goofy grin at me and nodded at me cheekily. “I’ve got fourteen novels written and published now. Taint my fault that nobody ever reads ’em. They are mostly good stories, too.”

I rolled my eyes at the dark ceiling.

On the chalkboard I wrote out. Today’s Lesson Is

“I know! I know!” shouted little Mickey, naked except for his purple hat. “The next novel is A Field Guide to Fauns. It is all about nudists in a nudist camp. I am definitely down with that!”

“Is that really a good idea, though?” asked middle-aged Mickey. “I think I was meant to be a writer of Young Adult novels, like the ones I taught so often in class. I know how those books are structured. I know their themes and development inside and out. I know how to write that stuff.”

“But the little naked guy has it right. You have ta be truthful in novels, even as you tell your danged lies.” Old Coot Mickey made his point by punctuating it with a wrinkled hand thumping on the top of his desk. “You have written novels with characters forcing other characters to make porn films in The Baby Werewolf, and sexual assault of a child in Fools and Their Toys, and lots of naked folks, and betrayal and death… All of that is the kinda stuff kids really want ta read. And them stories don’t glorify that stuff neither. Stories can help fight agin that stuff.”

“Remember, that stuff is hard to write about because I actually went through some of that stuff in my own life. It’s possible for even a fiction book to be just too real for a YA novel.” Middle-aged Mickey had entered fighting mode with his fists on his hips.

“But the underlying truth is why you had to write those stories to begin with. You have truth to tell… But in fiction form,” argued little Mickey.

“And horrible experiences turn into beautiful survival stories and heroes’ journeys with time and thoughtfulness and art,” said Old Coot Mickey.

I agreed with all three of me. I nodded and smiled.

“But you are Death, aren’t you?” asked middle-aged Mickey.

“And you’ve come to take away at least Old Coot Mickey!” declared little Mickey.

“You’ve got me all wrong,” I answered all three of me. “I am not Death. I am Nobody.

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Filed under autobiography, homely art, horror writing, humor, irony, kids, novel plans, NOVEL WRITING, Paffooney, strange and wonderful ideas about life