Category Archives: NOVEL WRITING

AeroQuest 3… Canto 84

Canto 84 – The Lords of the Jungle (the Green Thread)

King Killer returned to consciousness in the midst of an elaborately built tree house.  His right arm and shoulder were burning with excruciating pain.  His vision was somewhat blurry, but he could make out two smiling faces looking at him, neither of which was familiar in any way.  The boy was nearly nude, wearing only some kind of fur loin-cover that really wouldn’t have covered anything if he had had anything to cover.  His red hair was wild and uncut, something like a lion’s mane with tangles.  The woman was dressed in an expensive leather suit, the kind nobles often wore in order to tour the more dangerous parts of resort planets.  She was a beauty with large red lips and liquid brown eyes.  Her hair was well kept and perfectly arranged in this steamy jungle.

“Who… are you?” King finally spit out.

“I am the former movie star known as Wicked Wanda,” said the woman.  “You may have seen me in the holo-epic All Spaceways Lead to Galtorr, or the romantic comedy The Corsair’s Wife.”

“Um, no.”

“That’s okay.  I know my fame and talent haven’t reached all the way to the frontier, yet.”

King looked around.  Hooey and Willie Culver were sitting a short distance away, talking to a man in a black robe with a hood over his head.  He wanted to get up and go over there so he could kick Hooey in the head for doing this to him. 

“What’s wrong with me?  Why can’t I get up from here?”

“You have a terrible infection in the wound from the creature’s carnivorous mouth.  I’m a pretty good medic as well as a holo-epic star, so I’ve been trying to treat it without antibiotics.”

King looked at the boy.  “I guess I owe you my life,” he said soberly.  “Thank you.”

“Me Randy,” said the Jungle Boy, pounding his chest with one fist.

“That’s all he can say,” said Wanda.  “He was apparently the only one to survive from his crashed spaceship, and the monkey people of this planet raised him.”

“Monkey people?” 

“The Lemurians.  They live on several jungle planets, or the jungle parts of medium life-belt planets.  They have a whole city here in the trees.  They built this place.  If Admiral Tang knew they were here and rescuing some of the people he maroons here, he’d probably throw a mechanoid fit.”

“Yes, I owe them too.  I have to survive this place to get revenge on Tang.”

Wicked Wanda smiled a sinister smile.  “Revenge is not a good enough motivation for most people, but I can tell it fits you perfectly.”

“Yeah, I’m a dangerous man.”

“Sure you are.”

“How smart are these Lemurians?”

“Oh, they are very clever.  They can’t talk though, unless Oook means something in monkey-talk.”

“You can’t communicate with them?”

“Oh, we can.  Slythinus over there can use some kind of telepathy on them.”  She pointed at the man in the robe.

“Slythinus?  As in Emperor Slythinus?”

“Yeah, that’s him.  Mr. Golly Bigdeal is a prisoner here just like the rest of us.”

“How?  I mean, he’s still the Emperor, isn’t he?”

“Not really any more…”  Wanda looked at him sadly.  “There was a coup by some guy called Prince Ali.  Slythinus was left here to die while other people took over his empire.  I understand the Imperium belongs mostly to Mechanoids and Galtorr-Human Fusions now.  That’s how I got here, taking pity on a human leader that had fallen out of favor with his planet.  You may have heard of him.  You know, Duke Ferrari of the Coventry Sector?”

“I’ve heard the name.  Don’t know much about the man, other than the fact that we freed him from a dungeon on the planet White Palm.  I guess that’s how Tron’s Pinwheel Corsairs got our behinds handed to us in a basket, payment from the Imperium for freeing the Duke.”

“He’s free?  Oh!  I love you for that!”  Wanda leaned in and planted a big, passionate kiss on King.  He was instantly surprised and embarrassed.

“Well, well, well,” said Dr. Hooey.  “I see you’ve met your future wife already.”

“I swear, Hooey, I will kill you one day.”

“Oh, no you won’t.  I’ve read the proof in one of King Ryan Beowulf’s books about the future.”

“The future?”  Wanda was puzzled.

“Oh, yes,” said King sarcastically.  “Dr. Hooey here is a Time Knight, and destined to get us all off this planet.”

“Really?” said Wanda, obviously contemplating another thank-you kiss.  King found that he hated that idea.  “How will we get off?” she asked.

“There’s a certain device hidden in the ruins,” said Hooey.

“What ruins?” asked the robed man, walking up to King also.  “I know of none.”

As Slythinus approached, King could see that his Galtorrian lizard eyes were gone.  The former Emperor was now blind. “Your monkey friends know,” said Hooey.  “Although, I have to wonder why they’ve kept the knowledge from you.  It is the way they have gotten from planet to planet, you know.”

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Art Day Novel Illustrations

One of the main things I have been focusing on in my art work is the art of illustration. For example, this is a character illustration for the book The Boy… Forever.

This illustration is also from the book The Boy… Forever. It is a pen-and-ink illustration of a moment in the story when Anita Jones and Sherry Cobble are being held prisoner through mind control by the evil vampire/dragon, Tian Long.

The boy is Tanis, a living mummy from ancient Egypt, kept alive by a horrible process the villain is intending to use on at least one of the imprisoned girls.

This illustration is part of the exposition from my comedy science fiction novel, AeroQuest 3 ; Juggling Planets. It explains about the residents of the planet Djinnistan being genetically engineered humans with bizarre characteristics.

The evil Dr. Havir Bludlust has created these humanoid mutants to aid the human star empire known as the Imperium to make excessive profits from the people they supposedly govern, but actually enslave.

A heroine from AeroQuest 3
One of the dragons from The Boy… Forever.
A late-for-class illustration from The Boy… Forever
Another novel I am working on at present with many illustrations is A Field Guide to Fauns.
The rest of these illustrations will be from A Field Guide to Fauns.

The novel takes place in a nudist park where the main characters are mostly year-around residents, it is also the reason why they appear nude in a majority of the illustrations. It is not a book of pornography, however, just as being in a nudist park is about living a sensual, nature-filled life, and not about people having sex. I will not categorize this as a young-adult novel, though it will be tame enough for kids to read.

Devon, the main character, loves to draw. Hence, the illustrations are drawn by him.

This is Devon Martinez’s self-portrait. He tends to draw people as mythological creatures like fauns, satyrs, and nymphs.

He tells the story in first-person narrative. He doesn’t start out as a nudist. But he is thrust into the middle of it because he is forced by a tragedy to move in with his father, stepmother, and twin stepsisters.

They are full-time residents of a nudist park. To live there, he has to get comfortable being naked.

Part of what the story does is define what Devon thinks a faun is and how they should be treated. Hence, the central metaphor introduced in the title.
Devon at his job as a handy-man’s assistant.
A faun and his stepsister as a nymph.
Jose, an example of a satyr.
Devon wearing a suit. It is not a 100% nude novel.

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AeroQuest 3… Canto 82

Canto 82 – Siege of the Seadome (the Blood-red Thread)

Ham Aero was chafing in the wrist cuffs.  He’d been stripped of his yellow and blue combat armor, as had Ferrari and myself.  We all lay on the hard metal floor of the seadome brig.  Ham was working at the cuffs, seemingly knowing how to break free in a Houdini-esque fashion.  He twisted them back and forth, rolling his knuckles over in a very interesting fashion.  I have never seen such a form of double-jointedness before.

“I am supposed to execute all three of you,” the black-suited commander was saying.  “I know I am supposed to, but I can’t see killing someone like you, Duke Ferrari.”

“Why don’t you let me go, then, soldier?” said Duke Ferrari in his oiliest political voice.  He almost seemed sympathetic to our captor and potential executioner.

“Admiral Tang has personally ordered your immediate execution.  What will I do?”

At that moment, the Commander of the commando team we came with came in with two armed guards.  He still wore his armor and seemed remarkably fit compared to the wear and tear that showed on the rest of us.

“Why haven’t you killed them yet?” he asked of the Black Commander.

“I had to confirm that the orders were not a mistake,” said Blackie. 

“Nonsense.  You know what the Admiral wants.  Just do it!”

“I called Planet Mingo Command to confirm the order before I do it.  I don’t want to kill the former ruler who did the most to help my people in his lifetime.”  The Black Commander took off his helmet to reveal a snake-eyed Human-Galtorrian face.  He was of the fusion race that dominated the Imperium.

“What happened to your loyalty?” Duke Ferrari asked the yellow and blue Commander.  “I thought you were on our side?”

“I am.  I don’t want his people to claim that you made a mess of things with your little rebellion.  The people idolize you, but they don’t realize what is actually good for them.  A government of a space empire cannot be a democracy.  You have to have order to maintain the rule over so many worlds.”

“Save me from military intellectuals!” moaned Ferrari.

“Give me the fusion gun, Commander,” said our former friend.  “I will take responsibility for their deaths.”

“Ruts rowing on here?” said the metallic voice of a mechanoid mutt, possibly a Great Dane.

I looked at Ham.  He had his hands free, ready to grab a gun and fight for our lives against impossible odds.

“Commander Doo!”  The two commanders stiffly saluted in utter surprise.  “What are your orders, sir?” said Commander Blackie.

“I rahnt rorder!  Rese men are under the protection of Rord Rayrond King!  Roo will not harm them!”

“What?  Lord Doo!  We have to kill them.  They are a danger to the Imperium.”

The snake-eyed commander seemed visibly relieved.  It was as if this message from the dog’s mouth was exactly what he wanted to hear.

“Will you release us, then?” asked Duke Ferrari.

“Res!” said the mechanoid dog.  “Roo are free.  Rord King rahnts it that way.”

“I protest!” cried our commando friend, our false friend.

“You’re a weasel,” said Blackie.  His slug-thrower gave off a quick blast, piercing the traitor in the chest plate of his armor.  As he slumped dead to the floor, Ham began freeing us from our cuffs.  The Black Commander helped.

“We are grateful,” said Duke Ferrari.  How can we repay you?”

The dog-mechanoid looked at us with artificial eyes, creepy eyes.  “Roo rill rule Farwind as risely as roo took care of riss sector before.  Re are all allies now.” It didn’t seem right to be set free by a mechanical talking dog, at least, not without a set of meddling kids to go with him, but I was in no mood to question our good fortune.

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Beautiful and Brilliant

I have looked deeply and longingly at my own writing time and again trying to determine what is good and what is poorly done and what is the best that I have written. How does one examine what is good? What are the standards that you must meet?

I had a writing teacher who was teaching a class in fiction writing and said to us, “You write fiction to create that special bittersweet something, that je ne sais quoi, that you need in order to come to terms with reality. Everything necessary to say something that satisfies a nameless desire.” I wish I remembered his name so I could credit him with having said that wise thing. Or, at any rate, I wish I could remember the name of the wise guy that he was quoting.

So, basically I am trying to capture in prose something that I have no idea what it is, but both you and I will know it if we see it. Easy-peasy, right?

Good fiction that I have read and liked makes me feel something. If it is truly literary quality, like the novels of Charles Dickens, Terry Pratchett, and Mark Twain, it will make me both laugh and cry. Funny things balanced by things that hurt to know and make you weep for characters that you have come to love. If it is a downer kind of novel, as some very good bits of science fiction and horror fiction are, it will make you laugh a little, cry a little, and think a lot; think with dread, or despair, or even impossible hope. Steven King, George Orwell, H.P. Lovecraft, and Ray Bradbury are good examples of this.

I am grappling with how you do that. I am not fool enough to think I am some sort of literary great. I am a school teacher writing stories for school children, stories I wanted to hear when I was a kid. Stories of good versus evil, good people coming together in the face of chaos. Heroes, villains, and clowns being heroic, villainous, or foolish. And themes that both warm and chill your little blue heart.

. So, what can I do besides keep on writing and keep on trying and keep on begging people, fools, and children to try reading my writing because they will like it, even if it is the least best thing I have written?

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Curiouser and Curiouser

I finished a possible cover for my work in progress, A Field Guide to Fauns. It is a book about re-forming families from tragedies and divorce. It is also about suicidal thoughts and depression. And it takes place in a nudist park where the family has a permanent trailer.

This book will definitely be about some of my own experiences with these things and issues. And I hope to distill a bit of high-quality wisdom from this brewing novel. After all, when it comes to depression and battling it, I have deep scars and burned-in notions of how you overcome them. It is ironic that I know so much about fighting depression and darkness, even though it was mostly about the depression of other people, not me.

I have come to know how to stitch families together out of used and discarded parts. Hopefully not creating a new monster. And again, it is ironic that I know this mostly from other families, not ours.

The book is flowing, practically writing itself. And that is always a sign of a big idea turning itself into a great novel. I look forward to finding out what happens in each and every next chapter… or, in this case, Canto.

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Filed under battling depression, Depression, feeling sorry for myself, finding love, humor, illustrations, novel, novel plans, NOVEL WRITING, Paffooney

AeroQuest 3… Canto 81

Canto 81 – Mong the Miser-like (The Midnight Blue Thread)

Tara Salongi stood next to the conference table in the reception room of the main hall.  She wore a diaphanous blue gown that, with its see-through fabric, was quite revealing of her newly-healed feminine form.  In fact, it was the kind of dress that, if this story were a Japanese anime, it would be called fan service.  But, of course, it was no more so than the fur bikini she had worn for most of her old life back on Don’t Go Here.

At that moment, Emperor Mong, who had summoned Tara, entered through the double-door entrance.

“Ah, the beautiful sorceress Tara Salongi, I believe,” said the sinister looking bald man with the goatee that came to a sharp point under his chin.

“Yes, I am here.  What do you want of me?”

“I am told that Wormheart Toadsucker, Admiral Tang’s left-hand sycophant, delivered you here by giving you over to Lord Dark Doo.”

“That is correct, if I know who you are talking about.”

“But the question is, my Lady, why weren’t the admiral’s specific orders carried out?”

“What do you mean?”

“Yes… whatever do you mean, Mong?” said Raylond, appearing from behind a curtain on Tara’s right.

“Excuse me, Lord King.  I do not believe it is business you were supposed to know anything about.”

“Am I not one of the ruling triumvirate of this star system with it’s multiple inhabited worlds?”

“Yes, that is so.  But the Admiral…”

“Wait a moment… do you mean Admiral Tang started a business in secret that he didn’t want me or Lord Hardretter to learn anything about?”

“That is correct… er, I mean… It was a local matter from another star system that the Admiral wishes to control… for Imperial security reasons.”

“So, tell me, what is the Admiral’s specific plan involving Tara, whom I consider to be under my protection for now?”

“Um, well…  Lord King, the fact is… this woman is a dangerous Psion.  The Admiral captured her at great personal risk to himself.”

“I am aware that she is a Psion.  But we have the proper shielding capability available to us, do we not?”

“Um, yes… but the Admiral wanted to ship her to the planet Djinnistan where Dr. Havir Bloodlust could possibly use his genetics skill to transfer her unique abilities into a suitable Mechanoid or even a controlled genetic Freak.”

“No sir.  I will not have it, sir.  She is under my protection.  Lord Hardretter and I have discussed ways to use her here on our worlds to better life for all of us.”

“Ah, but since Lord Hardretter isn’t here now, and I have the Admiral’s proxy vote in the matter…”

“Ah, but I am here, Mong.”  Smoky Hardretter, the teenage ruler of the system’s manufacturing worlds, stepped out from behind the curtain on Tara’s left.

“Lord Hardretter?  Uh, are you suggesting you are siding against me and Admiral Tang with Lord King?”

“That is exactly what I am suggesting.  We have use for the cooperative and lovely Psion, and two thirds of the ruling triumvirate can overrule even the Imperial Grand Admiral.”

 “So, maybe you should go back to playing with your rot warriors and tin men, Emperor Mong, and leave us to the business most beneficial to the Imperium,” said Raylond King.

Mong, white in the face and obviously frustrated, stormed out of the room.

“Thank you, Lord King.  And thank you too, Lord Hardretter,” said Tara.

“Think nothing of it,” they both said simultaneaously.

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A Fatal Case of Hope

I have been avoiding talking about politics for more than a year even though it is a rich source of potential comedy material. The idiot-criminal President continues to bumble and blather and make money and do crimes he automatically gets away with in spite of the law. It’s easy to jape him and make jokes, but he black-heartedly continues to do things that benefit him and devastate me and the issues I care about.

This is Skye Johnson , the newest illustration for my newest novel, A Field Guide to Fauns.

After the South Carolina primary, Bernie Sanders and Joe Biden are now clearly the two leading candidates and most likely to become the Democratic Nominee. I will vote for either one. In fact, if Bloomberg steals it by out-spending everybody else, I’ll even vote for him. Donald Trump is the death of everything I care about in life. His position on health care, the environment, education, the arts, and on and on… is poisonous to my way of life. I may not live to see him defeated in the election. But I hope to last just long enough to be able to vote against the !#$%#%%,

In the meantime, I have forced myself to go back to work in the classroom, the thing that was killing me in 2014. And I have so far avoided the flu and death while making enough money to solve my immediate financial woes. I put in an extra day this last month beyond what I reasonably thought I could survive. And I am feeling good about that, even though I am still unable to afford the health care I need, and still feel awful on a daily basis.

So, do the good things in my near future still outweigh the bad on the scales of my continued existence? I think they do.

My work in progress, for which I am marshaling my ability to draw fauns, and I am using this blog post to show you illustrations for it, is about life at a nudist park where the family in the story is dealing with the after-effects of child abuse, divorce, and alienation of family members. It is about issues boiling in the stew-pot of my own personal experience. And about how love can ultimately overcome those issues.

Mandy Clarke and Mandy Clarke;s tongue.

I sincerely hope that Trump gets dumped in November. If he wins, and if I am still alive, that misfortune will seal my fate. I will not survive beyond it.

But if you can’t control your fate, and if the airplane is crashing, you might as well enjoy the ride down to the ground. I am doing a novel now that imagines life as a full-time nudist. My family will never accept it in real life, and my skin flakes off with psoriasis almost as badly as a leper, so I will never live that life. But you can do things in fiction that fly far above the limits of your real-life wings.

If I can keep up the work pace as a substitute teacher, I will actually have enough money to get by. That will be a welcome relief. And I might reach a level of life that approximates what I had before 2012… With a bunch of novels in print that didn’t exist before that year. No future fatality will overcome me. I exist here in my words. And words and pictures are my hope and dreams.

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AeroQuest 3… Canto 80

Canto 80 – Jungle Darkness and Damnthings (The Green Thread)

Running and sweating in the jungle darkness had begun to get very old.

“Climb a tree!” ordered King, pounding down the jungle path behind Hooey and Culver.  The damnthing, a huge, smelly pig-dog sort of predator, was close on their heels and all three men were beginning to tire.

A large, gnarled tree loomed straight ahead.  King leaped and caught its lower branches, swinging himself up into the lower branches like Johnny Weissmuller playing Tarzan on steroids.  Dr. Hooey imitated him to the very best of his ability, meaning he was as graceful as a hundred pounds of chopped liver being flung through the air by a baboon that had drunk three too many cups of coffee.  The good doctor managed to lodge himself on a branch just above the apex of the damnthing’s leap, though he was hanging upside down by one knee hooked over the branch.

“Help me!  I’m the expendable one!” cried Willie Culver as he missed the branches and tumbled butt first into the undergrowth.

“Dang it!” swore King Killer, “I told you that we were ALL going to make it!”  He leaped down from the branch that held him directly in front of Willie Culver.  “You do not have permission to die right now!” he swore.

            Unfortunately, directly behind King, the snorting damnthing lumbered up and came to a gum-gnashing, teeth-grinding halt so close that its spittle ran down into the back of King’s collar.

            “Oh, Gawd…” prayed Willie.  The pale expendable sidekick scrambled out from under King and used his fingernails to claw his way up the side of a foul-smelling babuti tree.  Babutis were an exotic form of alien tree that existed on several jungle planets which sprouted gorgeous orange and yellow flowers, but smelled so bad they made your eyes water like raging rivers.  The damnthing moved first to grab Willie, but the smell wrinkled its big pignose and resulted in the damnthing turning its attention to the Corsair King of Killing.

King, partly frozen in place by the vague hope that the thing’s vision was based on movement like he’d seen in an ancient Earther video about a dinosaur park, and partly winding up his interior springs for the leap of his life, slowly turned his head to stare right down the slavering gullet of the huge, nasty pig-dog thingy. 

“King, old buddy, you can’t die here either, you know,” admonished Hooey from his upside-down perch.

“I’m working on it,” said King.  His legs were taut with stored energy, ready to leap.  He vaulted forward at the same instant that the damnthing struck with its big-piggy chompers.  The beast growled.  King screamed.  Big pig teeth pierced the flesh of his shoulder.

“Aaargh!”

“Oh, no!”

“King!  My gawd!”

Just as it seemed that the damnthing would devour the King, a sudden flesh-colored flash came blazing out of the canopy on a sort of bungee vine.  It was a relatively small boy wearing nothing but some furry animal skins tied around his delicate parts.  He grabbed on to King with a grip of steel, and then the bungee pulled them both back up into the canopy, ripping King’s flesh out of the very mouth of death and dismemberment.

            The damnthing, stunned in its piggy surprise, blinked twice, and abruptly walked away into the jungle.

“What was that?” asked Willie, clinging to the bark of his smelly tree.

“That would have to be Randy the Jungle Boy,” said Hooey, without missing a beat.  “He’s not the only weird character we are about to meet in this jungle.”

“You knew what was going to happen?”

“Well, some of it.  I read about it in Googol Marou’s book, which I read in the future.  Of course, the timeline has been altered again, so I can’t predict anything with certainty.”

“Why?  What’s changed?”

“You were supposed to be the pig-dog’s lunch.  So, I guess you have to write your own destiny from here on, Willie Culver.”

Willie’s eyes grew round with sudden fearful gratitude to King Killer.  And it would only take another chapter or two for his heart to actually start beating again.

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Faun Art

I have begun work on a new novel called A Field Guide to Fauns. In it, I will make use of one of the most central metaphors in all of my art and writing. The mythological figure of the faun is usually portrayed as a young boy or youth, nude, and potentially having goat horns, goat legs, a deer’s tail, and/or pointed ears. It represents sensuality, connections to nature, and a willingness to partake in enjoyments without hiding anything.

Fauns were defined in art long before I came along. The Marble Faun was a book by Nathaniel Hawthorne that I read in college. I looked endlessly in libraries after that for pictures of Praxiteles’s masterpiece from all angles. I would eventually be inspired to make the picture above by a picture made in print by Maxfield Parrish printed in Collier’s Magazine. I have been fascinated for years by fauns. And I began drawing them repeatedly.

As a teenager, I had a faun as an imaginary friend. His name was Radasha. He made it his business to lecture me about sex and nudity, morals, religion, and what was wrong with me. At the time I was repressing the memory of being the victim of a sexual assault, a very painful and traumatic experience that I did not allow myself to remember and admit was real until I was twenty-two. Radasha turned out to be a coping method who helped me heal, and helped me realize that just because it was a homosexual assault, that did not make me a homosexual.

Fauns would come to dominate my artwork through the eighties. I drew Radasha multiple times. I would use the image to express things I feared and fought with and won victories over .

I would come to learn that there were fauns in real life to be found. The portrait above is of Fernando, a favorite student from my first two years as a teacher. He is portrayed as a faun. The cardinal on his shoulder is a symbol of courage and endurance, a bright red bird that never flies away when the winter comes.

Devon Martinez is the main character of my novel in progress. He is an artist like I am. He is fifteen at the time of the novel, and faced with living the rest of his childhood in a nudist community. He doesn’t consider himself a faun to begin with. But that changes during the course of the novel.

Here is the first illustration done for the novel. It is supposed to be a picture drawn by Devon himself.

So, as always with Saturday artwork, there is more to come.

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Some Small Success

I was able to run my most successful book promotion so far by giving away free e-book copies of my newest novel, The Boy… Forever.

So, unlike in the past, I now have copies of my book in the hands of possible readers.

Some will actually read it.

And I also re-published Magical Miss Morgan as an Amazon Kindle and paperback, now out from under the onus of Page Publishing’s money-grubbing publishing con.

They actually expected me to pay more money than I was getting in royalties every two years to keep my book in print.

I now have more complete control over pricing, royalties, and promotions than I ever have with this, my second contest novel, also a finalist for the Rosetti Award for YA fiction.

I will try running a free promotion with it next month… in March.

I currently have fourteen books in print. In time order by setting they are;

Superchicken

Recipes for Gingerbread Children

The Baby Werewolf

The Boy… Forever

When the Captain Came Calling

Snow Babies

Sing Sad Songs

Fools and Their Toys

Magical Miss Morgan

Catch a Falling Star

The Bicycle-Wheel Genius

Stardusters and Space Lizards

AeroQuest 1 : Stars and Stones

AeroQuest 2 : Planet of the White Spider

And coming soon ; AeroQuest 3 : Juggling Planets

Here I hold in my hands the first printed copies of my two newest novels in print.

Slowly but surely I am building my legacy in fiction. And I am increasingly proud of the quality of work I have achieved. I may, in fact, live long enough to see some popularity for my works. It seems, so far, that everyone who reads one of my books, really likes it a lot.

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