
Angry Wizards Aren’t Good for Your Health
On the way back to the willow castle Bert and Homer were reciting some kind of comedy routine they had seen on some Slow One’s tele-bish-yawn set at what they called the Nurse-Sing Home. It was something done by two Slow Ones named Cabbit and Klaustello. It was talking about a bees-ball team. And the dumb guy, Klaustello wanted to know the name of the guy on first base. But the other guy didn’t understand the question because the team had stupid names. And then they both got really mixed up, but the dumb guy got boiling mad about Who’s on First? It really wasn’t all that funny.
“Why does Klaustello care if the first guy’s name is Who?” Derfentwinkle asked.
“What kind of game is bees-ball anyway?” I asked.
“It is the All-Mermerrican Sport,” said Homer.
“I think they take a bunch of angry bees and make them into a ball to throw at the players of the other team,” said Bert
“And the other team takes their bees-ball bat and try to defend themselves from the stings by swatting the angry ball of bees,” said Homer.
I began to think it was funny when I pictured in my head the expression on the face of the bat when the stupid Slow One grabbed it by the feet and swung it at a ball of bees.
But most of the time, only the two crows thought it was funny.
And then we all landed safely on the roof of Cair Tellos’s main keep.
“Arrest them all immediately!” shouted the Wizard Pippen. The pentagram on his chest-plate was glowing with bright blue protection magic.
“Not Bob the apprentice. He’s Master Tragedy’s loyal student,” argued Prinz Flute, the faun-child who was Pippen’s only son.
“If he was supposed to be guarding the prisoner and let her escape, then he deserves the punishment too. Set up the chopping block right here, right now.”
The crows took off almost instantly. Dollinglammer used her butterfly wings to follow them before the Sylphs with the halberds could grab her. But Derfentwinkle and I were both caught.
The Executioner of Cair Tellos in his jet-black hood and black-banded armor set up the wooden chopping block right in front of us. A guard pushed me down to it so that my neck was against the place on the chopping block carved to fit it. I was about to really lose my head, and I was not happy about it.
“Father, please, they were returning to the castle. How do you know that Bob didn’t recapture her, and was bringing her back to us?”
“You are right, son. We shouldn’t cut his head off first.”
The Sylphs with the halberds picked me up again and forced Derfie down to take my place.
“Here, now! Those children belong to me. You overstep your authority in doing this!” shouted Master Eli as he showed up, red-faced and huffing with the effort of his climb up to where we were captured.
“If you punish them yourself, we’ll just end up with more pigeons around here. What’s the lesson learned from that? More fat pigeons?”
“A better lesson learned by far than if you cut off their heads. Students learn nothing without their heads attached. At least when they have their heads still on there’s a chance of beating sense into them. Or do you have a head-reattaching spell I don’t know about?”
“Okay, but I won’t have young Sylphs who are supposed to be prisoners flying out of here to go tell my secrets to the evil elves in the swamp. Or that Bluebottom friend of yours.”
“Oh, believe me. They will tell me more secrets of his than they will ever tell him about you.”
Then Master Eli tilted a vial of potion over Derfentwinkle’s head, instantly shrinking her down almost to nothing before picking her up and putting her away in a side-pocket of his red overcoat.
“Be warned, Sorcerer. You are not above suspicion yourself.” Growled the Wizard Pippen.
“Come with me, Bob. We have lots of work ahead of us.” Master Eli stormed away from the fuming wizard and I scurried after him with one hand on my recently-threatened neck.

















Finding My Voice
As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies. The novel is written in third person viewpoint with a single focus character for each scene. But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.
Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.
In Canto Two, Valerie Clarke, the central main character of the story, is the focus character. Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head. Canto Three is focused through the mind of Trailways bus driver Ed Grosland. Canto Four focuses on Sheriff’s Deputy Cliff Baily. And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane. Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.
The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.
That kind of fractured character focus threatens to turn me schizophrenic. I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them. How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people? Especially when some of your characters are stupid people with limited vocabularies and limited understanding?
The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.
I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself. That is considerably less schizophrenic than the other book. But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.
The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view. That is even more of an exercise of losing yourself inside the head of a character who is not you. One of the first person narrators is a girl, and one is a werewolf. So, I have really had to stretch my writing ability to make myself into someone else multiple times.
I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world. But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.
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Tagged as My Little Pony, Snow Babies