When you walk to the front of the classroom and take up the big pencil in front of a group of young teens and twelve-year-olds, there is a strong pressure to learn how to sing and dance. That, of course, is a metaphor. I was always too arthritic and clunky in my movements to literally dance. But I looked out over a sea of bored and malevolence-filled eyes, slack and sometimes drooling mouths attached to hormone-fueled and creatively evil minds. And I was being paid to put ideas in their heads. Specifically boring and difficult ideas that none of them really wanted in their own personal heads. So I felt the need to learn to dance, to teach in ways that were engaging like good dance tunes, and entertaining in ways that made them want to take action, to metaphorically get up and dance along with me.
I wanted them to enjoy learning the way I did.
But the music of the teacher is not always compatible with the dance style of the individual learner. The secret behind that is, there is absolutely no way to prompt them to dance along with you until you learn about the music already playing in their stupid little heads. (And you can’t, of course ever use the word “stupid” out loud, no matter how funny or true the word is,) You have to get to know a kid before you can teach them anything.
The discordant melodies and bizarre tunes you encounter when you talk to them is like dancing in a minefield blindfolded. Some don’t have enough to eat at home and have to survive off of the nutrition-less food they get in the school cafeteria’s free-and-reduced lunch program. Some of them have never heard a single positive thing from the adults at home, enduring only endless criticism, insults, and sometimes fists. Some of them fall in love you. Some due to hormones. Some due to the fact that you treat them like a real human being. Some because they just stupidly assume that everyone dances to the same tunes they hear in their own personal head.
Some of them automatically hate you because they know that if you hear their own secret music in their own self-loathing heads, you will never accept it. They hate you because you are a teacher and teachers always hate them. Some of them, deep down, are as loathsome as they think they are.
But, if you find the right music, you can get any of them, even all of them, to dance. It might be hard to find. It might be a nearly impossible task to learn to play that music once you find it. But it can be done.
And if you get them to dance to your music, to dance along with you, I can’t think of anything more rewarding, anything more life-fulfilling. Have you ever tried it for yourself? If you are not a teacher, how about with your own children or the children related to you? Everybody should learn to dance this dance I am talking about in metaphors. At least once in your life. It is addictive. You will want to dance more. So the next time the music starts and you get the chance… I hope you’ll dance!
Life seems to be getting harder and harder. And I realize that a big part of that perception is the fact that my health is deteriorating quickly. This is a humor blog, but it has been getting more and more serious and more and more grim as the grim reaper becomes more and more a central character in my own personal story.
My perception of reality, however, is best explained by a passage in a novel that spoke to me in college. It comes from the novel, the Bildungsroman by Thomas Mann called Der Zauberberg, in English, The Magic Mountain. In the scene, Hans Castorp is possibly freezing to death, and he hallucinates a pastoral mountainside scene where children are happily playing in the sunshine. Possibly Heaven? But maybe not. As he goes into a stone building and finds a passage down into the ground, he sees wrinkled, ugly, horrible hags gathered around a child’s corpse, eating it. And this vision explains the duality at the center of the meaning of life.
For every good thing, there is an equal and opposite bad thing that balances it out. There is no understanding what perfection and goodness mean without knowing profanity and evil. Just as you can’t understand hot without cold nor light without darkness. And you don’t get to overturn the way it is. You try your hardest to stay on the heads side of the coin knowing that half the time life falls to tails.
So, what good does it do me to think about and write about things like this? Well, it makes for me a sort of philosophical gyroscope that spins and dances and helps me keep my balance in the stormy sea of daily life. I deal with hard things with humor and a sense of literary irony. I make complex metaphors that help me throw a rope around the things that hurt me.
We are living now in the Spider Kingdom. Hard times are here again. The corrupt and corpulent corporate spiders are spinning the many webs we are trapped in. As metaphorical as it is, we wouldn’t have the government we currently have and be suffering the way we are if that weren’t true.
But no bad thing nor no good thing lasts forever. The wheel goes round and round. The top of the wheel reaches the bottom just as often as the bottom returns to the top. So, it will all pass if we can only hold out long enough.
I have just finished reading a wonderful book. It is a young adult novel bordering on being a children’s book. It won the 2014 Newbery Medal for best work of children’s literature. But it is a book of so many dimensions that it totally defies categories. Librarians with butterfly nets who want to pin this book down on their library shelves will be pointlessly waving their nets at it like they believe it’s a butterfly, but it will soar away from them like an eagle.
Flora & Ulysses (the Illuminated Adventures) is a combination book of many different things. G. K. Cambell’s cartoony paffoonies add to and amplify the story to the point that sometimes it becomes a graphic novel.
Flora herself is a comic-book lover and follower of the adventures of a comic-book superhero named Incandesto. Ulysses the squirrel is run over by a rogue vacuum cleaner and the accident graces him with super powers (the ability to fly and throw cats and write poetry). And Flora rescues and befriends this newly minted superhero and sets him on a path that pits him against the only super-villain available, Flora’s own mother.
At certain points, through metaphor, elegance, and supreme focus, the story itself becomes poetry. But, of course, when the poem ends with a line about the squirrel being hungry, it becomes humorous poetry, simply by the juxtaposition of the sublime with the ridiculous.
As a writer, Kate DiCamillo is a master of everything I want to be. She is as much a masterful story-teller as Mark Twain, Ernest Hemingway, or William Faulkner. But many people will be put off by the fact that she is a children’s author. They will ignore her stories because how could a children’s author affect their lives in any way? But if you are a reader who can think and feel about things in a book, she will make you laugh and make you cry and make you not afraid to die… for love of a good book.
Let me also suggest a few of her other wonderful, wonderful books;
I am stupidly planning to do it again. A book of essays like I did before, but now with fewer of my best essays to choose from. So, essays with fewer calories, but also less nutrition. Laughing Blue was a success from the point of view of what I wrote it for. I know people generally don’t read essays for fun.
But I write them for fun. And for better health. Healthy thinking is as necessary as a proper diet.
You see, I am definitely not in good health. I retired from my job as a school teacher six years ago because of poor health. It was a job I truly loved and defined me as a human bean (by which I mean a human being, but with a careful balance of protein and carbohydrates.) Being retired is more restful. But you reach a point where doing nothing leads to sitting and rotting. I find I need the extra vitamin C you get from cooking essays with a lot of berries in them. Specifically rememberries.
Okay, I know that is a rather dumb food pun. But the vitamin C is still there to boost my immune system and make me feel better. Vitamin C for Comedy… Clarity… Creativity… and Cartoons.
So, let’s start with a berry from the 1960s. Let’s start with Moonberries.
I was twelve years old when the Apollo Program landed Neil Armstrong, Buzz Aldrin, and the LEM Eagle on the Moon at Tranquility Base. I was very much a child of the Space Age. I had a model kit of the Apollo 11 from Revell, all the pieces in white plastic. The tiny struts on the Lunar Expeditionary Module were maddeningly breakable, and even would warp under the dissolving power of Testor’s airplane glue. I spent hours with sticky fingers putting that together in December of 1968 and January of 1969. I was twelve, in the middle of my wonder years, and totally obsessed with the flavor of the whole Moonberry experience.
For several years through Gemini and then Apollo we watched the story unfold on our old black-and-white Motorola television set. All of it narrated by Walter Cronkite and Wally Schirra. All of it… space walks, docking maneuvers, orbit reports, a special Christmas message from Apollo 8, splashdowns bringing home heroes like Jim Lovell, Frank Borman, and Bill Anders… the man who had spoken the words;
“For all the people on Earth, the crew of Apollo 8 has a message we would like to send you.”
“In the beginning God created the heaven and the earth.
“And the earth was without form, and void; and darkness was upon the face of the deep.
“And the spirit of God moved upon the face of the waters. And God said, ‘Let there be light’: and there was light.
“And God saw the light, that it was good: and God divided the light from the darkness.”
And then that late, late night when we all stayed up on July 20, 1969… And we knew they could fail and never come home again… We learned that with Grissom, White, and Chaffee on Apollo 1… That horrible fire… The somber funeral parade on TV that called to mind JFK and what befell him after he started the dream…
But no, we heard those words, “The Eagle has landed.”
And then later, “One small step for man… One giant leap for mankind.”
And then I knew it. For me, real life had finally begun.
I promise, there are more rememberries to come, and some might even be nutritious.
It is, of course, one of the most powerful, masterful, and best-known pieces of music ever written.
Mozart completed the “little serenade” in Vienna in 1787, but it wasn’t published until 1827, long after Mozart’s untimely death.
The Serenade is incorrectly translated into English as “A Little Night Music”. But this is and always has been the way I prefer to think of it. A creation of Mozart written shortly before he hopped aboard the ferryman’s boat and rode off into the eternal night. It is the artifact that proves the art of the master who even has the word “art” as a part of his name. A little music to play on after the master is gone to prove his universal connection to the great silent symphony that is everything in the universe singing silently together.
It is basically what I myself am laboring now to do. I have been dancing along the edge of the abyss of poverty, suffering, and death since I left my teaching job in 2014. I will soon be taking my own trip into night aboard the ferryman’s dreaded boat. And I feel the need to put my own art out there in novel and cartoon form before that happens.
I am not saying that I am a master on the level of a Mozart. My name is not Mickart. But I do have a “key’ in the name Mickey. And it will hopefully unlock something worthwhile for my family and all those I loved and leave behind me. And hopefully, it will provide a little night music to help soothe the next in line behind me at the ferryman’s dock.
If you are as goofy and cartoon-obsessed as me, you may remember that Popeye the sailor was known for the catchphrase, “I yam what I yam”. And if you do remember that, it will not surprise you that, when told a yam is another name for sweet potato, Popeye was furious. “It cannot be!” he argued. “I would not say I sweet potato what I sweet potato! That’s ridicumess!”
Well he has a point.
But I would like to talk today about the things that I sweet potato, and why I sweet potato those things.
First of all, I yam a humorist.
I yam this thing not because I am funny. You may think I yam funny because I say really goofy things for no apparent reason, and then keep on talking long enough to convince you that I did have a point to make, but my brain leans so far to the left that I am hardly right about anything.
And I make bad puns a lot.
You see, I have to use humor constantly to deal with all the hard things in life, because being too serious in the face of the world’s basic uncaring cruelty only leads to depression and taking a beating from life. In fact, I can think of any number of situations in my past where I avoided a beating only because I made a joke that made the bully laugh.
So, being a humorist is a survival tactic. Humor keeps you alive.
You see someone like me has to face all the pain and heartache and cruelty the world has to offer by using humor. The real reason is that, when faced with a bad situation, if the humor gland can’t empty itself of all the jokes it produces, it will begin to swell. The humor gland is located either in the brain or maybe in the behind (I am not medically qualified to tell you which it really is), and it can only swell to a certain point, and then it will explode. This is very bad thing for you, if you survive it, and certainly unpleasant for anybody nearby.
But the joke, properly launched at the target, will make somebody laugh, even if it is only the humorist himself. And laughter is the best medicine. Unless it kills you. You have to be careful not to die laughing. The angels will be offended, and the demons will all laugh too.
But I yam not only a humorist. I yam also a teacher.
I began to realize that I might be a teacher when, in graduate school to get a remedial master’s degree to help with the fact that plain English majors all starve to death, I discovered I had a talent for explaining things in simple terms. And then, immediately afterwards, I discovered I had an even greater talent for being ignored while the people I was explaining to made the mistakes they wouldn’t have made if only they had listened to me, before they failed spectacularly, and then realized how the solution I had explained would’ve made them succeed instead. There is apparently no better way to learn an important lesson.
Teaching is, of course, a pretty cool job. You tend to have the summers off. And you get paid for summer because they split the amount of money you earn for the year (which considering what a babysitter makes on average per child and per hour is far too little for the hours you put in) into twelve monthly pittances.
Of course you are expected to have a university degree (although no teacher college in the world can teach you what you really need to know in order to face that many little monsters… err, darlings… every day) and preferably some grad school, and a certification to teach in your chosen subject, and an additional certification if you are going to teach more than one subject (and ESL and Speech and Journalism, all of which I was expected to teach, are separate certifications) and you have to take hours of additional training every single year, and you have to get re-certified every five years, and… Well, you have to be basically smarter and much better-educated than Bill Gates… But the school janitor will probably be making more money per month than you do.
Anyway, it’s a job you just gotta love. I yam a teacher.
And really, there are a whole lotta yams in my basket yet that I could tell you about. I yam a Red Skelton fan. I yam sometimes a nudist (when I don’t have to put on clothes to keep myself from scratching all my psoriasis-plagued skin off). I yam also an artist (of the type known as a cartoonist). I yam pig-headed sometimes, and I yam Grumpy sometimes (so I go from being Porky to one of the Seven Dwarfs.) I yam a lotta things. And my sweet-potato basket is large.
But I can’t talk about all of my yams today. Too many yams are bad for my diabetes.
But here’s one last yam. I yam a storyteller. And I have a free Kindle e-book promotion this weekend. The book is the first in my series of AeroQuest books. It is a science fiction story with a humorous bent. And I mean, it is seriously bent in some places.
So, click on the link and get yourself a copy. It’s funny. And I will save the other sweet potatoes for another day.
Sometimes the only thing you really want out of life is just to get by. You get tired of always having to climb the danged highest mountain. You get tired of trying to swim the danged deepest sea.
Sometimes all you want to do is doodle-bop!… To draw in pen and ink and post your derfiest doofenwacky doodles so you can just make your way through another danged day.
You aim a lot for different, and undeniably original… because no one thinks like you… certainly no one who is real and has a real brain. You are gifted with an “other-ness”, a sing-songy simpering something that makes you want to doodle and do what no man has done before. (Does that sentence exist anywhere else in all of literature? Even if there is some alternate dimension with infinite monkeys typing on infinite typewriters? What’s a typewriter, you say? Danged millennials!)
I really can’t help it, you know. I was a middle school teacher for 24 years. That sort of thing has mental health consequences. And if you wring the sponges in your stupid old brain hard enough and long enough… doodle-bop! comes out.
Turtle boy’s magic iron of irony!!!
And you have to wonder why some of the stuff that is in your stupid old head is even in there. Why is it that sometimes the words “Argyle socks are filled with rocks” are drifting through the vast empty spaces in the logic centers of your brain? There has to be a reason for everything, doesn’t there?
I do believe I have made myself chuckle at least a dozen chuck-tacular times in the chuck-a-tational crafting of this cheddar-cheesy post. But it only really counts if I can make you girlishly giggle or guy-like guffaw with my word-munching and cartoony paffoonies.
The terror-filled cartoon car chase that is life as usual.
You may have noticed that everything is black and white, even though it doesn’t have to be. Good versus evil, hot versus cold, everything can be divided up simplistically… but the really profound part of simplicity is vibrating reverberations of complexity that lie just underneath. Words have meaning, even though they are just a bunch of crooked squiggles marked on a page. (Yes, I know… “or typed on a computer screen”. Danged millennials!)
And so, this is my doodle-bop! Probably not the doodliest or the boppiest doodle-bop! I could have bopped… but there it is. I have made it through another sorta creative post without losing my mind… Honest! I did not lose it. It is merely temporarily misplaced for a moment. It will be back in its proper place tomorrow… probably.
There are many ways to fly. Airplanes, bird wings, hot air balloons, bubble-gum-blowing goldfish… well, maybe I am really talking about flying by imagination. The more my six incurable diseases and old age limit my movement, my ability to get out of bed and do things, the more I rely on reading, writing, and the movie in my head to go places I want to be.
Sometimes the wings I use to fly come from other writers. I get the flight feathers I need not only from books, but also from YouTube videos, movies, and television shows.
This magic carpet ride in video form is by the thoughtful creative thinker Will Schoder. In it he carefully explains how Mister Rogers used the persuasion techniques of Logos, Ethos, and Pathos to talk to elephants and convinced a congressman intent on cutting the budget to actually give Public Television more money for educational programming. This is a video full of warmth and grace and lovingly crafted magic flight feathers that anybody can use to soar across new skies and blue skies and higher skies than before. I hope you will watch it more than once like I did, to see how beautifully the central explanation spreads its wings and gives us ideas that can keep us aloft in the realm of ideas.
It is important to stay in the air of fresh ideas and new thinking. The magic carpet ride that takes you there is the product of vivid imagination, cogent thinking, and the accurate connection of idea to better idea. So instead of falling from the sunlit sky into the darkness that so easily consumes us on the ground, keep imagining, keep dreaming, and keep flying. You won’t regret having learned to fly.
If you are as goofy and cartoon-obsessed as me, you may remember that Popeye the sailor was known for the catchphrase, “I yam what I yam”. And if you do remember that, it will not surprise you that, when told a yam is another name for sweet potato, Popeye was furious. “It cannot be!” he argued. “I would not say I sweet potato what I sweet potato! That’s ridicumess!”
Well he has a point.
But I would like to talk today about the things that I sweet potato, and why I sweet potato those things.
First of all, I yam a humorist.
I yam this thing not because I am funny. You may think I yam funny because I say really goofy things for no apparent reason, and then keep on talking long enough to convince you that I did have a point to make, but my brain leans so far to the left that I am hardly right about anything.
And I make bad puns a lot.
You see, I have to use humor constantly to deal with all the hard things in life, because being too serious in the face of the world’s basic uncaring cruelty only leads to depression and taking a beating from life. In fact, I can think of any number of situations in my past where I avoided a beating only because I made a joke that made the bully laugh.
So, being a humorist is a survival tactic. Humor keeps you alive.
You see someone like me has to face all the pain and heartache and cruelty the world has to offer by using humor. The real reason is that, when faced with a bad situation, if the humor gland can’t empty itself of all the jokes it produces, it will begin to swell. The humor gland is located either in the brain or maybe in the behind (I am not medically qualified to tell you which it really is), and it can only swell to a certain point, and then it will explode. This is very bad thing for you, if you survive it, and certainly unpleasant for anybody nearby.
But the joke, properly launched at the target, will make somebody laugh, even if it is only the humorist himself. And laughter is the best medicine. Unless it kills you. You have to be careful not to die laughing. The angels will be offended, and the demons will all laugh too.
But I yam not only a humorist. I yam also a teacher.
I began to realize that I might be a teacher when, in graduate school to get a remedial master’s degree to help with the fact that plain English majors all starve to death, I discovered I had a talent for explaining things in simple terms. And then, immediately afterwards, I discovered I had an even greater talent for being ignored while the people I was explaining to made the mistakes they wouldn’t have made if only they had listened to me, before they failed spectacularly, and then realized how the solution I had explained would’ve made them succeed instead. There is apparently no better way to learn an important lesson.
Teaching is, of course, a pretty cool job. You tend to have the summers off. And you get paid for summer because they split the amount of money you earn for the year (which considering what a babysitter makes on average per child and per hour is far too little for the hours you put in) into twelve monthly pittances.
Of course you are expected to have a university degree (although no teacher college in the world can teach you what you really need to know in order to face that many little monsters… err, darlings… every day) and preferably some grad school, and a certification to teach in your chosen subject, and an additional certification if you are going to teach more than one subject (and ESL and Speech and Journalism, all of which I was expected to teach, are separate certifications) and you have to take hours of additional training every single year, and you have to get re-certified every five years, and… Well, you have to be basically smarter and much better-educated than Bill Gates… But the school janitor will probably be making more money per month than you do.
Anyway, it’s a job you just gotta love. I yam a teacher.
And really, there are a whole lotta yams in my basket yet that I could tell you about. I yam a Red Skelton fan. I yam sometimes a nudist (when I don’t have to put on clothes to keep myself from scratching all my psoriasis-plagued skin off). I yam also an artist (of the type known as a cartoonist). I yam pig-headed sometimes, and I yam Grumpy sometimes (so I go from being Porky to one of the Seven Dwarfs.) I yam a lotta things. And my sweet-potato basket is large.
But I can’t talk about all of my yams today. Too many yams are bad for my diabetes.
But here’s one last yam. I yam a storyteller. The book is the first in my series of AeroQuest books. It is a science fiction story with a humorous bent. And I mean, it is seriously bent in some places.
So, click on the link and get yourself a copy. It’s funny. And I will save the other sweet potatoes for another day.
People are not really vegetables… even though I have seen IQ scores as a teacher that might say otherwise. But I often use the pun of calling them Human Beans.
Your basic human bean.
Western style beans
Of course, being a Texan means having a healthy appreciation for beans as a staple food. Cowboys used to live off of beans and beef jerky, and if Louis L’Amour is to be believed, they even made tea from mesquite beans. That makes your average cowboy made up of over 50 per cent beans. Of course the rest of him is mostly gas caused by the beans in his diet, whether it comes out as a fart or as a Texas tall tale… And yes, I admit it, I get a lot of my writing ideas from eating beans.
A Boston baked bean
We must also be aware that Texas has no corner on the beans market. We all know Boston baked beans by reputation. They, like the ever-hapless Cubs, had a habit of never winning the World Series. And now, in the last two decades, it has actually been difficult for the other teams to keep them from winning it all. But we shouldn’t mix up beans with baseball metaphors. Baseball is like life. Full of long and boring parts punctuated by intense moments of hitting, scoring, committing errors, and player versus player individual drama. And concession stand food! Beans, however, can taste good in chili draped over the ballpark hot dogs which cost more than a restaurant meal at most reasonable restaurants. And I promise you, you will never hit a home run over the fence by hitting it with a bean.
A Mexican style re-fried bean
And I wish to point out that this last human bean is not a racist cartoon. Beans are not part of the human race. They only have legs in cartoons and would come in last even when racing a snail. And all beans are created equal in the sight of God. Kidney beans, butter beans, navy beans, string beans… all beans are just beans, no matter what the color of their skin is, and no matter how they add flavor to a casserole. All beans are just in it to live life the best they can, and if that’s not enough… they can be planted as seeds to raise the next generation of human beans.
I Hope You Dance…
When you walk to the front of the classroom and take up the big pencil in front of a group of young teens and twelve-year-olds, there is a strong pressure to learn how to sing and dance. That, of course, is a metaphor. I was always too arthritic and clunky in my movements to literally dance. But I looked out over a sea of bored and malevolence-filled eyes, slack and sometimes drooling mouths attached to hormone-fueled and creatively evil minds. And I was being paid to put ideas in their heads. Specifically boring and difficult ideas that none of them really wanted in their own personal heads. So I felt the need to learn to dance, to teach in ways that were engaging like good dance tunes, and entertaining in ways that made them want to take action, to metaphorically get up and dance along with me.
I wanted them to enjoy learning the way I did.
But the music of the teacher is not always compatible with the dance style of the individual learner. The secret behind that is, there is absolutely no way to prompt them to dance along with you until you learn about the music already playing in their stupid little heads. (And you can’t, of course ever use the word “stupid” out loud, no matter how funny or true the word is,) You have to get to know a kid before you can teach them anything.
The discordant melodies and bizarre tunes you encounter when you talk to them is like dancing in a minefield blindfolded. Some don’t have enough to eat at home and have to survive off of the nutrition-less food they get in the school cafeteria’s free-and-reduced lunch program. Some of them have never heard a single positive thing from the adults at home, enduring only endless criticism, insults, and sometimes fists. Some of them fall in love you. Some due to hormones. Some due to the fact that you treat them like a real human being. Some because they just stupidly assume that everyone dances to the same tunes they hear in their own personal head.
Some of them automatically hate you because they know that if you hear their own secret music in their own self-loathing heads, you will never accept it. They hate you because you are a teacher and teachers always hate them. Some of them, deep down, are as loathsome as they think they are.
But, if you find the right music, you can get any of them, even all of them, to dance. It might be hard to find. It might be a nearly impossible task to learn to play that music once you find it. But it can be done.
And if you get them to dance to your music, to dance along with you, I can’t think of anything more rewarding, anything more life-fulfilling. Have you ever tried it for yourself? If you are not a teacher, how about with your own children or the children related to you? Everybody should learn to dance this dance I am talking about in metaphors. At least once in your life. It is addictive. You will want to dance more. So the next time the music starts and you get the chance… I hope you’ll dance!
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