Category Archives: metaphor

Hypocrasysiphus

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And God said, “This world I have created is good.  It is very good.  In fact, it is too good.  We must balance the good with evil.”

Then God took a ball of elephant dung and created Republicans.

“You see, beloved ones, if the world is too good,” said God, “Then when I get full of wrath, there will be no one to smite.  You don’t want me too full of wrath.  I may pop like an overfilled balloon.  So someone needs to get struck by lightning to let off some of the pressure that has built up through the hard work of being God.”

So God took up a ball of old chicken guts and created Democrats.

“Why do  you always seem to let the evil ones get away with lying and deceit?” a prophet dared to ask.  “They cheat and steal and become wealthy, and then use that wealth to cover over their crimes, yet you do not smite them with lightning bolts?”

God threw a bolt of lightning and incinerated the prophet.

“I did say in the Bible somewhere that God helps those who help themselves.  I’m sure I remembered to put that in there somewhere.  God doesn’t make mistakes.  Or if He does, they are perfect mistakes.”

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“So you authorize the wealthy, who became wealthy by exploiting others, to commit further acts of exploitation until they virtually control the government and say that any crime is not a crime because they are now in charge of making the laws and deciding the consequences?” asked another brave but stupid prophet.

God immediately sent a plague of locusts to eat the prophet’s flesh down to the bone.

“The Bible says that all governments are put in place by God.  No government exists except with my approval.  If I don’t like them, I will remove them.  So if the government of the United States is to be run by my evil Republican creations, I merely have to create a lot of very stupid citizens who will vote to give everything to the rich and exploit everyone else, including those who basically voted against their own best interests.”

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Another rather stupid prophet got up to ask a question of God.  He raised one finger, opened his mouth, and was immediately turned into a pillar of salt.

“I have anticipated your question.  I do have a plan for mankind.  Remember the Greek myth of Sisyphus?  That old Greek idiot who has to labor for eternity rolling a heavy rock up a hill, and just as he almost reaches the top, it rolls back down on top of him and he has to start over at the bottom of the hill?  That is a metaphor for all human life and accomplishment.  Income inequality becomes a heavier and heavier burden as you near the goal of getting rid of it.  You have a Great Depression, then FDR comes along to fix things and help common people.  Then Reagan takes over with “trickle-down economics” and rolls you all back to the bottom of the hill.  It ends in Junior Bush’s Great Recession of ’08.  Obama comes along to fix that.  Then, in a sudden political reversal, the party of pure evil takes over again.  Back to the bottom of the hill we go.”

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And so, no further prophet got up to speak.  It was not because prophets had gotten any smarter.  No, it was because there were no prophets left.

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Wielding the Big Pencil

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The guy holding the big pencil used to be me.   I know you are thinking, “But, Mickey, you are not a rabbit!”  Well, that’s true, but it is also true that the whole thing is a metaphor, and metaphorically I was always Reluctant Rabbit, pedagogue… teacher… the holder of the big pencil.  It is a writing teacher thing.  The best way to teach kids to write is to have them write.  And the best way to show them what you mean when you tell them to write is to write yourself.  You learn to read better by reading a lot.  You learn to write better by writing a lot, reading what you wrote, and reading what other people wrote, especially if those other people were holding the big pencil in front of the class.

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I was recently reminded by people who know me that once I held the big pencil in the front of the class.  They both asked me, “Really?  You were a teacher?”

I suppose it is hard to believe when once you’ve gotten to know me, at least a little bit.  I don’t strike people as the sour-faced, anal-retentive English-teacher type.  I smile and laugh too much for that.  They can’t believe that someone like me could ever teach.

But over the years, I got rather good at holding the big pencil.  I learned, first of all, that anyone can be a good teacher.  You only have to be competent in the subject area you are trying to teach, and open to learning something new about teaching every single day for the rest of your life.

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Here’s something you have to learn about teaching to be any good at it; Discipline is not about making kids behave.  You can shout, stamp your feet, and hit them with a ruler and you will never get them to do what you want to them do.  It has to be about limiting the choices they have for what they will do.  Yes, one of those choices is to be removed from the classroom to go have fun sitting in the uncomfortable chair next to the assistant principal in charge of discipline’s desk, but the good teacher knows you should emphasize that they can either sit like a lump and imitate a rock, or they can participate in the activities presented.  And in my classroom, activities led to jokes and laughing and trying new stuff… some of it hard, but most of it easy.  Kids don’t end up having a hard time making the right choice.

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Here’s something else you absolutely have to learn to be any good at it;  You have to like kids.  Not just the well-behaved teacher-pleasers, but also the class clown who’s too smart to sit still for stuff he already knows, the shrinking violet who is a wonderfully complex well of deep thoughts who is only a little bit too scared to actually speak in class and share her thoughts, and the dark snarky demon who is quietly plotting the next outburst that will make your life a living hell so he or she can spend time with their old and dear friend, the chair in the assistant principal’s office.  If you don’t like them, you can’t teach them, and driving dynamite trucks in war zones is an easier job.  It pays better too.

I often try to picture Donald Trump teaching English to seventh graders.  What a slapstick comedy that would be.  The man doesn’t know anything.  He is always angry.  And he hates everybody except his daughter Ivanka.  My fourth period class wouldn’t merely eat him alive, they would skeletonize him faster than a school of piranhas could ever hope to match.  And it might be entertaining to watch (assuming it was metaphorical, not literal).

And I sincerely wish I could hold the big pencil in front of class again.  It was the act that defined who I was and what purpose I had in life.  But it isn’t gone since I was forced by ill health to retire.  I held the big pencil for over two thousand students in the course of thirty-one years.  And I will always hold the big pencil in their memories of it.  It is a sort of immortality for teachers.

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Life By a Roll of the Dice

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These are Warhammer 40,000 Harlequin Warriors I painted myself.

Over the years I have played many role-playing games.  Virtually always I have done so as the game master, the dungeon master, the story-teller behind the action.  Players decide what to do about the story problems I represent to them.  They have characters that have painstakingly advanced in skills and levels of skills to use for the problem-solving the plot centers around.  But ultimately, when they take action, the outcomes are decided by a roll of the dice.

Life is like that.  You labor hard to control what happens next in your life.  But random chance intervenes.  If you are the Harlequin Space Elf known as Smiley Creaturefeature (the masked elf in the green robe on the front row, far left in the picture above) and your band of high level Harlequin War Dancers have come to Checkertown City Square hunting for your hated enemy, Bone-sucker the Space Orc, it is entirely possible when you use your scanner operator skills to find him, you could roll a “1” on the twenty-sided dice.  This would mean failure.  Not merely failure, but failure on a spectacular level.  The scanner would explode, killing your entire squad, yourself included.  And all those weeks of building the character up to level 17 in order to defeat Bone-sucker and his mutant minions, would be lost and become all-for-nothing in the disappointment department.

Of course, a benevolent game master would alter the outcome in some way to keep the story going.  Perhaps the exploding scanner, instead of killing everyone, created a mini worm hole in the fabric of space-time and transported them to a parallel dimension where Bone-sucker is actually the chaotic good hero of Checkertown, and you must now work out an alliance with him to fight his enemies, the other-dimensional versions of you that are actual Evil Smiley Creaturefeature and his band of Evil Harlequin Space Elves.  You must then defeat your evil selves carrying out the evil plot that the game master had originally designed for the villain Bone-sucker to employ before returning to your own original dimension.

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Real life does not work that way.  It works more like you see above.  The lovely, metal-bikini-clad female barbarian of swimming pool repair is faced with the attack of the giant rats of city pool inspection, necessary electrical repair, and limited finances.  You can see, if you look incredibly carefully at the purple twenty-sided dice, that her defensive attack roll is a “2” for catastrophic failure.  Her sword cuts off her own leg and causes personal bankruptcy.  The giant rats roll a lucky “13” on the black twenty-sided dice for successful tooth and claw attacks.  They then go on to eat her and force the pool to be removed from the property, using up all the money the player (who is me, by the way) has left.

No game master steps in to create a more reasonable outcome.  The worst possible outcome is what happens.  That is how real life works.  Roll the dice, and lose your swimming pool.

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Dr. Teeth

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Today I had to take my daughter to the dentist before dropping her off at school.  A simple teeth cleaning and an exam for future tooth work they are recommending resulted in a fifty dollar charge.  I could pay for it, but it comes out of the monthly food budget.  And I have no idea where the three times that amount that the future tooth work will cost is going to come from.  Let alone the property tax due at the end of the year which is now three times what it was in 2006.  I have lost control over my life because of increasing expenses and decreasing income.  And it makes me lament, “Why can’t I control ANYTHING?”

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You would think that having been a teacher for so many years I would know how to control practically everything, right?  I mean, if a teacher can control the ultimate chaos engines of the average junior high school classroom, he ought to be able control anything… while doing nuclear physics on the side.

DrteethMAHBut that, of course, is not how it works in real life… even without the nuclear physics which was an exaggeration for humorous effect.

The secret is, a good teacher doesn’t control the behavior of students.  The teacher manages behavior by adjusting what he is in control of, his own reactions and behavior.

To make a metaphor, it is like juggling handfuls of sand.  They will slip between your fingers, bounce, and fly apart completely before the first revolution is complete.  But if you are smart, and have a small ceramic bowl in each hand, and a convenient big bowl of sand to dip into for new handfuls, you can throw and catch and guide the handfuls of sand through their amazing performance, at least three handfuls.  Maybe as many as seven, though that would take some really fast hands and years of practice.

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The point is, I think in my stupid little head, that I should not be trying to control the chaos my life has become.  The art is to manage the opposing forces, guide them back into the over-all flow of it, and prevent any single thing from overwhelming me, interrupting or wrecking the music of existence.

So the lesson here is, even though this post started out being about dentists and cost control, that I can’t control anything in life but myself.  So I might as well keep playing my figurative banjo and get into a figurative Studebaker with figurative Fozzie just to see where the road song will take me.  I will play the music and try to keep it all in tune and following the beat, no matter how many wrong turns and hitchhikers happen along the way.

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Liars Run the Animal Farm

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Napoleon the PIG.

Napoleon the Pig makes himself ruler of the Animal Farm in Orwell’s 1945 book by lying about Snowball, his rival Pig, and blaming the destructive acts of the former human Farmer Jones on poor Snowball.  He is driven away from the farm by the farm dogs whom Napoleon has taught to think since they were puppies. This, even though Snowball was actually the hero of the animal rebellion that drove the humans away.  Collusion?  Perhaps.  But definitely a lie.  And the PIG Napoleon, once in power begins to keep all improvements to living conditions for the PIGs.  Other animals, he says, are happier with a simpler, hard-working life.  The PIGs begin to dress like men and walk upright and wear long red ties.

Keith Olbermann in the video is very much like Benjamin the Donkey, who is cynical and skeptical about Napoleon’s methods.  He also reads as well as any Pig.  When Boxer the workhorse is wounded defending the farm against neighboring farmers who attack and destroy the windmill, he shrugs off the the wound and works at rebuilding the windmill until he collapses.  Then Napoleon declares Boxer will only get better if he’s taken to the vet’s animal hospital.  But he calls the Knacker (the man who renders dead horses into glue) to take Boxer away.  Benjamin calls him out.  He points out that it says “Knacker” on the van that takes Boxer away, not “veterinarian”.   He points out that Russian Facebook trolls used targeted troll-posts to help get Napoleon his position of power.  But Napoleon gets away with his lies.  Boxer apparently dies in the so-called animal hospital.

Now, I am not sure which tiny animal on the farm Robert Reich is like, but he is pointing out in this video that once the PIGS got themselves into power on the animal farm, they lie in order to get their agenda operating, enriching all PIGs (or is that GOPs?) and their political donors.  They are doing it all by LYING.  Pigs lie.  We should have learned that lesson by now.  They don’t care who dies and gets rendered into glue.

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In 1945 Orwell intended Napoleon to be a satire of Joseph Stalin in communist Russia.  But I truly believe, as we are living on the Animal Farm now as the hard-working farm animals, that he has a bad wig on his head with whippy straw-yellow hair, and a distinctly orange face, with the same little piggy eyes he always had.  And he is in power because he tells lies.  And what’s worse, he gets away with the lies.  As long as the PIGs are in power, controlling both houses of congress and the Supreme Court, he will not lose his lying grip on the farm.  We are all doomed to continue being hard-working animals who eventually get rendered into glue.

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Doodley Doo

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Yes, I was doodling again.  Doodling is the kind of thing doodlers always doo. I am not the only secret sinner who doodles.  My children doodle too. Except, number one son does his best doodling on the piano.  I don’t mean he draws on the actual pianoforte instrument. He makes meandering melody that sounds almost polished, almost professional.  He amazes people with his musical fingers and his musical ear and, especially, his musical imagination.  Number two son doodles music too.  Except he’s in love with the guitar.  Seriously.  He’s doodling out chord progressions and sonorous soulful melodies right this minute.  He can play Erik Satie’s Gymnopedie No. 1 on guitar.  It is so beautiful it makes me weep.  And the Princess?  She draws anime characters and doodles more like me.  Except, as you can see, I draw doodle-dogs and doodle-cats and make you wonder if they have spats.  Look at the paw, the paw with the claw.  Is it the doodle-cat’s claw?  Or the doodle-dog’s paw?  One way’s peace, the other war.

And that is my wisdom for today.  Doodling is natural.  Churches should not call it a sin. Everybody does it, in one way or another.  And though it doesn’t usually create high art from nothing, it does lead to the eventual birth of masterpieces.

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Bottom of the Ninth

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Yes, it is the bottom of the ninth.  I am up to bat, but down by a half dozen runs.  How do I pull it out of the fire?  My fat, I mean. I am busy mixing and mangling metaphors again.

I tried a bit of nude pool repair today.  I got one crack secured and plugged.  I spent about fifty per cent of the time wearing only sunscreen.  It was hot.  I got done as much as I could.  And then it rained.  So only one run in the eighth.  I sealed at least part of one crack.  But there are twenty-three still to go.  And I have to make the pool hold water by the 9th of July.  And it is supposed to rain again tomorrow.  I suppose doing this as a fool naturist is stupid and self-defeating, but it was cooler in the hot Texas sun.  I don’t think I will be doing that foolishness in public after all.  But fixing the pool is not completely impossible.  Just mostly.

I took a hit to my numbers on this blog by not posting for three days.  But I published multiples in order to get caught up, and people are reading and liking them although they are full of the same nudist nonsense I have been pursuing for a week now.

But I am six runs behind.  My fat behind may have gotten slightly sunburned.  I need to score seven in the bottom of the ninth.  Can it be done?  Possibly.  But I need to bare down and concentrate on the pitches coming over the plate.

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Triple Down Bummers Now Come in Grape Flavor

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You heard me right.  Grape flavor.  Specifically sour grape flavor.

I put my family on an airplane today to go be with my oldest son while he has surgery.

I get to stay home with the family dog because my back is hurting so fiercely from weather and arthritis that I can’t possibly spend hours on a plane.

So, sour grapes.

You know the Aesop’s Fable about the fox and the grapes?

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The fox, seeing the luscious grapes, tries to leap and get the grapes.  He is hungry for the grapes.  Ravenous for the grapes.  But no matter how hard he tries, he cannot reach the grapes with his snapping jaws.

He buys a trampoline from Acme.  But it sproings him over the tree and into the river on the other side… where there are alligators.  (Yeah, I exaggerate here… but in my life there always seem to be alligators.)  He still can’t get the grapes.

So then he goes to Home Depot and buys a chainsaw to cut down the tree.  But when he tries to rev up the chainsaw he realizes… he’s a fox.  He doesn’t have hands.  He has paws.  He can’t work the chainsaw.  And on top of that, his credit card is denied because he’s a fox and his job only pays in dead mice and rabbits, and chainsaws cost money, not mice.  So Home Depot sent a Sheriff’s Deputy to arrest him for stealing the chainsaw.  And it turns out that in spite of consumer complaints, Home Depot has signed a huge chainsaw deal with Acme, so the chainsaw explodes because he tried to start it with fox paws.  And as he is flying through the air from the explosion towards the river with alligators… he realizes… grapes don’t grow on trees.  There has to be something wrong with those grapes.  They must be sour.

Now, this is exactly the way Aesop told the story.  Believe me.  It really, really sucks to be a fox and not be able to get what you want in life.

This surgery is a big thing.  But it is not life threatening.  My son will be fine.  My family will be able to go places and do stuff while they visit and entertain him.  It is like an extra family vacation.  His grandmother (my mother) and his aunt (my sister) have both had the same surgery for the same reason.  They both came through it and came out cured.  But the problem is most likely genetic.  So, not only do I not get to go and be with my family on this trip, the bummer reason for the trip is genetically probably my fault.     Yep, there are alligators in that danged old river.

I get these benefits only from the sour grapes; I get a lonely week to recover from alligator bites for myself, and I definitely have something to write about for today.

 

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The Lyrical Imperative

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I am always amazed by the fact that things which are inherently silent in nature make music in your mind.  Writing is like that for me.  Drawing is like that.  And so is photography.  That is an actual musical score from Chopin in the background.  My son recognized it from a book of piano pieces I bought for him because he reads music and can turn those squiggle-bugs on the fence into the right plinkety-plunks on a keyboard.  But there is more music in that picture besides.  The nude young girl at the keyboard softly rendered in velvety colored pencil tones is also musical in nature, for more than just the fact of fingers on a silent colored pencil keyboard.  The lyrical loops of black and yellow in the wings of the tiger swallowtail butterfly also make music in my head, sprightly piano music like Chopin’s, or possibly Vivaldi’s violins.

Did you listen to the music?  I don’t mean Vivaldi’s, although if you haven’t heard it, you certainly should.  I mean the music in the words.  The music has to be there for me for the writing to be good.  That’s why I consider Ray Bradbury and Walt Whitman to be masters and Stephenie Meyer and E. L. James to be unreadable hacks.  The beat and the flow of the words need to be patterned and patient and wily.   Do you not hear it in that last sentence? The alliteration of the first two adjectives set off by the counterpoint of the stressed-unstressed beats of the third?  How can I explain this?

Iambic pentameter is the true genius of Shakespeare’s plays.  What the heck is iambic pentameter, you ask?  Well, I realize you have probably never needed to teach poetry to seventh graders, a truly impossible but infinitely rewarding task.  So let me tell you.  Units of stress called iambs consist of an unstressed syllable followed by a stressed syllable.  So naturally, if iambs are put into pentameter, then there must be five of them in a line of iambic pentameter poetry.  It is a simple, rhythmic way to say something profound and interesting.  The classic example is the first line of Shakespeare’s Sonnet 18;

Shall I compare thee to a summer’s day?

Translating that into X’s and O’s where X=stressed and O=unstressed;

O X O X O X O X O X

It’s simple, five oxes, all in a line.  Except that last one about oxes is actually O X O X X O O O O X, a less simple pattern, yet still organized on the beat.  Two iambs, a dactyl and an anapest.  Okay, now I am talking like a poetry geek, and I have to stop it before I hurt someone.

The whole point is, words should be musical, even when they are not the words to a song.  And now I must close on the verge of starting a ten-thousand word thesis.  I shall shut up now.  Here endeth the lesson.

 

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The Be-Bop Beat of Mickey’s Brain

Truthfully, when I look back at the string of posts in the picket fence of this daily blog, I fail to see the overall map of it in any semblance of pattern or order.  Honestly, I did not set out to be purposefully wacky.

I did, however, set out to be purposefully surreal.  I mean it, I consciously put bizarrely dissimilar things together in an attempt to find parallels and connections  in unlike things because, not only is it funny and surprising, but is a comic act that serves to keep the mind nimble and never numb.  I do think quite a lot.  And I try to see connections between things where others wouldn’t.  For instance, the Coppertone girl with her bare butt and Bullwinkle with his unicycle are both being threatened in a way that is both comic, and taking advantage of their inherent image of innocence.  Neither will lose anything by it.  The girl stands to brown her pale white behind in the sun, while Bullwinkle will probably land on his head and it will make a decent cushion to preserve him because of it’s empty and rubbery qualities.

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Pie makes everything better.  MMMM!  Pie!

I must also admit to a bit of the old telling of stretchers, the misrepresentation of the truth, the loquacious layer-onner of lies.  Not Trumpian lies that land on you like elephants dropped like bombs out of B-52’s.  Instead, fictions that entertain and elucidate.  It is the most likely reason I keep saying connecting words and phrases like “truthfully” and “honestly” and “I mean it”.  Those are words that liars love.

Yes fiction writers like me tell little white lies.

I have now published my novel Recipes for Gingerbread Children.  It is a novel based on real people I have known and loved and listened to.  It is about an old German woman, a survivor of WWII concentration camps, who loves to tell stories to children and bake gingerbread cookies, especially gingerbread men.  It features a pair of teenage nudist girls who believe in going completely naked whenever you are indoors, even if you are in someone else’s house.  It features Nazis, both in flashback and ghostly forms.  It also features fairies from the Hidden Kingdom of Tellosia, a fairy kingdom filled with little three-inch tall magical people living under our very noses.  And it has a werewolf in it, though admittedly a very young one.  It is a comedy with its requisite sad parts, and it is definitely an example of surrealism.  It is also full of lies… err, I mean fiction.

But the real purpose of this supposedly be-bop brain fart in blog-post form is not so much to explain my blog (because how do you explain a blog that goes from Flashbacks and Foobah to telling about Madman Trump to Another novel part… #37 to Centaurs to a book and movie review, to this eccentric and eclectic thing, which probably exists more to make alliteration jokes than anything else in the most musical beat I can bang out?) but to prove that I do often think about thinking and how things fit together and what it all means… and how to write a run-on sentence that adds to the effect rather than simply annoys.  And, yeah, I’m doing that.  And it feels like a good thing to do.

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