Category Archives: irony

The Philosophy of Bad Poetry

I do write poetry. But I must admit, I am not a serious poet.  I am a humorist at heart, so I tend to write only goofy non-serious poems like this one;

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So here is a poem that rhymes but has too much “but-but-but” in it.  A poem about pants should not have too many “buts” in it.  One butt per pair, please.  So this is an example of spectacularly bad poetry.  Why do we need bad poetry?  Because it’s funny.  And it serves as a contrast to the best that poetry has to offer.

As a teacher I remember requiring students to memorize and recite Robert Frost’s poem, “The Road Not Taken”.  Now this sort of assignment is a rich source of humorous stories for another day.  Kids struggle to memorize things.  Kids hate to get up in front of the class and speak with everybody looking at them.  You get a sort of ant-under-a- magnifying-glass-in-the-sun sort of effect.  But in order to truly get the assignment right and get the A+,  you have to make that poem your own.  You have to live it, understand it, and when you reach that fork in the road in your own personal yellow wood, you have to understand what Frost was saying in that moment.  That is the life experience poetry has a responsibility to give you.

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Hopefully I gave that experience to at least a few of my students.

Bad poetry makes you more willing to twirl your fingers of understanding in the fine strands of good poetry’s hair.  (Please excuse that horrible metaphor.  I do write bad poetry, after all.)

But all poetry is the same thing.  Poetry is “the shortest, clearest, best way to see and touch the honest bones of the universe through the use of words.”  And I know that definition is really bad.  But it wasn’t written on this planet.  (Danged old Space Goons!)  Still, knowing that poetry comes from such a fundamental place in your heart, you realize that even bad poetry has value.  So, I will continue writing seriously bad poetry in the funniest way possible.  And all of you real poets who happen to read this, take heart, I am making your poetry look better by comparison.

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Filed under humor, insight, irony, philosophy, poem, poetry, Uncategorized

Books That Make You Hurt

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Yes, I read this book.  Yes, it scared the poop out of me.  Yes, it made me cry.  This is a uniquely horrific horror story that is so realistic that you know that it has actually happened in real life somewhere, sometime.  Only the names of the characters would be different.

I have a deep abiding respect for Richard Peck as a writer.  He earned that with his books A Year Down Yonder and A Long Way from Chicago.  Those books made me laugh so hard it blew chocolate milk out of my nose.  And, yes, I was drinking chocolate milk at the time.  They are so realistic because the people in those stories are real people.  I know those people personally.  Of course, they have different names in real life.

But Are You In the House Alone? is a very different book from those other two masterpieces.  It tears your heart out and eats your liver because it is a first person narrative in the voice of a high school girl being stalked by a sexual predator.  Everything that happens to Gail in the high school, at home, and at the house where she babysits is hyper-real with horror movie levels of attention to detail.  I don’t wish to be a spoiler for this well-written book, but the narrator does not die in the book and it definitely does not have a happy ending.  For anyone who has the amount of empathy I do, and in many ways becomes the narrator-character by reading, reading a book like this can physically hurt.  A teacher like me has lived through horrible things like this happening to students before, it even happened to me as a boy, and it adds the slings and arrows of those things being re-lived as you read.

This is not the only book that has ever done this sort of damage to my heart strings.  I remember the pain from the conclusion of Dickens’ The Old Curiosity Shop.  You root for Little Nell and boo Daniel Quilp.  But the bad guy wins.  No happy ending can linger in the harp-strings of your memory-feeling song as long as a tragic outcome does.  I was there with Scout in that ridiculous costume in the dark when Bob Ewell was attacking her brother Jem in Harper Lee’s To Kill a Mockingbird.  That story was filled with wise and laughable things, but the stark horror of that climactic moment nearly wiped all the good feelings away, if not for the heroics of ghostly Boo Radley whose timely intervention brings it all back before the novel ends.  It horrifies me to admit it, but I was there, too, in the moment when the boys all turn on Simon on the beach with their sharpened sticks in William Golding’s Lord of the Flies.  They mistook him for the monster.  I still haven’t fully recovered from that reading trauma.

The thing about books that hurt to read which makes it essential that I never try to avoid them, is that they can add more depth and resonance to your soul than any light and fluffy piece ever could.  Life is much more like Lord of the Flies than it is Chitty Chitty Bang Bang.  I am sadder but wiser for having read Are You In the House Alone?  I am recommending it to other readers like me who don’t so much live to read as they read in order to live.  Not because it is easy and good to read, but because it is hard and essential to read.  It will hurt you.  But it will leave you like it leaves its narrator, damaged, but both alive and purely resolved to carry on.

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Filed under book reports, book review, horror writing, insight, inspiration, irony, old books, reading

Being Prosaic

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I admit it.  I am prosaic.  I think in sentences.  I speak in paragraphs.  I write in 5-paragraph essays.  I should stop with the repetition of forms and the parallel structures, because that could easily be seen as poetic and defeat my argument in this post.  I write prose.  Simple.  Direct.  Declarative.  But those last three are sentence fragments.  Does that fit the model of prose?  How about asking a question in the middle of a paragraph full of statements?  Is that all simple enough to be truly prosaic?

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Prose is focused on the everyday tasks of writing.  It seems like the world thinks that the mechanical delivery of information in words and sentences should be boring, should be functional, should be simple and easy to understand.

I don’t mean to be pulling your reader’s mind in two directions at once, however.  I need to stop confusing you with my onslaught of sentences full of contradictory and complex ideas.  I should be more clear, more direct, and more to the point.

So here is my thesis, finally clearly stated; The magic of writing prose, it turns out, makes you the opposite of prosaic.

20160705_214055Ah, irony again!  It ends up being anything but simple.  You can write in simple, adjective-and-adverb-free sentences as Hemingway did, and still manage to convey deeply complicated and thoughtful ideas.  One might even suggest that you can create poetic ideas in mere prose, dripping with layers of emotion, conflict, theme, and deeper implied meaning.  You can also write prose in the intensely descriptive and convoluted style of a Charles Dickens with many complex sentences and pages-long paragraphs of detail, using comic juxtapositions of things, artfully revealing character development, and idiosyncratic dialogue all for comedic effect.  Prose is a powerful and infinitely variable tool for creating meaning in words.  Even when it is in the form of Mickian purple paisley prose that employs extra-wiggly sentence structure, pretzel-twisted ideas, and hyperbolically big words.

Simply stated; I am a writer of prose.  I am too dumb about what makes something poetry to really write anything but prose.  But I do know how to make a word-pile like this one that might just accidentally make you think a little more deeply about your writing… that is, if you didn’t give up on reading this three paragraphs ago.  I find it useful to examine in writing how I go about writing and what I can do with it.  I try to push the boundaries in directions they haven’t been pushed before.  And hopefully, I learn something from every new essay I write.  What I learned here is that I am prosaic.  And that is not always a bad thing.

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Filed under commentary, goofy thoughts, humor, irony, Paffooney, strange and wonderful ideas about life, writing, writing humor

Doodle-Bop!

Sometimes the only thing you really want out of life is just to get by. You get tired of always having to climb the danged highest mountain.  You get tired of trying to swim the danged deepest sea.

16750_102844509741181_100000468961606_71393_6278100_nSometimes all you want to do is doodle-bop!…  To draw in pen and ink and post your derfiest doofenwacky doodles so you can just make your way through another danged day.

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You aim a lot for different, and undeniably original… because no one thinks like you… certainly no one who is real and has a real brain.  You are gifted with an “other-ness”, a sing-songy simpering something that makes you want to doodle and do what no man has done before.  (Does that sentence exist anywhere else in all of literature?  Even if there is some alternate dimension with infinite monkeys typing on infinite typewriters?  What’s a typewriter, you say?  Danged millennials!)

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I really can’t help it, you know.  I was a middle school teacher for 24 years.  That sort of thing has mental health consequences.  And if you wring the sponges in your stupid old brain hard enough and long enough… doodle-bop! comes out.

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Turtle boy’s magic iron of irony!!!

And you have to wonder why some of the stuff that is in your stupid old head is even in there.  Why is it that sometimes the words “Argyle socks are filled with rocks” are drifting through the vast empty spaces in the logic centers of your brain?  There has to be a reason for everything, doesn’t there?

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I do believe I have made myself chuckle at least a dozen chuck-tacular times in the chuck-a-tational crafting of this cheddar-cheesy post.  But it only really counts if I can make you girlishly giggle or guy-like guffaw with my word-munching and cartoony paffoonies.

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The terror-filled cartoon car chase that is life as usual.

You may have noticed that everything is black and white, even though it doesn’t have to be.  Good versus evil, hot versus cold, everything can be divided up simplistically… but the really profound part of simplicity is vibrating reverberations of complexity that lie just underneath.  Words have meaning, even though they are just a bunch of crooked squiggles marked on a page.  (Yes, I know… “or typed on a computer screen”.  Danged millennials!)

4th Dimension

And so, this is my doodle-bop!  Probably not the doodliest or the boppiest doodle-bop! I could have bopped… but there it is.  I have made it through another sorta creative post without losing my mind…  Honest!  I did not lose it.  It is merely temporarily misplaced for a moment.  It will be back in its proper place tomorrow… probably.

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Filed under blog posting, cartoony Paffooney, goofy thoughts, humor, imagination, irony, mental health, metaphor, Paffooney cartoony, pen and ink, pen and ink paffoonies, strange and wonderful ideas about life, wordplay

Conflict is Essential

The case has been made in an article by John Welford (https://owlcation.com/humanities/Did-King-Henry-VIII-Have-A-Genetic-Abnormality) that English King Henry the VIII may have suffered from a genetic disorder commonly known as “having Kell blood” which may have made having a living male heir almost impossible with his first two wives. The disorder causes frequent miscarriages in the children sired, something that happened to Henry seven times in the quest for a living male heir. If you think about it, if Henry did not have this particular physical conflict at the root of his dynasty, he might’ve fathered a male heir with his first wife, Catherine of Aragon. Then there would’ve been no opening for the machinations of Anne Boleyn. It follows that Elizabeth would not have been born. Then no Elizabethan Age; no sir Francis Drake, Spain might’ve landed their armada, no Church of England, possibly no William Shakespeare, and then Mickey would never have gotten castigated by scholars of English literature for daring to state in this blog that the actor who came from Stratford on Avon and misspelled his own name numerous times was not the author of Shakespeare’s plays.

History would’ve been very different. One might even say “sucky”. Especially if one is the clown who thinks Shakespeare didn’t write Shakespeare.

Conflict and struggle is necessary to the grand procession of History. If things are too easy and conflict is not necessary, lots of what we call “invention” and “progress” will not happen. Society is not advanced by its quiet dignity and static graces. It is advanced and transformed by its revolutions, its wars, its seemingly unconquerable problems… its conflicts.

My Dick and Jane book,
1962

Similarly, a novel, a story, a piece of fiction is no earthly good if it is static and without conflict. A happy story about a puppy and the children who love him eating healthy snacks and hugging each other and taking naps is NOT A STORY. It is the plot of a sappy greeting card that never leaves the shelf in the Walmart stationary-and-office-supplies section. Dick and Jane stories had a lot of seeing in them. But they never taught me anything about reading until the alligator ate Spot, and Dick drowned while trying to pry the gator’s jaws apart and get the dog back. And Jane killed the alligator with her bare hands and teeth at the start of what would become a lifelong obsession with alligator wrestling. And yes, I know that never actually happened in a Dick and Jane book, except in the evil imagination of a bored child who was learning to be a story-teller himself in Ms. Ketchum’s 1st Grade Class in 1962.

Yes, I admit to drawing in Ms. Ketchum’s set of first-grade reading books. I was a bad kid in some ways.

But the point is, no story, even if it happens to have a “live happily ever after” at the end of it, can be only about happiness. There must be conflict to overcome.

There are no heroes in stories that have no villains whom the heroes can shoot the guns out of the hands of. Luke Skywalker wouldn’t exist without Darth Vader, even though we didn’t learn that until the second movie… or is it the fifth movie? I forget. And James Bond needs a disposable villain that he can kill at the end of the movie, preferably a stupid one who monologues about his evil plan of writing in Ms. Ketchum’s textbooks, before allowing Bond to escape from the table he is tied down to while surrounded by pencil-drawn alligators in the margins of the page.

We actually learn by failing at things, by getting hurt by the biplanes of an angry difficult life. If we could just get away with eating all the Faye Wrays we wanted and never have a conflict, never have to pay a price, how would we ever learn the life-lesson that you can’t eat Faye Wray, even if you go to the top of the Empire State Building to be alone with her. Of course, that lesson didn’t last for Kong much beyond hitting the Manhattan pavement. But life is like that. Not all stories have a happy ending. Conflicts are not always resolved in a satisfying manner. A life with no challenges is not a life worth living.

So, my title today is “Conflict is Essential“. And that is an inescapable truth. Those who boldly face each new conflict the day brings will probably end up saying bad words quite a lot, and fail at things a lot, and even get in trouble for drawing in their textbooks, but they will fare far better than those who are afraid and hang back. (I do not know for sure that this is true. I really just wanted to say “fare far” in a sentence because it is a palindrome. But I accept that such a sentence may cause far more criticism and backlash than it is worth. But that is conflict and sorta proves my point too.)

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Filed under humor, irony, old books, philosophy, strange and wonderful ideas about life, William Shakespeare, word games, wordplay, writing humor

The Wheels of the Stupidity Cycle

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Sadly, the Flynn Effect is working now in reverse.  If you didn’t know, for decades the collective IQ of the United States has been increasing.  People have been getting smarter.  Improvements in education, health care, and diet had been making it possible for each succeeding class year to score better by a significant and steady amount every year over the students of the previous year.  Apparently, according to recent data analysis, it kept going up through the 40’s, 50’s, 60’s, 70’s, and the 80’s.

And then, in about 1991, people began to be born who were destined to do worse than their predecessors.  People stopped getting smarter.  In fact, they not only leveled out, they began to get dumber.  Bummer.  As a teacher who taught during that time period, I have to pause and wonder… was it my fault?

I want to be clear about my use of illustrations here.  Not all of the faces I used in the collage above are actually stupid people.  I am told Rowan Atkinson (who plays an idiot character named Mr. Bean) is actually a genius with a very high IQ.  And some of the faces are not even from actual people.  They are cartoon characters or animals or Donald Trump.  And none of them actually caused the decline of IQ scores.  (Although I can’t prove the actor Brendan Fraser didn’t cause it by making the movie George of the Jungle.)

Economic factors brought about by the Reagan Revolution probably caused the wheel of life to turn back towards the stupid end of the cycle.  Rich people began sucking up and keeping every dollar possible, making themselves impossibly rich, and leaving the rest of us to fight over crumbs.  McDonald’s, Wendy’s, and Burger King turned the poorer suburbs into virtual food deserts of no nutritional value in every major urban area.  Schools across the nation have been forced to teach to tests whose main and sometimes only purpose is to prove schools undeserving of their funding so States can shift that funding towards private and for-profit schools.  Starved for proper funding, it is only natural that schools turned from learning institutions into baby-sitting services and uniformity indoctrination centers.  Schools now put out only average and poor students because that was the goal of education reform all along in conservative minds.

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So what, exactly, should we do about it?  Well, the wheel will still turn.  And as all wheels do, the part that is on the bottom will return to the top, and stupid will return to bottom as it obviously has before.

The next century is rife with problems that threaten human life on Earth.  Those problems, like income inequality, climate change through corporate abuse of the environment, the nuclear threat, and Donald Trump, will have to be solved by the next generation’s smart people.  When they do solve all those problems, the world will be better for it… or destroyed.  One of those.

And don’t mistake my meaning.  Stupid people have their own value.  Clowns like John Oliver, Stephen Colbert, Samantha Bee, Trevor Noah, and Seth Meyers are doing a far better job of helping us understand the issues of today than the nightly news is.  There is a great deal of fun to be had in watching the cat-and-mouse game of Robert Mueller and Donald Trump (where Trump is not the mouse so much as the cheese the mouse ate to start all the slapstick brouhaha).

And people who are not particularly smart can have great value in an infinite number of other ways.  Simple people may never be able to do calculus, but they can make you smile and feel loved better than some of the sharpest intellects (who often tend towards cynicism and bitterness).

The wheels of the Stupidity Cycle will continue to turn because that is the very nature of wheels. We will eventually be smart again.  We can’t keep getting dumber forever (though we did elect Trump).  And this is a pessimist telling you this.  So if this is completely wrong and off base, remember, I am also trying to be positive about the future.

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Filed under angry rant, education, feeling sorry for myself, humor, irony, Paffooney

Politics Are Doodoo, not Voodoo

President Ronny Ray-Gun

In the Republican primaries in 1980 it was Republican candidate George HW Bush who gave the old Gipper’s economic policy the accurate nickname of “Voodoo Economics.” Then when the Gipper defeated the last American President to have an administration without a war in it, that Voodoo became the things we do.

Banks became predatory, using credit card ploys to turn us into a nation of debtors where wealth defies gravity and trickles upward instead of down. To help that along, Republicans deregulated things, killed off the Savings-and-Loan industry through scandal to reduce competition. Wall Street learned to make greed good by building bubbles that allow profits to inflate them and eventually explode them. When the business moguls at the top of economic food chain went through the Great Depression (the ones who didn’t jump out of windows) they learned there are ways to turn recessions into profitable ventures for the wealthy elite. Income inequality grew fat on the raw meat of recession after recession.

And wars became a popular pastime again. Every president from Reagan onward had to manage a war they either started or inherited from their predecessor.

Gorbachev became the Premiere of the USSR. He attempted to modify Russia with Glasnost, opening up about the Russian past and the contemporary state of Russia’s economy. By opening up the ban on criticism, he caused the USSR to fall and the Cold War basically ended when they fell. Still, Republicans managed to always increase military spending, and use any excuse (in fact, making up some excuses) to declare war on somebody, especially little guys who were easy to beat up and bully. The Gipper did his happy dance and declared that Republicans had defeated evil. And stupid people gave him so much credit that two of the next three Republican Presidents got there with fewer popular votes than their opponents. And this was all okay because some voters count bigger than the rest of us.

And so the era of elections being decided by angry people and stupid people who want to punish the rest of us began.

Somehow a rodeo clown from Texas who dodged serving in combat during the Vietnam War became a war President, starting two wars, one against the wrong country. The Republicans deregulated more. Corporations cut down trees in National Forests more. They burned more coal. They fracked up the place and got more oil. And they looted and polluted more and more during the time when we could’ve done something to reverse the worst of climate change. They crashed the economy again. They made more money. They left a mess in the economy for Obama to clean up. And when he cleaned it up, they blamed him for not doing it right, and even for causing it all somehow before he took the oath of office.

And when Obama was done, and we were hoping we could return to breathing safely in the atmosphere that was quickly overheating and being filled with doodoo smells, the angry and stupid people elected an orange guy (seen above with the green guy he tried to help destroy the world.)

And now I cannot watch the news without getting steamed, or crying over pictures of dead children in Ukraine. And all of this Voodoo doodoo is deep-rooted in the Republican poopoo, growing in horrific power and doodoo smells since the time of Ronny Ray-gun. (Why can’t Star Wars Anti-Missile Systems take out Russian missiles over Ukraine? Did we not pay enough for them?)

If you are wondering why I do less and less political humor anymore, well… It really stopped being funny.

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Filed under angry rant, clowns, irony, politics

Me, Myself, and Eye…

I am aware that nobody who looks at my blog ever clicks on my videos. This one, however, would be very useful if you are really going to read and engage with this essay. This self-reflection came into being as a response to watching this video. The video talks about how most people can’t stand to actually sit alone in a room with only themselves. And it has an impact. I have claimed in the past to being a devotee of the Theodore Roethke maxim, “Being, not doing, is my first love.”  But how does one go about becoming truly self-aware? How does one enumerate the concept of “being”? I believe I can do it, but it requires a bit of self-examination. How do I do it?  

Let me count the ways…

I put myself down on paper, through drawing or writing in English and look at the way it portrays me.

I find myself in both the written characters I create and the cartoon characters I draw. In Hidden Kingdom, my graphic novel, the Mouse and young Prinz Flute are both me. I can see myself both as the reluctant romantic hero and the snarky child-thing with a dangerous little bit of wisdom.

I learn to know more about my secret heart and what I truly think about the world I live in and react to by writing about what I think and the things that happen to me, both for good and ill. This blog is all about learning about myself, just as your blog is a mirror of who you really are. Consequently, I have no secrets left.

I not only reveal myself in this blog, but I also attempt to sing about myself in much the same way that Walt Whitman did in his poetry.

I live most of my life in my own imagination. It is a silly Willy Wonka world of images, songs, music, and dreams. It can all blow away in a moment when the sun comes out. It can also keep me in a light-obscuring cloud wrapped and safe, well away from the things I fear and the things that worry me. I came to realize I was repressing the memory of being sexually assaulted when I was ten through a dream when I was nineteen, re-living the event in a dream from which I awoke with a blinding flash of realization. I came to grips with the horror that mangled my childhood and young adulthood first by facing the fact that the nightmare had been real, and then by finding ways to overcome it. I became a teacher of young people in large part as a way to protect them and prevent such a thing from ever happening again to someone else.

I use my fictional stories about the girl Valerie Clarke to examine my relationships with my own daughter and a couple of old girlfriends from my youth.

I often worry that I don’t see real people as being real people. I tend to think of them from the first meeting onward as potential book characters, walking collections of details and quirks, conflicts and motivations. But I recognize too that that way of seeing with the author’s eye is not incorrect. People really are those things. There are rules and generalizations that everyone falls under at some point. It is not so much that I see real people as book characters as it is that I realize that book characters are as real as any other purportedly “real” people.

I am myself both the subject of my cartooning and fictionarooning, and the cartoon character of myself as well.

Mickey is not a real person. He is a cartoonist persona, a mask, a fake identity, and the lie I tell myself about who I actually am.

In this essay, I have attempted to explain to you who I think I am spending time with when I am alone in a room with myself. He is not such a terrible person to spend time with, this Mickey. Or else he really is truly awful, and I am lying about me and who I think I am when I am alone with me and have no other options. But probably not. I have been getting to know me for about 562 years, only exaggerating by 500, and I am not finished yet.

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Filed under autobiography, being alone, irony, Mickey, Paffooney

Talking to Nobody

I entered the classroom silently. Death doesn’t have to make any sound when it enters a room, but I remember many times when I entered a classroom in a fully enraged-lion roar. Probably too many times.

This time it was a small lesson to a small class. Little Mickey, ten years old, was sitting there in a front-row desk. He was wearing that stupid purple derby hat that he always wore in his imagination. And he was wearing nothing else besides.

I gave him that old death-eye stare of disapproval. He grinned and shrugged. “Hey, I like to write about nudists, okay? They tell the truth more than most people.”

I simply nodded.

Sitting the next row over, in the front seat also, middle-aged Mickey was slumped in his seat like the cynical, world-weary teacher-thing he actually was. I nodded disapprovingly at him too. “I know, I know,” he said. “My time is running out. I have to get started on my writing plan for real this time. My stories will never get written if I don’t.”

The third seat in the third row contained Old Coot Mickey with his wrinkled clothes, his long Gandalf-hair, and his frizzy author’s beard. He grinned his goofy grin at me and nodded at me cheekily. “I’ve got fourteen novels written and published now. Taint my fault that nobody ever reads ’em. They are mostly good stories, too.”

I rolled my eyes at the dark ceiling.

On the chalkboard I wrote out. Today’s Lesson Is

“I know! I know!” shouted little Mickey, naked except for his purple hat. “The next novel is A Field Guide to Fauns. It is all about nudists in a nudist camp. I am definitely down with that!”

“Is that really a good idea, though?” asked middle-aged Mickey. “I think I was meant to be a writer of Young Adult novels, like the ones I taught so often in class. I know how those books are structured. I know their themes and development inside and out. I know how to write that stuff.”

“But the little naked guy has it right. You have ta be truthful in novels, even as you tell your danged lies.” Old Coot Mickey made his point by punctuating it with a wrinkled hand thumping on the top of his desk. “You have written novels with characters forcing other characters to make porn films in The Baby Werewolf, and sexual assault of a child in Fools and Their Toys, and lots of naked folks, and betrayal and death… All of that is the kinda stuff kids really want ta read. And them stories don’t glorify that stuff neither. Stories can help fight agin that stuff.”

“Remember, that stuff is hard to write about because I actually went through some of that stuff in my own life. It’s possible for even a fiction book to be just too real for a YA novel.” Middle-aged Mickey had entered fighting mode with his fists on his hips.

“But the underlying truth is why you had to write those stories to begin with. You have truth to tell… But in fiction form,” argued little Mickey.

“And horrible experiences turn into beautiful survival stories and heroes’ journeys with time and thoughtfulness and art,” said Old Coot Mickey.

I agreed with all three of me. I nodded and smiled.

“But you are Death, aren’t you?” asked middle-aged Mickey.

“And you’ve come to take away at least Old Coot Mickey!” declared little Mickey.

“You’ve got me all wrong,” I answered all three of me. “I am not Death. I am Nobody.

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Filed under autobiography, homely art, horror writing, humor, irony, kids, novel plans, NOVEL WRITING, Paffooney, strange and wonderful ideas about life

Rabbit People

castle carrot

On days when I am still recovering from life-altering blows, I often try to find new realms, alternate realities to live in.  (Retreating into a fantasy world is one of the reasons she gave for leaving.)  And since, as a youth in Iowa, I raised rabbits for a 4-H project, I know rabbits better than I do human people.  Rabbits are people too.  So, I have been walking among the rabbit people.  Seriously, bunnies are better people than most human people.  They are not trying to profit off you.  They are not trying to get everything they can off you.  They are merely there to wiggle their whiskers, sniff for food, poop, gnaw on stuff, and make more bunnies.

Mr. R Rabbit

I often see myself as a rabbit person.  In cartoon form, I am the bunny-man teacher known to the Animal Town School System as Mr. Reluctant Rabbit.

As a teacher, I am always pulling out carrots of irony and gnawing on the ends of them in front of students.  If they complain that eating food in class is supposed to be against the rules, I ask them, “Do you want a carrot of irony?”

“Oh, no, thank you sir.”

“They are good for your eyesight as well as your insight.  You really ought to chew on healthier things like that.”

“Oh, no sir,” they say.  “We prefer Hot Cheetos.”

And so, I taught on like that… like a rabbit, fast and frumious (a Jabberwocky sort of word), and never really bit anybody.  Teaching is like that.  You offer the good healthy stuff to nourish their little animal minds, and they always choose the junk food instead.

Millis

And so life goes on like that.  Looking to rabbit people to ease my pain and need for good, wholesome carrots of irony.

I have  recently run a free-book promotion on The Bicycle-Wheel Genius.One of the main characters in the book is Tommy Bircher’s pet rabbit Millis.   During the course of the story about invading aliens, Secret Agent Robots from the CIA, and making friends when you need friends, Millis is turned into a rabbit-man by a lab accident.  He teaches Tommy that you don’t have to be human to be a good, caring, self-sacrificing person.  He also teaches him to eat his carrots and greens like a good boy should.

So, I will spend more time with the rabbit people and heal a little bit.  That is what you do with the tragedy that life brings you.  You spin it into whole cloth, making humor and poetry out of everything bad that happens… wrapping yourself up in a comforting blanket of lies (you can also call those fiction stories), and eating a little chicken soup on a cold day to heal your soul.  (Oh, I forget, rabbits often gag on chicken soup.  Let’s make that bean soup with carrot chunks.)

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Filed under humor, irony, Paffooney, rabbit people