Yes, this is a picture of a rock. But it is no ordinary rock. Okay, that’s not precisely true. It is a gray metamorphic rock roughly square in shape with numerous flecks of white and a white strip along the top. As rocks go, it probably couldn’t be more ordinary, more rocky in its soul. But, as with all things in this life, the importance and true meaning lies in the context. This is a pocket rock. It spent a quarter of a century riding around in my pants pocket. I have held it in my hand millions of times.
The Rowan Community Center, seen in this picture I used for the cover of Magical Miss Morgan, is the last part of the old Rowan school still standing.
In 1980, my Great Grandma Hinckley died. That was also the year my folks had to move to Texas because of the transfer my Dad’s seedcorn company gave him to its cotton seed division. It was one year before I got my teaching degree. And it was the year they tore down the building where I went to school for grades 1 through 6. That summer, as I walked around the demolition site, I found the homely gray rock that was nearly as square as I was, and because I was already feeling homesick before I actually left home, I picked it up and stuck it in my pocket. It was a little square piece of home.
That rock went with me to college. It went with me to both Disneyland and Walt Disney World in Florida. It has been to Washington D.C. It has been in the depths of caves in Kentucky and Missouri and Texas. It has been high in the sky in my pocket in an airplane. It has been to beaches on both the Atlantic and Pacific sides of the U.S. It has visited both Mexico and Canada. It his been to Las Vegas. And it even rode in the subways of New York City.
And possibly the most interesting part of this pocket rock’s career happened in Texas schools. It was with me in my pocket constantly from 1980 to 2004. I finally took it out of my pocket and placed it in an old cigar box that once belonged to my grandfather and I have kept keepsakes in since I was a kid.
And I have thought a lot about this ordinary rock that isn’t really ordinary on closer inspection. At one point or another I thought about using it as a skipping stone at both the Atlantic and the Pacific. In 2004 when I was considering the pocket watch broken by it and the car key accidentally bent against it, it almost wound up in Lake Superior. I put in my cigar box and it has remained exiled there since. Will I have it buried with me, in my pocket? No, probably not. My wife plans to have me cremated. Hopefully, though, not until I am already dead. This rock has pretty much been a symbol of my soul, travelling with me, teaching with me, jingling the pocket change when I walk… And it will continue to exist when the thinking and writing parts of Mickey are gone.
But even rocks are not immortal. Sometime in the future something will happen to it. It will end up someplace unexpected or changed by grinding, melting, or chemical reaction into some other form. But no matter what happens to it ultimately, the meaning of it, the context, the places it has been and the things that it has done will still be true, still have happened to it. And, ultimately, it will still be just like me.
At long last, Robert Mueller Smurf began investigating the election hack by Gargamel and the subsequent obstruction of justice committed by Trumpy with the aid of Azrael, Gargamel’s very hungry cat. He revealed that Gargamel had secretly intercepted the ballot boxes and removed all the votes for Smurfette. Thus Trumpy won by a margin of one vote to nothing. Clumsy Smurf had been the only one stupid enough to vote for Trumpy.
Being Prosaic
I admit it. I am prosaic. I think in sentences. I speak in paragraphs. I write in 5-paragraph essays. I should stop with the repetition of forms and the parallel structures, because that could easily be seen as poetic and defeat my argument in this post. I write prose. Simple. Direct. Declarative. But those last three are sentence fragments. Does that fit the model of prose? How about asking a question in the middle of a paragraph full of statements? Is that all simple enough to be truly prosaic?
Prose is focused on the everyday tasks of writing. It seems like the world thinks that the mechanical delivery of information in words and sentences should be boring, should be functional, should be simple and easy to understand.
I don’t mean to be pulling your reader’s mind in two directions at once, however. I need to stop confusing you with my onslaught of sentences full of contradictory and complex ideas. I should be more clear, more direct, and more to the point.
So here is my thesis, finally clearly stated; The magic of writing prose, it turns out, makes you the opposite of prosaic.
Simply stated; I am a writer of prose. I am too dumb about what makes something poetry to really write anything but prose. But I do know how to make a word-pile like this one that might just accidentally make you think a little more deeply about your writing… that is, if you didn’t give up on reading this three paragraphs ago. I find it useful to examine in writing how I go about writing and what I can do with it. I try to push the boundaries in directions they haven’t been pushed before. And hopefully, I learn something from every new essay I write. What I learned here is that I am prosaic. And that is not always a bad thing.
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