Category Archives: humor

The Waning of September

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The pool removal has finally begun.  As I write this, I can hear the machinery grinding away at the gunite.  And so, September has almost ended.  It has not been a good time.

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The world has been filled with the fetid orange-faced swamp monster in charge of our nightmare future raging against football players while an Asian nuclear baby Godzilla trades insults and threats of Armageddon with him as the sideshow.  My health has been seriously threatened by chest pains and breathing difficulties made worse by all the stress brought on by my battles with the city over the pool.  How many more years of this can the world actually withstand? How many more can I hold on to life and love and laughter?

But it is not over yet.  I can still write.  I can still laugh.  I can still make goofy WordPress posts with autumn leaves and regal fritillary butterflies to make me feel better.  And I can still put together novels that make stories worth telling.  That is enough for the moment.

Val in the Yard

 

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Stardusters… Canto 65

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Canto Sixty-Five – The Arboretum

Sizzahl and the two naked Morrells had moved to the arboretum’s central control panel to look at security programs.  Brekka and Lester, accompanied by the baby buds, were watching for anyone else who might enter.

“Can you find him on a security camera?” Alden asked.  “He has to be somewhere near.”

“I used the Telleron invisibility cloak to disappear.  My fake Uncle Makk couldn’t possibly know where I went.”

“No defenses are left?” Gracie asked.

“Well, the fake Uncle Makk did take the security robots out just like the real Uncle Makk would’ve been able to.”

“That doesn’t take any of the worries away,” said Alden.

“Sizzahl!” shouted Brekka suddenly. “look above you!”

As Sizzahl and the Morrells looked up, the armored lizard man dropped out of the ceiling supports from a hundred feet above.  He landed completely unhurt on the gravel walkway and stood up straight in front of Sizzahl.

“I told you I could track you,” Makkhain said.  Then he stabbed Sizzahl in the chest with his glittering knife close to where a human from Earth would have a heart.  The lizard girl grabbed the gushing wound and pitched forward into his arms.

“No!” shouted Alden, jumping at Makkhain from the left.

“You monster!” shouted Gracie from his right.

He simply kicked Alden into a senseless heap at his feet and knocked Gracie down with a sweep of his lizard tail.  He cradled the wounded and probably dying Sizzahl in his arms.

“What have I done?” Makkhain said aloud.

“I think you have killed me, Uncle Makk,” Sizzahl answered.  She closed her eyes and went limp in his arms.

“We are gonna kill you and eat you!” Brekka cried from the safety of Lester’s viney tendrils.  “Lester, I mean.  Lester is gonna eat you.”

“Maybe I can still save her.”  The lizard man pulled some kind of medical kit out of pants pocket.  He fished out some kind of aerosol spray and sprayed it into the gaping hole in Sizzahl’s chest.  Then he took some kind of electronic device the size and shape of the egg of an Earth chicken and pressed that against Sizzahl’s throat.  The silent lizard girl suddenly popped awake.

“Ah!  Why did you do that, Uncle Makk?  I was headed for my father and mother.  Now I am hurting terribly!”

“Stabbing you changed something in my head.  Tedhkruhz’s programming is no longer in control.  I now feel like your real uncle.  I now want to save you if I can.”

“First you kill me, and then you try to fix it?”

“I know I’m not physically your real uncle, Sizzahl.  But in my head, I am still your Uncle Makk, and I still love you more than any other Galtorrian I know.  Can you forgive me?”

“Of course I can.  But if I die, you have to promise to take care of this world of ours.”

Alden pulled himself groggily up into a sitting position.  Gracie went to him and put her arms around him.

“After what you did, you expect us to believe you are on our side now?” Alden asked with a glare that could melt frozen steel beams.

“No, naked little Skoog monkey, you don’t have to believe anything about me.  You don’t have the power to change anything.  You must rely on me for that now.”

“Please, save Sizzahl,” pleaded Gracie.  “No matter what it costs us.”

“I will.  And I won’t let it cost you anything.”

“No way am I ever trusting you again,” said Alden.

“Yes, I don’t expect you to.”

Brekka, Lester, and all the baby blossoms looked on with doubtful eyes… and doubtful blossoms that had no eyes, but somehow also saw.

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Mickey Makes Manga Art

I always loved this song.  When I was a boy, it was the song I would sing when I was alone in the darkness.  It made me feel better, able to march toward home in spite of potential spooks and brain-eating zombies.  The weight of the invisible future world could not drag me down if this tune was in my head, filling it with helium and good spirit; it allowed me to fly.

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And when I listened to it playing on the radio…  I always paused and listened to at least a couple of verses no matter what I was doing… I never once thought of Johnny Nash as a black man.  I didn’t know he was black until I first saw a picture of him.  But even then I didn’t think, “Oh, he’s a black man.”  I thought, “Oh, he’s a man like me.”  But, I, of course, am not black.  I’m not really white either.  I am a kind of pale pink to mauve mottled color with dark pink psoriasis spots in random places all over me. It is the man on the inside that is like Johnny Nash, full of uplifting things, and goofy grins, and… hopefully, hope.

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But when I was young it wasn’t only singing “I Can See Clearly Now…” in my goofy farmboy voice that filled my head with air and allowed me to float away from the troubles of the world.  I also learned to draw Manga style, in the tradition of Osamu Tezuka’s Astroboy , filtered through hours of practice copying Walt Kelly’s Pogo characters and various Disney cartoons.

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I copied the over-large eyes and big-headed cutsieness that informed the Japanese idea of the world after the atom bombs fell on Hiroshima and Nagasaki.  I tried to capture innocence and wonder and adventure in drawings that took my mind off the terrible things of my childhood, being sexually assaulted, the assassinations of JFK and his brother RFK, and Martin Luther King Jr, the Viet Nam War, and Nixon with Watergate.  You can reclaim innocence and peace of mind, if you get the lines just right, and the proportions are good, and the character has just the right expression on their sweet little faces.

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Okay, maybe not always so sweet and innocent.  This is not the Dorothy I would want to mess with.  This girl is cocky, sure of herself, and more than a little impish.  A destroyer of wicked witches, that one.

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But that’s what Manga Art is all about.  You whistle away the darkness one drawing at a time.  And there’s plenty of darkness to whistle away anymore, isn’t there?  What with Tronald Dump taking on the NFL over the American Flag and National Anthem, Tronald Dump taking on Jim Kong Oon in an insult war backed up by ICBMs, and Congress busily trying to take away all our access to health care.  (I know I misspelled some names there, but I am tired of talking about that guy that Dorothy told me I should call the “orange-faced poop sack.”  No, Dorothy, I can’t call him that.  Using language like that robs my head of its helium.)  So, what do I do now about the state of the world?  Well, here is the Manga Art I drew last night.

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Catgirl and White-haired Snow White with a ping pong ball in her mouth.

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David Mitchell is Genius!

Yes, David Mitchell is a very smart man… a very smart English man.  (That isn’t to say that his genius is any less genius than an American Genius.  Just that he is a genius who also happens to be English)

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And I, of course, don’t mean this David Mitchell either, though this David Mitchell is also a genius and also from England.  I have to tell you, though I have always loved British humor, this particular tongue of silver fascinates me enough to make me binge on hoards of old episodes of “Would I Lie to You?” from the BBC on YouTube.  He’s a quick-wit, Brit-wit, smooth-talking  bit-wit who can make you laugh even when he’s playing a thick-wit… which he is certainly not.

Anyway, that is the wrong English genius David Mitchell.

I mean the other English genius David Mitchell.  The one who wrote Cloud Atlas.  Also the one who wrote The Bone Clocks.  And, of course, the one whose book Black Swan Green which I just finished reading early this morning.

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Yes, I mean this David Mitchell.  The absolute genius writer who creates exactly the kind of books that I long to read.

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Now, this post should probably be more of a traditional book report than it is.  This book I just read is swimmingly, swannishly excellent in a David-Mitchell-is-GENIUS! sort of way.  It is about an English boy from Malvern, England undergoing the trials and tribulations of his thirteenth year of life.  The boy is a stutterer and secretly a poet.  The girl he pines for is the girlfriend of his greatest enemy, the boy who relentlessly bullies and taunts him.  One even suspects that this portrait of a Margaret Thatcher-era boyhood written in exquisitely horrible detail might be based on the author’s own boyhood somehow, so vivid is its detailing.

But this is already too cacked-up to be a proper book report just because of the two David-Mitchell-English-genius thing.  If you really want that sort of book review, read it elsewhere, or read the danged book yourself.  This report is more of a vow of fealty.  I must now turn my hoarding disorder sufferer’s exacting zeal on the matter of reading everything this living author writes.  I did the same thing to both Michael Crichton and Terry Pratchett because they are geniuses too.  But they are both now no longer living and writing new books, at least, not unless there is new meaning to the term ghost writing that I don’t know anything about.  So now it is David Mitchell’s turn to be the object of my intense fan-boy love of good writing.

Here are some David Mitchell books that I now must stalk and make my own;

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And hopefully, there are many more yet to come.

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The Secret Behind Poetry (a Poem about Poems)

Poetry is life

Like life, it is sometimes fat and over-gorged

Like life, it is sometimes lean and starving

Like life, it sometimes rhymes

But that is only simile

Simile is not reality

Reality is metaphor

Metaphor is life

Like life, it has to mean something

Like life, it has rhythm, pace, and resonance

Like life, it sometimes rhymes

But this one doesn’t rhyme

And it may not really mean something

And it certainly isn’t reality

So, poet, you don’t know life!

And life is poetry

So you really don’t know poetry

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Liars Run the Animal Farm

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Napoleon the PIG.

Napoleon the Pig makes himself ruler of the Animal Farm in Orwell’s 1945 book by lying about Snowball, his rival Pig, and blaming the destructive acts of the former human Farmer Jones on poor Snowball.  He is driven away from the farm by the farm dogs whom Napoleon has taught to think since they were puppies. This, even though Snowball was actually the hero of the animal rebellion that drove the humans away.  Collusion?  Perhaps.  But definitely a lie.  And the PIG Napoleon, once in power begins to keep all improvements to living conditions for the PIGs.  Other animals, he says, are happier with a simpler, hard-working life.  The PIGs begin to dress like men and walk upright and wear long red ties.

Keith Olbermann in the video is very much like Benjamin the Donkey, who is cynical and skeptical about Napoleon’s methods.  He also reads as well as any Pig.  When Boxer the workhorse is wounded defending the farm against neighboring farmers who attack and destroy the windmill, he shrugs off the the wound and works at rebuilding the windmill until he collapses.  Then Napoleon declares Boxer will only get better if he’s taken to the vet’s animal hospital.  But he calls the Knacker (the man who renders dead horses into glue) to take Boxer away.  Benjamin calls him out.  He points out that it says “Knacker” on the van that takes Boxer away, not “veterinarian”.   He points out that Russian Facebook trolls used targeted troll-posts to help get Napoleon his position of power.  But Napoleon gets away with his lies.  Boxer apparently dies in the so-called animal hospital.

Now, I am not sure which tiny animal on the farm Robert Reich is like, but he is pointing out in this video that once the PIGS got themselves into power on the animal farm, they lie in order to get their agenda operating, enriching all PIGs (or is that GOPs?) and their political donors.  They are doing it all by LYING.  Pigs lie.  We should have learned that lesson by now.  They don’t care who dies and gets rendered into glue.

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In 1945 Orwell intended Napoleon to be a satire of Joseph Stalin in communist Russia.  But I truly believe, as we are living on the Animal Farm now as the hard-working farm animals, that he has a bad wig on his head with whippy straw-yellow hair, and a distinctly orange face, with the same little piggy eyes he always had.  And he is in power because he tells lies.  And what’s worse, he gets away with the lies.  As long as the PIGs are in power, controlling both houses of congress and the Supreme Court, he will not lose his lying grip on the farm.  We are all doomed to continue being hard-working animals who eventually get rendered into glue.

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Stardusters… Canto 64

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Canto Sixty-Four – The Ruins of Tanith and Davalon’s Nesting Quarters

Farbick led his small band of rebels into the gaping hole the forward stabilizer arm of the Bonehead had cut into the side of the bio dome.  The wreckage inside the building was pretty extensive.

“You really think we can stop the Senator?” Stabharh asked Farbick from directly behind the Telleron leader of the rebels.

“We can if we can convince more of his crew to join us in resisting his mad planetary death wish.”

“That’s going to be pretty hard.  Senator Tedhkruhz is extremely evil and his men are mostly very weak minded.”  Slahshrack was a real ray of sunshine in the gloom of the situation.

“We have to try,” said Starbright, “otherwise your species and your planet will be extinct.”

“Wait a minute, what’s this?” Farbick said, hearing a moan in a rubble pile and noticing a slight movement amidst the shattered concrete shards.

With Stabharh’s help he and Starbright began un-piling the stones, and soon two small Telleron bodies were revealed.

“Davalon!  And is that Tanith with you?”

Davalon was holding Tanith tightly in his arms.  The tadpoles were both bruised and bloodied, but technically still breathing.

“Can either of you still talk?” Starbright asked.

“A… a little…”  Davalon was obviously wearied by the effort.

“What are you doing here?” Farbick asked. “You tadpoles should all be safe on board the mother ship.  Why would Xiar send you here?”

“He… ah, didn’t.  We took a wing without permission and came to help this world survive.”

“We… ah, didn’t know we were doing that last part when we… ak, set off on the adventure,” Tanith said with a painful wince.

“You both have extensive injuries.  We have to get you both to someplace safe where you can hibernate and recuperate,” Starbright said.

“Do you know what this place is?” Farbick asked, since the tadpoles had apparently been in the place for a while.

“Yes… ouch… it’s a science facility where they are trying to restore the atmosphere of the planet and create new viable… ahg!…food sources.”  Davalon was in quite a lot of pain.

“So scientists survived?” asked Stabharh, quite surprised.

“One,” answered Tanith.  “A little Galtorrian girl named Sizzahl.  But she’s… oof!… a very intelligent little girl.”

“She’ll be the reason Tedhkruhz came here,” said Stabharh.  “He means to slay anyone and everyone who might be smart enough to bring this planet back to life.”

“We have to stop him,” Farbick said.  “Where do you suppose he is now?”

“I don’t know,” said Stabharh, “and I have no idea how to find him.”

“When I was a little lizard,” said Slahshrack, “I would turn to the last chapter of the book and read ahead to find the answer.”

“We can’t do that here, stupid,” said Stabharh.  “This is real life, not some idiot fiction book!”

“Yeah, too bad about that, huh.”

*****

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Fauns

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Fauns originate in Greek mythology as forest spirits, sensual, playful, and infused with the energies of the natural world.  They are followers of Pan, the god of the forest.  They are hedonistic, seeking sexual gratification from nymphs and human girls, loving wine and feasting.  They are not the same things as satyrs, though Roman mythology would come along and squeeze them both into the same mold.

So, why am I, a boy from Iowa of distinctly German ancestry, so fascinated and obsessed by fauns in art and literature?

The answer is both goofy and creepy.  I have a faun of my own.  He lives with me as an invisible friend.  His name is Radasha.  He is Harvey to my Elwood.  (That’s a Jimmy Stewart movie reference if the twists and turns of my mind confuse you.)  Just like the fauns of mythology when confronted with travelers and wanderers, he sometimes helps with guidance and advice, and he sometimes does me mischief with ridicule and wicked tricks.

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My theory for why my convoluted psyche has need of invisible companions goes back to the fact that I was sexually assaulted when I was ten.  That is why Ra is basically a ten-year-old boy with the legs, tail, and horns of a goat.  He is the sexual/sensual part of me that got split off from my inner self by that traumatizing event.

Being a child-victim can do terrible things to a boy.  It seriously interfered with my blossoming interest in girls.  It turned me from an inventive, out-going leader of the gang into a quiet and somewhat timid introvert.  I repressed the memory of the actual event, more of a torture-situation than seduction, so that the real psychological damage of it occurred at the subconscious level.  I began to worry that I might be gay.  I began to seriously loathe myself and my own body.  I went so far as to burn myself on my lower back by lying against the furnace grate in order to repress desires I felt were evil.’

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Radasha showed up at my bedroom window late one snowy night when I was about seventeen years old.  He began talking at me, making fun of me for being terrified of girls, and encouraging me to risk being naked more.  He wanted me to enjoy the idea of sex more and shy away from it less.  In some ways, he kept that part of me alive.

Of course, I made myself familiar with the mythological creature Radasha obviously was.  I read everything I could about it.  I even acquired a copy of Nathaniel Hawthorne’s The Marble Faun and read it with great fascination even though the prose was dense and archaic.  I realized that I wasn’t alone in using fauns as an artistic expression of the repressed sensuality that constantly consumed me.  Ra was there to needle me and encourage me, to lead me to learn how to better like myself.

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I know by now most readers will have given up on this post already, put off by bizarre self-analysis of my rather atypical case of abnormal psychology.  But being naked more is apparently part of faun-therapy.  At Ra’s insistence, I am making myself more psychologically and metaphorically naked by revealing these things here in a blog that mostly nobody reads anyway.  And naked fauns in my artwork are a definite thing that merits exploration.  So if you have actually read this far through this mythological mold spore of an essay, you now know about as much about me as I know about myself.  And you will probably do just as I do.  You will shake your head and continue to wonder how any one old guy can be quite so weird.

 

 

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D&D the Robert E. Howard Way

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The idea for this post is to illustrate with covers from my own collection of books and comics.

Robert E. Howard, for those of you who like the stories but never look for the name of the author, is the young Texan who created Conan the Barbarian.  I say “young” because, although he was born in 1906, he died in 1936 at the age of 30.  And this young man created not only the iconic hero of the epic sword and sorcery genre of fiction, but basically founded the genre itself.  He definitely laid down the basics of it as a pattern for all others to follow.  Including the players of the sword and sorcery Dungeons and Dragons game.

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For D & D players the primary influence of all this is the Conan method of problem-solving.  “If you are confronted with a complex problem, a life and death problem, whack it with a sword until the problem is solved.”  This is the source of fascination for players with the fighter character; the warrior, the paladin, the knight, or the barbarian.  Superior physical prowess gives the individual control over so much more than he or she could ever be in control of in real life.  (And stop making that face while reading this.  Girls do play Dungeons and Dragons too.  I’ve seen it happen in school and with my own daughter.)

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And for the story-teller, also known as the game master or dungeon master, this can be a very good thing.  The sense of power  extremely high strength and endurance scores provide get the character strongly addicted to the hack and slash style of play, allowing you to teach all kinds of timely morals to the story about the need to use your brain and your creativity once in a while as well.

Conan was a brute and a slayer.  But he is perceived as a good guy because he was also capable of standing up for the little guy, righting wrongs and protecting others from powerful evils.  Conan had empathy, if not love, for others, and exhibited truly magnificent levels of the power to sacrifice self for the good of others and the general well-being of the weak.   As game master, all you need to do is add a vulnerable character to the party that needs some protecting in the fantasy game world.  It helps if that character has a good sense of humor, useful knowledge to offer, or cuteness to offer in return for the protection.  But even that is not required.  D & D players learn to wield power in ways that benefit others.  The Spiderman thing, you know; “With great power comes great responsibility.”  It is a lesson about life that many non-D & D players also really need to learn in their youth.

The Robert E. Howard way does not always work out so well for wizards.  Conan hated magic and wizards.  He whacked wizards even harder than he did other bad guys.  But that is generally assumed to apply to evil wizards.  Conan sometimes appreciated having a wizard on his side.

But the basic conclusion is this; there is a brutal, barbarian way to handle problems in real life as well as in Dungeons and Dragons life.  And it would be much better for everyone if people learned the right way and the wrong way to use it in the game world before the choice has to be made in the real world.

 

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The Man in the Mirror

Every now and again we have to stop what we are doing for a moment and examine ourselves.  If we are writers, we tend to do it every fifteen minutes or so.  You have to expose the soul to the light of day for a moment and take a look with eyes wide open, prepared to see the worst… but also open to seeing beauty where you may not have seen it before.

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So what do I see when I look in the mirror?  More darkening age spots, more patches of psoriasis with increasingly red and irritated potential infections.  Drooping eyes that have lost their sparkle and now darken with blue melancholy.  I see a man falling down.  Falling slowly, but falling never-the-less.  It happens to everybody with age.  I can no longer do the job I loved for 31 years.  I am no longer the goofy Reluctant Rabbit with the big pencil in the front of the classroom, telling stories and making learning happen.

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Once I was a big deal to little people.  Once I created magical experiences involving books and great authors, poems and great poets… and I taught little people how to write and master big words.  I mattered like a big frog in a small pond, able to make the biggest splash in that particular pond.  I was the froggiest.  But I haven’t drawn myself as a frog yet.

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Of course, I was never as big as that other Michael.  He made a really big splash in a really big pond.  He was a really big frog.

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He and I have a lot in common.  Not far off in age.  We got married about the same time.  Both had three kids, two boys and a girl.  Both were associated with Jehovah’s Witnesses at one point.  Both of us never really grew up.  He had Peter Pan Syndrome, and I stayed in school my whole working life.

And everybody has a dark side, in counterpoint to their better angels.  I’m not entirely sure what my dark side entails.  Being a grouch?  A diabetic?  A closet nudist?  But I have one.  I trot it out to make fun of it constantly.

But as I was feeling sorry for myself, being forced by the city to remove the pool, becoming a bankrupt poor guy thanks to Bank of America, and generally in such ill health that I feel like I am wearing a lead suit all the time, I stumbled across one of those life-affirming moments.  A former student asked me on Facebook to post a picture of myself so he could see how I was doing.  I posted this picture.

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Yep, the man in the mirror is definitely me.  I got loads of complements and howdys from former students, former colleagues, a former grade school classmate, and my Aunt Wilma.  I heard from people I care about and they reaffirmed that they still care about me, even though some of them I haven’t seen in more years than I am willing to admit.  Sometimes you have to look in the mirror to see what needs to be changed.  Sometimes you just need to see the precious few things that were always good and haven’t changed.  It is a process worth the effort.

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