Adagio 3 – Homo Lupines

It was during the founding years of the Galtorr Imperium that genetically altered mutates, more commonly called “Freaks” were created in the laboratories of Faulkner Genetics. The lessons of Dr. Frankenstein were completely lost on those poor doody-heads. Most artificial races were created to fill very specific slots in the colonial plan. They first got away with monster making in the forgotten past. When the Galtorrian lizard people and the Earther primates were both struggling to make their way into space, they somehow managed to splice their genomes together to make one race that had the worst qualities of both. This melded race, of uncertain origin, is probably the fault of early Earther explorers who found the Galtorrian homeworld, and scared out of their pants by the warlike reptilians, began crazy-mad experiments the way witless Earth humans do. Having a mutual genetic link in the Galtorrian Lizard-Men meant that both the Galtorrs and the Earthers could feel like part of one people. Well, that was the big idea, anyway. These masters, though, having established an artificial ruling race, soon found use for slave races.
They created the tiny, elfin Peris of the planet Djinnistan to do immense computations in their overlarge heads with an edge of extreme creativity. The winged Eagle-men, also of Djinnistan, were used for jungle warfare and air patrol duty. They created the simian Security Beasts of the planet Karridon for obscure reasons, something about the Earther obsession with gorilla-like monkey violence. Even the speedy Longlegs of the planet Nestor’s Palace were not a natural race and kept as work slaves.
Some science geek (not like me, I’m a nerd rather than a geek, I have never eaten a light bulb) in the days of the Gene-Splicer Renaissance thought it was a natural idea to combine the genes of Earth men with the genes of Earth dogs. They reasoned that since dogs were man’s best friend, they would make a race of friendly, loyal dog-men. They could then be their own best friends! What a stupid concept! They overlooked the fact that all dogs on Earth originated from wolves. Wolves, if you didn’t already know, get hungry enough to eat you.
With my handy telescope I saw the Lupin Rebellion. Waves of wolfmen turned on their masters and stole spacecraft and weapons. Blood was shed as they threw off their collars and turned to wolf-pack piracy among the stars. They were carnivores and totally uncontrollable.
The furry man-wolves formed fleets of corsair raiders known collectively as Stardogs and laid waste among poorly protected colonies. Then, during the Second Unification War the Galtorr Jihad launched their war fleets against Stardog colonies and outposts, nearly making the Homo Lupines race extinct. The Galtorrian hero, Sir Echo Saurol, had every intention of wiping them out like fleas in a flea-powder factory. Only the Lupins who fled into deep space survived the wrath of the Galtorrians.
The first Aero-base, the sentient starport called Frieda, had originally been a Galtorrian Exploration Command Center. A surviving pack of Lupins and Stardogs descended upon it and slew everyone in the planetary command before fleeing further into the unknown. It had, however, been 329 years since the attack when the Aero brothers landed and claimed the base. They knew nothing of the Stardog Freaks and their Lupin Rebellion. All Ged knew was that Lupins were a creature he had hunted before, a very intelligent and dangerous creature to hunt. Soon both brothers would learn more than they ever wanted to know about Lupins, especially the one that had been marooned on the Don’t Go Here Grange station.















Ged Aero was the player character of one of my favorite kids. He was a psionic shape-changer who could transform into other animals, space creatures, and alien beings. He became so powerful that he naturally inherited the job of leader of the Psionics Institute, a criminal teachers’ union that taught psionic skills to psionically talented kids. It was a criminal organization because the semi-fascist government of the Third Imperium had made psionics illegal. He gathered students and taught them to use their powers for good. The students were all non-player characters to start with, but as new kids from school wanted to play the game too, and player characters were needed, the students of Ged’s psionics dojo became player characters.








Finding My Voice
As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies. The novel is written in third person viewpoint with a single focus character for each scene. But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.
Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.
In Canto Two, Valerie Clarke, the central main character of the story, is the focus character. Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head. Canto Three is focused through the mind of Trailways bus driver Ed Grosland. Canto Four focuses on Sheriff’s Deputy Cliff Baily. And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane. Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.
The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.
That kind of fractured character focus threatens to turn me schizophrenic. I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them. How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people? Especially when some of your characters are stupid people with limited vocabularies and limited understanding?
The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.
I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself. That is considerably less schizophrenic than the other book. But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.
The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view. That is even more of an exercise of losing yourself inside the head of a character who is not you. One of the first person narrators is a girl, and one is a werewolf. So, I have really had to stretch my writing ability to make myself into someone else multiple times.
I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world. But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.
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