Yes, I am saying the world I live in is a low-budget commercial movie made without literary or artistic pretensions. You know, the kind where movie makers learn their craft, taking big risks with smaller consequences, and making the world of their picture reflect their heart rather than the producer’s lust for money.

Mostly what I am talking about are the movies I remember from late-night Saturday TV in black and white (regardless of whether or not the movie was made in Technicolor) and the less-risky as well as more-likely-good Saturday matinees on Channel 3. Movies made in the 1950s, 1960s, and early 1970s. They were perfect, of course, for the forbidden Midnight Movie on the show called Gravesend Manor. I had to sneak downstairs to watch it on Saturday nights with the volume turned way down low. (Not that Mom and Dad didn’t know. Well, maybe they didn’t know how many of those I watched completely naked… maybe.)

I watched this one when I was twelve, late night on an October Saturday. I had a bed-sheet with me to pull over my head at the scariest parts. Frankenstein was a crashed astronaut brought back to life by the magic of space radiation. He was uglier than sin, but still the hero of the movie, saving the Earth from invading guys in gorilla suits and scary masks (none of which looked like the movie poster.)

This one, starring James Whitmore, a really good B-Movie actor, was about giant ants coming up from the sewers and the underground to eat the city.
I would end up watching it again twenty years later when I was wearing clothes and not alone in the dark house lit only by a black-and-white TV screen.
I realized on the second viewing that it was actually a pretty good movie in spite of cheesy special effects. And I realized too that I had learned from James Whitmore’s hero character that, in times of crisis, you have to run towards the trouble rather than away from it, a thing that I used several times in my teaching career with fights and tornadoes and even rattlesnakes visiting the school campus looking to eat a seventh-grader or something (though it was a bad idea for the snake even if it had been successful.)

This one, of course, taught me that monsters liked to carry off pretty girls in bikinis. And not just on the poster, either. But it was the hero that got the girl, not the monster. This movie taught me that it sucks to be the monster. Though it also taught me that it was a good movie to take your pajamas off for and watch naked when you are thirteen.

But not all B-movies had to be watched late night on Saturdays. This movie was one of the first ones that I got to go to the movie theater to see by myself. (My sisters and little brother were still too young and got nightmares too easily to see such a movie.) It came out when I was in my teens and Mom and Dad began thinking of me as an adult once… or even possibly twice in a month.

And not all B-movies were monster movies, gangster movies, and westerns. Some, like a lot of Danny Kaye’s movies, were movies my Dad and my grandparents were more than happy to watch with me. I saw this one in both black-and-white and color. And I learned from this that it was okay to take advantage of happy accidents, like a case of mistaken identity, and using your wits, your creative singing ability, and your inexplicable good luck to win the day for everybody but the bad guys armed only with your good sense of humor.

And some of the best movies I have ever seen, judging by what I learned about movies as literature from Professor Loring Silet in his Modern Film Class at Iowa State University, are by their nature B-movies.
I am using movie posters in this blog post only from movies I have personally seen. (And I admit that not all of them are strictly “good” movies according to Professor Silet, but I like them all.)
Feel free to tell me in the comments if you have seen any of these movies yourself. I am open to all opinions, comments, and confessions.










I live in a B-movie world. The production values around me are not the top-dollar ones. But the stories are entertaining. The real-life heroes still run towards the problem. And it still sucks to be the monster. But it has always been worth the price of the ticket. And during my time on Earth here, even in 2020, I plan on staying till the end of the picture. I go nowhere until I see the Best Boy’s name in the end credits. And maybe not even then.
































The Return of Muck Man
Since I have so far miraculously survived the 2020 pandemic, I have nothing better to do then to relate the whiff-a-typical story of the world’s smelliest superhero as he makes his semi-triumphant return to the public eye… like a horrific mud-ball to the face.
If you recall the newspaper accounts of mild-mannered reporter Dark Bent, or even if you don’t, we recall that Muck Man was put into a community-imposed exile until such time as he would actually take a bath with soap and water. Being unable to find soap and water that was even willing to get within a quarter mile of him, MM started with sand baths in Death Valley until he was finally able to sand-blast away the outer hard crust of his personal odor.
You need to remember too at this point that MM’s super power is olfactory based. He alone among heroes had a personal stench so powerful that criminals would swoon into a coma at the mere mention of his name.
But after significant sand-baths, and once that horrific outer layer was gone, the water spirits were unable to determine who MM really was, and so allowed him to bathe in Lake Michigan where the water’s own funkiness managed to partly hide MM’s rancid smell. His super-scent finally hidden in the folds of Lake Michigan’s highly-polluted, almost water-like contents, MM’s country-encompassing foulness no longer was detectable to MM’s arch-nemesis.
Meanwhile the nefarious villain known as the absolute pinnacle of oleaginous corruption, the Monkey King, had hidden his swamp-monstery monsterness in the swamps of Washington D. C. where they were barely discernible in the midst of swamp gas and elephant ideas. His plan to take over the USA was going swimmingly. The Pachyderm Party was uniformly aligned behind him ready to blanket the countryside with toxic elephant poo. And, believing that if they could hold onto power long enough for elephant poo to fossilize into stone, they planned to dominate everything forever.
So, in secret, in his newly smell-reduced Muck Lair, Muck Man began planning the greatest stink-assault ever launched.
“But wait just a second, Dad!” cried Muck Lad. “You will be defeated again if you don’t come to the realization that your super-power and his super-villain’s power are really the same power. You can’t fight stink with stink.”
“Well, then, how do you defeat a super-evil super-villain with super-stink power coming out of his mouth directly from his very good brain?”
“Well…” said Muck Woman (who insists she is Muck Woman, NOT Muck Girl, even though she’s MM’s daughter) “You don’t fight fire with fire… you have to use water. So, get almost-squeaky-clean Uncle Joe B. to hold a convention before his about how the next president should help the country come out of the pandemic with fewer additional deaths and help the economy to recover by taxing the people who can afford to fix the problems, and let the American public compare it to the Monkey King’s elephant-poo festival. That way the villain can practically defeat himself.”
And so, according to mild-mannered reporter Dark Bent, that’s what Muck Man did to defeat the super-villain again. This time without generating a super-stench. And hopefully that will lead to a less-smelly world.
“But…” complained Muck Man, I was left holding on to the the world’s largest weaponized super-fart. And it exploded in my pants. Now, I have to live with consequences.”
” At least we can take comfort in the fact that Mickey is somehow still alive. And a cleaner world is better for all of us.” proclaimed Muck Woman.
Leave a comment
Filed under comic book heroes, commentary, humor, Paffooney