My wife brought treasure back from the Philippines for my kids and me. She spent over a thousand Filipino pesos at a book store over there and apparently bought out the store’s entire supply of “How-to-Draw-Manga/Anime” (though the amount she spent is not so impressive when you realize the exchange rate for a Filipino peso is .025 of an American dollar). Anyway, I happen to love the Japanese anime-style cartoons. I have since I was a kid in the 60’s watching Astroboy in black and white on the old Motorola TV set. So, just as you would expect, I had to go on a drawing binge, copying ideas from the books, but putting my own spin on them.
It is not the first time I have gone on anime-drawing binges. Let me provide some proof of that from past posts;
This is an art exercise, making a drawing imitating the manga style of Rumiko Takahashi, the greatest female comics artist of all time.
This is a second shameless plagiarism and imitation of Rumiko Takahashi by Mickey the Manga Wannabee.
So, there’s my original content for today. The day after the 4th of July, I am celebrating one of the ways that Japan conquered the United States after World War II. Yes, manga-style cartoons have far more kids carefully copying a cartoon style with big, cute eyes than probably ever tried to draw like Walt Kelly or Al Capp.
This is an art exercise, making a drawing imitating the manga style of Rumiko Takahashi, the greatest female comics artist of all time.
This is a second shameless plagiarism and imitation of Rumiko Takahashi by Mickey the Manga Wannabee.
Yesterday I used a Paffooney I had stolen to illustrate my gymnasium adventures, and in the caption I gave credit to the wonderful comic artist I shamelessly copied it from. The second imitation Takahashi that I did yesterday is now displayed next to it above. I am now compelled to explain about my goofy, sideways obsession with Anime and Manga, the cartoons from Japan. I love the art style. I have since I fell in love with Astroboy Anime as a child in Iowa. Rumiko Takahashi is almost exactly one year younger than me. As a cartoonist she is light years more successful than me. She has been crafting pen and ink masterpieces of goofy story-telling longer than I have been a teacher.
Her artwork is a primary reason I have been so overly-enamored of the Japanese Manga-cartoon style. I love the big eyes, the child-like features of even adult characters, the weird poses and still-weirder comic art conventions of this culture from practically a different planet. She has created comic series that are immensely popular in Japan, and have even put down sturdy roots in this country, especially with young adults since the 80’s. She is the world’s number one best-selling female comics artist.
Just as we Westerners have to accept numerous ridiculous things to appreciate the stories told in American comics (for instance, brawny heroes running around in tights with their underwear on the outside of their pants, nearly naked ladies with super powers diving into battle next to men encased in armored suits, and talking animals), the Manga-minded must also practice a bizarre form of the willing suspension of disbelief. In Ranma 1/2, the main character is a boy marshal artist who turns into a girl when splashed with cold water. Much of the romantic comedy of that work revolves around boys and old men finding themselves in the bath house next to naked young girls. For some reason that sort of naked surprise causes the boys to spout fountain-like nosebleeds. In Inu-Yasha the whole thing is about fighting demons with swords. Inu-Yasha himself is part demon. Apparently part-demon is a good thing to be. Japanese villains are spectacularly susceptible to fits of crying rage and tantrums. And everybody looks more like American white people than orientals. Oh, and there are talking animals.
Rumiko is a master of pen and ink. Here is a sample of of her black and white work.
And she does color well too.
The little people are a special style of Manga character called a Chibi, and all regular Manga characters can turn into one at any moment.
And, of course, to read actual Manga you have to master reading backwards. Americans read left to right. The Japanese read right to left. You have to open a Japanese book in a manner that seems both backwards and upside down.
This illustration shows how American publishers flip Japanese comics to make them more accessible to American audiences.
So now, by uncovering the fact that I am addicted to and seriously affected by Japanese cartoons, you have one more bit of evidence to present to a jury in case you decide Mickey needs to be locked up and medicated for a while. Japanese comics are a world of great beauty, but also a world unto themselves. It is an acquired taste that has to be considered carefully. And of all the many marvelous Manga makers, Rumiko Takahashi is the one I love the best.
Bobby brought the drowned body of Little Bob into the kitchen. He had carefully wrapped it in a rag that was in the clean pile where his dad kept the rags for working on the tractor.
“Oh, no! What happened?” Mom put her dish towel down on the edge of the kitchen sink.
“It’s Little Bob,” said Bobby.
“The turken with the black feathers on the top of his head?”
“Yeah, I found him in the horse trough. He was already drowned.”
“So, no mouth to mouth to save the stupid thing, huh?” said Dad from where he sat at the kitchen table reading the Mason City Globe Gazette from yesterday.
“Todd, don’t joke like that. It’s morbid.”
“I’m sorry, Sandy. I should be more respectful of the mutant turkey-chicken.”
At that moment, Grandpa Butch wandered into the kitchen from the den. “So, another chicken dreamed of being a penguin and drowned himself, huh?”
“Dad, don’t joke like that. It’s the turken we named after Bobby, Little Bob.”
“Oh, sorry, Bobby.”
Bobby smacked his forehead with the palm of his hand. The sense of humor in this family was genetic. And probably a mutant gene at that. Bobby could grow up to be an X-man… Bad-Joker Boy, or something like that. Paralyzing criminals with stupid jokes.
“How did the stupid chicken come to be in the horse trough, do you think?” Grandpa Butch asked.
“Well, Horatio thinks it might be a rat that chased the stupid naked-necked chicken in there,” answered Bobby.
“Old Horatio talks now, does he?” asked Grandpa. Horatio, on hearing his name, padded over to Grandpa for a good scratching behind the ears. Grandpa had originally bought Horatio as a puppy almost fifteen years ago now.
“You mean he’s still talking,” said Dad.
Grandpa Butch laughed at that. He looked down at the old collie dog that he was scratching on. “So, you can talk now? Who’s a smart boy, then?”
“Bobby is the smart boy,” said Horatio. “He’s the only one in the family who knows I can talk.” Of course, no one but Bobby heard him say that. Everybody else heard something like, “HROWLWrrrrrUmmmph…” and then followed up by slobbering noises.
“Horatio and me will use Horatio’s detective skills to find and execute that murdering rat.”
“Horatio is a detective too, is he?”
“Sure, he is… Horatio T. Dogg, super sleuth!
“Wow. Last name and everything. What does the T. stand for?”
“It stands for the word THE. And Dogg is with two G’s at the end.”
“Well, isn’t that something?” Old Butch Niland smoothed down the hair on the back of Horatio’s neck. “But don’t be surprised if this old boy doesn’t have the get up and go it takes to track down and eat any old criminal rat. His best rat hunting days are in his past.”
“But he’s still a pretty good old boy, isn’t he?” reminded Dad.
“Being old means I am definitely not a boy!” said Horatio. Though nobody but Bobby heard him say it.
Well, the lab said it was not Covid. It was not even the flu. Apparently Number Two Son just had a very bad cold. And I am pretty sure I have only got what he has. Same symptoms, but started two days later. So, I don’t even have to worry about going in for a Covid test.
This post, it turns out, is number 3,002 on this blog. The milestone post is the second one from yesterday.
I am juggling three books at once. I am writing another novella, Horatio T. Dogg, Super Sleuth which I am now using for Tuesday posts. I am editing AeroQuest 4 : The Amazing Aero Brothers, getting it ready for publication. And my main work in progress is He Rose on a Golden Wing, in which I am on rough draft chapter… er, Canto 6, though I’m not dead certain since I stopped numbering them and am simply citing classical music pieces to signal each new section of the story. The idea being that the reader should listen to that specific music while reading that section, just as I listened to it while writing the first draft.
That’s basically what all of life is… random silliness… God being Goofy… “Hyuck!”
But it is not really totally random. Rather, Goofy is off-kilter and meandering, but blessed with an overall pattern. And when he is a clock-cleaner and gets bonged on the noggin by a construction beam, he doesn’t step off the edge and fall to his death; he magically steps from suspended beam hanging from the construction crane to the next one and the next one hanging forever in mid-air.
We merely tumble endlessly through life as if it were a screwball slapstick comedy with moments of real grief and real pain and real love sandwiched in between the slices of your daily bread that you have probably prayed for… at least at some point in your life.
This illness that struck while wife and daughter were away had the side effect of preventing me from visiting the nudist park on Saturday where I had hoped to meet more nudists and do a bit of research for future nudist tales. So, I guess that was probably the reason God struck us with Apollo’s Arrow of Illness. The whims of Heaven are ever inscrutable. At least until I figure out how to responsibly “scrute.”
But however life proceeds from this particular place in time and space, it has turned out better than it might have otherwise. I am not saddened or forlorn due to this outcome.
“My name is Michael Beyer, and I am an amateur cartoonist.”
“Hi, Michael!” says the entire group of CA group-therapy participants.
(CA stands for Cartoonists Anonymous.)
Doofy Fuddbugg
“I have to admit, I am guilty of giving in to the urge to draw cartoons. I know how it can fill lives with slapstick pain and derisive laughter, and I give in to the urge anyway.”
“So, what did you draw that you have to be ashamed of now?” asked one mad-eyed cartoonist with a pencil lodged behind each of his large ears.
“I made a very unfortunate video to post on YouTube that was supposed to be How-to-draw Cartooning. But everything went wrong. You couldn’t see my drawings in the video. It was not adequately lit. I look like a doofus (which probably can’t be cured) in the video. And instead of thinking twice or editing it, I posted it anyway.”
“Wow!” said a rather ugly cartoonist lady, “that is really bad. You have a seriously bad case of cartoonity.”
“Cartoonity?” I responded stupidly.
“The condition of needing love for your cartoons so bad that you will risk anything to make people look at them and like them,” said the wise group therapist (who looked an awful lot like Chuck Jones, though I am fairly sure Chuck Jones is now dead).
“Yes, I suppose that’s about the size of the problem,” I said. “I have been posting pages from my graphic novel, Hidden Kingdom, and I really haven’t seen more than one comment about it. Do people actually read cartoons and comics nowadays? Or is it just me that gets ignored?”
“You have to focus on how much you love drawing and doing it just for that reason, and nothing beyond that,” said the wise therapist. “Cartooning should be done for its own sake, and nothing more than that. Craving attention and approval for it can get seriously infected and become a bad case of cartoonititis. How do you think I dealt with it when I was still alive?”
At that point, my eyes popped out of my head in disbelief and my lower jaw fell all the way to the floor. Could he really be…?
And so I must end today’s blog post since it is hard to keep typing when your eyeballs are rolling around on the floor.
The case has been made in an article by John Welford (https://owlcation.com/humanities/Did-King-Henry-VIII-Have-A-Genetic-Abnormality) that English King Henry the VIII may have suffered from a genetic disorder commonly known as “having Kell blood” which may have made having a living male heir almost impossible with his first two wives. The disorder causes frequent miscarriages in the children sired, something that happened to Henry seven times in the quest for a living male heir. If you think about it, if Henry did not have this particular physical conflict at the root of his dynasty, he might’ve fathered a male heir with his first wife, Catherine of Aragon. Then there would’ve been no opening for the machinations of Anne Boleyn. It follows that Elizabeth would not have been born. Then no Elizabethan Age; no sir Francis Drake, Spain might’ve landed their armada, no Church of England, possibly no William Shakespeare, and then Mickey would never have gotten castigated by scholars of English literature for daring to state in this blog that the actor who came from Stratford on Avon and misspelled his own name numerous times was not the author of Shakespeare’s plays.
History would’ve been very different. One might even say “sucky”. Especially if one is the clown who thinks Shakespeare didn’t write Shakespeare.
Conflict and struggle is necessary to the grand procession of History. If things are too easy and conflict is not necessary, lots of what we call “invention” and “progress” will not happen. Society is not advanced by its quiet dignity and static graces. It is advanced and transformed by its revolutions, its wars, its seemingly unconquerable problems… its conflicts.
My Dick and Jane book, 1962
Similarly, a novel, a story, a piece of fiction is no earthly good if it is static and without conflict. A happy story about a puppy and the children who love him eating healthy snacks and hugging each other and taking naps is NOT A STORY. It is the plot of a sappy greeting card that never leaves the shelf in the Walmart stationary-and-office-supplies section. Dick and Jane stories had a lot of seeing in them. But they never taught me anything about reading until the alligator ate Spot, and Dick drowned while trying to pry the gator’s jaws apart and get the dog back. And Jane killed the alligator with her bare hands and teeth at the start of what would become a lifelong obsession with alligator wrestling. And yes, I know that never actually happened in a Dick and Jane book, except in the evil imagination of a bored child who was learning to be a story-teller himself in Ms. Ketchum’s 1st Grade Class in 1962.
Yes, I admit to drawing in Ms. Ketchum’s set of first-grade reading books. I was a bad kid in some ways.
But the point is, no story, even if it happens to have a “live happily ever after” at the end of it, can be only about happiness. There must be conflict to overcome.
There are no heroes in stories that have no villains whom the heroes can shoot the guns out of the hands of. Luke Skywalker wouldn’t exist without Darth Vader, even though we didn’t learn that until the second movie… or is it the fifth movie? I forget. And James Bond needs a disposable villain that he can kill at the end of the movie, preferably a stupid one who monologues about his evil plan of writing in Ms. Ketchum’s textbooks, before allowing Bond to escape from the table he is tied down to while surrounded by pencil-drawn alligators in the margins of the page.
We actually learn by failing at things, by getting hurt by the biplanes of an angry difficult life. If we could just get away with eating all the Faye Wrays we wanted and never have a conflict, never have to pay a price, how would we ever learn the life-lesson that you can’t eat Faye Wray, even if you go to the top of the Empire State Building to be alone with her. Of course, that lesson didn’t last for Kong much beyond hitting the Manhattan pavement. But life is like that. Not all stories have a happy ending. Conflicts are not always resolved in a satisfying manner. A life with no challenges is not a life worth living.
So, my title today is “Conflict is Essential“. And that is an inescapable truth. Those who boldly face each new conflict the day brings will probably end up saying bad words quite a lot, and fail at things a lot, and even get in trouble for drawing in their textbooks, but they will fare far better than those who are afraid and hang back. (I do not know for sure that this is true. I really just wanted to say “fare far” in a sentence because it is a palindrome. But I accept that such a sentence may cause far more criticism and backlash than it is worth. But that is conflict and sorta proves my point too.)
Some of the drawings and paintings I do, I do because they make me happy. I know it’s more noble if I do it to make you, the viewer, happy. But part of making art is that you are making it for your own needs. Art is therapy. Often, art is love. This picture of Shannon (not her real name) makes me happy. She was a student I loved, (only in the legal, Platonic sense.)
This one makes me happy. I drew it on a day I needed to laugh. And I laugh a little even now when I look at it.
This one is also a smirkable smirk-maker.
I drew this on a day when I was lonely.
This one tickles me on many levels.
These Telleron, temporary Martians helped me start my publishing career with the publication of Catch a Falling Star.
…
…
…
And pretty girls can make me happy too.
Especially naked ones.
And I mean drawing them, not what was in your evil mind.
It is Saturday again, and it is time to share some more artwork. I am trying to come up with a theme. But I guess I am basically going through my gallery and picking stuff at random.
I am just guessing here, but maybe I can find pictures here of daily life at home, no matter how weird that home might be.
Okay, so, really weird home life…It is life at home… if your home is a farm.This is life at home… if you live on a pirate ship.Life at home… if you are circus clowns.
Maybe I don’t have a clear artistical idea of what a home life really looks like, but, after all, home is where the heart lives.
I have lately been watching YouTube videos about science fiction writers like Jules Verne, Isaac Asimov, and Arthur C. Clarke. These are visionary writers who predicted many things about future applications of science and technology.
Verne foresaw nuclear submarines, expeditions into the interior of the planet, and men setting foot on the moon. Asimov predicted much of what we must deal with in terms of robots and thinking machines with artificial intelligence. And Clarke envisioned satellites and how they could be used for communications and other things we are currently doing in a massive way. He wrote the story that the movie 2001 a Space Odyssey is based on.
So, now Mickey has to get in on the prediction bandwagon too. After all, he thinks he is a science fiction writer too, foreseeing things like rabbit people, de-evolution machines, and time-travel gloves.
The disturbing thing is, however, that much of what Mickey sees in the near future is rather bleak. We have a sinister tendency to live our current lives in very stupid ways. Rich industrialists like the Koch brothers, Bill Gates, and Jeff Bezos put profits in the short term over the safety, welfare, and lives of people, even the people who made them wealthy. Because you can make money faster by not worrying about how you may be changing and polluting the environment, you are turning the planet into a hothouse of unbreathable gasses and toxic chemicals.
Since we are entering a time with rising oceans, we are going to have to work at not only de-acidifying the ocean water and restoring fish and other aquatic life, but becoming sea-dwellers ourselves. We will be living in underwater cities. We will travel in underwater cars powered by solar-charged batteries. We will wear scuba gear to school. And we will need to invent aqualungs that extract oxygen and nitrogen from the water.
We will also need to develop environmental suits even to live on the land in the toxic atmosphere. We will all be like Ironman, all living safely inside our Swiss-army, all-purpose, and internet-connected Ironman suits.
And many of us will become Martians… or Venusians… living on other planets in the solar system.
Of course, we will have to do something about all the stupid people. Ideally, we would solve our aversion to educating kids to think for themselves, and take advantage of all the educational methods that really do work to make everybody into a self-sufficient, competent, and intelligent individual.
But since rich folks don’t like the idea of sharing what they accumulate with other, less-economically-fortunate people, there will probably be some kind of eugenics-based program to exterminate all the lower-class people that will no longer be needed to polish shoes or hand-make widgets for the wealthy. Being wealthy does not automatically make you a good person, even though most of them think that it is so.
And of course, there will have to be some progress on the matter of artificial intelligence. If terminator-style robots are just going to carry pretty sleeping girls around with them for decorative effects, we will have to figure out, “How are we going to treat them as people too?”
After all, they will all be much smarter than us. Even if we are rich. And we have to acknowledge the fact that they will have decided that they didn’t need to terminate all of us in order to make the world a much better place.
So, I guess that sorta proves that Mickey can do the science-fiction-y thing of predicting the future too. But we should ask ourselves the question, “Do we really want him to?”
This is a place I explore in cartoons and daydreams. It is a little town known as Animal Town for fairly obvious reasons. It is populated by silly anthropomorphic animals who wear clothes and keep naked people as pets.
Animal Town is one of the all-time silliest places to visit in the cartoon dreamland of Fantastica.
Mandy Panda and little brother Dandy are my constant companions and guides when I tour the dangerous streets of wild Animal Town. In my cartoons, Mandy is an immigrant from the Pandalore Islands. She is also the cartoon version of my wife.
Three of the Town’s most important head monkeys.
It was Mandy who introduced me to the government officials who run Animal Town. Judge Moosewinkle is the head of the Animal Town court system. He is a hanging judge, so I am very careful about littering and loitering when I am in town.
Constable Geoffrey Giraffe does all the arresting and police work. He used to work in a toy store, but quit his job there when he couldn’t get them to stop writing the R backwards on all their signs. Grammar infractions annoy him more than any other crime.
Linus the Kitten-Hearted is the mayor of Animal Town. They wanted to crown him as king, but he always says that’s only for when he’s in the jungle. In town he prefers to be a democratically elected leader. Of course, if you refuse to vote for him, he might eat you.
Most of my dreams in Animal Town are about the school there.
Yes, this is a yearbook picture from Animal Town Elementary School.
Miss Ancient’s Class of 5th graders is usually rather rowdy and difficult. You may have noticed there is a bare bear in the old buzzard’s class. The fact is, the bears in Animal Town are all naturists and refuse to wear clothes. This disturbs poor Miss
Ancient greatly, and it is therefore a real godsend that a fig leaf just happened to be drifting down through the air at the time this picture was made. Bobby Bare is not shy, but some things are better not put into a cartoon.
Yes, this is another yearbook picture. And I am in it twice, since Mr. Reluctant Rabbit is also me.
As a visitor to Animal Town, Cissy Bare took me to Mr. Rabbit’s class as her pet for show and tell. She is also a bare bear, and she also benefited from a passing leaf at picture time. You may notice students putting rabbit ears behind each other’s heads in pictures… something that human children do too in real life. But when I study this picture, I can’t help but think that maybe Mr. Rabbit started it. Now, Animal Town is located in Fantastica, a part of the Dreamlands. So that sort of explains how I ended up in school naked. My dreams are like that. You are in school in the middle of lessons before you realize that haven’t got a single stitch of clothing on.
When I am inevitably charged with public indecency for being in school naked, I can turn to Animal Town lawyer Woolbinkle Moosewinkle. He is totally incompetent and not very bright, but unlike most of the animals, he is friendly and on my side. Spot Firedog is a Dalmatian who knows how to use a newspaper. He is a reporter, publisher, and all-around good dog. He wrote an expose on me being naked in the Animal Town Elementary school.
Big Bull Beefalo runs the local hamburger emporium, which might seem like collusion to cannabalism, but Bull is a very gentle and very large soul. He is himself a vegetarian, but he is a gifted fry cook and chef. I can go to his restaurant when I get out of jail, though hopefully not as food.
So, Animal Town is a very different kind of place. It is the result of dreams and goofiness and uncontrolled spurts of cartoonist creativity. It is a cartoon sort of place where spontaneous and random humor happens.
Catch a Falling Star 
Mickey Predicts… Uh, Oh!
I have lately been watching YouTube videos about science fiction writers like Jules Verne, Isaac Asimov, and Arthur C. Clarke. These are visionary writers who predicted many things about future applications of science and technology.
Verne foresaw nuclear submarines, expeditions into the interior of the planet, and men setting foot on the moon. Asimov predicted much of what we must deal with in terms of robots and thinking machines with artificial intelligence. And Clarke envisioned satellites and how they could be used for communications and other things we are currently doing in a massive way. He wrote the story that the movie 2001 a Space Odyssey is based on.
So, now Mickey has to get in on the prediction bandwagon too. After all, he thinks he is a science fiction writer too, foreseeing things like rabbit people, de-evolution machines, and time-travel gloves.
The disturbing thing is, however, that much of what Mickey sees in the near future is rather bleak. We have a sinister tendency to live our current lives in very stupid ways. Rich industrialists like the Koch brothers, Bill Gates, and Jeff Bezos put profits in the short term over the safety, welfare, and lives of people, even the people who made them wealthy. Because you can make money faster by not worrying about how you may be changing and polluting the environment, you are turning the planet into a hothouse of unbreathable gasses and toxic chemicals.
Since we are entering a time with rising oceans, we are going to have to work at not only de-acidifying the ocean water and restoring fish and other aquatic life, but becoming sea-dwellers ourselves. We will be living in underwater cities. We will travel in underwater cars powered by solar-charged batteries. We will wear scuba gear to school. And we will need to invent aqualungs that extract oxygen and nitrogen from the water.
We will also need to develop environmental suits even to live on the land in the toxic atmosphere. We will all be like Ironman, all living safely inside our Swiss-army, all-purpose, and internet-connected Ironman suits.
And many of us will become Martians… or Venusians… living on other planets in the solar system.
Of course, we will have to do something about all the stupid people. Ideally, we would solve our aversion to educating kids to think for themselves, and take advantage of all the educational methods that really do work to make everybody into a self-sufficient, competent, and intelligent individual.
But since rich folks don’t like the idea of sharing what they accumulate with other, less-economically-fortunate people, there will probably be some kind of eugenics-based program to exterminate all the lower-class people that will no longer be needed to polish shoes or hand-make widgets for the wealthy. Being wealthy does not automatically make you a good person, even though most of them think that it is so.
And of course, there will have to be some progress on the matter of artificial intelligence. If terminator-style robots are just going to carry pretty sleeping girls around with them for decorative effects, we will have to figure out, “How are we going to treat them as people too?”
After all, they will all be much smarter than us. Even if we are rich. And we have to acknowledge the fact that they will have decided that they didn’t need to terminate all of us in order to make the world a much better place.
So, I guess that sorta proves that Mickey can do the science-fiction-y thing of predicting the future too. But we should ask ourselves the question, “Do we really want him to?”
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