Category Archives: humor

What the Heck is this Blog About?

I read a lot of other people’s blogs for a lot of reasons.  As an old writing teacher and retired Grammar Nazi, I love to see where writers are on the talent spectrum.  I have read everything from the philosophy of Camus and Kant to the beginning writing of ESL kids who are illiterate in two languages.  I view it like a vast flower garden of varied posies where even the weeds can be considered beautiful.  And like rare species of flower, I notice that many of the best blossoms out there in the blogosphere are consistent with their coloring and patterns.  In other words, they have a theme.

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So, do I have an over-all theme for my blog?  It isn’t purely poetical like some of the poetry blogs I like to read.  I really only write comically bad poetry.  It has photos in it, but it isn’t anything like some of the photography blogs I follow.  They actually know how to photograph stuff and make it look perfect and pretty.  It is not strictly an art blog.  I do a lot of drawing and cartooning and inflict it upon you in this blog.  But I am not a professional artist and can’t hold a candle to some of the painters and artists I follow and sometimes even post about.  I enjoy calling Trump President Pumpkinhead, but I can’t say that my blog is a political humor blog, or that I am even passable as a humorous political commentator.

One thing that I can definitely say is that I was once a teacher.  I was one of those organizers and explainers who stand in front of diverse groups of kids five days a week for six shows a day and try to make them understand a little something.  Something wise.  Something wonderful.  Something new.  Look at the video above if you haven’t already watched it.  Not only does it give you a sense of the power of holding the big pencil, it teaches you something you probably didn’t realize before with so much more than mere words.

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But can I say this is an education blog?  No.  It is far too silly and pointless to be that.  If you want a real education blog, you have to look for someone like Diane Ravitch’s blog.  Education is a more serious and sober topic than Mickey.

By the way, were you worried about the poor bunny in that first cartoon getting eaten by the fox and the bear?  Well, maybe this point from that conversation can put your mind at ease.

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Mickey is tricky and gets good mileage out of his cartoons.

You may have gotten the idea that I like Bobby McFerrin by this point in my post.  It is true.  Pure genius and raw creative talent fascinate me.  Is that the end point of my journey to an answer about what the heck this blog is about?  Perhaps.  As good an answer as any.  But I think the question is still open for debate.  It is the journey from thought through many thoughts to theme that make it all fun.  And I don’t anticipate that journey actually ending anytime soon.

 

 

 

 

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Filed under humor, insight, inspiration, music, Paffooney, self portrait, strange and wonderful ideas about life, word games, wordplay, writing, writing teacher

Gooseberry Pie

I would like to contend that a blog is a form of self-portrait.  Do you want to argue with me?  Have a piece of Gooseberry Pie….

You see, gooseberries aren’t made from geese.  They don’t look like gooses… er, goosei… um, geese.  They aren’t the favorite food of a goose, unless, maybe…  Mother Goose.  The name is a corrupted form of the Dutch word kruisbes , or possibly the German Krausbeere.   You know, because people who speak English don’t know how to talk right.  They don’t have anything to do with geese.  In the same way, a person’s name doesn’t really help you understand the person that wears it.  You have to dig deeper.  Do you know, I have never actually tasted gooseberry pie?  I have seen and even picked the gooseberries.  They are danged ugly, spikey-furred snot-green berries.  I am not tempted in any way to put one in my mouth.  And yet, I should not judge gooseberry pie before I taste a piece.  I know people who adore gooseberry pie.  Maybe you are one of them.

The point is, blogs are exactly the same thing.  An artist, a writer, a producer of something, or a day-dreamy noodling goober has put together a blog to display their wares, show off their creations, and share their words and wisdom.  You have to look at them, warts and all, and actually take a bite.  You have to try them out and test them.  Follow them over time.  Read, absorb, and appreciate… not merely zoom through and look at the pictures… and maybe click “like” at the bottom of the post.

Of course, I admit, I do the very thing I am advising you not to do.  The first few times I visit a blog, I scan through and only focus on a few things that catch my falling stars.  (oop!  Shame on me… I should say “catch my fancy”.  Forgive me for lapsing into Mickian brain farts for a moment there).  But if I am lured into coming back, I dip deeper and read more… tasting it thoroughly, as it were…  And much of what I taste there will end up in my own recipe somewhere down the line.  I begin to learn who that blogger is, and their writing style… sometimes even their thinking style (though I don’t read minds… only smell brain farts and odoriferous mental cooking smells) and I picture them as people in my minds eye.  Sometimes I wonder if they match in real life the person I am picturing.  Of course, the answer is no.  People don’t look like what you think they should look like.  They don’t even look like what they think they look like either… even in photos.  So let me end this goofy pie-based argument about why blogs are self portraits with a few self portraits I have created that aren’t really what I look like , even if it is a photo.

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Me in the mirror, 1980

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Scary pictures of the artist as a creepy old man…

 

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The novelist me…

 

 

 

 

 

 

 

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A wizard selfie taken at Mad Ludwig’s Castle in Bavaria.

 

 

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Who I am and who I was…

 

 

 

 

 

 

 

 

 

 

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Seriously grumpy me…

Gag!  Enough of the gooseberries already!  Or are they gross-berries?  I think that I really don’t look anything like me anymore.

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Filed under artwork, autobiography, blog posting, goofiness, goofy thoughts, humor, metaphor, Uncategorized

Notes From Outer Space

I try to follow up on the lives of the characters I have created and set in motion through the stars. But mail service from distant planets can be a problem. And a lot depends on whether you are travelling via faster-than-light photon drives or the lumbering sluggishness of generational travel.

Davalon and Tanith, the Tellerons pictured here, promised to keep in touch with me and update me about their adventures on the planet Galtorr Prime.

You may remember, if you are one of the three people who actually read the novel Stardusters and Space Lizards, that Dav and Tanith were on one of the colonized moons of Galtorr where they now basically owned the planetoid due to having material synthesizers with which to feed the starving survivors of the planet’s collapse into civil war and environmental disaster.

In their last letter, they were still unaware that power-mad politicians and man-made climate problems are doing to this planet the same things that nearly destroyed the planet Galtorr Prime when they arrived there back in 1991.

George Jetson in 1991, named by Captain Xiar after a favorite Earther cartoon character from the 1960’s.

Davalon tells me that young George Jetson is becoming a pilot. The more he crashes space ships and survives the disaster, the more he learns about what not to do. And his learning curve has definitely caused his more mechanically-minded siblings to get better faster at repairing crashed ships.

Sizzahl, the Galtorrian Lizard-girl, is now the premiere biologist on the planet, although she was still a child… a child genius, in 1991. She is working on genetically evolving the Galtorrian race by combining their DNA with Earth humans, trying to get the best of both races and praying to the Crocodile God that she doesn’t get the worst of both races in her new Fusion Galtorrians.

Sizzahl the Scientist still insists on working in the nude. Harmony Castille, the group’s human church-lady warrior leader protests this heathen behavior, but Sizzahl is immune to religious objections to her methods.

Sizzahl wants to argue with me about forcing Earth humans to evolve in a similar fashion. She points out that if we continue to treat the planet the way we are currently doing, we will need to breed in genetic abilities to resist heat and evolve lungs that have a capacity to filter out acids, carcinogens, and poisons, as well as extract oxygen directly from carbon dioxide. She has a better argument than she knows as this last letter was sent out at the speed of light in 1991 and only arrived yesterday. She is older and smarter by now. But we are also dumber and more poisoned as a species.

Brekka’s psychic link to the man-eating plant called Lester has proved to be a boon to the planet. The plant can eat scabby-zombies that are bad for the environment and create new buds which he/she gladly donates to the food supply. (New buds are not technically children because the only mind they have is Lester’s.)

Brekka enjoys a unique psychic link to Lester the man-eating plant because he/she tried to eat Brekka, but had to cough her up because Tellerons taste bad. Lester’s digestive juices seeped into Brekka’s brain, forging a telepathic link.
Pilot Farbick and young Davalon (picture from Mars orbit, 1990)

So, I sent them a reply letter. It will get there in 21 years at the speed of light. So, in 42 years I should get the information I need to write a sequel. I will only be 107 at that time.

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Filed under humor, novel, novel writing, Paffooney, science fiction

Pirate Novels

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My first novel-length piece of writing was attempted in college.  I finished it in four years.  It was a pirate tale about a young man, a pirate named Graff the Changeling.  You see him in this illustration I created in 1980 with his two young sons, Rene and Emery.  Because their mother was a fairy, the boys have pointed ears and horns.    It was an attempt at serious fantasy adventure fiction that was so awful, it became a comedy before it was through.  I called it The Graff Tales, and I still have it.  But I promise you, I will never, ever try to publish the horrible thing.  My sisters served as my beta readers for this story.  They both liked the oral stories I told, and they eagerly awaited something like they remembered from our shared childhood.  They both were a bit disappointed by my first prose attempt.  There was a knight called Sir Rosewall in the story.  He was a hapless knighted fool who lived in poverty and swore to reclaim his honor with great deeds, but as he goes to sea as a kidnapped sailor, all he manages to do is fall down a lot and bump his large head frequently.  In the first scene when he enters the story, long about chapter four, he exits a cottage and has to punt a piglet to get out without falling down.  This pig-punting thing was repeated more than once with this character.  My sisters joked that the “pig-in-the-doorway” motif would be my lasting contribution to literature.  Fortunately for me, it was not.  I am probably the only one who even remembers there was such a novel.

But my biggest failing with writing and storytelling was always that I could be too creative.  The story featured a flying pirate ship that was raised from the bottom of the ocean by fairy magic.  The crew were re-animated skeletons.  The gorilla who lived on the island where the ship’s survivors had been marooned would also join the crew.  His name was Hairy Arnold.  One villain was the pirate captain Horner, a man with a silver nose-piece because he had lost his real nose to a cannon shot.  Another was a red-bearded dandy named Captain Dangerous.  But the biggest villain of all was the Heretic, who turned out to be a demon in human guise.  It was all about escaping from pirates who wanted to kill you and hitting soldiers with fish in the fish market.  There were crocodile-headed men and little child-like fairies called Peris that lived in the city where Graff was trapped and transformed into a monster by the Heretic.

My plot was too convoluted and my characters too wildly diverse and unlikely.  The result was something far too bizarre to be serious fiction.  The only way it could actually be interpreted was as a piece of comedy.  There-in lay the solution to my identity problem as a writer.  I had to stop trying to be serious.  My imagination too often bent the rules of physics and reality.  So I had to stop trying for realism and believability.

 

In the end all the main characters die.  All except for young Rene who becomes a pirate hunter.  Of course, I follow Graff and Emery through to heaven because, well, it was a first person narrative and the narrator died.  So, I vowed to myself that I would never let this horrible piece of nonsense see the light of day.  I would never try to publish it, rewrite it, or even tell anyone about it.  And so to this very day I… oopsie.

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Filed under artwork, autobiography, humor, illustrations, NOVEL WRITING, Paffooney, Uncategorized

Jungle Book

This is a re-post of my review of the Disney movie Jungle Book directed by John Favreau.  It was the movie version I have been waiting for all my life.

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The amazing thing about this movie is the way it took the book and layered its themes and central idea on top of the classic 60’s Disney cartoon.  The music is still there and intact, though mostly moved to the end credits.  The kid is still cute and mostly vulnerable, at least until the conclusion.  And they have still given the Disneyesque comedic touch to the character of Baloo the bear, voiced by comedian Bill Murray in the this incarnation.  But this is a live action movie and the kid-friendly Bowdlerization of the original story is a thing no longer.

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A classic book illustration by E.J. Detmold

Fortunately for the young actor, Neel Sethi, they don’t require him to play the entire movie naked as would be required by a strictly by-the-book approach.  They allow him the Disney-dignity of the cartoon red loin cover.  But the sense of a human child facing the violence of the jungle naked, armed only with his creature-appropriate natural defenses, has been put back into the story. This version literally has teeth and claws.  We see the boy’s body wounded and scarred during the course of his life in the jungle.  And at a time of crucial confrontation, Mowgli takes the defense stolen from man village, a torch of the feared red flower, and throws it away into the water, facing the terrible tiger with only his wits and the abilities of his fangless, clawless human body.   Thus, an essential theme I loved about the book when I was twelve is restored.  Man has a place in the natural world even without the protections of civilization.

The story-telling is rich and nuanced, with multiple minor characters added.  Gray Brother has been restored to Mowgli’s family.  The fierce power of Mowgli’s wolf mother has been written back into the screenplay.  And the character of Akela is given far more importance in the story than the cartoon could even contemplate.  Although his role in aiding Mowgli to kill the tiger Shere Khan has been taken away from him, Akels’s death becomes the central motivation bringing Mowgli and Shere Khan together for the final inevitable confrontation.  And this movie does not shy away from the reality of death as the cartoon did, resurrecting Baloo at the end, and Kaa’s attempts to eat Mowgli being turned into a joke (though I would like to note if you have never read the book, Kaa is not supposed to be a villain.  He was Mowgli’s wise and powerful friend in the book).  Even the tiger survives in the cartoon version.  This is no longer a cute cartoon story with a Disney sugared-up ending.

I will always treasure the 1960’s cartoon version.  I saw it at the Cecil Theater in Mason City, Iowa when I was ten.  I saw it with my mother and father and sisters and little brother.  It was my favorite Disney movie of all time at that point in my life.  I read and loved the book two years after that, a paperback copy that I bought with my own money from Scholastic book club back in 1968, in Mrs. Reitz’s sixth grade classroom.  That copy is dog-eared, but still in my library.  But this movie is the best thing that could possibly happen to bring all of that love of the story together and package it in a stunning visual experience.

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Filed under art criticism, humor, movie review, Uncategorized

Synesthesia (Part Two; The Color of Music)

Okay, so on the synesthesia tests I didn’t score as a synesthete on the music/color test.  But I was extremely synesthetic on the tests for color/months/days of the week.  I was a little over the mark on letter/number/colors synesthesia too, but it was more a problem with manipulating the color-selector device when I don’t have a mouse to use on my laptop.  The test for music did not test the way I see colors with music.  They wanted me to respond to what color each individual note seemed to be, and that isn’t even close to the way I experience it.  For me, the perfect description of how synesthesia works for me is Bach’s Tocata and Fugue in D minor as it is depicted in Fantasia.

I was shocked when I first saw it.  The colors are wrong for this piece, but the visual experience is almost exactly how I experience music, especially wordless instrumental music.  The only problem with this piece is that the overall color schemes are wrong.  But this comes about because every synesthete sees the colors differently.  And I have no doubt that at least one of the artists who created this had synesthesia.  If there were more reds, yellows, and magenta in the opening and more indigo contrasted with silver later, this interpretation would be perfect.

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Music synesthetically works in two directions for me.  The picture above, called The Wings of Imagination, makes me think of La Mer by Claude Debussy.

If you listen to the piece, don’t look at the YouTube illustration, look at my picture if you want to see the music the way I do.  The following song, Don’t Worry, Be Happy, is a multicolored song that I can best express with the colors in the picture I call Rainbow Peacock.

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The full range of primary colors together in one picture, or one song, always means completeness, fullness, and happiness to me.  If there is absence of one or more of the basic colors from the color wheel, the mood and emotion present in the song or picture is altered to something other than happiness.  The Firebird Suite by Igor Stravinsky goes from the indigo and navy blue of fear and confusion to instances of angry red and feverish orange.  It would look something like this in the theater of my imagination;

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And one of my favorite instrumental pieces of all times, Prelude to the Afternoon of the Faun by Claude Debussy, is full of melancholy and sexual tension, deeply felt vibrations in the depths of my stomach, and would look like my picture Sleeping Beauty with its teal and blue melancholia juxtaposed with candle-lit yellows and wood brown mixed feelings of joy and anxiety.

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Now, if you have waded through all of this goofy color-and-music analysis from a source whose sanity is questionable at best, you probably have no earthly idea what any of it has to do with anything.  But if you have that aha!-moment and see it all clearly too, then I suspect you probably are a synesthete too.  Poor you.  It is not a treatable condition.  But it is also not a burden.  Learn to enjoy it.  It resonates in your very soul.

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Filed under humor, Paffooney, strange and wonderful ideas about life, Uncategorized

Comic Strips Can Make Me Cry

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I have been a cartoon nut for a long, long time.  I think it goes back to a time before I really have memories.  I don’t remember a time when I didn’t know who Cat in the Hat was, or that Pogo was a possum and Albert was an alligator, or that Daisy Mae constantly had to chase Lil’ Abner afore they could git hitched.  And I have always known that cartoons and comic strip characters weren’t real.  But there were a few times in life when comic strips made me cry.  Am I really that much of pansy that I wilt in the face of cartoon tragedy?  Yes.  Whole-heartedly!

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Take for instance Tom Batiuk’s long-running spoof of teenagers and life in high school, Funky Winkerbean.  One of the first things that makes this comic special is that the characters have lives that expand into the deepening depths behind the daily gag and four-panel strip.  They grow and age.  Les Moore (the geeky kid with the dark hair and nerd glasses, the character I most identified with) grew up to become an English teacher in the same high school where he had to deal with the issue of teen pregnancy.  Lisa, the girl he liked, was pregnant.  Les helped her go through the pregnancy and give the child up for adoption, and then eventually married Lisa.  Les would go on to raise his daughter with Lisa and then have to live with the fact that the child Lisa gave away wanted to find his real mother.

The strip added layer after layer to the over-all story, making me feel like I knew these people.  Funky turned his after-school  job at Montoni’s Pizza into a partnership and a career as a restaurateur.  Les would. like me, become a teacher and a writer.  Crazy would go on to be a postman and… well, Crazy.  And then the story added more layers by not always being funny.  I cried when Wally Winkerbean stepped on the mine in Afghanistan and I thought he was dead.  I cried again when Wally’s wife, Becky, moved on and married again.   And then, there was what happened with Lisa…

The artist himself had a bout with cancer.  He. like me, was turned into a cancer survivor.  It chills the bones and changes you on the inside to have a doctor tell you that you have cancer and it is malignant.  And it became a part of the story.  Lisa became first a breast cancer survivor, and then… sadly… a victim.  She died of cancer.  Her husband, Les, took up the cause and started the Lisa’s Legacy Walk for the Cure which he pursued religiously every October.  And Tom Batiuk made it real.  You can donate real money to the real Lisa’s Legacy Fund.  It is a cancer fund and fund-raising event that honors the struggle and death of a fictional character.  It makes me cry again at this moment.  They are real people to me, too, Tom.

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…And it doesn’t end with Funky Winkerbean.  Today’s re-blog of Stories From Around the World’s post does an absolutely wonderful job of encapsulating the essence of Lynn Johnston’s family comedy strip For Better or for Worse.  This engaging story of a family who also grows up, changes, and shifts from one generation to the next also tore my heart out with the un-funny episode where the dog, Farley, saves youngest daughter April from drowning and then expires from the effort, dying a hero’s death.  Another memory that causes me tears even today.

I do not regret reading comic strips.  My life is richer for all the second-hand and third-hand experiences they have given me.  Not just Popeye and Pogo and Beetle Baily making me laugh, but comic strips that make me weep as well.

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Filed under cartoons, comic strips, humor

He Rose on a Golden Wing… Canto 10

Adagio in G-Minor (Albinoni)

Weeping violins were playing on Mom’s kitchen radio as she had it playing something from the classical music station in Des Moines. The announcer said something about the music being composed by a Venetian master, Tomaso Albinoni, in the 18th Century, and now being known as being synonymous with sorrow and sadness. As Valerie placed the spoons and the forks, she felt like it was the perfect background music for her entire life.

“So, Rance, be honest with me,” Mom said. “Did Val apologize to Dash for the misery she caused him at the dance?”

“Well, she made a promise to him about what she would never do again.”

“That’s not the whole truth,” said Valerie.

“Oh? Why don’t you explain your version of the conversation then,” said Uncle Rance with a smile that seemed somehow sad.

“Uncle Dash was afraid I was being like Stacey, that I was going to run away and never come back.”

“And what did you tell him about that?” Mom asked point blank.

Tim and Aunt Jen sat silently at their places at the table. They were both looking at her with unsmiling lips tightly pressed together… as if they feared the answer.

“You know what a cardinal is, right?”

“The little red song bird?”

“Yes, the bright red bird we often see in the snow around Christmastime. The one that doesn’t fly away when the winter comes? Never migrates? Never flies away from the cold, and the wind, and hard times?”

“What does that mean? That you promise not to run away from your problems?”

“Well, if a little red songbird can do it…”

Mom put her hand over her eyes. Was she crying? Had she said the wrong thing?

”Do you have any idea how much what you did probably hurt your Uncle Dash? You know he loved your Daddy very much. And he’s tried so hard to be like a father to you since…” A sob caught in Mom’s throat.

“She told Dash that she didn’t blame him. She blamed herself.” Uncle Rance had no right to say that part out loud. But… she couldn’t say it herself. Not after shouting it in front of Charlotte and the whole world. Why didn’t they just talk about it all behind her back like normal parents do?

“Did you know that Tim kissed Dilsey on his date? Did he tell you that?” She knew that one wasn’t hers to tell. But she needed to change the topic. Needed it desperately. She could always apologize to the king of brats later.

Tim was grinning at that.

“Is it true?” Aunt Jen asked, smiling for the first time in a while.

“How did you know that, Val?” Tim asked.

“Dilsey told me.”

“Was she bragging… or complaining?”

“What do you think, Lothario?”

“More like Romeo, I think.”

“I hope you didn’t do something you didn’t have her permission to do,” said Uncle Rance.

“You know, Val, I wasn’t done with the other topic yet,” said Mom.

“What topic would that be?”

“You are not the only one who was devastated by what your father did.”

“I know that, Mom. I was here when we lived through all of that… more than once, I think.”

She hadn’t taken the hand away from her eyes since she first put it there.

“I love you, Val. You know that, right?”

“I love you too, Mom.”

“And you know I worry about the fact that suicide might run in families… I’ve thought about it. And I am afraid you have too. Can you…?”

“Promise you?”

“Yes.”

“I can’t. But I am like the cardinal, Mom. And suicide is a form of running away.”

At that point, nobody had dry eyes but Valerie.

“I… I want you to write the thing about cardinals down for me, Val. I need that in writing.”

All Val could do was nod, or she would be bawling too.

“Well, now that we have all ruined our appetites, maybe we should think about actually eating something,” said Uncle Rance with a soft chuckle and tears still in his eyes.

The dinner changed into a rather quiet discussion about more normal family things, and Dilsey and Tim’s first kiss. And, sporadically, some roast beef and mashed potatoes was eaten too.

Later, as the Kelloggs were leaving, Tim stood in front of Valerie at the door. Tears glistened in his eyes again.

“You know, Val, I really liked the cardinal thing too. Blueberry is in the hospital. One of my Pirates is very ill.”

“Dilsey told me about that too.”

“Did she tell you we need to visit her? There are hard winter times coming our way there too.”

“We’ll be there for her, I promise.”

She wrapped him in a hug then. The first time in a very long time. He didn’t resist. If anything, he was hugging her back.

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Filed under battling depression, humor, novel, NOVEL WRITING, Paffooney

Baseball Season

Every Spring is a new beginning, a new hope, a new chance to win the pennant.

When the baseball season starts fresh each year, it renews me, makes feel like I have another chance to make things happen and conquer the world again.  It makes me feel alive again… even now when I am old and retired and in constant pain.

People say to me, “Baseball is boring and slow and not as great a game as…” and then they try to tell me stuff about football and soccer and NBA basketball.  I’m not buying it, even when it is my eldest son selling it.

Baseball became my sport when I was a child in the 1960’s.  Great Grandpa Raymond was a frail and ancient man then, too elderly to share much of anything with me as I was young and full of energy.  But on Sunday afternoons in Spring and Summer, we listened to the Minnesota Twins play baseball on the radio.  I heard Harmon Killebrew hit homers and Tony Oliva make game-winning hits.  I learned that the game was about numbers and strategy… a team game, yet filled with moments of man versus man, star of one team facing off against the star of another, skill versus skill, willpower versus willpower.  I learned that baseball was a fundamental metaphor for how we live our lives.

I remember when Bob Gibson was the greatest pitcher in baseball, and he played an entire career with my favorite team, the St. Louis Cardinals.  I remember Lou Brock setting the record for stealing bases in a single season, a monumental accomplishment.  I actually saw Lou Brock steal a base in a game against the Houston Astros, though not in the record-setting year.  I was there in person.  I listened to Bob Gibson’s no hitter of the Pittsburgh Pirates on the radio, listening in a campground in St. Louis while the Cardinals actually played in Pittsburgh.  I didn’t get to see Stan Musial play ball.  He retired before I first became aware of the game.  But he was on TV quite a lot on game day, and I hung on every word.

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Baseball has gotten me through some very rough times in my life.  I used to play ball, baseball and softball.  I was a center fielder for our 4-H team and made some game-saving catches in the field, hit a home run once, and once saved a game for our side when I threw out a runner at home plate from center field.  And I have religiously followed the Cardinals year after year.  In 2011, when health problems and family problems and depression threatened to destroy me… the Cardinals won the World Series in seven hard-fought games.  When you reach a moment of crisis, with the game on the line, you can reach deep inside for that old baseball player magic… tell yourself, “I will not lose this day!” and find the power within you to make that throw, get that hit, catch that long fly ball…

Baseball is a connection to family and friends… teammates… everyone who has ever shared the love of the game.  If you don’t win it all this time… there’s always next Spring.  God, I love baseball.

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Filed under baseball, humor, inspiration, Paffooney

Think About It

Life is a matter of mind, not matter.

What do I mean by saying something stupid like that?

Did you stop and think about it? Did it change who you are to think what you thought about it?

Why not?

Was it because you are committed in your mind to not be changed by a question you are asked to think about?

This is Bobby and me as boys at the skinny-dipping pond.

But is it really? Are we really naked if you can’t see whether we are wearing swimsuits or not?

Boys really only have to cover one small thing to not be naked, right? Is being naked just a perception? Can you be naked with all your clothes on?

And how can this really be me and Bobby? It is merely a picture, and pictures you draw are mere interpretations, and if it is an interpretation, can it be considered real? Boys of this age were not allowed to wear their hair this long in the 1960’s, so does that make it less real?

And why is there a mountain range in the background? We grew up in Iowa, and are there any mountains like that in Iowa?

This is the boy who might’ve been my son if I had married a different girlfriend.

Does this have something to do with Charles Lamb’s essay Dream Children?

Why am I thinking about children who are not my children? Why is every picture in colored pencil and a picture of boys rather than girls?

Why does an author and artist think any of the things he or she thinks?

Why is this post mostly made up of questions? Does it show how people really think? Is it really the Socratic Method?

Is it possible that this is some form of poetry? Designed to make people think?

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Filed under artwork, humor, irony, Paffooney, poetry