Category Archives: heroes

No Way Home

I went to the Spiderman movie yesterday whose title provides the title for today’s post. But this is not a movie review… other than to say that it is, in my opinion, the best Spiderman movie ever made. It is the best Spiderman movie because is brings together so many story threads from so many other movies that, like the previous Marvel movie Endgame, it creates an ultimate completeness that satisfies the needs of someone like me who needs stories about life that have a beginning, middle, and end. That’s what this story is about.

This little girl in this old picture is my distant cousin Patty Berilla. She was older than me by about three years. She was the first non-sister girl I ever saw naked. I was five, and I was talking to her, and I followed her into the bathroom. She had to pee and had no younger brothers and mostly older sisters. So, she was not shy, and kept right on talking to me. Until one of her older sisters got mad and pulled me out of there and made Patty close the door. I remember being good friends with her during that week’s vacation at the Opal and Louis Berilla home in Cleveland, Ohio. We saw seals and polar bears and a baby giraffe at the Cleveland zoo. And when we went to the Museum of Science and Technology, there were two statues on either side of the main door, a man and a woman, both of them nude. Patty thought that was very wrong to be naked in public. She was even more shocked at the invisible woman medical presentation inside. The nude woman was made of glass. And they lit up the parts inside with colored lights, showing first the muscles under the skin. Then the organs, respiratory system, nervous system, and finally the skeleton. Patty told me that that awful woman got naked down to the bones. For some reason the adults laughed at that more than Patty and I did.

She became a nurse. My mother was also a Registered Nurse. There are a number of nurses in our family. I never saw Patty more than twice in the intervening years of our lives. But in 2020 she caught Covid 19 while working in the ER. She died on a ventilator in that same ER. I actually cried when my mother told me about this last summer. It surprised my family. I was crying for someone I was distantly related to that I probably wouldn’t have recognized if I saw her again as an adult. All I really knew about her life was what she looked like naked when she was seven-and-a-half years old. But I loved her not just for who she was and what she taught me about life when I was little, but for what she sacrificed and how she died.

I wonder if anyone holds on to a memory of seeing me naked at seven and a half riding my bike in the Bingham Park Woods. No one saw me that I know of.

I lost both of my parents in the Covid pandemic. Neither of them died of the pandemic virus. Dad was lost to late-stage Parkinson’s disease. Mom died of complications with both her heart and her kidneys. Covid interfered with both of their hospice stays, but they never got the viral infection.

When the pandemic began, I anticipated that I would catch it and die. When my number two son came down with it that first summer, before the vaccine, I figured my last week of life had come. But when the quarantine was over and I got tested, the test was negative. But I began to see then that it would be impossible to ever really go home again. It was not just a matter of travel restrictions and quarantines. The home I knew was no longer really there. It’s like John Steinbeck said, “You can’t go home again
because home has ceased to exist except in the mothballs of memory.”

The Spiderman movie, No Way Home, is about Spiderman’s identity as Peter Parker and everybody who knows his secret identity as a superhero. Peter Parker does not get the chance to go home again even more severely than my own sad case.

So, what I have to do is salvage my own secret identity. I am a story-teller and a cartoonist. But very few people know that. Mine is an identity easily erased by my looming demise.

There is no longer a hope of going home again. It’s the mothballs of memory situation. Now, the thing that remains to be done is to finish weaving together the threads of the story of my life and times, and make of it a masterpiece of a tapestry… so that it can go into the mothballs with flair.

1 Comment

Filed under family, feeling sorry for myself, heroes, insight, Iowa

P.T. Barnum

8127_5791

Last night my wife and my daughter the Princess went with me to the movie musical The Greatest Showman at the dollar movie.  I was enchanted.  My wife laughed at me for how much the movie made me cry.  But it was a very touching and timely movie for me because it was about pursuing dreams in spite of economic hardships.  The award-winning songs promote with energy and stunning beauty the notion that you should follow your passion no matter the risk, and that choosing to do so will produce rewards as long as family and love are with you and along for the ride.

The-Greatest-Showman-cast-real-life-people-921995

Of course, one has to remember that the whole story is based on the life and work of Phineas Taylor Barnum, a man who is a lot more like Donald Trump than he is Hugh Jackman.  I really doubt he could sing and dance the way the movie portrays him.  And words like “humbug”, “fraud”, and “exploiter” apply to him in a very real way.

Screen Shot 2016-01-10 at 3.36.12 PM

Barnum was actually one of those wheeler dealers who wants to control the story.  He actively found ways to alter the public narrative about himself and used criticism to help promote his money-making shows.  The idea of bad publicity being just as good if not better than good publicity actually makes its presence felt in at least one scene in the movie.  There is ample evidence that more than a little of Barnum’s efforts were aimed at making himself a star.

And although the movie sentimentalizes his exploitation of freaks and special individuals, giving him credit for giving them self esteem and a means to make a good living, that was really only the fictional Barnum created by Barnum’s own media efforts.

The truth of the matter, though far more fascinating than the movie version of Barnum, does not make for a good musical libretto.  In the movie the theme of special people outcast from the society because of their uniqueness coming together to support each other in a circus is strongly woven into both the story and the music.  The song “This is Me” performed by Keala Settle playing the part of bearded lady Lettie Lutz is a powerful anthem for everyone who feels smaller than they really are because of prejudice, bullying, racism, sexism, or any of the other forms of moronic stupidity that humans are so often guilty of.  I have to admit, the song made me cry even as it filled me with joy.  The musical score of this movie is one that I intend to listen to again and again and again.  It makes the circus seem like an answer to life’s problems.  It is the same feeling that I got the first time, and every time, I ever saw the circus with all its clowns and jugglers, acrobats and lion tamers, bare-back riders and elephants.  And I knew it was all illusion.  All humbug.  But it was pure joy worth the price of the ticket never-the-less.

01-the-greatest-showman-hugh-jackman-vogue-september-issue-2017

The movie was only rated 56% fresh on Rotten Tomatoes.  But I rarely pay attention to things like that.  This musical goes into the category with The Sound of Music, The Music Man, Oklahoma!, and Mary Poppins of musicals I can’t live without.  Never mind the greedy little man that it is based on.  This movie is about big dreams and even bigger achievements.  And it is well worth the price.

4 Comments

Filed under art criticism, Celebration, heroes, movie review, strange and wonderful ideas about life

The World is a B-Movie

Yes, I am saying the world I live in is a low-budget commercial movie made without literary or artistic pretensions. You know, the kind where movie makers learn their craft, taking big risks with smaller consequences, and making the world of their picture reflect their heart rather than the producer’s lust for money.

Mostly what I am talking about are the movies I remember from late-night Saturday TV in black and white (regardless of whether or not the movie was made in Technicolor) and the less-risky as well as more-likely-good Saturday matinees on Channel 3. Movies made in the 1950s, 1960s, and early 1970s. They were perfect, of course, for the forbidden Midnight Movie on the show called Gravesend Manor. I had to sneak downstairs to watch it on Saturday nights with the volume turned way down low. (Not that Mom and Dad didn’t know. Well, maybe they didn’t know how many of those I watched completely naked… maybe.)

I watched this one when I was twelve, late night on an October Saturday. I had a bed-sheet with me to pull over my head at the scariest parts. Frankenstein was a crashed astronaut brought back to life by the magic of space radiation. He was uglier than sin, but still the hero of the movie, saving the Earth from invading guys in gorilla suits and scary masks (none of which looked like the movie poster.)

This one, starring James Whitmore, a really good B-Movie actor, was about giant ants coming up from the sewers and the underground to eat the city.

I would end up watching it again twenty years later when I was wearing clothes and not alone in the dark house lit only by a black-and-white TV screen.

I realized on the second viewing that it was actually a pretty good movie in spite of cheesy special effects. And I realized too that I had learned from James Whitmore’s hero character that, in times of crisis, you have to run towards the trouble rather than away from it, a thing that I used several times in my teaching career with fights and tornadoes and even rattlesnakes visiting the school campus looking to eat a seventh-grader or something (though it was a bad idea for the snake even if it had been successful.)

This one, of course, taught me that monsters liked to carry off pretty girls in bikinis. And not just on the poster, either. But it was the hero that got the girl, not the monster. This movie taught me that it sucks to be the monster. Though it also taught me that it was a good movie to take your pajamas off for and watch naked when you are thirteen.

But not all B-movies had to be watched late night on Saturdays. This movie was one of the first ones that I got to go to the movie theater to see by myself. (My sisters and little brother were still too young and got nightmares too easily to see such a movie.) It came out when I was in my teens and Mom and Dad began thinking of me as an adult once… or even possibly twice in a month.

And not all B-movies were monster movies, gangster movies, and westerns. Some, like a lot of Danny Kaye’s movies, were movies my Dad and my grandparents were more than happy to watch with me. I saw this one in both black-and-white and color. And I learned from this that it was okay to take advantage of happy accidents, like a case of mistaken identity, and using your wits, your creative singing ability, and your inexplicable good luck to win the day for everybody but the bad guys armed only with your good sense of humor.

And some of the best movies I have ever seen, judging by what I learned about movies as literature from Professor Loring Silet in his Modern Film Class at Iowa State University, are by their nature B-movies.

I am using movie posters in this blog post only from movies I have personally seen. (And I admit that not all of them are strictly “good” movies according to Professor Silet, but I like them all.)

Feel free to tell me in the comments if you have seen any of these movies yourself. I am open to all opinions, comments, and confessions.

This one is based on Shakespeare’s The Tempest.
I saw this one in college. You had to be 18 at the time to even buy a ticket.
I actually think that this is one of the best movies ever made. It will always make my own personal top-ten list.

I live in a B-movie world. The production values around me are not the top-dollar ones. But the stories are entertaining. The real-life heroes still run towards the problem. And it still sucks to be the monster. But it has always been worth the price of the ticket. And during my time on Earth here, even in 2020, I plan on staying till the end of the picture. I go nowhere until I see the Best Boy’s name in the end credits. And maybe not even then.

4 Comments

Filed under art criticism, heroes, humor, monsters, movie review, strange and wonderful ideas about life, TV as literature, TV review

The Artist Who Masters the Darkness

Do you know who Bernie Wrightson is?

Bernie Wrightson in 1972, when I was a freshman and sophomore in high school, created for D.C. comics the character known as The Swamp Thing.

Of course,

being a stupid kid at the time, I totally ignored his genius with pen and ink, ink and brush, and fascinatingly dense forests of intricate detail.

I didn’t really get it until he joined The Studio with Jeffery C. Jones, Michael Kaluta, and Barry Windsor-Smith (whom I idolized for his work on Conan.)

And while in college, consuming everything available by The Studio that I could find and afford, I fell in love with his deeply dark and brooding illustration work for a new edition of Mary Shelley’s Frankenstein.

Frankenstein had 50 illustrations by Wrightson that firmly established the fact that by drawing with black ink you could show in startlingly real ways the qualities of white light. That appealed to me both literally as a way to make beautiful art and metaphorically, as that last thing was what I was doing with my own life, drawing the darkness to get to the beautiful light.

Most of his work

was drawing monsters; werewolves, zombies, the creatures of H.P. Lovecraft, and numerous things from nightmares.

But it has a definite beauty of its own. Darkness, evil, and corruption brings out the quality of what is light, righteous, and pure. There is truth in approaching reality from the dark side of the equation.

Of course, he would also do work on heroes like Batman, because the darkness breeds its own defenders of justice.

I am not so much a fan of monsters as I am a believer of taming the monsters who beset us as we try to make a worthy life for ourselves. But I can definitely see where Bernie Wrightson has been doing exactly that with his brilliant pen-and-ink artwork. Sadly, he will be doing no more of it since we lost him in 2017. But it is a legacy he left behind that will make his light continue to shine forth from dark places for a long time to come.

4 Comments

Filed under artists I admire, artwork, heroes

For the Love of Korngold

hqdefault (1)

When I was in Cow College at Iowa State University I spent most of my study time listening to KLYF Radio in Des Moines.  They would eventually transform into an easy-listening music station, but the time I truly lived a K-LYFe was when they played classical music.  And it was there that I first fell deeply in love with the Saturday Matinee stylings of  Erich Wolfgang Korngold, the first incarnation of John Williams of Star Wars fame.  Yes, movie music.  Classical movie music.  And it seemed, mostly movie music for Errol Flynn movies.

 

 

 

My sister was always a lover of Errol Flynn movies, and when KGLO TV Channel 3 would play one on the Saturday Movie Matinee in the early afternoon, we would have to watch it, the whole thing, no matter how many times we were repeating the same four movies.  Nancy would memorize the lines from the Olivia deHavilland love scenes.  I would memorize the sword fight scenes with Errol and Evil Basil Rathbone (Good Basil was Sherlock Holmes, and we had to watch those too.)  Early evenings on those Saturdays were all about playing pirate and Captain Blood adventures.  Or better yet, Robin Hood.

 

 

 

But the music of adventure was by the composer Erich Wolfgang Korngold.  He did the sound tracks for Captain Blood, Robin Hood, and the Sea Hawk.

I sincerely love the corny old movie matinee music because it was not only genius-level mood music and story-telling in a classical music instrumental masterpiece, but because even now it takes me back to the boy I was at twelve years old, playing pirate on Grandpa Aldrich’s farm.   Making Robin Hood bows out of thin tree branches and arrows out of dried ragweed stalks.  Sword fighting to the death with sticks with my cousin Bob, who was always Basil Rathbone in my mind. while I’m sure I was Basil Rathbone in his mind.

To be honest, there is much more to Korngold than I have relentlessly gushed about here like a hopeless nerdling fan-boy in the throws of a geeky movie passion.  He was a musical child prodigy like Mozart.  He wrote a ballet called Der Schneemann (the Snow Man) when he was only eleven, and became the talk of the town in Vienna, Austria in 1908.  He became the conductor of the Hamburg Opera by 1921.  He wrote some very fine classical music in the 20’s that still rings through orchestra halls to this day before coming to America in the early 30’s with film director Max Reinhardt.  He scored his first film in 1935, adding music to Reinhardt’s Midsummer Night’s Dream.  He was fortunate to escape Europe just as the Nazis were coming to power in Germany, and also at the right time to team up with new movie star sensation, Errol Flynn.  He won his first Oscar for the musical score of the movie Anthony Adverse in 1936 and he won his second for The Adventures of Robin Hood in 1938.  He died in 1957, a year after I was born.  But I promise, I didn’t kill him.  I was in college in the 1970’s when his music underwent a revival, complete with renewed popularity.

Ad-RobinHood7

His music was pure gold to listen to in the fields of corn in Iowa in the 1970’s.  It was just as good as that last pun was terrible.  So, in other words, really, really, spectacularly good.  It was the music that scored my childhood fantasy adventures.

Leave a comment

Filed under artists I admire, autobiography, classical music, heroes, humor, review of music, strange and wonderful ideas about life

Horatio T. Dogg… Canto 8

But the Game Wasn’t Over

Mike and Blueberry sat next to the hero of the bottom of the first, happier than Bobby had seen them in a long time.  And what was even better, he knew he was himself the reason.  The Pirates led three to nothing.  But Tim got out on the next fly ball, popping it to Delwyn of all people.  And, wouldn’t you know it, this time Delwyn didn’t drop it.

It was, like all 4-H softball games, a five-inning game.  And being the home team, the Pirates only had to hold on to the lead until the top of the fifth inning was over.  And Mike was on his usual game.  That fastball, even though it was underhanded and using a ball that floated through the air like a watermelon, burned holes through the Lincoln township bats and Tim Kellogg’s catcher’s mitt for good measure.  Three more strike-outs in each of the second, and third innings.

But Clarion’s blond Apollo wasn’t going to stay shook up for a whole game either.  And he could also windmill in a scorching-hot fastball.  He matched Mike strikeout after strikeout.

In the fourth inning, both teams got a couple of runners on base.  But the Leaders scored two runs when Watson hit a double with runners on base.  And the Pirate’s fourth had two men on base, one of whom was a girl, but Bobby struck out instead of driving them in, and Tim made the last out again after him.

So, it all came down to the final inning, and the Pirates with only a one-run lead.

Bobby, of course, spoke directly to the Big Guy in the Sky.  “Don’t let them hit it to me.  Whatever you do, don’t make that ball come to me.”

The first batter up was Leroy Watson.  And wouldn’t you know it, the gol darn Apollo hit a ball to deep left field that Billy Martin could only get to on the bounce.  Billy’s arm was good enough to wing it into the home plate to hold Watson to a triple.  Still, the tying run was on third base.

Mike on the mound had to really bear down and throw hard strikes for the rest of the inning.  The next two Leaders struck out.  But you could see the strain on Mike’s face.  In fact, you could see it all the way from deep right field.
“Please, don’t let that ball come to me.  Hit it to Billy.  He’s good at catching fly balls.  He’ll win the game for us.”

But it didn’t get hit out to any field.  In fact, the bats didn’t get near the ball for two more batters.  Mike pitched eight consecutive balls outside the strike zone.

“It’s okay, Mike.  Let your fielders help you.  Your arm is getting tired of throwing it so hard,” Coach Kellogg said in a wise old voice that made Bobby’s heart drop down from the middle of his chest, down into his behind, and eventually down his right leg and all the way out through the bottom of his right shoe.

And Bobby knew where it was coming.  Delwyn Marmoody was up to bat.  And Bobby’s heart was tunnelling down into the grass somewhere beneath him.

“Be on your toes, fielders!” cried Tim from his position at catcher.

“You can do this, Bobby!” cried Blueberry from the bench.

Why did she have to yell that?  She put the curse on him!  He wished he could turn into a swan once again and fly away.

Two strikes and two balls later, Delwyn swung.  The bat went, “TUNK!”  And the ball was flying through the air… Directly at Bobby in right field.

“Gotta get under it”

“You can do it, Bobby!”

“Shut up, Blue!”

And then it settled into Bobby’s open glove.

And he was about to lift it high in the air in triumph…

When it rolled out again and hit the ground, somewhere on top of Bobby’s buried heart.

“AW, NO!!!” cried the Norwall crowd in unison.

The runners were going with the crack of the bat, so two of them had already crossed the plate when Billy came scrambling into right field, got the ball and cannoned it to home plate to keep them only one run behind.  The runner trying for a third score was out at the plate.

                                    *****

There was a shallow hope in the bottom of the fifth inning.  Two runs would win the game.  One run would tie it and give them an extra inning.

But Johnny Miller struck out. 

And when Dilsey Murphy got up, she hit a double to right field.  And there was a glimmer of hope with one out.

Then Mike got up.  Mike was the most dangerous hitter the Pirates had.  Watson intentionally walked him.

“It’s gonna be hero time again for you, Bobby,” Blueberry whispered in his ear.

Frosty Anderson got up to the plate with his meanest game-face sneering away at the Clarion Apollo.  He banged the heavy bat Mike had used on the plate to show how much business he actually meant.

“Hit it out, Frosty!” hollered Tim Kellogg.  “Or you-know-who is up next!”

Bobby did know who.  And there went his heart again, headed for the depths of the dirt in the dugout.

The pitch swished in at just about the perfect spot for Frosty to hit it, and he swung with all the might of Hercules.  He topped the ball to the third baseman who stepped on the bag and zipped to first for the double play.

Frosty Anderson came barrelling over to the Pirate bench with so much anger that fire was blazing up out of his ears and lighting his blond hair on fire.

“You know who really lost us the game, don’t you?” he screamed directly at Bobby.  Suddenly he was directly in front of Bobby, pushing him with two hands.  Bobby went backwards over the bench and landed on his back in the sand.

Mike grabbed Frosty from behind, whirled him around, and presented him with a cocked right fist, ready to knock the angry boy’s block off just like in the Rock ‘em Sock ‘em Robots commercials.

“You need to blame somebody, hero?  Who hit into the double play at the end?  Bobby’s on our team.  And he’s the one who drove in three runs to put us ahead.”

“Okay, okay… Sorry, Bobby.  But he did drop the game-ending out.”

“Whatta you think, Bobby?  Should I hit him?”

“No, please don’t.  He’s a Pirate too.”

“Good boy, Bob.  That’s the way we hold a team together,” said Coach Kellogg as he picked Bobby up off the ground and set him back on his own feet again.

The whole group said that it wasn’t Bobby’s fault that they lost, mostly because Coach Kellogg asked them to, but not all of them meant it.

“We almost won,” said Blueberry.

“No, we didn’t,” Bobby said quietly so only Blue could hear, “But thanks for thinking so.  You have a good heart.”

Leave a comment

Filed under heroes, humor, kids, novel, NOVEL WRITING, Paffooney

Tarzan and the Timeless Valley of Nostalgia

There was a time when Tarzan was one of the ruling heroes of my boyhood fantasies of power and self-fulfillment. And, while Tarzan was a cartoon show on Saturday morning, comics by Burne Hogarth, movies in the theater in color with Mike Henry, or a weekly series on TV with Ron Ely, he was always Johnny Weissmuller to me. Weissmuller who played both Tarzan and Jungle Jim in the Saturday afternoon black-and-white movies.

I have to admit, I didn’t identify with the character of Tarzan as much as I thought of myself like the character “Boy”, played by Johnny Sheffield in movies like “Tarzan Finds a Son”. It was a significant part of my boyhood to imagine myself being like Boy, free from practically all restraints, able to gad about the dangerous jungle nearly naked with monkey pals and no fear. If I got into trouble by believing my skills were greater than they really were, I would save myself with ingenuity, and, barring that, Tarzan would rescue me. And, believe it or not, sometimes there were fixes that Tarzan got into that he needed me and Cheetah to be creative and get him out of. I knew in my heart that one day real life would be like that, especially once I grew into Tarzan and stopped being just Boy. That idea was in my head so loudly that several times I went to Bingham Park Woods, stripped down, and played Boy in the Jungle.

As in the previous essay about Heroes of Yesteryear, I learned important things from Johnny Weissmuller on Saturday TV. He taught me that all you really needed, even in the darkest jungles of Africa, was confidence and courage. You could stand up to any deadly danger without the protection of any armor, practically naked, in fact, if only you had that heroic goodness of heart. The little boy I was then still believes that whole-heartedly even in the aging body of an old man.

So, Tarzan continues to live in my memory, a part of me, an essential part of my education. He is me and I am he. But only in my mind. Me in a loincloth, swinging on a vine now… and probably going splat like an overripe melon on the jungle floor… well, that is too ridiculous to even imagine being real anymore. Yet he lives on in me. And he battles the metaphorical leopard-people of modern life through me. Unarmored. Confident. And unafraid.

3 Comments

Filed under autobiography, comic book heroes, foolishness, heroes, humor, movie review, old books, review of television, strange and wonderful ideas about life, TV as literature

Drawing Boyhood

My boyhood in the 1960’s was complicated. There was fear and depression and growing awareness of violence and unfairness and evil in the world, starting in 1963 with the death of John F Kennedy.

There was magic and wonder in my childhood. I found comic-book heroes like Spiderman, fantasy movies like Captain Sinbad starring Guy Williams, and Science fiction movies like 2001; A Space Odyssey.

A sense of adventure and the wonders of the past came through reading. I read and loved Treasure Island and Kidnapped, both by Robert Louis Stevenson.

Of course boyhood is also the time in which we have to come to terms with sexuality and sexual identity. My battle was complicated by being sexually assaulted by an older boy. It took me a long time to sort out the fact that I was not a homosexual and being a victim does not make a boy into one. I was an untouchable child, but that didn’t stop me from obsessing about love and affection constantly.

What you learn to be in boyhood is what you end up being in adulthood.

Nurture is more important to development than nature.

Education is what makes a boy into a man. Your genetic makeup has its effects, but is only the blueprint, not the building.

Boyhood behavior might not go exactly as parents plan, but it has to happen anyway.

There is no such thing as a perfect boy.

Boyhood always was and still is an adventure. I should know. I’ve been a boy for 64 years.

Leave a comment

Filed under artwork, autobiography, education, heroes, humor, Paffooney

The Philosopher King’s Quest

Marcus Aurelius was a Roman Emperor, one of the good ones, not like Caligula, Nero, or even Commodus, his son who was emperor after him.

But what made him good? Obviously the fact that he was beloved by the Roman people, even the senators and the very people who would’ve benefitted personally by his failure and demise.

He was a good administrator that benefitted the people with public works. He was a good military leader who maintained the Pax Romana until his death in 180 A.D.

Of course, his son, Commodus, blew that all up by being such an incompetent dictator that his own Praetorian Guard assassinated him (as portrayed in the movie Gladiator, though that movie also made him out to be his father’s murderer, of which there is no real evidence.)

But my friend Emperor Marcus was so much more than just a good ruler. He was a good man. And this is due almost entirely to the fact that he was a well-known Stoic Philosopher.

He embraced the philosophy of Greek philosopher and Roman slave Epictetus. Stoicism is the belief that you, as an individual do not control anything in the outside world to the degree you can control yourself. It is not the things, people, and events around you that matter, since you can’t control those. It is your own set of principles that you have to put in place and adhere to that affect the outcomes in life. In fact, you should view the setbacks and roadblocks to your accomplishments not as a negative thing, but as a learning opportunity. Learn all you can while you may, and at every opportunity. The Stoic welcomes hardship, because the overcoming of hardships shapes the man or woman you will become.

I found this philosophy to be the only way forward some days during the course of my teaching career. I was always more successful in meeting challenges head-on as they arose in front of me. Delaying, making excuses, or running away are all easier to do than that. But those other wimpy tactics never yield the success you can have by defeating your opposition and hardships face-to-face. Of course, you have to remember too that overcoming opposition does not have a selfish quality if you are a Stoic. In fact, you must respect all men, even your enemies. Marcus Aurelius, in response to victory in battle won by having thirsty troops offer a Christian prayer and then have their problem solved by a fortuitous rain storm, told the Senate they must no longer persecute Christians. They started to be considered good Roman citizens no matter what their religion.

Marcus Aurelius made it clear in his writings, the Meditations written in Greek, that, “In order to win the day, you must first win the morning.” To him this meant you had to be an early riser, tackling each problem of the day as it came up in the order they happened, morning to night.

So, the Philosopher King’s Quest, by this Stoic philosophy, is managed by first putting yourself right. You must examine your beliefs, test your hypotheses, and prove yourself to yourself before trying to tackle the world.

2 Comments

Filed under commentary, compassion, heroes, Paffooney, philosophy

Pumpernickel Is More Than Just a Silly Word!

pumpernickel

We descendants of Germans  all understand something you all probably don’t know, and might have a hard time actually accepting.  Germans and German Americans like to simply call things what they are… but we do it with remarkably silly words so you don’t take things as seriously as you probably should.

Seriously…  Pumpernickel bread looks an awful lot like a cow pie.  Don’t know what a cow pie is?  That’s because you don’t speak Iowegian. Remember that post?  A cow eats grass, digests it for a while, bakes it in the secret methane chambers embedded secretly within every living cow, and then the old garbage shoot plops out the cow pie.  Flies love to eat it.  The grass grows fiercely after absorbing what the flies and maggots leave behind.  Yeah, that.

The bread originated in Germany where, as I have so graciously pointed out to you, they call things simply what it is.  Pumpern in German means to break wind. Nickel is a variant of Nicholas or Nick, which is the name der Teufel, err…the Devil often goes by.  So the bread is called, in its simplest translation, “Devil’s fart bread”.  Isn’t that rich?  And it tastes good too.

But what’s the point of praising pumpernickel?  Well, it brings to mind in Mickey’s mangled mish-mash of a mind an old Daffy Duck cartoon.

220px-The_Scarlet_Pumpernickel_Title

Yes, the tale of the Scarlet Pumpernickel has been playing out in Monkey Town where the Great Orange Buffoon in charge of it all is busy making Nixon noises.

the-scarlet-pumpernickel-c2a9-warner-brothers

 

 

 

“Yes, my lord, there is an investigation  into the Russian connection between your henchmen and Vladimir Putin,” said Director Comey.

“Hmmm…  Fake News!  Very Sad!” moaned the Buffoon.  “Comey, I appreciate you smearing Clinton and all you did to help the greatest most historic election ever… but you’re fired!

scarlet

“Aha!” says Comey, revealing himself to be the infamous hero, the Scarlet Pumpernickel “…now I have you, my lord! But, wait! Fired, you say?  Um, you do have the authority to fire me, don’t you.”

“Now, clear out your desk, loser!”

“Ah, but this action makes you look guilty, my lord.  Perhaps the sting of my sword of justice will prick you in the behind yet!”

“Sessions!  Defeat this loser for me!  Very sad, sick man!”

image-w1280

“Me thinks you have not heard the last of the Scarlet Pumpernickel!” cried Comey as he leaped out the tower window into the chasm with a river at the bottom far below.

What happens in the next episode of the saga of the hero named after devil fart bread?  Only time will tell.

thescarletpumpernickel (22)

Interesting way to introduce my latest Monkey President cartoon attempt to depict Trump… no?  You do realize he’s a German American too?

C360aaa

 

Leave a comment

Filed under angry rant, cartoons, goofy thoughts, heroes, humor, politics, satire