Yes, I am saying the world I live in is a low-budget commercial movie made without literary or artistic pretensions. You know, the kind where movie makers learn their craft, taking big risks with smaller consequences, and making the world of their picture reflect their heart rather than the producer’s lust for money.

Mostly what I am talking about are the movies I remember from late-night Saturday TV in black and white (regardless of whether or not the movie was made in Technicolor) and the less-risky as well as more-likely-good Saturday matinees on Channel 3. Movies made in the 1950s, 1960s, and early 1970s. They were perfect, of course, for the forbidden Midnight Movie on the show called Gravesend Manor. I had to sneak downstairs to watch it on Saturday nights with the volume turned way down low. (Not that Mom and Dad didn’t know. Well, maybe they didn’t know how many of those I watched completely naked… maybe.)

I watched this one when I was twelve, late night on an October Saturday. I had a bed-sheet with me to pull over my head at the scariest parts. Frankenstein was a crashed astronaut brought back to life by the magic of space radiation. He was uglier than sin, but still the hero of the movie, saving the Earth from invading guys in gorilla suits and scary masks (none of which looked like the movie poster.)

This one, starring James Whitmore, a really good B-Movie actor, was about giant ants coming up from the sewers and the underground to eat the city.
I would end up watching it again twenty years later when I was wearing clothes and not alone in the dark house lit only by a black-and-white TV screen.
I realized on the second viewing that it was actually a pretty good movie in spite of cheesy special effects. And I realized too that I had learned from James Whitmore’s hero character that, in times of crisis, you have to run towards the trouble rather than away from it, a thing that I used several times in my teaching career with fights and tornadoes and even rattlesnakes visiting the school campus looking to eat a seventh-grader or something (though it was a bad idea for the snake even if it had been successful.)

This one, of course, taught me that monsters liked to carry off pretty girls in bikinis. And not just on the poster, either. But it was the hero that got the girl, not the monster. This movie taught me that it sucks to be the monster. Though it also taught me that it was a good movie to take your pajamas off for and watch naked when you are thirteen.

But not all B-movies had to be watched late night on Saturdays. This movie was one of the first ones that I got to go to the movie theater to see by myself. (My sisters and little brother were still too young and got nightmares too easily to see such a movie.) It came out when I was in my teens and Mom and Dad began thinking of me as an adult once… or even possibly twice in a month.

And not all B-movies were monster movies, gangster movies, and westerns. Some, like a lot of Danny Kaye’s movies, were movies my Dad and my grandparents were more than happy to watch with me. I saw this one in both black-and-white and color. And I learned from this that it was okay to take advantage of happy accidents, like a case of mistaken identity, and using your wits, your creative singing ability, and your inexplicable good luck to win the day for everybody but the bad guys armed only with your good sense of humor.

And some of the best movies I have ever seen, judging by what I learned about movies as literature from Professor Loring Silet in his Modern Film Class at Iowa State University, are by their nature B-movies.
I am using movie posters in this blog post only from movies I have personally seen. (And I admit that not all of them are strictly “good” movies according to Professor Silet, but I like them all.)
Feel free to tell me in the comments if you have seen any of these movies yourself. I am open to all opinions, comments, and confessions.










I live in a B-movie world. The production values around me are not the top-dollar ones. But the stories are entertaining. The real-life heroes still run towards the problem. And it still sucks to be the monster. But it has always been worth the price of the ticket. And during my time on Earth here, even in 2020, I plan on staying till the end of the picture. I go nowhere until I see the Best Boy’s name in the end credits. And maybe not even then.































The Philosopher King’s Quest
Marcus Aurelius was a Roman Emperor, one of the good ones, not like Caligula, Nero, or even Commodus, his son who was emperor after him.
But what made him good? Obviously the fact that he was beloved by the Roman people, even the senators and the very people who would’ve benefitted personally by his failure and demise.
He was a good administrator that benefitted the people with public works. He was a good military leader who maintained the Pax Romana until his death in 180 A.D.
Of course, his son, Commodus, blew that all up by being such an incompetent dictator that his own Praetorian Guard assassinated him (as portrayed in the movie Gladiator, though that movie also made him out to be his father’s murderer, of which there is no real evidence.)
But my friend Emperor Marcus was so much more than just a good ruler. He was a good man. And this is due almost entirely to the fact that he was a well-known Stoic Philosopher.
He embraced the philosophy of Greek philosopher and Roman slave Epictetus. Stoicism is the belief that you, as an individual do not control anything in the outside world to the degree you can control yourself. It is not the things, people, and events around you that matter, since you can’t control those. It is your own set of principles that you have to put in place and adhere to that affect the outcomes in life. In fact, you should view the setbacks and roadblocks to your accomplishments not as a negative thing, but as a learning opportunity. Learn all you can while you may, and at every opportunity. The Stoic welcomes hardship, because the overcoming of hardships shapes the man or woman you will become.
I found this philosophy to be the only way forward some days during the course of my teaching career. I was always more successful in meeting challenges head-on as they arose in front of me. Delaying, making excuses, or running away are all easier to do than that. But those other wimpy tactics never yield the success you can have by defeating your opposition and hardships face-to-face. Of course, you have to remember too that overcoming opposition does not have a selfish quality if you are a Stoic. In fact, you must respect all men, even your enemies. Marcus Aurelius, in response to victory in battle won by having thirsty troops offer a Christian prayer and then have their problem solved by a fortuitous rain storm, told the Senate they must no longer persecute Christians. They started to be considered good Roman citizens no matter what their religion.
Marcus Aurelius made it clear in his writings, the Meditations written in Greek, that, “In order to win the day, you must first win the morning.” To him this meant you had to be an early riser, tackling each problem of the day as it came up in the order they happened, morning to night.
So, the Philosopher King’s Quest, by this Stoic philosophy, is managed by first putting yourself right. You must examine your beliefs, test your hypotheses, and prove yourself to yourself before trying to tackle the world.
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