Category Archives: farm boy

Inside Toonerville

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The Toonerville Post Office and Bert Buchanan’s Toy Store.

Toonerville is not only a wonderful cartoon place created by Fontaine Fox in the 1930’s, but the name of the town that inhabited my HO Train Layout when I lived in South Texas and had the Trolley actually running nearly on time.  The train layout has not been restored to working condition for over a decade now.  The buildings which I mostly built from kits or bought as plaster or ceramic sculptures and repainted have been sitting on bookshelves in all that time.  I still have delusions of rebuilding the train set in the garage, but it is becoming increasingly less and less likely as time goes on and my working parts continue to stiffen up and stop working.  So, what will I do with Toonerville?

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Wilma Wortle waits on the station platform for her train at the Toonerville Train station. I built this kit in the 1970’s, hence the accumulations of dust bunnies.

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Loew’s Theater has been awaiting the start of The African Queen for more than twenty years.

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Main Street Toonerville at 2:25 in the afternoon. Or is it three? The courthouse clock is often slow.

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Grandma Wortle who controls all the money in the family likes to park her car near the eggplant house when she visit’s Al’s General Store.

But I may yet have found a way to put Toonerville back together through computer-assisted artsy craftsy endeavors.

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A two-shot of Bill Freen’s house and Slappy Coogan’s place on the photo set to start production.

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Bill Freen’s house lit up with newfangled electricical. (and I do believe that is the way Bill spells it all good and proper.)

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Bill Freen’s house cut out in the paint program.

So I can make composite pictures of Toonerville with realistic photo-shopped backgrounds.  Now, I know only goofy old artsy fartsy geeks like me get excited about doofy little things like this, but my flabber is completely gasted with the possibilities.

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Bill Freen’s house at sunset… (but I don’t get why there’s snow on the roof when the grass is so green?)

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Filed under art editing, artwork, autobiography, farm boy, foolishness, humor, illustrations, photo paffoonies, Toonerville

How to Be a Farm Boy Without Really Trying (or Wanting To)

Farmgirl is adapted from a picture borrowed from the Belmond Area Arts Council.

Farmgirl is adapted from a picture borrowed from the Belmond Area Arts Council.

I was born in Mason City, Iowa (the original River City of Meredith Wilson’s Broadway musical, the Music Man).  But my parents didn’t hold with no big-city Ioway sort of life, so we eventually moved to my mother’s home town, Rowan, Iowa.  It was roughly about 275 people (if you count the squirrels… which a lot of the townsfolk were… qualified squirrels).  My two maternal uncles and my grand parents were busy maintaining the family farm there, and though I lived in town because Dad was an accountant for a seed corn company instead of the farmer he grew up as… I got more than my fair share of farming-type opportunity.  You know the stuff… shoveling pig poo… cow poo too…   I got to help feed the chickens (and get chased by roosters, and get pecked by hens when we checked their nests for eggs, and watch the rooster rodeos as revenge for all the chasings… because roosters don’t lay eggs and the only thing they are really good for in an egg farming setting is lopping their heads off, and watching them flop around like rodeo bulls with no heads for fifteen minutes until they finally figured out they were dead, then plucking ’em and watching Grandma Aldrich cook ’em).  I got to drive a tractor, although they didn’t trust me to do more than the simplest of tractor-driving jobs like pulling the hay rake.  I got to shovel chicken poo out of the hen house and out of the brooder house.  (Notice how a lot of the world of the lowly farm boy centers somehow on poo?)  It was a rustic rural life reminiscent of Norman Rockwell… although he depicted mostly town life and not as much of the fields and animal pens (and poo) that are central to Iowegian farm culture.

Brent Clarke is a me character in my stories... but also one of my farm boy friends.

Brent Clarke is a me character in my stories… but also one of my farm boy friends.

Growing up a farm boy has a few advantages to go along with the many drawbacks.  First off, you learn young where babies come from.  Piglets and calves and puppies and kittens are not born in secret.  And it doesn’t take much spying out on farm life to learn how those baby animals are made either.  There is ample opportunity to learn what you are not supposed to learn at a young age from farm girls too… but we were gentlemen… and extremely embarrassed by the fact that baby people are made in the same grisly, awful way that baby animals are out in the barn.

You also learn to be somewhat self-sufficient.  I learned how to tend a garden.  I learned how to fix a flat.  I learned how to repair a roof and build a rabbit pen.  Hammer, pliers, screwdriver, saw… I learned to use them all and make stuff.  Crude stuff, sure… smashed-finger-with-hammer-stuff too.  I made a bookshelf in shop class that had a bit of Michael blood built into it.  But I learned things that boys should know, and really don’t any more.

So, I guess I am claiming that because I am an Iowa boy… a farm boy… and despite my many short-comings and short-changings my life has been good and worthwhile… being a farm boy is good.  And one of the greatest shames of the modern world is this… there just aren’t many farm boys any more.

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Filed under farm boy, humor, Paffooney