Category Archives: commentary

The Alchemist by Paulo Coelho

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Some books come along telling a story that has to be taken seriously in ways that don’t make sense in any normal way.  The Alchemist is one of those books.

What is an alchemist, after all?

An alchemist uses the medieval forms of the art of chemistry to transmute things, one thing becoming another thing.

Coelho in this book is himself an alchemist of ideas.  He uses this book to transmute one idea into another until he digs deep enough into the pile of ideas to finally transmute words into wisdom.

There is a great deal of wisdom in this book, and I can actually share some of it here without spoiling the story.

Here are a few gemstones of wisdom from the Alchemist’s treasure chest;

“It’s the possibility of having a dream come true that makes life interesting…” (p.13)

“It’s the simple things in life that are the most extraordinary; only wise men are able to understand them.” (p.17)

“All things are one.  And, when you want something, all the universe conspires in helping you to achieve it.”  (p.24)

“And when he had gone only a short distance, he realized that, while they were erecting the stall, one of them had spoken Arabic and the other Spanish.    And they had understood each other perfectly well.  There must be a language that doesn’t depend on words, the boy thought.” (p.45)

All of these quotes from the book, as you can see, come from the first third of the book.  There are many more treasures to be found in this book.  I should not share them with you here.  Just as the main character of the story learns, you have to do the work for yourself.  But this book is not only an enjoyable read, but a map for how you can execute your own journey towards your “Personal Legend”.  In fact, you may find that the book tells you not only how to go about making a dream come true, but, if you are already on that journey successfully, it tells you what things you are already doing right.

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Homely People

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I prefer to write about, think about, and draw pictures of homely people. But don’t mistake me.  I am not talking about ugly people.    Our President, the giant blood sausage with a bird’s nest on top that we have put in charge of making us all feel sick to our stomachs every day, demonstrates what ugly means.  Ugly is not just weird and interesting to look at, it is also repellent behavior that makes physical flaws take a back seat… no, a rumble seat in the trailer behind by comparison.

I am talking about the ordinary people back home.  The ones that may be sitting by your own fireplace on a cold day trying to warm their hands after throwing snowballs outside.  And, of course, that snowball that hit Maggie Doozman in the side of the face and knocked her glasses off, made you laugh for an instant, until you realized she was crying, and Kirk Longhatter didn’t even apologize for throwing so hard, so you went over and picked her glasses up for her and handed them to her, and she smiled at you through the tears.  That is the kind of homely I mean.

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There is a lot that is beautiful in homely people. Sure, maybe not a classically beautiful Elizabeth Taylor face or a Gregory Peck lantern jaw.  Maybe not even a shapely behind or a graceful step when walking across the street.  But ordinary beauty.  Kindness.  Humility.  Determination in the face of long odds.  Good-natured jokery.  A touch of childish silliness.  A moon face that actually shines when a smile lights it up.  That is beauty that can be found in homely people.

You’ve probably figured out by now that this post is just an excuse to show off some goofy old off-kilter portraits I did.  But that doesn’t change the fact.  I do love homely people.

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Naked Innocence

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To be clear, I will have to write a post called Naked Experience to go with this post.  It is a William Blake style of thing.  You know, that English Romantic Poet guy who was into drawing naked people even more than me?  The writer of Songs of Innocence and Experience?  You know, this stuff;

Well, maybe you don’t know.  But Blake gave the world the metaphor of the innocent lamb and the tyger of experience (tyger is his spelling, not mine, and it didn’t blow up the spell checker, even though it made the thing unhappy with me again).  There is a certain something I have learned about nakedness that I mean to innocently convey.  I learned it from anatomy drawing class and spending time with nudists.  Naked is not evil.  Naked is not pornography.  Nakedness, itself, is a very good thing.

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At this point the avid clothing-wearers among you are probably saying to yourself, “This guy is nuts!  If God had wanted us to be nude, then we wouldn’t have been born with clothes on.”  And I must admit, I cannot argue with logic like that.

But on a more serious note, I believe nudity is a fundamentally essential part of the nature of art.  After all, pictures of naked people are a central part of what people have been drawing since they first started etching them with charcoal on cavern walls.  And all art, including this blog, is about the human experience.  What it means to be human.  What it feels like to be alive on this Earth and able to feel.

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And there is nothing sinister and immoral in drawing nudes to portray that fact.  I am trying to show metaphorically the music of existence, the pace, the symmetry, the musical score…  It isn’t focused on the private bits, what some call the naughty parts, even when those things are present in the picture.  “How dare that naughty Mickey show the naked back end of that butterfly!  It ought to have pants on at least!”  Yes, I am making a mockery of that outrage itself.  I am not a pornographer.  These pictures were not created to engender any prurient interests.  These pictures are part of Blake’s lamb.  They will not bite you.  Though blue-nosed people who wish to control what others think may very well bite me for daring to say so.

I have posted a lot of writing and artwork on this blog that I held for the longest time to be completely private and personal.   I hardly ever showed any of it to anybody before I posted it here.  But I am old.  I no longer have secrets.  I am capable of telling you everything even though I have never met most of you in real life.  And I have no shame.  I have become comfortable with emotional and intellectual nudity.  And when I am dead, the body I have kept hidden from the world for so long will be no more.  It’s just a thought.  It’s a naked thought.  And it is completely innocent.

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The Old Man In Winter

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Handling the cold of winter is definitely not my favorite thing.  House-bound more than usual, creaky in every joint, hounded by a nagging cough that sounds like the barking of a dog who is 140 in dog years and about to die, I just don’t love this time of year.  And in Texas, we don’t even get pretty white snow to use as a distraction.

You see me here with my long Gandalf hair and my bristly author’s beard.  I have been furiously writing about werewolves and naked teenage girls.  But don’t get excited. It is not a sexy sort of thing.  Rather, it’s a comedy about feeling monstrous because of physical and emotional differences you have no control over, and, of course, prejudice against those who are different.   So I am keeping my head warm in cold weather by thinking too much.

There is evidence all around me of this.  I have so much indoor time on my hands due to weather that I am caught up in silly old man ideas and obsessions.

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I am taking pictures of frost patterns for cartoonish reasons.

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I can’t help but spend time on the computer doing things like making use of the vast storehouse of useless knowledge that I keep in a back room inside my head.

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20171231_150717It seems I am rather good at it, too.  Who knew that a life spent as a teacher would make you into the sort of Jeopardy genius that could earn a million dollars on a show that you will never ever have a chance to get on, and if, by some miracle, you did, you would get a first round question about the atomic weight of molybdenum and you’d say, “What is 42?” because that is the element’s atomic number (and the answer to life, the universe, and everything) instead of 95.94, the correct answer, which you knew, but you got nervous and went for the jokier answer.

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And, of course, I can’t help but reflect on what I am missing out on as an ESL teacher, teaching English to kids who speak Vietnamese, Mandarin, Spanish, Farsi, and Tigrinya.  The world of languages that are not our own is fascinating, as well as frustrating.  We live in a time when communicating with others is the most critical life skill we could have, especially since the world is now run primarily by stupid people, and the evil people who love them.

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This old man is scaring me.  And he has nuclear weapons.

So, I struggle through the winter of 2017-2018 with layers of old sweaters, jackets, undershirts and long-johns.  And I am not lovin’ it.  But I am keeping my head warm.

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Reading Other Writers

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Nobody who wants to be a writer gets by with just writing and never reading anything by anybody else.  It is too easy to devolve into some kind of human mushroom that way, thinking only thoughts a mushroom could think, all fungus-like and having no chlorophyll of their own.  You never learn to decode other people and other people’s thinking if you don’t read other people’s thoughts crystallized in writing.

And not every other writer is Robert Frost.  Or even Jack Frost who thinks he’s  Gene Kelly.  There has to be some interpretation, some digging for understanding.  What did that writer mean when she said political correctness was like a tongue disease?  And what does it mean when a commenting troll calls me a nekkid poofter?  Is that how he spells “exceptional genius”?  I think it is.  Trolls are not smart.

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I know people have to make an effort to understand me.  When I write, I am writing under the delusion that I can produce literary quality off the top of my head.  In fact, I can barely produce hair off the top of my head, and it is gray when I do it.   See what I did there?  It is the kind of joke a surrealist makes, pretending the idiomatic expression you use is to be taken literally when it doesn’t literally make sense.  That kind of nonsense is what my readers have to put up with, and probably also the reason why most of them just look at the pictures.  If you have to think too hard when you read, your brain could over-heat and your hair could catch fire.  I like that kind of purple paisley prose that folds back in on itself and makes you think in curlicues.  But most people don’t.  Most people don’t have fire-proof hair like I do.

20180103_082404 Of course, there is the opposite problem too.  Some writers are not hard to understand at all.  They only use simple sentences.  They only use ideas that lots of other people have used before.  You don’t have to think about what they write.  You only need to react.  They are the reasons that words like “trite”, “hackneyed”, “boring”, and “cliche” exist in English.  But simple, boring writing isn’t written by stupid people.  Hemingway is like that.  Pared down to the basics.  No frills.  Yet able to yield complex thoughts, insights, and relationships.

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Sometimes, it doesn’t even take a word to make the point.  For instance, why, in the picture, is Fluttershy trying to drink out of the toilet in the dollhouse bathroom?  For that matter, why does a doll house even need a bathroom?  Applejack doesn’t even fit in that yellow bathtub.  I know.  I tried to stuff her in there for this picture.  And, as you read this, doesn’t this paragraph tell you a lot about me that you probably didn’t even want to know?

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When I am reading the writing of others, I am looking for a cornucopia of things.  I want to not only understand their ideas, I want to detect the limping footprints across the murder scene of their paragraphs and come to know the deeper things about them as well.  I spent years decoding and trying to understand the writing of preliterate kids in my middle school English classes in order to be able to teach them to write better.   And I learned that no writer is a bad writer as long as they are using readable words.  I also learned that very few writers are James Joyce or Marcel Proust.  Thank God for that!  And given enough time I can read anything by anybody and learn something from it. I read a lot.  And it may not always make me a better writer to read it, but it always has value.  It is always worth doing.

 

 

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Uber New Year

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Who knew that being an Uber driver required the skills of a swashbuckling hero?

But that is exactly what it is.  I am approaching the end of my first $100 dollar week.  And I have already been on a harrowing ride through the world of ride-sharing for money.

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The key to successfully picking up and ferrying passengers to the site of their choosing is a matter of being personable and at ease with driving and talking.  Of course, I have talking skills.  My whole 31 year career was a matter of learning to effectively talk to kids all day long.  And you may not believe this, but adults, people who actually have money and the freedom to choose their own path, are easier to talk to than kids.  I have learned about people’s families, people’s jobs, opinions of their bosses, opinions of the government and taxes, and even some tell me about their love lives, both directly, and second hand.  If there are two in the car, then they forget that the driver has ears and can hear (within the limitations of really old ears).

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One recent passenger was absolutely convinced that no Uber driver actually knows how to drive.  That passenger sat in the back seat and sent a barrage of traffic warnings and worries forward for me to deal with at the same time I was watching the road ahead.  It was almost exactly as harrowing as driving with my wife as a passenger.  I felt like a child again, driving for the meanest teacher I ever had growing up.  (Sorry, Ms. Rubelmacher, I learned a lot from you.  Don’t give me detention for writing that.)

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But why did I say “Swashbuckling hero” if I am only going to talk about talking to passengers?  And why all the Batman gifs?

Well, I am talking about driving in the Dallas Fort Worth Metroplex, ain’t I?  Do you know what Texas drivers are like?  On Saturday I picked up a coach headed for a retirement party at a Luby’s on the border of DeSoto (a southwest Dallas suburb.  That was a twenty-two dollar trip from east-central Dallas catty-cornered all the way across the city in a diagonal direction on the tollway and then I-35 South.  I had three cars cut me off for driving too slow (by which I mean the speed limit.  Hey, Uber monitors that through their app.)  The Uber Navigator told me to keep right at a time when keeping right nearly threw me off 35 onto an intersecting highway, so I had to make a quick two-wheeled Starsky and Hutch turn through the corner of the median to stay on course.  (Fortunately, Uber can’t monitor that.)  Dallas drivers are a combination of speedy predators in WASP rockets, Texas killer grandmas in Cadillacs, and Elmer Fudds going too slow in classic cars from the 50’s.  They provide you with a booby-trapped obstacle course to drive through, and go so fast that the speed limit becomes dangerously too slow.

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So I definitely appreciate Batman for providing me with all the animated illustrations to use for portraying the high-risk life of an Uber driver.  It makes driving this way easier to pretend that I am one half of the dynamic duo driving the Batmobile in Dallas downtown traffic.  Yes, it’s true, I am saying I pretend to be Batman.

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“Mickey, What’s Wrong With You?”

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Yes, I am trying to answer that old question that old girlfriends used to ask me back when they were young and I was young and too stupid to answer honestly. You know, the question always asked right before they tell you, “Why don’t we just be friends and leave it at that.”

After having spent my Christmas money from Mom on an 18-inch giant gorilla action figure of Kong on Skull Island to terrorize all the dolls on the Barbie Shelf after midnight when all the dolls secretly come to life, I feel more prepared than ever before to answer that particular question.

I am not in my second childhood. I am still in my first one. Yes, I reached the ripe old age of 12 and then Peter Pan Syndrome set in bigtime. On the inside, I will always be 12 years old. I still, at 61, play games and play with toys. I never really grew up.

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I am not a Brony, but I am still buying My Little Pony dolls, and can name all six of the main characters. From left to right, Fluttershy, Rarity, Pinkie Pie, Apple Jack, Rainbow Dash, and Twilight Sparkle. And yes, I have watched the cartoon show and like it, but am still not a Brony, okay? There are a lot of things wrong with me, but I am not that bad! My kids, however, are embarrassed to be seen with me when I am shopping for toys at Walmart, Toys-R-Us, or Goodwill.

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I still play with the HO scale model trains that I have owned and collected since the first year I was actually twelve. I would love to get them running again. The Snowflake Special and the Toonerville Trolley seen in the picture both still ran the last time I tested them four years ago. I still love to paint buildings and HO scale people to live in my little train town. I am still working on a set of townspeople that I bought back in 1994. German villagers circa 1880.

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I have always been fascinated by imaginary places and the people who live in them. Especially imaginary places in the fiction of the past. Places like the castle of Minas Tirith in the realm of Gondor in Middle Earth, and like Pellucidar that David Innes and Abner Perry discovered at the Earth’s Core in their boring machine called “the Prospector”as part of the Pellucidar series created by Edgar Rice Burroughs, author of the Tarzan novels. So, another thing wrong with me is that I live mostly in the past and entirely in the worlds of my imagination. I have very little to do with the so-called “real world”.

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So, to sum up, the things wrong with Mickey are; A. He’s a goofy old child. B. He still plays with toys. C. He likes girly stuff. D. He confuses fantasy with reality. No wonder the girls used to run away screaming. And I haven’t even added the part about Mickey thinking he is a nudist now and walking around the house naked when no one else is home and forced to see the full horror of it.

But maybe you should think on it for a moment more. What if the things that are wrong with Mickey are actually good things? What if he’s found the secret to long life and happiness in spite of a world full of troubles and illnesses and blechy stuff? It could be true…

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Fighting Back

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The sad truth is that as this world progresses in the days since the Trump election, it becomes harder and harder to stay positive and happy.  It becomes easier and easier to figuratively stub your toe on the bad news each new day brings and fall into the deep dark pit of black depression.

Just after signing the paperwork for the bankruptcy, I get a couple of explanation pages from my health insurance, assuring me that I will have to pay somewhere around $4500 for my emergency room visit and 3-day hospital stay.  After I earned my first $100 dollars as an Uber driver, I ran over a glass bottle and punctured a tire in its sidewall, costing me over $100 to replace it.  And my bank account, in spite of scraping and saving and spending money like Scrooge McDuck, a thoroughly squeezed nickel at a time, does not contain near enough money to pay this year’s property tax.  In spite of the blood, sweat, and money put into this last summer’s pool crisis, we may still lose the house.  I may soon fall off of that cloud that I stand on.

The Trumpinator hasn’t been helping.  He got the tax plan passed that benefits him to the tune of $12 million dollars every year, and may give me $50, or nothing, or I may even have to pay more.  His tax plan removes the mandate from Obamacare that was its tentpole, probably causing its imminent collapse.  $4500 may only be the first wound in that battle.  And none of the terrible things he says and does get him even a hint of condemnation from the Republican Toad Army that backs him.  We are headed for even greater levels of income inequality, possible revolution and civil war, and general chaos, assuming North Korea doesn’t begin nuking us first.

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But the slings and arrows of outrageous fortune do not find their target completely undefended.  I have ways of dealing with double-danged downers that are all but unknown to those who are basically unartistical.  (Yes, I know that is not a word in English, but I am creative.)

Do you remember that little perfume-bottle figurine that I bought at Goodwill and vowed in this goofy blog to repaint to express my artistical madness and creativiticockle?  (Yes, I know that isn’t a word in English either.)  I broke out the enamels and the acrylics and the brushes and the other stuff, and invited my daughter the Princess to paint with me.  She got out her ceramic dragon, a middle school art project that she never yet finished painting, and we both set to work.

We talked and joked and laughed at the table in the family room.  We talked about art styles and painting techniques.  We talked about art classes at school.  We talked about many important father/daughter artists sorts of things, and the regret we both have for never seriously trying to learn to play music.

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And the result was the healing of many old heart-wounds and the painting of many spots of very nice paints. You can definitely fight back against a world of darkness by creating rebellious little acts of artistry.

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Finding My Voice

As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies.  The novel is written in third person viewpoint with a single focus character for each scene.  But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.

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Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.

In Canto Two, Valerie Clarke, the central main character of the story, is the focus character.  Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head.  Canto Three is focused through the mind of Trailways bus driver Ed Grosland.  Canto Four focuses on Sheriff’s Deputy Cliff Baily.  And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane.  Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.

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The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.

That kind of fractured character focus threatens to turn me schizophrenic.  I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them.  How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people?  Especially when some of your characters are stupid people with limited vocabularies and limited understanding?

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The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.

I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself.  That is considerably less schizophrenic than the other book.  But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.

The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view.  That is even more of an exercise of losing yourself inside the head of a character who is not you.  One of the first person narrators is a girl, and one is a werewolf.  So, I have really had to stretch my writing ability to make myself into someone else multiple times.

I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world.  But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.

 

 

 

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An Unexpected Gift 

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This post is a movie review for Thor : Ragnarok , though I don’t really plan on talking about the movie very much.   It was an excellent comic book movie in the same tongue-in-cheek comedy tradition as Guardians of the Galaxy.   It made me laugh and made me cheer.   It was the best of that kind of movie.  But it wasn’t the most important thing that happened that night.

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You see, I spent the weekend in the hospital thinking I had suffered a heart attack during the Thanksgiving holiday. I thought I was facing surgery at the very least.   I knew I might have had an appointment to play chess with the Grim Reaper.   It is a lot to worry about and drain all the fun out of life.

Well, one of the things that happened that day, Tuesday, my first full day out of the hospital and, hopefully, out of the woods over heart attacks, was that I received my new replacement bank card because my old one had a worn out, malfunctioning chip in it.  So, I took my three kids to the movie at the cheapest place we could find.  I tried to run my bank card for the payment, and it was summarily declined.  I had activated it previously during the day, and there was plenty of money in the account compared to the price, but it just wouldn’t take.  So I had to call Wells Fargo to find out whatever the new reason was for them to hate me.  It turned out that it had already been activated, but a glitch had caused it to decline the charge.  While I was talking to the girl from the Wells Fargo help desk, the lady who had gotten her and her husband’s tickets right before us put four tickets to the movie in my hand.

The middle-aged black couple had lingered by the ticket stand before going in to their movie just long enough to see a sad-looking old man with raggedy author’s beard and long Gandalf hair get turned down by the cheap-cinema ticket-taking teenager because the old coot’s one and only bank card was declined. They were moved to take matters into their own hands and paid for our tickets themselves.

That, you see, was the gift from my title.  Not so much that we got our movie tickets for free, but that the world still works that way.  There are still good people with empathetic and golden hearts willing to step in and do things to make the world a little bit better place.  The gift they gave me was the reassurance that, as bad and black as the world full of fascists that we have come to live in has become, it still has goodness and fellow feeling in it. People are still moved to pay things forward and make good on the promise to “love one another”.  I did not have a chance to thank them properly.  I was on the phone with Wells Fargo girl when it happened.  The only thing that couple got out of their good deed was thank-yous from my children and the knowledge that they had done something wonderful.  I plan to pay it forward as soon as I have the opportunity.  Not out of guilt or obligation, but because I need to be able to feel that feeling too at some point.

I do have one further gift to offer the world.

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After we got home from the movie, I opened an email that contained the cover proof for my novel, Magical Miss Morgan.  Soon I will have that in print also if I can keep Page Publishing from messing it up at the last moments before printing.  It is a novel about what a good teacher is and does.  It is the second best thing I have ever written.

Sometimes the gifts that you most desperately need come in unexpected fashion.

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