Category Archives: commentary

Do Not Crush the Butterfly…

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Art on the bedroom wall, with Christmas lights being used as a night light.

Talking to a school administrator the other day about the challenges my children and I have been facing in the last year, I had one of those experiences where you get a look at your own life through someone else’s eyes.  “Wow, you have really been on a difficult journey,” he said.  I just nodded in response.  Financial difficulties, health problems, dealing with depression… life has been tough.  But you get through things like that by being centered.  Meditation tricks.  Things you can do to smooth out the wrinkles and keep moving forward.

I always return in the theater of my mind to a moment in childhood where I learned a critical lesson.  My life has been one of learning how to build rather than destroy.  It has been about creating, not criticizing.

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Electric lights have come to Toonerville, helping to light the darkness.

When I was a boy, I was a serious butterfly hunter.  It started when Uncle Don gave me a dead cecropia moth that he had found in the Rowan grain elevator.  It was big and beautiful and perfectly preserved.  Shortly thereafter, I located another cecropia in the garage behind the house, a building that had once been a wagon shed complete with horse stalls and a hay loft.  I tried to catch it with my bare hands. And by the time I had hold of it, the powder on its wings was mostly gone.  The wings were broken in a couple of places, and the poor bug was ruined in terms of starting a butterfly collection.

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A cecropia moth

Undeterred by tragedy, I got books about butterfly collecting at the Rowan Public Library and began teaching myself how to bug hunt.  I learned where to find them, and how to net them, and how to kill and mount them.

I discovered that my grandfather’s horse pasture had thistle patches which were natural feeding grounds for red admiral butterflies (pictured top left)  and painted lady butterflies (top right).  But if you wanted to catch the rarer mourning cloak butterfly (bottom picture), you had to stake out apple trees, particularly at apple blossom time, though I caught one on the ripening apples too.

swallowtailBut my greatest challenge as a butterfly hunter was the tiger swallowtail butterfly.  They are rare.  They are tricky.  And one summer I dueled with one, trying with all my might to catch him.  He was in my own back yard the first time I saw him.  I ran to get the butterfly net, and by the time I got back, he was flitting high in the trees out of reach.  I must’ve watched him for half an hour before I finally lost sight of him.  About five other times I had encounters with him in the yard or in the neighborhood.  I learned the hard way that some butterflies are acrobatic flyers and can actually maneuver to avoid being caught.  He frustrated me.

The tiger swallowtail was the butterfly that completed my collection, and it was finished when one of my cousins caught one and gave it to me because she knew I collected them.

But then, one day, while I was sitting on a blanket under a maple tree in the back yard with my notebooks open, writing something that I no longer even recall what I wrote, the backyard tiger swallowtail visited me again.  In fact, he landed on the back of my hand.  I dropped the pencil I was writing with, and slowly, carefully, I turned my hand over underneath him so that he was sitting on my palm.

I could’ve easily closed my hand upon him and captured him.  But I learned the lesson long before from the cecropia that catching a butterfly by hand would destroy its delicate beauty.  I would knock all the yellow and black powder off his exquisite wings.  I could not catch him.  But I could close my hand and crush him.  I would be victorious after a summer-long losing battle.

But that moment brought an end to my butterfly hunting.  I let him flutter away with the August breeze.  I did not crush the butterfly.  It was then that I realized what beauty there was in the world, and how fragile that beauty could be.  I could not keep it alive forever.  But it lasted a little big longer because I chose to let it.

So, here is the lesson that keeps me whole.  Even though I had the power, I did not crush the butterfly.

 

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Body Image Advice for Truly Ugly People

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Yes, I, of all people, should probably not be trying to give advice to ugly people.  I have some wisdom about ugliness to share, but only by participation in the world as a member of that class of people that ordinary folk would really, really, extremely importantly not want to see naked.  I am not Boris Karloff’s Mummy unwrapped, but I am in no way pretty under my clothes.

So why would anybody with six incurable diseases, one of which is a skin disease that involves reddish pink bleedy spots, ever contemplate becoming a nudist?

Well, horrible as I am, I have had a lifelong yearning for a life lived naked.  I recently found an online quiz thing that asked the question, “Should you become a nudist?”  Here is the result it gave me;

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So, apparently, I have nudist tendencies.  I have been concealing a long-standing desire to throw off all my clothes and walk around naked all the time.  And I have been doing it all my life.  But I am not some mentally ill pervert, or even an exhibitionist.  I just have an innate feeling, as I suspect most people do, that I was meant to live a more natural life wearing only the things that God clothed me with.  When I think of myself naked, I try to think of myself more like the boy I have drawn here to picture the feelings I have about nudity;

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There is a certain innocence and rightness involved in being nude.  I don’t generally push it in people’s faces.  I don’t plaster a bunch of naked pictures of myself on the internet.  Some nudists do.  I see a lot of naked people on Twitter now that I have written articles for nudist blogs and joined a couple of nudist websites. But they are not Playboy magazine nudes.  They are more often than not the slightly overweight, blobby sort of people that look like oddly bulbous stacks of uncooked pancake dough.  They are the kind of unfettered and unashamed personal body images that go a long way toward making me feel better about my fat old blobby-spotty self.  If people like that can be proud of their naked form, then my bugged-out eyes help convince my stupid head that I could do it too.

I have been to a nudist park precisely one time.  As chronicled in this blog last July, I visited the Bluebonnet Nudist Park in Alvord, Texas.  I have been naked in the presence of other naked people.  And it really is a liberating experience.  Being seen naked by naked girls is not nearly as soul-crushingly embarrassing as I once believed.  Especially since being a nudist is in no way about sex.  In fact, lewd behavior of any kind gets you kicked out of a nudist park faster than if you were doing the same thing at the Ballpark at Arlington for a Texas Rangers baseball game.  (Most of those lewd dudes, admittedly, were fueled more by alcohol than hormones.)  Those people at the nudist park did not look at me, scream in horror, and run away.  They looked me in the eye, smiled, and talked to me as if I were the same as they are.

 

So my advice to sincerely ugly people, based on my own experiences as a bug-ugly human being is… become a nudist.  Learn to accept your whole ugly, horrible self as an ordinary human being with no artificial veneer.  Do not cover up who you actually are.  Then, you may begin to see that what you always thought of as ugliness and horribleness is really beauty and grace and healthy human-ness.

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Writing the Critical Scene

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It is a novel I started writing in 1998 with an idea I first got in 1976. So I have been working on this book for either 20 years, or 32 years, depending on when you want to credit the actual work to have started.

It got it’s theme from the fact that I was sexually assaulted when I was ten in 1966, and the feeling the repressed memory of the trauma caused in me whenever I asked myself the question, “Am I a monster?”

Unfortunately the answer to that question, for practically everybody, is, “Sometimes yes.”

Psychological damage sticks with you for the rest of your life.  It makes you flinch at things that other people don’t.  More than once I must have confused both my mother and old girlfriends when I was compelled to wriggle out of hugs and physical contacts by panic.  I felt unlovable.  I felt like a monster.  And for a lot of that time, I didn’t know why.  But it is a novel critical for me to write.  Pain needs to become art in order to completely go away.  I need to imprison the feelings and ideas in a book.

I am now at the point in that novel where I must write the scenes at the crisis point, the high point of the action, and I have to control the flinching.  I have to control the reactions I could so easily fall into.  It is critical that I get the scene right.  The success or failure of the whole novel is at stake.

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I have played it over and over in the cinema in my head a thousand times… several thousand times.  It is difficult.  But it is there.  Soon I will have it down, crystallized in words.  It make take considerable time to publish it, though, because editing it will be at least as hard as writing it.  And I seriously have to get it right.

 

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Wake Up Sunday Morning!

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As weekly rituals go, one of the most important ones came every Sunday morning when I was a kid.  My parents were 50’s people.  By that I mean they were teenagers and young adults during the post war boom of the 1950’s when everything seemed hopeful and bright and alive with wonderful possibilities.  As a kid in the 1960’s the Sunday morning routine was this;

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  • Wake up grouchy from staying up too late to sneak a look at the late-night monster movie on Saturday.
  • Read the funny papers.
  • Learn life lessons from Family Circus, Dagwood Bumstead, Pogo, Lil’ Abner, and Steve Canyon.
  • Eat scrambled eggs and toast for breakfast.
  • Complain about having to go to church and Sunday school.
  • Go to Sunday School and church at the Methodist Church in Rowan, Iowa.
  • Complain about having to go to church every Sunday on the way home from church.
  • Pray over Sunday dinner and be really, actually thankful for all the positive good things in life.

Obviously the most important thing in that routine was complaining, because I listed it twice.  But when it got down to it, we were thankful for all the good things about life.  We were positive people.  We sometimes listened to Norman Vincent Peale on the radio.  We knew we ought to be positive and thankful and love goodness and be kind.

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Somewhere along the way, though, the world forgot the life lessons of Family Circus.

Somehow we managed to screw things up.

Environmental scientists like Paul Ehrlich, who wrote The Population Bomb, warned us that the world could soon be ending.  And we ignored them.

Richard Nixon taught us not to trust politicians any more.

We stopped believing in things like the wholesome goodness of scrambled eggs.

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We let corruption in our government and inequality in the economic sphere become the norm.  The greedy people who were cynical and had no empathy for the rest of us took over.  That is how we ended up with someone like Donald Trump.  Racism, fear, and complaining now rule the emotional landscape in America and most of the world.

So, what is the answer?  What do we do?

Well, The Family Circus is still out there.  We can learn from it, laugh a little, and apply some of those life lessons.  Especially this one;

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Another Brick in the Wall

I sincerely hope I never appeared in any way to be like the teacher in the video of Pink Floyd’s rock opera The Wall.  That teacher represents everything wrong about education and everything that looms over us as a coming darkness if the conservative privatization movement continues to move forward with their evil sausage-factory plans.

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In the video you see the teacher making fun of a student for writing poetry instead of participating in the rote recitation about math that the class is engaged in.  The school is portrayed as a factory that puts masks on the students, makes them march in a line, and eventually pitch forward, face first into the sausage grinder.

The song was written by Pink Floyd’s bassist, Roger Waters. It was written in the long ago 70’s as a protest against rigid education systems in general, and British boarding schools in particular.  But old problems can come back to haunt us.

Here’s the evil being protested.  Schools should never be used to suppress creative thinking and enforce conformity.  While it is true corporate America is hot for education that treats educating students like baking bricks, with attention to precise shapes and uniform size and color, that is not how kids learn.  They have to be treasured for what they are, unique individuals, no two alike, and all possessed of varied strengths, skills, and talents.  The idea of education is to help them add to what they are born with, use what they are born with, and fit into the jigsaw puzzle of working with and getting along with others.  We cannot teach them by pressing them into molds with standardized high-stakes tests, or taking their individual faces away by always trudging through the same low level thinking skills year after year just because a textbook written in conservative Texas says so.  Learning in the classroom needs to be through guided discussions, activities, and interactions.  Not through filling in all the blanks on a worksheet.

My own children, for the most part, have been cheated by the public education system in Texas.  They are bright kids, but have humongous school troubles stalking them like monsters, boredom, disengagement, and feeling like the young poet betrayed by the teacher in the video.  While I always, in my teaching, fought to creatively present learning opportunities, I found good teaching to be a rare thing in Texas.  It was sometimes actively discouraged.  And it is getting rarer.  The people who think teaching English means diagramming sentences and circling the adverbs are winning the battle for young minds.  I am left at a point of futility where the only thing I can do about the brick-making is write rants like this one about it.

Donald Trump and Betsy DeVos should be pleased with themselves.  The sausage factories in our schools are turning out sausages.  Sausages don’t think for themselves.  Sausages are easy to control.  And when the time comes, some corporate fat cat will eat them and become fatter (hopefully only in the metaphorical sense).  And I am guessing here, but I’ll bet sausages make up most of the Republican voting public.

 

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The Alchemist by Paulo Coelho

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Some books come along telling a story that has to be taken seriously in ways that don’t make sense in any normal way.  The Alchemist is one of those books.

What is an alchemist, after all?

An alchemist uses the medieval forms of the art of chemistry to transmute things, one thing becoming another thing.

Coelho in this book is himself an alchemist of ideas.  He uses this book to transmute one idea into another until he digs deep enough into the pile of ideas to finally transmute words into wisdom.

There is a great deal of wisdom in this book, and I can actually share some of it here without spoiling the story.

Here are a few gemstones of wisdom from the Alchemist’s treasure chest;

“It’s the possibility of having a dream come true that makes life interesting…” (p.13)

“It’s the simple things in life that are the most extraordinary; only wise men are able to understand them.” (p.17)

“All things are one.  And, when you want something, all the universe conspires in helping you to achieve it.”  (p.24)

“And when he had gone only a short distance, he realized that, while they were erecting the stall, one of them had spoken Arabic and the other Spanish.    And they had understood each other perfectly well.  There must be a language that doesn’t depend on words, the boy thought.” (p.45)

All of these quotes from the book, as you can see, come from the first third of the book.  There are many more treasures to be found in this book.  I should not share them with you here.  Just as the main character of the story learns, you have to do the work for yourself.  But this book is not only an enjoyable read, but a map for how you can execute your own journey towards your “Personal Legend”.  In fact, you may find that the book tells you not only how to go about making a dream come true, but, if you are already on that journey successfully, it tells you what things you are already doing right.

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Homely People

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I prefer to write about, think about, and draw pictures of homely people. But don’t mistake me.  I am not talking about ugly people.    Our President, the giant blood sausage with a bird’s nest on top that we have put in charge of making us all feel sick to our stomachs every day, demonstrates what ugly means.  Ugly is not just weird and interesting to look at, it is also repellent behavior that makes physical flaws take a back seat… no, a rumble seat in the trailer behind by comparison.

I am talking about the ordinary people back home.  The ones that may be sitting by your own fireplace on a cold day trying to warm their hands after throwing snowballs outside.  And, of course, that snowball that hit Maggie Doozman in the side of the face and knocked her glasses off, made you laugh for an instant, until you realized she was crying, and Kirk Longhatter didn’t even apologize for throwing so hard, so you went over and picked her glasses up for her and handed them to her, and she smiled at you through the tears.  That is the kind of homely I mean.

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There is a lot that is beautiful in homely people. Sure, maybe not a classically beautiful Elizabeth Taylor face or a Gregory Peck lantern jaw.  Maybe not even a shapely behind or a graceful step when walking across the street.  But ordinary beauty.  Kindness.  Humility.  Determination in the face of long odds.  Good-natured jokery.  A touch of childish silliness.  A moon face that actually shines when a smile lights it up.  That is beauty that can be found in homely people.

You’ve probably figured out by now that this post is just an excuse to show off some goofy old off-kilter portraits I did.  But that doesn’t change the fact.  I do love homely people.

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Naked Innocence

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To be clear, I will have to write a post called Naked Experience to go with this post.  It is a William Blake style of thing.  You know, that English Romantic Poet guy who was into drawing naked people even more than me?  The writer of Songs of Innocence and Experience?  You know, this stuff;

Well, maybe you don’t know.  But Blake gave the world the metaphor of the innocent lamb and the tyger of experience (tyger is his spelling, not mine, and it didn’t blow up the spell checker, even though it made the thing unhappy with me again).  There is a certain something I have learned about nakedness that I mean to innocently convey.  I learned it from anatomy drawing class and spending time with nudists.  Naked is not evil.  Naked is not pornography.  Nakedness, itself, is a very good thing.

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At this point the avid clothing-wearers among you are probably saying to yourself, “This guy is nuts!  If God had wanted us to be nude, then we wouldn’t have been born with clothes on.”  And I must admit, I cannot argue with logic like that.

But on a more serious note, I believe nudity is a fundamentally essential part of the nature of art.  After all, pictures of naked people are a central part of what people have been drawing since they first started etching them with charcoal on cavern walls.  And all art, including this blog, is about the human experience.  What it means to be human.  What it feels like to be alive on this Earth and able to feel.

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And there is nothing sinister and immoral in drawing nudes to portray that fact.  I am trying to show metaphorically the music of existence, the pace, the symmetry, the musical score…  It isn’t focused on the private bits, what some call the naughty parts, even when those things are present in the picture.  “How dare that naughty Mickey show the naked back end of that butterfly!  It ought to have pants on at least!”  Yes, I am making a mockery of that outrage itself.  I am not a pornographer.  These pictures were not created to engender any prurient interests.  These pictures are part of Blake’s lamb.  They will not bite you.  Though blue-nosed people who wish to control what others think may very well bite me for daring to say so.

I have posted a lot of writing and artwork on this blog that I held for the longest time to be completely private and personal.   I hardly ever showed any of it to anybody before I posted it here.  But I am old.  I no longer have secrets.  I am capable of telling you everything even though I have never met most of you in real life.  And I have no shame.  I have become comfortable with emotional and intellectual nudity.  And when I am dead, the body I have kept hidden from the world for so long will be no more.  It’s just a thought.  It’s a naked thought.  And it is completely innocent.

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The Old Man In Winter

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Handling the cold of winter is definitely not my favorite thing.  House-bound more than usual, creaky in every joint, hounded by a nagging cough that sounds like the barking of a dog who is 140 in dog years and about to die, I just don’t love this time of year.  And in Texas, we don’t even get pretty white snow to use as a distraction.

You see me here with my long Gandalf hair and my bristly author’s beard.  I have been furiously writing about werewolves and naked teenage girls.  But don’t get excited. It is not a sexy sort of thing.  Rather, it’s a comedy about feeling monstrous because of physical and emotional differences you have no control over, and, of course, prejudice against those who are different.   So I am keeping my head warm in cold weather by thinking too much.

There is evidence all around me of this.  I have so much indoor time on my hands due to weather that I am caught up in silly old man ideas and obsessions.

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I am taking pictures of frost patterns for cartoonish reasons.

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I can’t help but spend time on the computer doing things like making use of the vast storehouse of useless knowledge that I keep in a back room inside my head.

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20171231_150717It seems I am rather good at it, too.  Who knew that a life spent as a teacher would make you into the sort of Jeopardy genius that could earn a million dollars on a show that you will never ever have a chance to get on, and if, by some miracle, you did, you would get a first round question about the atomic weight of molybdenum and you’d say, “What is 42?” because that is the element’s atomic number (and the answer to life, the universe, and everything) instead of 95.94, the correct answer, which you knew, but you got nervous and went for the jokier answer.

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And, of course, I can’t help but reflect on what I am missing out on as an ESL teacher, teaching English to kids who speak Vietnamese, Mandarin, Spanish, Farsi, and Tigrinya.  The world of languages that are not our own is fascinating, as well as frustrating.  We live in a time when communicating with others is the most critical life skill we could have, especially since the world is now run primarily by stupid people, and the evil people who love them.

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This old man is scaring me.  And he has nuclear weapons.

So, I struggle through the winter of 2017-2018 with layers of old sweaters, jackets, undershirts and long-johns.  And I am not lovin’ it.  But I am keeping my head warm.

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Reading Other Writers

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Nobody who wants to be a writer gets by with just writing and never reading anything by anybody else.  It is too easy to devolve into some kind of human mushroom that way, thinking only thoughts a mushroom could think, all fungus-like and having no chlorophyll of their own.  You never learn to decode other people and other people’s thinking if you don’t read other people’s thoughts crystallized in writing.

And not every other writer is Robert Frost.  Or even Jack Frost who thinks he’s  Gene Kelly.  There has to be some interpretation, some digging for understanding.  What did that writer mean when she said political correctness was like a tongue disease?  And what does it mean when a commenting troll calls me a nekkid poofter?  Is that how he spells “exceptional genius”?  I think it is.  Trolls are not smart.

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I know people have to make an effort to understand me.  When I write, I am writing under the delusion that I can produce literary quality off the top of my head.  In fact, I can barely produce hair off the top of my head, and it is gray when I do it.   See what I did there?  It is the kind of joke a surrealist makes, pretending the idiomatic expression you use is to be taken literally when it doesn’t literally make sense.  That kind of nonsense is what my readers have to put up with, and probably also the reason why most of them just look at the pictures.  If you have to think too hard when you read, your brain could over-heat and your hair could catch fire.  I like that kind of purple paisley prose that folds back in on itself and makes you think in curlicues.  But most people don’t.  Most people don’t have fire-proof hair like I do.

20180103_082404 Of course, there is the opposite problem too.  Some writers are not hard to understand at all.  They only use simple sentences.  They only use ideas that lots of other people have used before.  You don’t have to think about what they write.  You only need to react.  They are the reasons that words like “trite”, “hackneyed”, “boring”, and “cliche” exist in English.  But simple, boring writing isn’t written by stupid people.  Hemingway is like that.  Pared down to the basics.  No frills.  Yet able to yield complex thoughts, insights, and relationships.

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Sometimes, it doesn’t even take a word to make the point.  For instance, why, in the picture, is Fluttershy trying to drink out of the toilet in the dollhouse bathroom?  For that matter, why does a doll house even need a bathroom?  Applejack doesn’t even fit in that yellow bathtub.  I know.  I tried to stuff her in there for this picture.  And, as you read this, doesn’t this paragraph tell you a lot about me that you probably didn’t even want to know?

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When I am reading the writing of others, I am looking for a cornucopia of things.  I want to not only understand their ideas, I want to detect the limping footprints across the murder scene of their paragraphs and come to know the deeper things about them as well.  I spent years decoding and trying to understand the writing of preliterate kids in my middle school English classes in order to be able to teach them to write better.   And I learned that no writer is a bad writer as long as they are using readable words.  I also learned that very few writers are James Joyce or Marcel Proust.  Thank God for that!  And given enough time I can read anything by anybody and learn something from it. I read a lot.  And it may not always make me a better writer to read it, but it always has value.  It is always worth doing.

 

 

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