







So, how do you follow up a thing like starting a new religion like Quackatoonity? Should you follow it up?
I mean, this is Art Day. And I need a theme for Art Day. How about, “Art with no ducks in it?” Well, Ducks are always watching from somewhere. So, I guess that’s a no-go.
Of course, I could always try to prove the “toon” part is real. I am a cartoonist. I do do cartoons. (Haha! He said, “doodoo!” Shows you the level of humor he will sink to.)
This cartoon is a bit creepy and definitely surreal. This was done more than a decade before I even met my wife. But the two boys seem to be four years apart in age, just like my real-life sons. They do not, however, have visible horns on their heads. This is supposed to be surreal, not photographic.
So, there’s a weird cartoon story for today’s Art Day post on a New Day. And nowhere in sight will you find a duck in it… OH, NO! THERE’S A DUCK IN IT!!! How does Donald do that?
Filed under artwork, cartoons, colored pencil, humor, Paffooney

I have never been an attention-seeker. In the Elysian Fields of modern society, I have never really been the honeybee. I have always been the flower. I had a reputation in high school for being the quiet nerd who ends up surprising you immensely in speech class, at the science fair, or at the art show. I was the one they all turned to when everybody in the conversation had already had their chance to strut and pontificate and say dumb things, and they were finally ready to get the solution to the problem being discussed, or the best suggestion on where to begin to find it.

When I became the teacher of the class instead of the student, I had to make major changes. I had to go from being patient, quiet, and shy to being the fearless presenter, forceful, sharp as an imparter of knowledge, and able to be easily understood, even by the kids whom you couldn’t legally call stupid, but were less than smart, and not in a pleasant Forrest Gump sort of way.
Shyness is only ever overcome by determination and practice. The standard advice given is to picture your audience naked so that you are not intimidated by them. But if your audience is seventh graders, you have to be extra careful about that. They are metaphorically naked all the time, ready at a moment’s notice to explode out of any metaphorical clothing they have learned to wear to cover the things that they wish to keep to themselves about themselves. And while you want them to open up and talk to you, you don’t want the emotional nakedness of having them sobbing in front of the entire class, or throwing things at you in the throes of a mega-tantrum over their love-life and the resulting soap operas of betrayal and revenge. And you definitely don’t want any literal nakedness in your classroom. (Please put your sweat pants back on, Keesha. Those shorts are not within the limits of the dress code.) Calling attention to yourself and what you have to say, because you are being paid to do so, is a critical, yet tricky thing to do. You want them looking at you, and actually thinking about what you are saying (preferably without imagining you naked, which they will do at any sort of unintentional slip or accidental prompting.) The ones who ignore you are a problem that has to be remedied individually and can eat up the majority of your teaching time.

I trained myself to be fairly good at commanding the attention of the room.
But now that I am retired, things have changed. I can still command attention in the room, which I proved to myself by being a successful substitute teacher last year. But I no longer have a captive audience that I can speak to five days a week in a classroom. Now my audience is whoever happens to see this blog and is intrigued enough by the title and pictures to read my words.
Now that I am retired and only speaking to the world at large through writing, I am ignored more than ever before. Being ignored is, perhaps, the only thing I do anymore. It is the new definition of Mickey. Mickey means, “He who must be ignored. Not partially, but wholly… and with malice.”
I put my blog posts on Facebook and Twitter where I know for a fact that there are people who know me and would read them and like them if they knew that they were there. But the malevolent algorithms on those social media sites guarantee that none of my dozens of cousins, old school friends, and former students will see them. Only the single ladies from Kazakhstan and members of the Butchers Union of Cleveland see my posts. Why is this? I do not know. Facebook and Twitter ignore me when I ask.
My books, though liked by everybody who has actually read and responded to them, are lost in a vast ocean of self-published books, most of which are not very good and give a black eye to self-published authors in general. I recently got another call from I-Universe/Penguin Books publishers about Catch a Falling Star, the one book I still have with them. They are concerned that my book, which is on their Editor’s Choice list, is not performing as well as their marketing people think it should. But to promote it, I would have to pay four hundred dollars towards the marketing campaign, even though they are already subsidizing it by fifty percent. They tell me they believe in my book. But apparently not enough to pay for 100% of the promotion.
I have decided to invest in a review service that will cost me about twenty dollars a month. But my confidence is not high. The last time I paid somebody to review a book, they reviewed a book with the same title as mine from a different author. That service still owes me money.

But the only reason it is a problem that I am being thoroughly ignored these days is that an author needs to be read to fulfill his purpose in life. Maybe pictures of pretty girls in this post will help. But, even if they don’t, well, I had their attention once upon a time. And since my purpose as a teacher is already fulfilled, perhaps that will be enough for one lifetime.
Filed under artwork, autobiography, education, humor, Paffooney, publishing, teaching



The waterfalls near Joplin, Missouri, an odd travel stop.
A portrait of a young nudist friend, in pen and ink, and later color.



Filed under artwork, humor, nudes, Paffooney, photo paffoonies

If I am not going to publish a Hidden Kingdom page every Saturday, I am going to commit to a feature where I post artwork on Saturday. Saturday art fairs are a thing. And I have gotten far more interest in my artwork from WordPress than I ever have from a local art show. So what if I can’t win blue ribbons online?





There is a certain magical quality about the way that over time you can build a portfolio of many parts, and pictures have many uses.
Is it possible that artworks taken all together are like an autobiography??
In some sense, every portrait the artist draws is a self portrait. Every scene, object, and image is a part of the artist’s ultimate story.



So, do you like my gallery? You can always leave a comment or an insult. You are the viewer, and what you do with this is entirely up to you.
Filed under artwork, autobiography, Paffooney
In honor of all the years I spent playing dungeon master on Saturday afternoons, I am posting pictures to keep the posting of D&D stuff on Saturdays as a tradition. I really am a bit too achy and ill to post any old orc and ogre stories today.

Filed under artwork, Dungeons and Dragons, Paffooney

He was born William Britton “Bil” Baird in Nebraska during the Summer of 1904, but he was raised as a boy in Mason City, Iowa, the same city I was born in during the 1950s. So, he, like me, was an Iowa boy. You probably know his work if you’ve ever seen “The Sound of Music” musical movie starring Julie Andrews. The puppets above were featured in that movie during the “Lonely Goatherd” song.

Bil became puppet-crazy at the age of 8 when his father built him his first marionette. The string puppets pictured above are from a Bil Baird production of “The Wizard of Oz.” The growing television industry was a boon to Bil. I remember most vividly his TV production of “Peter and the Wolf.”


Many of Baird’s puppets were made specifically for his work in TV advertisements and educational TV.



Baird’s distinctive style of marionettes was a common feature on TV, in the Macy’s Thanksgiving Day Parade, and in Educational Films throughout the ’50s and ’60s, the height of his popularity. And he continued to perform in World’s Fairs, theme parks, and special engagements until his death in 1987. Most of his puppets were sold at auction in 1988, that is how these puppets found their way into his hometown art museum. His son Peter continued working the puppet troupe with new puppets until his own death in 2004.
I owe a debt to Bil Baird, inspiring my own creativity and artwork. And I suspect the creators of the Muppets, Pixar movies, and puppeteers everywhere can say the same.
Filed under art my Grandpa loved, artists I admire, artwork, nostalgia
It is Saturday again, and it is time to share some more artwork. I am trying to come up with a theme. But I guess I am basically going through my gallery and picking stuff at random.


I am just guessing here, but maybe I can find pictures here of daily life at home, no matter how weird that home might be.







Maybe I don’t have a clear artistical idea of what a home life really looks like, but, after all, home is where the heart lives.
Back in about 1968 my Grandma Beyer was seriously scandalized by an artist named Paul Detlefsen. Detlefsen did a lot of covers for the “Ideals Magazine” that Grandma always had on her coffee tables. He scandalized her by putting a painting on the cover that showed a young boy taking his pants off, the rear view only, so he could go skinny dipping with a group of naked boys. Truthfully the picture shown above is by Detelfsen, but it is not the one that offended her. I have discovered that this painter of old-timey things like blacksmith shops and one-room school houses has painted at least four different versions of “the Old Swimmin’ Hole”. And Grandma was easily scandalized when we were kids. She was a very conservative woman who loved Ronald Reagan and his politics most severely and thought that Richard Nixon was a leftist radical. She didn’t like for people to be naked, except for bath time, and maybe not even then. She is one of the main reasons, along with this painter whom she adored, that I came to learn later in life that “naked is funny”.
http://www.freeplaypost.com/PaulDetlefsen_VintageArtPrint_A.htm
Grandma Beyer also seriously loved puzzles, and besides “Ideals” covers, Paul Detlefsen did a beaucoup of jigsaw puzzles. (Beaucoup means a lot in Texican, I tend to think in Iowegian and talk in Texican and completely forget about the need to translate for those people who don’t know those two foreign tongues) One of the puzzles we spent hours working on was “Horse and Buggy Days” that I pictured here. They were the kind of puzzle paintings where every boy was Tom Sawyer and every girl was Becky Thatcher. And there were a lot of them. Here is another;
http://www.bigredtoybox.com/cgi-bin/toynfo.pl?detlefsenindex
Grandma had this in puzzle form also. We put the puzzle together, glued it to tag board, and framed it. It has hung on the wall in a Grandparent’s house, first Grandma Beyer’s and then Grandma Aldrich’s, since the early 1970’s. My own parents now live in Grandma Aldrich’s house, and that puzzle-painting may be hanging in an upstairs bedroom to this very day. Detlefsen is not known as a great artist. He was a humble painter who painted backdrops for films for over 20 years. In the 1950’s he switched gears and started doing lithographs that were turned into calendars, jigsaw puzzles, laminated table mats, playing cards, and reproductions you could buy in the Ben Franklin Dime Store in Belmond, Iowa and hang on your back porch at home. I believe I saw his paintings in all these forms in one place or another. According to Wikipedia (I know, research, right?) “In 1969, UPI estimated that his artwork had been seen by 80 per cent of all Americans.” That is pretty dang good for a humble painter, better numbers than Pablo Picasso ever saw. Let me share a few more of his works, and see if you recognize any of these;
Filed under art criticism, art my Grandpa loved, artwork, homely art, oil painting
“My name is Michael Beyer, and I am an amateur cartoonist.”
“Hi, Michael!” says the entire group of CA group-therapy participants.
(CA stands for Cartoonists Anonymous.)

“I have to admit, I am guilty of giving in to the urge to draw cartoons. I know how it can fill lives with slapstick pain and derisive laughter, and I give in to the urge anyway.”
“So, what did you draw that you have to be ashamed of now?” asked one mad-eyed cartoonist with a pencil lodged behind each of his large ears.
“I made a very unfortunate video to post on YouTube that was supposed to be How-to-draw Cartooning. But everything went wrong. You couldn’t see my drawings in the video. It was not adequately lit. I look like a doofus (which probably can’t be cured) in the video. And instead of thinking twice or editing it, I posted it anyway.”

“Wow!” said a rather ugly cartoonist lady, “that is really bad. You have a seriously bad case of cartoonity.”
“Cartoonity?” I responded stupidly.
“The condition of needing love for your cartoons so bad that you will risk anything to make people look at them and like them,” said the wise group therapist (who looked an awful lot like Chuck Jones, though I am fairly sure Chuck Jones is now dead).

“Yes, I suppose that’s about the size of the problem,” I said. “I have been posting pages from my graphic novel, Hidden Kingdom, and I really haven’t seen more than one comment about it. Do people actually read cartoons and comics nowadays? Or is it just me that gets ignored?”
“You have to focus on how much you love drawing and doing it just for that reason, and nothing beyond that,” said the wise therapist. “Cartooning should be done for its own sake, and nothing more than that. Craving attention and approval for it can get seriously infected and become a bad case of cartoonititis. How do you think I dealt with it when I was still alive?”

At that point, my eyes popped out of my head in disbelief and my lower jaw fell all the way to the floor. Could he really be…?
And so I must end today’s blog post since it is hard to keep typing when your eyeballs are rolling around on the floor.
Filed under artwork, autobiography, cartoons, cartoony Paffooney, feeling sorry for myself, humor, Paffooney