Category Archives: artwork

Giving and Taking Stupid Advice

Let’s begin with some stupid advice. I don’t have time to write a lot today because the Princess is ill and must go see the doctor in Plano.  So the advice is; Set aside time for writing and always allow plenty of time for it.  You will probably notice already that I am giving you advice that I am not taking myself this morning.  So don’t follow that advice.  It is stupid advice.  I have given it to creative writing classes for years and thought I meant it.  But looking back on real life, I realize, it has never been true for me.  My best ideas, my best writing, always seem to come in the middle of the pressure-cooker of daily struggle and strife.  I have battled serious illness for most of my adult life.  I have the luck of a man who tried to avoid letting a black cat cross his path by crashing his bicycle at the top of a hill covered in clover with only three leaves each and then rolling down the hill, under a ladder, and crashing into a doorpost which knocks the horseshoe off the top.  The horseshoe lands on my stupid head with the “U” facing downward so the luck all drains out.  Bad things happen to me all the time.  But it makes for good writing.  Tell me you didn’t at least smile at the picture I just painted in your mind.  You might’ve even been unable to suppress a chuckle.  I am under time pressure and misfortune pressure and the need to rearrange my entire daily schedule.  So it is the perfect time to write.

Val in the Yard

This essay, however, is about bad advice.  And I am a perfect person to rely on as a resource for bad advice.  I am full of it.  Of course, I mean I am full of bad advice, not that other thing we think of when someone tells me I am “Full of it!”  So here’s another bit of writing advice that is probably completely wrong and a bad idea to take without a grain of salt, or at least a doctor’s prescription.   You should stop bird-walking in your essay and get to the damn point!

 I know a lot about the subject of depression.  When I was a teenager, I came very close to suicide.  I experienced tidal waves of self-loathing and black-enveloping blankets of depression for reasons that I didn’t understand until I realized later in life that it all came from being a child-victim of sexual assault.  Somehow I muddled through and managed to self-medicate with journal writing and fantasy-fixations, thus avoiding a potentially serious alcohol or drug problem.  This is connected to my main idea, despite the fact that I am obviously not following the no bird-walking advice.  You see, with depression, Bad advice can kill you.  Seriously, people want to tell you to just, “Get over it!  Stop moping about and get on with life.  It isn’t real.  You are just being lazy.”

I have been on the inside of depression and I know for a fact that not taking it seriously can be deadly.  In fact, I have faced suicidal depression not only in myself, but in several former students and even my own children.  I have spent time in emergency rooms, mental hospitals, and therapists offices when I wasn’t myself the depression sufferer.  One of my high school classmates and one of my former students lost their battles and now are no longer among the living.  (Sorry, have to take a moment for tears again.)  But I learned how to help a depression sufferer.  You have to talk to them and make them listen at least to the part where you say, “I have been through this myself.  Don’t give in to it.  You can survive if you fight back.  And whatever you have to do, I will be right here for you.  You can talk to me about anything.  I will listen.  And I won’t try to give you any advice.”  Of course, after you say that to them, you do not leave them alone.  You stay by them and protect them from themselves, or make sure somebody that will do the same for them stays with them.  So far, that last bit of advice has worked for me.  But the fight can be life-long.  And it is a critical battle.

So taking advice from others is always an adventure.  Red pill?  Green pill?  Poison pill?  Which will you take?  I can’t decide for you.  Any advice I give you would probably just be stupid advice.  You have to weigh the evidence and decide for yourself.  What does this stupid essay even mean?  Isn’t it just a pile of stupid advice?  A concluding paragraph should tell you the answer if it can.  But, I fear, there is no answer this time.

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Filed under artwork, autobiography, battling depression, commentary, compassion, Depression, empathy, healing, insight, Paffooney, sharing from YouTube, strange and wonderful ideas about life

Fairy Tales and Dragons (with pointillism)

Going through my old drawing portfolio, I found my children’s book project from my undergrad college years.  I have no idea now looking at the illustrations what the story was even about.  I lost the actual story, and I never made a cover for it.  But here is a look at old hopes and dreams and a way of seeing the world that begins; Once Upon a Time…

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I have no earthly idea what the heck this story is even about, but I do like the pen and ink work, and probably couldn’t repeat it if I had to.

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Filed under artwork, cartoony Paffooney, fairies, goofiness, humor, Uncategorized

Cartoon Board-Work

I admit it.  I was a goofy teacher.  Kids never knew for sure whether I was serious, joking, or halfway in-between.  I worked for hours sometimes preparing the chalkboard, or later, white board, for the days lesson, putting key points and reminders up in cartoon form.  I used characters, symbols, jokes, pokes, and silliness to get the idea across.  Principals and others who evaluated my teaching always wondered why my classroom sounded so raucous and wild from outside the door with kids laughing, music playing, and sometimes desks being shuffled and shoved around the room.  The perfect-classroom-is-a-quiet-classroom crowd always hated my teaching style.  But the ones who came in and participated, got involved in paying attention and watching the kids interact with the content loved it.  I am not bragging.  My lesson plans were a mess filled with booby traps, explosions waiting to happen, un-intended consequences (also called teachable moments), and brainstorms that threatened at any moment to electrocute somebody with lightning.  Teaching is a dangerous business.  But the point is, there is an art to teaching that brings out the artist in you.  I offer the following evidence;

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Filed under artwork, cartoons, goofiness, humor, marker, teaching

Penguin Proverbs

Penguins

You know how creepy penguins in cartoons can be, right?  The Penguins of Madagascar are like a Mission-Impossible Team gone horribly wrong and transformed into penguins.  The penguin in Wallace and Gromit’s The Wrong Trousers disguised himself as a chicken to perform acts of pure evil.  Cartoonists all know that penguins are inherently creepy and evil.

I recently learned a hard lesson about penguins.  You know the joke, “What’s black and white and red all over?  A penguin with a sunburn.”  I told that joke one too many times.  Who knew the Dallas metroplex had so many loose penguins lurking around?  They are literally everywhere.  One of them overheard me.  And apparently they have vowed a sacred penguin vow that no penguin joke goes unpunished.

As I walked the dog this morning, I spotted creepy penguin eyes, about three pairs, looking at me from behind the bank of the creek bed in the park.  When I went to retrieve the empty recycle bins from the driveway, there they were again, looking at me over the top of the neighbor’s privacy fence.

“Penguins see the world in black and white,” said one of the Penguins.

“Except for purple ones,” added the purple one.

“Penguins can talk?” I tried unsuccessfully to ask.

“Penguins only talk in proverbs,” said one of the penguins.

“But the purple one gives the counterpoint,” said the purple one.

“The wisdom of penguins is always cold and harsh,” said one of the penguins.

“Except on days like this when it’s hot,” said the purple one.

“You should always listen to penguins,” said one of the penguins.

“Of course, people will think you are crazy if you do,” said the purple one.

“People who talk to penguins are headed for a nervous breakdown,” said one of the penguins.

“Unless you are a cartoonist.  Then it is probably normal behavior,” said the purple one.

“Is this all real?” I tried unsuccessfully to ask.

“Everyone knows that penguins are real,” said one of the penguins.

“But there are no purple penguins in nature,” said the purple one.

So, I sat down to write this post about penguins and their proverbs with a very disturbing thought in my little cartoonist’s head…  Why am I really writing about penguins today?  I really have nothing profound to say about penguin proverbs.  Especially profound penguin proverbs with a counterpoint by a purple penguin.  Maybe it is all merely a load of goofy silliness and a waste of my time.

“Writing about penguins is never a waste of time,” said one of the penguins.

“And if you believe that, I have some choice real estate in the Okefenokee Swamp I need to talk to you about,” added the purple one.

 

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Filed under artwork, birds, cartoons, goofy thoughts, humor, Paffooney, philosophy, surrealism

Surreal Self-Portraits

What you see is basically me.

It is said by somebody who wasn’t basically me that any time an artist draws a picture of someone, or paints a picture of someone, or twizzles a twizzle-snoot of someone… they are basically making a picture of themselves.

So, this Paffooney that I paffooned of a purple mouse in a Don Martin-esque style, is supposed to be Mickey the cartoonist. And Mickey is supposedly, basically me.

And here I am as Muck Man, the superhero. It is me because the super power he has is his horrible, non-adorable, and unrelenting stench. The horrible smell of him renders villains and bad people unconscious or worse… sometimes straight to the hearse. And using his olfactory assaults on evil as a way to make something terrible into something with a -someness of awe, makes him indubitably, indelibly basically me.

“Long Ago It Might Have Been”

And here is a picture of a boy who might’ve been my son if only I had been given enough good sense to fall in love with that first blond young lady who first had thoughts about making babies with me. I didn’t. I’m stupid. And now she has only girls. That makes it a picture too of basically me.

And this little not-me was me all along, and as the boy who sees colors, it’s really not wrong. Synesthetic they call it in a name that’s not long, but is resoundingly deep like the words of a song.

And you might argue this one and say that it’s true… “This one is too pretty to be a picture of you.” But you would be wrong on this basis, you see…

The monster inside me is basically me

And here I am all magic and purple, and I just blew the rhyme again, so this isn’t another danged verse. I drew this picture of Milt Morgan from an old school picture of me.

I often say the character in the stories is based on the Other Mike, the other boy I grew up with who was named Mike in my little home town.

But he thought like me, he acted a lot like me. He even looked like me, at least a little bit. So, if I am portraying him, I am depicting basically me.

And this is the naked me, as a nudist back in childhood in Rowan, Iowa, which I never was… not like this… but still am. Because I am a writer. And writers always write about their naked selves, showing the whole world what saner and more prudish people keep secret. If they were truly smart and wanted to keep their secrets to themselves, artists would never draw or paint or write about or twizzle about themselves. In fact, they would make no art at all.

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Pictures In My Head

I do draw some pictures from models, photos, or other illustrations… but fantastical things that you can’t find a model for are what occur most often in my stupid head.

I was back in a classroom yesterday as a sub. 6th graders. It did look an awful lot like this, but I was holding another teacher’s giant pencil.
This is the ski-jump on Valwood Parkway in Farmer’s Branch. I merely changed the railroad tracks into a stream.
I taught all three of these kids when they were thirteen, but one in ’81, one in ’92, and one in ’94. Oh, and not on Mars.
No models were used in this picture, though I did know several blue children.
Done without a model, unless you believe 3″ tall fairies are a real thing.
No werewolf girls posed topless for this picture.
This classroom photo was entirely in my stupid old head, not in a school gymnasium full of snow.
Even the mountains in the background were drawn directly from my mind’s eye.
A lot of what I draw is merely emotional flim-floogery and provides a look inside of me that makes a portrait of me drawn even more naked and vulnerable than if I drew myself nude.

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Filed under artwork, autobiography, humor, illustrations, imagination, Paffooney

Strawberry Fields

This foolish essay about berries that mean love to me is only partly inspired by the Beatles song, “Strawberry Fields Forever.” That’s because, of course, their song was only about meditating. In the lyrics they take you to the “Strawberry Fields where nothing is real… but it’s nothing to get hung up about…” They are talking about a blissful place of no worries where we all need to go. And then staying there forever.

This, of course, I could never do. Worrying about the future is tattooed on my behavioral imperatives in the dark part of my stupid old brain. And while I often found that place of no worries, and lingered there for a bit, I found you could never really get anything done if you stayed in that state of strawberry fields forever.

But don’t get me wrong, strawberries are a critical part of every healthy mental diet.

You see, my meditations on strawberries when I was a child of eight, nine, and ten centered on the strawberry patch at Great Grandma Hinckley’s place.

She was, as I incorrectly recall, slightly older than Jesus when I was that age. By that I mean, though she seemed museum-quality ancient to me, I had derived wisdom about life, love, and laughter from her before Sunday School taught me any of those things said in Jesus’s words.

And I was given the task of mowing her lawn in the little plot of land surrounding her little, tiny house in the Northern part of Rowan where I also lived and grew and celebrated Christmas and Halloween and Easter and the 4th of July. And though I was doing it because she was so old, I never even once thought she was too old and frail to do it herself. Grandma Hinckley’s willpower was a force of nature that could even quell tornados… well, I thought so anyway when I was eight. And she gave me a dollar every time I did the lawnmowing.

But there were other things she wanted done, and other things she wanted to teach me. There was the garden out back with the strawberry patch next to it. She wanted me to help with keeping the weeds and the saw grass and the creeping Charlie from overrunning the strawberries and choking them to death. (Creeping Charlie wasn’t an evil neighbor, by the way. He was a little round-leafed weed that grew so profusely that it prevented other plants from getting any sunlight on their own leaves, causing a withering, yellowing death by sunlight deprivation. I took my trowel to them and treated them like murderers. I showed them no mercy.)

And Grandma always reminded me not to be selfish and eat the very berries I was tending in the garden. She taught me that eating green strawberries (which are actually more yellow than green, but you know what I mean) was bad because they could give you a belly ache, a fact that that I proved to myself more than once (because eight-year-olds are stupid and learn slowly.) She also taught me that it is better to wait until you have enough strawberries to make a pie, or better yet, strawberry shortcake with whipped cream. She taught me that delayed gratification was more rewarding in the long run than being greedy in the short run and spoiling everything for everybody.

She always gave me a few of the ripe strawberries every time I helped her with them, even if I had eaten a few in the garden without permission. Strawberries were the fruit of true love. I know this because it says so in the strawberry picture. Even though I probably never figured out what true love really means.

My Great Grandma Nellie Hinckley was the foundation stone that my mother’s side of the family was built on. She was the rock that held us steadily in place during the thunderstorms, and the matriarch of the entire clan of Hinckleys and Aldriches and Beyers and other cousins by the dozens and grandchildren and great grandchildren and even great great grandchildren. I painted the picture of her in 1980 when she passed away. I gave it to my Grandma Aldrich, her second-eldest daughter. It spent three decades in Grandma’s upstairs closet because looking at it made Grandma too sad to be so long without her. The great grandchild in the picture with her is now a grandmother herself (though no one who has seen this picture knows who it is supposed to be because I painted her solely from memory and got it all wrong.) But Grandma Hinckley taught me what true love means. And true love has everything to do with how you go about taking care of the strawberry patch.

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Filed under artwork, autobiography, commentary, family, health, humor, mental health, Paffooney, philosophy, strange and wonderful ideas about life

What’s the Real Reason?

What’s the real reason behind the choices I make as an artist? For instance, why didn’t I do this photo of the artwork over again when the wind warped the bottom left corner. That answer is simple. I was taking this picture with natural sunlight. And once the wind started messing up my pictures, it only got worse. This was the first and best of five attempts. And, while it doesn’t show up here, I did several photo-shop manipulations of this picture, including shrinking the girl’s head. The original was done from a couple of models I got consent from when I worked at a daycare center in Iowa City where I went to college. The boy was eight years old in the summer of 1980. The girl was six, but I used a photo of a girl I went to second grade with, so the head was also eight. They represent David Copperfield and Emily, Pegotty’s niece from the Dickens novel. I had to read the book for my Master’s Exam which I took instead of writing a thesis. The picture is about how I saw myself and my world in that timeless novel.

This picture won a blue ribbon in the art competition at the Wright County Fair in 1979. It is a colored-pencil cartoon situation right out of a Jay Ward, Dudley Do-Right cartoon. I used a picture from a Canadian travel ad for the Mountie. The Indian sidekick is a modified version of Little Beaver, Red Ryder’s sidekick. The villain and the girl were basically Snidely Whiplash and Nell from the Dudley Do-Right cartoons, but made to look slightly more realistic… but only very slightly.

Actually, I lied a bit about the blue ribbon. I got the purple Grand Champion ribbon for this picture. I had entered it solely because two years before I saw how easy it would be to win a purple ribbon looking at the pictures that won it, and I wanted to win the purple ribbon. Sorry I lied, but the real reason for this picture is that I wanted to win that ribbon.

This painting, from the 1990s, was an attempt to make sofa art to sell in my sister-in-law’s home décor store. So, the real reason for this painting’s existence is greed. But since I ended up putting so many hours into it that I couldn’t justify selling it for twenty dollars in a store that went out of business because nobody ever shopped there, I got far more value out of it by keeping it and enjoying it myself. It was inspired by numerous paintings of Native Americans done by white people on display in Love’s Travel Stops across Texas in the 1990s.

This picture, “That Night in Saqqara,” is about youth versus age, thinking about death, immortality, and being afraid of any or all of it. The model for the Mummy is Boris Karloff who was so nice to pose for a production still from his movie that I could draw him long after he was actually dead. The boy was a seventh-grader in 1983 who did not actually pose for this without a shirt on or with an actual Ankh life-symbol around his neck. The Pharaoh in the tomb-mural in the background was from National Geographic Magazine, and I think was supposed to be Tutankhamun, but I could be wrong. I am old and I mix up lots of things I once clearly knew. That’s what mummified brains have to be like, apparently.

The reason I had to create this artwork was because I was increasingly falling victim to illness, especially arthritis, and I was constantly thinking about what it would be like to die alone, entombed in a two-bedroom apartment on North Stewart Street in Cotulla, Texas. This was well before I met and married my wife, who is now my wife of 25 years.

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Filed under artwork, drawing, foolishness, humor, inspiration, Paffooney

More Illustrating AeroQuest

I am nearing the completion of the rewrite of part two of AeroQuest. Part of that is getting all the illustrations I want to include done. So, here are a few more that I have been working on.

For those who might be wondering, AeroQuest 1 and AeroQuest 2 are comic science fiction, and I have chosen to rewrite them with lots of illustrations since it is a work of fiction that I might’ve done as a graphic novel if only I didn’t have arthritis in my hands.

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Filed under artwork, comic book heroes, humor, illustrations, novel, novel writing, Paffooney, satire, science fiction

Ta-Da-Ra!

On the mantel

Of our home hearth

Sit the objects

That give life worth

A candle lighting

The dark of earth

A cup once painted

With paint and mirth

A Snoopy plaque

Announcing birth

And ceramic doll

Smiling o’er the hearth.

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Filed under artwork, Paffooney, poem, poetry