Category Archives: artwork

Saturday Is Art Day… Again

I draw things as illustrations to stories. Take, for example, the protagonist and hero of Catch a Falling Star.

Dorin Dobbs is boy from Iowa. That tells you some terrible things about him right there.

He was ten in 1990.

He hated girls.

He met some pretty green-skinned girls from outer space, amphibianoid frog-girls with fins on their heads. He danced with them to Mickey Mouse Club music while he was their prisoner on a sectet base on the planet Mars. They were dancing naked in the nutrient bath that all Telleron tadpoles use daily.

Brekka and Menolly are two of the Telleron frog girls with fins on their heads. They love Earth music in the 1990’s. They are background characters in Catch a Falling Star. They are main characters in the book Stardusters and Space Lizards, where they help Davalon and Tanith to conquer the dying planet of Galtorr Prime after the Telleron invasion of Earth failed in the previous book.

Tanith and Davalon (the Telleron boy in front)
Sizzahl of Galtorr Prime, Ecologist and Lizard Girl

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”””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””

Galtorr Prime is undergoing drastic climate change and environmental collapse and ends up being saved by superior Telleron technology and the lizard-girl heroine, Sizzahl, who has a plan for fixing the atmosphere and saving fundamental eco-systems. Of course, this is all science fiction-y stuff based entirely on fantasy and imagination and has nothing to do with the real world we now live in.

Millis, transformed from pet rabbit to near-human

Of course, not all characters I illustrate are people or aliens.

Millis, Tommy Bircher’s pet rabbit, is an ordinary albino bunny who eats a piece of alien technology that evolves him into a talking, walking-on-two-legs, near-human form.

He becomes the chef (who cooks only vegetable dishes) for Norwall, Iowa’s own mad scientist, Orben Wallace, in the book The Bicycle-Wheel Genius.

Orben Wallace, and his favorite bicycle, The Happiness Machine

I think I have now given out far more spoilers for stories than I have any right to do. But the thing about character illustrations is that your get to know the characters at a glance. And to know them is to love them.

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Filed under aliens, artwork, characters, illustrations, NOVEL WRITING, Paffooney

Imaginary Friends

Toccata and Fugue

When you know someone has an imaginary friend, something like Elwood’s six-foot invisible rabbit called Harvey, don’t you immediately think that person is crazy?  I do.  But I have imaginary people as friends. I think most writers do.  So am I crazy?  Probably. But hopefully it is a good kind of crazy.

It began with imaginary friends from books.  The Cat in the Hat was my friend.  Jim Hawkins was my friend, as was Mowgli and all the members of the Swiss Family Robinson.  They entered my dreams and my daydreams.  I told them my troubles the same way I listened to theirs through their stories.

I began to have imaginary friends that came from my own imagination too.

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I used to tell my mere human friends about my friend Davalon from outer space.  I told them that he was real and secretly visited me at night to talk about being able to learn about humans on earth by walking around invisibly and watching them.  I got so involved with these stories that my sixth grade class began saying, “Michael is from Mars.”

Island Girl2z

When I was a teenager, I began having conversations with a faun.  His name was Radasha.  He was a creature from Greek Myth, a sensual Dionysian creature who, in his child body, was both younger than me and way older than me.  I didn’t realize until much later in life that he was the result of my repressed memories of a childhood sexual assault that I was the victim of.  I could talk to him about my fear of nakedness.  I could tell him about my blossoming interests in naked girls and their bodies.  I could talk to him about all the things I was somehow too terrified to talk to my male friends about, even though none of them had the same reluctance to discuss sex.  Ra was imaginary.  But he helped me heal.

Then the story-telling seriously began.  I used Davalon as one of the main characters in my novel Catch a Falling Star.  I created Torrie Brownfield, the baby werewolf to express the feelings I had as a boy about being a monster and secretly terrible and deformed.  Torrie is a normal boy with a condition called hypertrichosis.  I am working on The Baby Werewolf now.  And then there’s lovely Valerie Clarke.  She is the main character of Snow Babies which is a finished novel, edited and proofread and ready to publish.  It is I book I will have to find another way to publish since the recent death of PDMI Publishing.  She is not a me-character, based on my own thoughts and feelings.  She is based on former classmates and students who told me things that express the sadness and isolation of growing up female.  So she is even more imaginary than my other characters.

They become real people to me.  They have their own point of view. They talk to me and I learn things from them.  But they are imaginary.  So am I crazy?   Yes… as a loon.  And happy as Elwood P. Dowd to be that way.

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Filed under artwork, autobiography, being alone, characters, commentary, humor, imagination, insight, Paffooney, strange and wonderful ideas about life

Off-Beat Self-Portraits

This picture was intended to look like it could’ve been my son, so the face came from an old black-and-white photo of me when I was ten.
This is me as a nudist child in my current home’s backyard flanked by two nude Butterfly Children.
This is my purple-mouse avatar.
Eli Tragedy, my red-clad Sorcerer character from Dungeons and Dragons days is also really me.

Me as a happy new nudist
Milt Morgan is a wizard, and also a character who is half me and half the Other Mike from my childhood.
Milt Morgan as a child. Also half me.
Another purple Mickey.
The serious part of Mickey

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Filed under artwork, autobiography, humor, Paffooney, self portrait

Art Unseen in a While

WordPress has put in a new feature for finding old photos from Posts Past.

This allows me to pull from past years much more easily than the scroll-down feature I have been using. Thus, art from 2017.

This is from the Star Wars Role-playing game that we stopped playing in 2008.
the Murphy family (well, three of them anyway)
The disintegrator pistol from Catch a Falling Star
“The Wise Thaumaturge Visits Cymril”
Eventual cover art for Magical Miss Morgan
I painted this miniature lead wizard, as well as made the castle from cardboard and paper.
I also painted the buildings in the background, acrylic on plaster.
“Their Most Feared Offensive Player Could Beat Them By Herself”
All of these works of art are done by me, whether they are drawn, painted, or photographed.

This has been a look back at pictures posted in 2017, starting in December, and going back in time to January. There is at least one picture from every month.

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Filed under artwork, autobiography, humor, old art, Paffooney

Shorthand Cartooning

I drew this picture back in my college days, the middle 1970’s. If you look at it closely, you will see my shorthand in action. The rose on the trellis is one. I have drawn a thousand roses since I did this one. It is the formalized set of lines, colors, and shading that I always put together whenever the thing I mean is “a ro se.”

You can see it in the orange bricks of the goldfish pond. Compare those to the gray foundation bricks. The same shorthand patterns. The brick grid in the background as well.

The shadow patterns of wrinkles in the boy’s clothing are also shorthand I almost always do when drawing from my imagination. The faces in profile, too.

There is a language here spoken silently in colored pencil. Complex ideas pictured in a simple colored-pencil picture-language.

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Penguin Proverbs

Penguins

You know how creepy penguins in cartoons can be, right?  The Penguins of Madagascar are like a Mission-Impossible Team gone horribly wrong and transformed into penguins.  The penguin in Wallace and Gromit’s The Wrong Trousers disguised himself as a chicken to perform acts of pure evil.  Cartoonists all know that penguins are inherently creepy and evil.

I recently learned a hard lesson about penguins.  You know the joke, “What’s black and white and red all over?  A penguin with a sunburn.”  I told that joke one too many times.  Who knew the Dallas metroplex had so many loose penguins lurking around?  They are literally everywhere.  One of them overheard me.  And apparently they have vowed a sacred penguin vow that no penguin joke goes unpunished.

As I walked the dog this morning, I spotted creepy penguin eyes, about three pairs, looking at me from behind the bank of the creek bed in the park.  When I went to retrieve the empty recycle bins from the driveway, there they were again, looking at me over the top of the neighbor’s privacy fence.

“Penguins see the world in black and white,” said one of the Penguins.

“Except for purple ones,” added the purple one.

“Penguins can talk?” I tried unsuccessfully to ask.

“Penguins only talk in proverbs,” said one of the penguins.

“But the purple one gives the counterpoint,” said the purple one.

“The wisdom of penguins is always cold and harsh,” said one of the penguins.

“Except on days like this when it’s hot,” said the purple one.

“You should always listen to penguins,” said one of the penguins.

“Of course, people will think you are crazy if you do,” said the purple one.

“People who talk to penguins are headed for a nervous breakdown,” said one of the penguins.

“Unless you are a cartoonist.  Then it is probably normal behavior,” said the purple one.

“Is this all real?” I tried unsuccessfully to ask.

“Everyone knows that penguins are real,” said one of the penguins.

“But there are no purple penguins in nature,” said the purple one.

So, I sat down to write this post about penguins and their proverbs with a very disturbing thought in my little cartoonist’s head…  Why am I really writing about penguins today?  I really have nothing profound to say about penguin proverbs.  Especially profound penguin proverbs with a counterpoint by a purple penguin.  Maybe it is all merely a load of goofy silliness and a waste of my time.

“Writing about penguins is never a waste of time,” said one of the penguins.

“And if you believe that, I have some choice real estate in the Okefenokee Swamp I need to talk to you about,” added the purple one.

 

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Filed under artwork, birds, cartoons, goofy thoughts, humor, Paffooney, philosophy, surrealism

The Secret Gallery in Grandma’s Closet

After years of being stored away, I discovered that my mother had hidden a hoard of my old artworks in the upstairs closet in Grandma Aldrich’s house (now my parents’ house).

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This oil painting was done on an old saw blade at the request of my Grandpa Aldrich.  He wanted a farm painting on it, like the one he’d seen in a restaurant during a fishing trip in Minnesota.  I chose as the subject Sally the pig.  Sally was a hairlip piglet that had to be bottle fed and raised in a box by the stove until later in life she became a favorite pet.  Believe it or not, pigs are smarter than the family dog.  She became a pig you could ride.  And Grandma had taken a precious old photo of my mother and Uncle Larry riding the pig.  I used that photo to make this painting.  It was also the painting I wanted to find on this trip to Iowa.  Searching for it led to finding all the others.

These two are among the earliest paintings I did.  They were both done on canvases that I stretched over the frame myself in high school art class.  The purple one is a scene from Shakespeare’s Midsummer Night’s Dream.  The blue one doesn’t have a title, but you can see what it is.  It is an ancient shibboleth water monster lurking under a dock, fishing for young boys to eat.

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This drawing was done on the front porch in the house in Rowan.  It would be years before mom framed it.  It is another example of what I could do as a high school kid.  In fact, I composed it from art-class sketches I did my senior year in school.

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The Boy in the Barn was painted on the remains of an old chalkboard that my sisters, brother, and I had used in grade school.

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Grandma Aldrich asked for this picture to hang over the sofa in the farmhouse living room.  It stayed there for many years.

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Great Grandma Hinckley passed away in 1980.  I created this portrait from a combination of photos and memory.  It was too good.  It was never hung anywhere because it always made her daughter, my Grandma Aldrich, tear up.

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This pencil drawing won a blue ribbon at the Wright County Fair in the late 70’s.

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This picture is called First Years are Hard Years.  It was painted in 1982 after my first year of teaching at the junior high school in Cotulla, Texas.   I painted mostly the good kids.  The girl on the lower right would later go on to become a teacher for our school district.  I can’t claim to be the one who inspired her, but she did make straight A’s in my class.

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This is called Beauty.  It is done in oil crayon on canvas.  I did it for my mother to hang in the hallway in the house in Taylor, Texas.

So, it turns out, I unearthed art treasures by searching for the one painting.

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Filed under artwork, colored pencil, homely art, humor, oil painting, old art, Paffooney

More Art Day Role Play

Again I go back to artwork done for Saturday role-playing games, a thing which I started doing in 1981. It filled my life for a time. And it also taught me to be a teacher. After all, the DM (Dungeon Master, or Game Master) has to be a story-teller and a master explainer… just like a school teacher.

A Dungeons and Dragons picture from 1981.
A Shaitan Rider, a villain from 1982.
The Giant Sorcerer’s Hand, a monster from the 2011 family game.
A heroine-ally and her pet werewolf.
The father of mys son’s player character was found at the end of an adventure. He is apparently me with fewer legs.
An enemy necromancer
Two versions of the same weretiger
This unused non-player character would become a novel character in 2019.
Some characters are borrowed directly from TV
Some characters are kept around as potential instant player characters.
A Talislantan librarian from 1992

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Red, Yellow, and Blue

That Last Battle

The three primary colors of paint are red, yellow, and blue. Together with the neutrals, white and black, these colors can be mixed to make any other shade, tone, or hue that exists on the color wheel and can be perceived by the human eye. When all three are present in a painting, it inherently has a feeling of completeness, wholeness, and balance.

Young Prinz Flute

How those primaries are mixed, allowed to dominate, or allowed to recede does a lot to determine the feeling the artwork projects into the viewer’s mind.

Great Grandma Hinckley as I most vividly remember her.

All of the artworks I am showing you today haven’t appeared in my blog for some time. But all of them are interpreted in primary colors. I won’t tell you how each picture is supposed to make you feel. I am just the artist. Only you can prevent forest fires, and only you can interpret a painting and tell someone else how it makes you feel.

The Wolf Girl and Dunderella
the Island Girl
Gilligan’s Island
Annelise in Gingerbread Town
Chiron’s School for Heroes
Long Ago It Might Have Been
The Sea Witch

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Filed under artwork, coloring, drawing, humor, Paffooney, strange and wonderful ideas about life

Mickian Art…70’s Style

Most of my novel stories have lived in my head since the 1970’s. I began recording the ideas in a notebook that I called the libretto. I drew illustrations to solidify the characters and some of the plot elements in my mind. But the basic natures of the characters and the style of my artwork grew from these original artistical notations.

I got better at art over time. And the characters benefited from my teaching experience in that I was able to depict numerous characters with nuances and details gained from students and other people I hadn’t met yet when I drew these pictures. Dorin Dobbs, for instance, is based in large part on my eldest son, who wouldn’t be born for another 18 years when I drew these pictures (He’s the yellow-haired boy in both of the first two pictures.)

Francois, the singing sad clown from my book Sing Sad Songs, is based on a student from the 80’s who was actually Spanish speaking and of Mexican-American descent.

I drew this picture of him in 1976.

I taught the boy in 1983.

I wrote and published the book in 2018.

The inter-dimensional traveler, the Man-Cat, is an idea from a story I have not written yet, and probably never will.

Disney-Michael Stewart and his gang of Milk-Lovers is another story I haven’t written yet, and though more likely, is still probably a novel I will never get to.

Invisible Captain Dettbarn and Francois ended up in separate stories from this picture. The other three boys in the picture were babies or not yet born when their stories happen.

So, today was a chance to look at and re-evaluate the past. All of these drawings were done in the 1970’s. All I did was scan them with a good scanner and crop them a little to make them better compositions. And they allow me to keep track of where my mind has already been, that I might successfully chart the future of where it is going.

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Filed under artwork, autobiography, humor, old art, Paffooney