
On the mantel
Of our home hearth
Sit the objects
That give life worth
A candle lighting
The dark of earth
A cup once painted
With paint and mirth
A Snoopy plaque
Announcing birth
And ceramic doll
Smiling o’er the hearth.

On the mantel
Of our home hearth
Sit the objects
That give life worth
A candle lighting
The dark of earth
A cup once painted
With paint and mirth
A Snoopy plaque
Announcing birth
And ceramic doll
Smiling o’er the hearth.
Sometimes life gets a bit tough when you are old and diabetic and grumpy all the time… and your kids are still teenagers… and you have to spend four hours a day driving them to two different schools in two different Dallas suburbs… and it rains one day and swelters you in Texas heat the next… and the drive home occurs during rush hour… and you just can’t think beyond loud thoughts like; “Why does that stop light turn red right before I get there?” and “Why can’t somebody teach teenagers how to drive in a high school parking lot?!” and “Why is the sun so bright and in my eyes going BOTH DIRECTIONS?!?” and “Why is the worst driver in Texas always the one right in front of me?!?!!!”
And then you realize, you can’t think any more to make a decent post for your blog. You are dead tired and out of ideas, though still able to type… even though you are apparently dead according to this sentence. So what do you post? You need some chocolate and iced tea for your brain. And you decide it is better to come out of the closet for being .gif-goofy and collecting .gif’s. You heard right. I mean .gif’s. I am not talking about peanut butter. And I didn’t misspell goofs. I mean those crazy moving things on the internet where the motion is repetitive and the promotion of the motion is mindless. Yes, those moving-picture things called .gif’s.
Like this one;

Rainbow Dash is really going after that guitar riff in this guitar-riff .gif! And I didn’t steal this from Deviantart. I stole it from somebody else who stole it from Deviantart.
And then I have an audience for her solo;

And these .gif’s make me happy. Happy like a frog;

And why do these minor miracles of motion make me happy? I don’t know. But they do.
And I must not be the only one. Somebody went to a great deal of work to create some of these:

And one might wonder if it is an evil thing to be happy about being .gif-goofy. But in my experience, they only fascinate the eyes for a short while and alter my mood in goofy weird ways.
So now that I’m all goofed up, let me end with one more.

So, now, these .gif’s have tamed me, and I am unique in all the world.
Filed under artwork, humor, memes, strange and wonderful ideas about life

My biggest regret as a cartoonist and waster of art supplies is the fact that I am not the world’s best portrait artist. I can only rarely make a work of art look like a real person. Usually the subject has to to be a person I love or care deeply about. This 1983 picture of Ruben looks very like him to me, though he probably wouldn’t recognize himself here as the 8th grader who told me in the fall of 1981 that I was his favorite teacher. That admission on his part kept me from quitting and failing as a first year teacher overwhelmed by the challenges of a poor school district in deep South Texas.

My Great Grandma Hinckley was really great.
My great grandmother on my mother’s side passed away as the 1970’s came to an end. I tried to immortalize her with a work of art. I drew the sketch above to make a painting of her. All my relatives were amazed at the picture. They loved it immensely. I gave the painting to my Grandma Aldrich, her second eldest daughter. And it got put away in a closet at the farmhouse. It made my grandma too sad to look at every day. So the actual painting is still in a closet in Iowa.

There were, of course, numerous students that made my life a living heck, especially during my early years as a teacher. But I was one of those unusual teachers (possibly insane teachers) who learned to love the bad kids. Love/hate relationships tend to endure in your memory almost as long as the loving ones. I was always able to pull the good out of certain kids… at least in portraits of them.

When kids pose for pictures, they are not usually patient enough to sit for a portrait artist. I learned early on to work from photographs, though it has the disadvantage of being only two-dimensional. Sometimes you have to cartoonify the subject to get the real essence of the person you are capturing in artiness.
But I can’t get to the point of this essay without acknowledging the fact that any artist who tries to make a portrait, is not a camera. The artist has to put down on paper or canvas what he sees in his own head. That means the work of art is filtered through the artist’s goofy brain and is transformed by all his quirks and abnormalities. Therefore any work of art, including a portrait that looks like its subject, is really a picture of the artist himself. So, I guess I owe you some self portraits to compare.

Yeah, that’s me at 10… so what?

Children are a resource that we, as a people, cannot live on without.
If we stop having children, nurturing children, raising children, providing children discipline and education, entertaining children, guiding children, and, most of all, loving children, in eighty or so years, human beings will be extinct in this universe.
How many universes are there with humanity being extinct in them? It is impossible to answer. But if there is more than one universe, there is more than one.

When I was a child myself, family farms were still the rule in Iowa. Couples would try for lots of kids to help with the farm work. Chores! I fed animals. I went with my grandfather to the feed store, the hardware store, and the hatchery. I drove a tractor. I walked bean fields and pulled weeds. I mucked out a hog house once (and believe me, once is enough for a lifetime.) I have slopped hogs. I shingled a house and a garage. I painted the family house (in town, not Grandpa’s farmhouse.) As a child, I helped my uncles who were farmers, and worked for other farmers in the area. I was just as important as fertilizer to the maintenance of the world I lived in. (I did not say I was important to USE AS fertilizer. They would’ve had to kill me to use me that way. But my work was a part of what made the land yield plenty.)

I was left, as a child, with the distinct impression that we were meant to live in the land as a part of the land. Nature was our friend. We didn’t cut down all the trees and pave over everything like the city folks did. The kid who never went skinny dipping was rare indeed.

There once were people who knew they lived with the land, and they were good stewards of the land. They knew if the land was not living well and healthy, then neither would they live well and healthy.


But I am not arguing that we should go back to the world of the 1960s. The work I did in the land back then is now mostly mechanized and done by machines, computers, automation, and factorization. But we can teach our precious children the values of old to use in new ways. If we don’t, well… I hope the AI Terminator Robots of the future will have a happy life without us.
Filed under artwork, farm boy, farming, humor, kids, Liberal ideas, Paffooney, strange and wonderful ideas about life, wisdom

Some Sunday thoughts require the right music.
Some Sunday thoughts actually are music.
noun
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I had originally thought to call this post “A Walk with God.” But that would probably offend my Christian friends and alienate my Jehovah’s Witness wife. It would bother my intellectual atheist friends too. Because they know I claim to be a Christian Existentialist, in other words, “an atheist who believes in God.” Agnostics are agnostics because they literally know they don’t know what is true and what is merely made up by men. And not knowing offends most people in the Western world.
But Debussy’s Reverie is a quiet walk in the sacred woods, the forest of as-yet-uncovered truths.
And that is what I need today. A quiet walk in the woods… when no literal woods are available.
I have apparently survived the Covid pandemic. But this pandemic has been hard on me. Having had the Omicron variant, I am left without the strength I once had even though I am fully vaccinated. I have lost the power to be a substitute teacher, a job I love. The loss of the ability to teach in any form still drives me to tears. I am a prisoner in my room at home most days. My soul is in darkness, knowing that the end could be right around the corner. There is so much left to do, to say, to write down for those who come after so they can fail to read any of it and reinforce the cruel irony that informs the universe. I have stories and lessons and morals and meanings to give the world still if only someone is willing to listen.
I am not afraid to die. I have no regrets. But I have been in a reverie about what has been in the past, what might have been, and what yet may be… if only I am granted the time.

And, as always, I feel like I have more writing yet to do. I am about to finish The Education of PoppenSparkle. And I have started He Rose on a Golden Wing, The Haunted Toystore, and AeroQuest 5. And I have stories beyond that to complete if I may.
But the most important thing right now is having time to think. Time for Reverie. And reflections upon the great symphony of life as it continues to play on… with or without me.

Swashbuckling mice fighting racist weasels? Why?
There’s something really wrong with this guy.

And what does this oil painting signify? It’s called “The Madonna of the Golden Door.” But the door is obviously made of brown wood, surrounded by all the gold paint the doofy artist could afford at the time.

And is this a painting of a naked young girl, or a shirtless boy with long hair? And how can there be an ocean in the background if the painting was done in Iowa, as far away from the ocean in every direction as you can get in North America?

And no explanation of this is worth the time it would take to explain.

Are they green because they are aliens? Or do they just eat too many leafy vegetables?

One of the models in this picture didn’t show up to pose for this picture… but his clothes did?

So, maybe this post is geared toward artworks that Mickey doesn’t reveal very often because they show some of his mistakes and tendency to bad judgments. Yeah,, that’ll do, unless he decides to tell us the real reasons at some later time.
Filed under artwork


I am certainly no expert on the Golden Age of Comics. I was, in fact, born the year that the Golden Age ended. I am a child of the Silver Age (1956 to the early 1970s) and those were the comics I grew up with. But I admit to a fascination with the initial creation of the characters I love, including Batman, Superman, the Flash, Captain America, the Phantom, Steve Canyon, Wonder Woman and numerous others who were first put on the comic book pages in the Golden Age. And being subject to comic book prices that zoomed upward from a dollar an issue, I was bedazzled by the ten cent price on old comics.



Comic books owe their creation to the popular newspaper comic strips from the Depression era and WWII wartime. Originally, comic strips were gathered and printed on cheap paper. Dick Tracy, Prince Valiant, Terry and the Pirates, Flash Gordon, and other adventure strips would lead to the war comics and hero-centered comics that would morph into superhero comics.


Some of the artwork in Golden Age comics leaves a lot to be desired. Especially original, straight to comic book publications that were produced fast and furiously by publishers who would open one week, produce three issues. and go out of business three weeks later. But in the mad scramble, some truly great artists formed the start of their illustrious careers, Will Eisner, Hal Foster, Milt Caniff, and Bill Elder learned to master their craft in the newspaper strips, and all later created comic books and graphic novels. True geniuses like Jack “King” Kirby and Bob Kane and Jack Davis grew directly from comic book studio madhouses into comic-book-artist immortality.




As with most things that have a Golden Age, the truth was that later comic book eras were superior in most ways. But this Golden Age was the foundational age for an American art-form that I truly love. So, flaws and warts are overlooked. And some of these old ten cent books on super-cheap paper are worth huge amounts of money if you still have a rare one in mint condition. Ah, there’s the rub for a manic old collector guy like me.



Most of the Golden Age comic book images used for this post were borrowed from the ComicsintheGoldenAge Twitter page @ComicsintheGA. If you love old comics like I do, you should definitely check it out.
Filed under artists I admire, artwork, comic book heroes, comic strips

The question before me now is, “What do you know, and how do you know it for certain?”
Well, I really don’t know anything. How do I know that I don’t know anything? Well, Socrates always told everyone who would listen that he didn’t know anything for certain, and he is obviously much smarter than I am. So, being super-stupid by comparison, I don’t even know as much as Socrates.
So, like Socrates, I need to ask questions. But who will I ask? I can look at the picture above for answers, and I can ask you, the reader, the questions.
The picture is one of the most favorite ones I have ever drawn. By that I mean it is one of the pictures I drew with colored pencils that I like the best. It is, therefore, basically a self portrait of things inside my silly head.
Do the soldiers look familiar to you? If they do, it is probably because, like me, you have seen the soldiers from Disney’s Babes in Toyland. Hopefully they are just generic enough that Disney wont sue me for modeling this fantasy on something I saw in their copyrighted movie. I didn’t intentionally copy anything, and I have never knowingly made a single dime off of this picture. So, they don’t need to sue me, right?
Okay, those weren’t Socratic questions. They were leading and focused questions. So, let’s start the Socratic stuff.
Do you see anything in the picture that is innocent and childlike? Could this be illustrating a childish fear of the darkness? Did you notice the darkness they are marching towards on the left of the picture? Could this also be showing a progression towards maturity? Are the children and the soldiers not approaching that darkness… whatever it might be? Are they not getting more prepared to face the darkness as they get closer to it? The weapon pointed straight at the darkness is the bugle. Does the bugle, being an instrument for announcing something in combat, not have some symbolic meaning here? Does the darkness they are approaching not represent something like death? Does the boy with the drum suggest how we might deal with the darkneness in our own too-near future?
So, did you learn anything from this post?
I am asking because…
…I don’t really know anything.
Filed under artwork, Paffooney, philosophy
Humble Pie
The difference between who you want to be and who you are is humbling.
The recipe for humble pie requires good, clear eyesight.
And you need a reliable mirror that only shows the flaws in the reflected image, not in the mirror itself.
And you need to look at every detail in the whole of you. Even the secret things that you tend to conceal from everybody, especially yourself.
And writing a novel, if you do it right, is a form of baking humble pie.
The good and the not-so-good is reflected in reviews, which are often written with mirrors that have flaws.
But what you see, if you are honest with yourself, can show you that, even though you are far from perfect, you are exactly what you are supposed to be.
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Filed under artwork, autobiography, commentary, empathy, feeling sorry for myself, irony, Paffooney, self portrait, strange and wonderful ideas about life