As my resolution to illustrate my novels grows further and further into solid, irresistible form and driving obsessional shape, I have been working on new pen and ink projects. Some are for AeroQuest. Some were for The Boy… Forever. And I will soon need to create new ones for A Field Guide to Fauns. Today’s post is just a glimpse of what I have been doing.
Filed under artwork, humor, illustrations, Paffooney, pen and ink
I have completed work on a novel called A Field Guide to Fauns. In it, I will make use of one of the most central metaphors in all of my art and writing. The mythological figure of the faun is usually portrayed as a young boy or youth, nude, and potentially having goat horns, goat legs, a deer’s tail, and/or pointed ears. It represents sensuality, connections to nature, and a willingness to partake in enjoyments without hiding anything.
Fauns were defined in art long before I came along. The Marble Faun was a book by Nathaniel Hawthorne that I read in college. I looked endlessly in libraries after that for pictures of Praxiteles’s masterpiece from all angles. I would eventually be inspired to make the picture above by a picture made in print by Maxfield Parrish printed in Collier’s Magazine. I have been fascinated for years by fauns. And I began drawing them repeatedly.
As a teenager, I had a faun as an imaginary friend. His name was Radasha. He made it his business to lecture me about sex and nudity, morals, religion, and what was wrong with me. At the time I was repressing the memory of being the victim of a sexual assault, a very painful and traumatic experience that I did not allow myself to remember and admit was real until I was twenty-two. Radasha turned out to be a coping method who helped me heal, and helped me realize that just because it was a homosexual assault, that did not make me a homosexual.
Fauns would come to dominate my artwork through the eighties. I drew Radasha multiple times. I would use the image to express things I feared and fought with and won victories over .
I would come to learn that there were fauns in real life to be found. The portrait above is of Fernando, a favorite student from my first two years as a teacher. He is portrayed as a faun. The cardinal on his shoulder is a symbol of courage and endurance, a bright red bird that never flies away when the winter comes.
Devon Martinez is the main character of my novel in progress. He is an artist like I am. He is fifteen at the time of the novel, and faced with living the rest of his childhood in a nudist community. He doesn’t consider himself a faun to begin with. But that changes during the course of the novel.
Here is the first illustration done for the novel. It is supposed to be a picture drawn by Devon himself.
So, as always with Saturday artwork, there is more to come.
Filed under artwork, NOVEL WRITING, Paffooney
While watching Netflix yesterday afternoon, a retirement activity that becomes the majority of my social life when the diabetes demons are eating me, I started doodling a fox. It was a pencil doodle at first. And I was not drawing from life. I was drawing the fox in my head. I suspect it was the fox from Antoine de Saint Exupery’s masterwork, The Little Prince.
Yes, that fox. The wise one that knows about taming little princes, and loving them, and being reminded of them in the color of wheat fields. I began to need that fox as my doodle pen uncovered him on the blank page. There he was. Surprised to see me. Either he was leaping towards me in the picture, or falling down on me from the sky above. I don’t know which. But I realized I had to tame him by drawing him and making him as real as ever an imaginary fox could ever be. You will notice he does not look like a real fox. I did not draw him from a photograph, but from the cartoon eye in my mind where all Paffoonies come from. And this was to be a profound Paffooney… a buffoony cartoony looney Paffooney. It simply had to be, because that is precisely what I always doodle-do.
And so he was a fox. He was my doodlefox. I had tamed him. And then I had to give him color. And, of course, the color had to be orange-red.
And so, there is my fox. Like the Little Prince’s fox he could tell me, “What is essential is invisible to the eye. It is only with the heart that we can see rightly.” And I put him in a post with lyrical and somewhat goofy words to give you a sense of what he means to me, in the same way one might explain what the thrill of the heart feels like when a butterfly’s wing brushes against the back of your hand. Yes, to share the unknowable knowledge and the unfeelable feeling of a doodlefox. A demonstration of precisely what a Paffooney is.
How does an artist know himself? Now there’s a difficult question. I spend all my time looking at the world with the eyes of imagination. I don’t even seem to be able to take photographs in the normal way other people do. Maybe I should consider this self-think through the medium of pictures I have made with captions added to them?
Mickey is not actually me. He is my “other” me, my pen name, my goofier self.
I was born in a blizzard in Mason City, Iowa in the 1950’s.
I have learned about dog poop five times a day since 2011 when we found Jade, our dog.
I was a middle school teacher for 24 of my 31 years of teaching. I love/hate 7th Graders.
When things go wrong, I tend to make a joke about it.
I like to draw students as I saw them, not as they really were.
I always see myself as the one with the BIG pencil.
If there is goofiness around here, it is all my fault.
In spite of the title, I don’t know how to disappear.
I love everything Disney.
I tend not to be very much like other people. I don’t think like they do.
In grade school, I was deeply in love with Alicia Stewart, though I never told her that, and that is not her real name.
My high school art teacher told me that when an artist draws someone, he always ends up making it look a little bit like himself. That is because, I suppose, an artist can only draw what he knows and he really only knows himself. That being said, this post should really look just like me.
I prefer to write about, think about, and draw pictures of homely people. But don’t mistake me. I am not talking about ugly people. Our former President, the giant blood sausage with a bird’s nest on top that we have put in charge of making us all feel sick to our stomachs every day, demonstrates what ugly means. Ugly is not just weird and interesting to look at, it is also repellent behavior that makes physical flaws take a back seat… no, a rumble seat in the trailer behind by comparison.
I am talking about the ordinary people back home. The ones that may be sitting by your own fireplace on a cold day trying to warm their hands after throwing snowballs outside. And, of course, that snowball that hit Maggie Doozman in the side of the face and knocked her glasses off, made you laugh for an instant, until you realized she was crying, and Kirk Longhatter didn’t even apologize for throwing so hard, so you went over and picked her glasses up for her and handed them to her, and she smiled at you through the tears. That is the kind of homely I mean.
There is a lot that is beautiful in homely people. Sure, maybe not a classically beautiful Elizabeth Taylor face or a Gregory Peck lantern jaw. Maybe not even a shapely behind or a graceful step when walking across the street. But ordinary beauty. Kindness. Humility. Determination in the face of long odds. Good-natured jokery. A touch of childish silliness. A moon face that actually shines when a smile lights it up. That is beauty that can be found in homely people.
You’ve probably figured out by now that this post is just an excuse to show off some goofy old off-kilter portraits I did. But that doesn’t change the fact. I do love homely people.
Filed under artwork, autobiography, cartoons, characters, commentary, compassion, humor, insight, Iowa, Paffooney, strange and wonderful ideas about life
You reach a point after a hard month has lingered long where you have to eat the leftovers and accept what is. I face challenges in the new year at least as large as the challenges of 2017. When faced with such a situation, I need pie.
So here are some of the things left in my January file for use in this blog. The only reason they are here is because I haven’t used them yet and the ideas have not been knitted together for any rational purpose.
This will be a crazy quilt blog post. But crazy quilts keep you just as warm in winter as any other kind.
My newest Facebook friend is the daughter of my wife’s cousin. I have only known her as the sweet-faced little smiler at Filipino-American family gatherings who sometimes gets my attention by squirting me in the ear with a water gun. Her father is from Greece and teaches Math in San Antonio. Her mother, like my wife, is from the Philippines. I won’t tell you her real name, but we used to call her “Sweetie” because she resembled the little pink Tweety-bird character from Tiny Toons Adventures.
I have also spent considerable time writing to and for nudists I have connected with through their various websites and on Twitter. These two lovely works of nude art were shared with me on Twitter. I have collected a number of nude pictures from Twitter nudists that I can’t use on WordPress because I am still entirely too modest to be the unrestrained naked person that some nudists are. I can’t really claim to be a complete nudist myself. But I do have stories to tell about naked people, and I have been working on them diligently.
Of course, I still miss being a teacher. I was a teacher of English for 31 years. I taught reading and writing in English to over 2,000 kids. I also learned how to stare in Klingon. It is a useful skill for keeping students in line and keeping them from becoming a disappointment to the empire. I miss teaching kids, especially talkative kids. Far fewer people talk to me during a day of retirement than used to talk to me in a single class at school. Those interactions were precious.
And several things are just too confusing for my old brain to explain.
But I do like this picture I found on Facebook of Tom Baker, the 4th Doctor, playing with multiple kittens. I don’t know why, but it makes me happier.
Filed under artwork, blog posting, Dr. Who, feeling sorry for myself, foolishness, goofy thoughts, humor, nudes
I know that I am probably the last person you would think of to ask for advice on how to be happy. I am a crotchety old coot, a former middle-school English teacher, a grumpy old-enough-to-be-a-grandpa non-grandpa, an atheist, a nudist, and a conspiracy theorist. You would expect someone like me to be out in his yard in his underwear yelling at pigeons for pooping on his car more than they do his wife’s car. Be that as it may, I am also basically happy.
You know what happy looks like, surely. After Christmas day is over you see two kinds of kids. One kind is miserable and grumbling in his or her room about their Christmas gift that they didn’t get, in spite of the five expensive toys they did get. Yeah, that one’s never going to be happy. Then there’s the other kind, the one happily breaking or playing with the few cheap toys their parents could afford, using more of their own imagination than the imagination the toy companies pay someone to put into their TV or YouTube toy commercials. That one is going to be somebody you can rely on for years to come. That’s the kind of kid I like to think I was. Of course, I’m probably wrong about that too. Being a middle-school teacher gives you plenty of opportunity to learn the lesson that you are actually wrong about everything in life, and like Socrates, you know absolutely nothing for sure about anything.
Years upon years of being a public school teacher, the butt of comedians’ best school-memory jokes, the target of Republican spending cuts for saving enough money to give massive tax cuts to billionaires, and having to be every kind of professional for every kind of kid, no matter how ugly and unlovable they are, teaches you where true happiness comes from.
A. You have to learn to love the job you are trying to do. And…
B. You need to do the job you love with every resource you can squeeze out of your poor, battery-powered soul.
I did that. I did the job all the way from deluded and idealistic days of youth to cynical and caustic old age hanging onto your job by the fingernails until you have to choose between dying in front of the whole classroom of horrified kiddos you have learned to love, or going kicking and screaming into retirement to maybe live a bit longer than you would have if you had stayed at your work station in the idiot-to-income-earner factory for young minds.
Being satisfied with the career you chose and the success or failure you made of it is not the only factor in being happy. Teachers don’t earn much compared to corporate informational presenters who do the same job for a lot more money in front of a lot less hostile audiences far fewer times a day. So, it helps if you can manage to need less stuff in life. After all, stuff costs lots of money. Especially stuff you don’t really need.
That is why being a nudist and not having to worry about how much you spend on clothes helps a lot with your basic level of happiness and peace of mind. Also, lots of vitamin D soaked up through your nude all-togetherness produces happy-hormones in the brain.
Being an avowed pessimist is good for being happier in life as well. After all, the pessimist is always prepared for the worst to happen. And since the worst rarely is what actually happens, the pessimist is never shocked and dismayed and is frequently pleasantly surprised.
And so, here is Mr. Happy’s secret to a long and happy life;
Filed under artwork, autobiography, happiness, humor, insight, inspiration, Paffooney, philosophy
Life is making music. We hum, we sing to ourselves, movie music plays in our head as the soundtrack to our daily life. At least, it does if we stop for a moment and dare to listen. We make music in many different ways. Some play guitar. Some are piano players. And some of us are only player pianos. Some of us make music by writing a themed paragraph like this one. Others make an engine sing in the automotive shop. Still others plant gardens and make flowers or tomatoes grow. I chose teaching kids to read and write. The music still swells in my ears four years after retiring.
The 1995 movie, Mr. Holland’s Opus, is about a musician who thinks he is going to write a magnificent classical orchestra opus while teaching music at a public high school to bring in money and allow him time to compose and be with his young wife as they start a new family.
But teaching is not, of course, what he thought it was. He has to learn the hard way that it is not an easy thing to open up the closed little clam shells that are the minds of students and put music in. You have to learn who they are as people first. You have to learn to care about what goes on in their lives, and how the world around them makes them feel… and react to what you have to teach. Mr. Holland has to learn to pull them into music appreciation using rock and roll and music they like to listen to, teaching them to understand the sparkles and beats and elements that make it up and can be found in all music throughout their lives. They can even begin to find those things in classical music, and appreciate why it has taken hold of our attention for centuries.
And teaching is not easy. You have to make sacrifices. Big dreams, such as a magnum opus called “An American Symphony”, have to be put on the shelf until later. You have children, and you find that parenting isn’t easy either. Mr. Holland’s son is deaf and can never actually hear the music that his father writes from the center of his soul. And the issue of the importance of what you have to teach becomes something you have to fight for. Budget cuts and lack of funding cripples teachers in every field, especially if you teach the arts. Principals don’t often appreciate the value of the life lessons you have to give. Being in high school band doesn’t get you a high paying job later.
But in the end, at the climax of the movie, the students all come back to honor Mr. Holland. They provide a public performance of his magnum opus, his life’s work. And the movie ends with a feeling that it was all worth it, because what he built was eternal, and will be there long after the last note of his music is completely forgotten. It is in the lives and loves and memories of his students, and they will pass it on.
But this post isn’t a movie review. This post is about my movie, my music. I was a teacher in the same way Mr. Holland was. I learned the same lessons about being a teacher as he did. I had the same struggles to learn to reach kids. And my Mr. Holland moment wasn’t anywhere near as big and as loud as Mr. Holland’s. His was performed on a stage in front of the whole school and alumni. His won Richard Dreyfus an Academy Award for Best Actor. But his was only fictional.
Mine was real. It happened in a portable building on the Naaman Forest High School campus. The students and the teacher in the classroom next door threw a surprise party for me. They made a lot of food to share, almost all of which I couldn’t eat because of diabetes. And they told me how much they would miss me, and that they would never forget me. And I had promised myself I would never cry about having to retire. But I broke my promise. In fact, I am crying now ten years later. But they are not tears of sadness. My masterwork has now reached its last, bitter-sweet notes. The crescendos have all faded. But the music of our lives will still keep playing. And not even death can silence it completely.
Filed under artwork, autobiography, commentary, happiness, insight, kids, movie review, teaching
Charles Dickens, William Shakespeare, Walt Disney, and Edgar Allen Poe (the four clowns depicted above) all probably had times in their writing life when they didn’t really have anything to write about. Charles Dickens couldn’t think of anything but his time in the boot-black factory and the misery he felt as a child raised in poverty. So, what did he do? He created Wilkins Micawber as a stand-in for his ne’er-do-well father who always believed, “Something will presently turn up.” And he wrote the semi-autobiographical novel David Copperfield.
William Shakespeare didn’t actually write anything with his grade-school education and limited knowledge of the world. But when the Earl of Oxford who used his name as a nom de plume could think of nothing, he thought of ending it all, and the “To-be-or-not-to-be…” play, Hamlet, poured out of his quill pen onto paper.
And when Walt Disney rode the train in defeat, having lost his best comic character for cartoons, Oswald the Rabbit, to his old boss, he doodled a mouse and named him Mickey, even providing Mickey’s falsetto voice for decades on the silver screen. Oh, and claiming the rights to any further characters his studios produced… to this day.
Poe looked at the bust over his chamber door… and saw a raven. Instantly, NEVERMORE.
Now it’s Mickey’s turn to write about nothing, and try to live up to the nothing-masters’ artistic masterpieces of yore. For instance, the boy in the picture. I drew him from a nude model in a black-and-white photo. Nobody in class, not even the one who brought the picture, ever told me his name. And the class was forty-four years ago now. So, assuming the picture wasn’t old back then, the boy is now older than fifty-four, and possibly significantly older than that now. So it is a picture of a nude nobody in front of an abandoned house in the snow however-many years ago in a place that is probably nowhere now. And I won’t even mention the imaginary puzzle pieces floating through the air for nobody to put together. What’s that? I just mentioned them? What did I mention? They are really just nothing.
So, there is a time and a place for writing about everything. Even if that everything includes nothing… and that nothing is nowhere… and is about nobody.
Catch a Falling Star 
Naked Innocence
To be clear, I will have to write a post called Naked Experience to go with this post. It is a William Blake style of thing. You know, that English Romantic Poet guy who was into drawing naked people even more than me? The writer of Songs of Innocence and Experience? You know, this stuff;
Well, maybe you don’t know. But Blake gave the world the metaphor of the innocent lamb and the tyger of experience (tyger is his spelling, not mine, and it didn’t blow up the spell checker, even though it made the thing unhappy with me again). There is a certain something I have learned about nakedness that I mean to innocently convey. I learned it from anatomy drawing class and spending time with nudists. Naked is not evil. Naked is not pornography. Nakedness, itself, is a very good thing.
At this point the avid clothing-wearers among you are probably saying to yourself, “This guy is nuts! If God had wanted us to be nude, then we wouldn’t have been born with clothes on.” And I must admit, I cannot argue with logic like that.
But on a more serious note, I believe nudity is a fundamentally essential part of the nature of art. After all, pictures of naked people are a central part of what people have been drawing since they first started etching them with charcoal on cavern walls. And all art, including this blog, is about the human experience. What it means to be human. What it feels like to be alive on this Earth and able to feel.
And there is nothing sinister and immoral in drawing nudes to portray that fact. I am trying to show metaphorically the music of existence, the pace, the symmetry, the musical score… It isn’t focused on the private bits, what some call the naughty parts, even when those things are present in the picture. “How dare that naughty Mickey show the naked back end of that butterfly! It ought to have pants on at least!” Yes, I am making a mockery of that outrage itself. I am not a pornographer. These pictures were not created to engender any prurient interests. These pictures are part of Blake’s lamb. They will not bite you. Though blue-nosed people who wish to control what others think may very well bite me for daring to say so.
I have posted a lot of writing and artwork on this blog that I held for the longest time to be completely private and personal. I hardly ever showed any of it to anybody before I posted it here. But I am old. I no longer have secrets. I am capable of telling you everything even though I have never met most of you in real life. And I have no shame. I have become comfortable with emotional and intellectual nudity. And when I am dead, the body I have kept hidden from the world for so long will be no more. It’s just a thought. It’s a naked thought. And it is completely innocent.
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Filed under artists I admire, artwork, commentary, humor, nudes, Paffooney, strange and wonderful ideas about life
Tagged as art, literature, nudes, poetry, William Blake