Why Do You Think That? Part 3

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A taxonomy of different living beasts in our world is an important thing to keep up with.  Because they are constantly evolving, due to processes of evolution (Stop hitting me with that old family Bible, Reverend Winchuck!  It is still legal, for now, to say that word), you have to constantly change and refine your understanding of beasts and their relationships to one another.  So here I am trying talk about “Why liberals and conservatives are completely different species!”

When I look at a group of people, a crowd, a… what do you call a flock of people?  An idiocy perhaps?  They all look the same to me.  To tell which species they are, I have to hear them talk.  So I selected a couple of notable interviewees to explain what the differences really are.

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Bull Blindersly, head of the Bullish for Trump and Trumpkins Committee

The conservative I will use to represent conservatives is Bull Blindersly, who I noticed briefly had a Make America Great Again red hat on until the wind took it off his flat head.  I’ll let him tell you the difference in his own words.

“It’s easy to spot a libtard.  They have pointy little nerd heads full of stupid ideas based on statistics and encyclopedia facts and other such brainiac junk that clogs up your head.  They don’t have the common sense they were born with because they spend all their time reading and thinking and other stuff that just gets in the way.  There is a simple solution for everything in life.  The economy is healthy and grows if you give tax breaks to rich folks and job creators.  They will spend that money they have earned to improve things for everyone.  You don’t fix problems by dancing around giving away my hard-earned tax dollars to folks who don’t work hard enough.  Those people are just tempted to become blood-sucking parasites for life when you do that.  We need to build a wall around Animal Town to keep more of those kinds of people out.”

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                                                                                                                                                                  Phillip “Flip” Moosewinkle. ACLU lawyer and Dal Mation, independent media journalist

I talked to Flip Moosewinkle and his friend Dal Mation because they were protesting in front of city hall with “Not My President!” signs and other signs that indicated they were liberals because everything was spelled and punctuated correctly.

Flip; “I think conservatives talk without thinking first most of the time.”

Dal; “You have to be careful about making blanket statements like that, though.  It is not backed up by any studies I can find with Google on my i-phone.  And we want to be fair and considerate when making statements about our opponents.”

Flip; “Yes, that’s quite correct.  But a shoot-from-the-hip style of discourse is still common among those we argue politics with.  They’ll accuse us of trying to take away their rights to own guns and won’t even listen when we try to shift the conversation towards gun safety and responsible ownership.  They mostly agree with our positions when it comes right down to it, but they rarely listen to our point of view.  They would rather call us names and chant slogans.”

Dal; “True, but you have to admit they do tend to win arguments that way in public forums.  Maybe we should try some of their tactics, and try to be more forceful in making our case the way they are.”

Flip;  “Do you really want to sink to their level?  Then we’d be no better than they are.”

Dal;  “But isn’t that the point we are trying to make?  Aren’t we all the same and no one is better than anyone else?  Aren’t we trying to be fair and loving to all?”

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Doofy Fuddbugg here is an example of what a “Nolt” is.

Of course, it is at this point in the consideration of the topic that I reach the inevitable conclusion that I am dealing with two different categories of animal here.  One side is patently unfair, and the other is marginalized and ineffectual.  One side is often predatory, while the other is routinely prey.

What do I do about it?  The conservative side has purged themselves of all compromisers, liberal-leaners, and RINO’s (Republican In Name Only, not rhinoceroses).  The liberal side never wins.  (Yes, I know Obama was president, but look how easily he was erased from the public conversation when his term ended.)  There is no place for moderates any more.  To be moderate is to be isolated and headed for species extinction.    So I am a liberal now, hoping the side that is in power at the moment won’t pass a law against my continued existence.  And trying exceptionally hard to fit in with other members of my same species.

 

 

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Stardusters… Canto 48

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Canto Forty-Eight – The Moon Gundahl

The Telleron mother ship loomed large in the sky over the moon base as Golden Wings 27 and 42 sat down upon the bombed and pitted tarmac.  The bright red space kite trailed outward from the mother ship’s top antenna, being blown by solar wind from Galtorr’s sun.

“Xiar, we are down,” said Biznap’s voice over the radio channel.

“We are down too, Commander,” Xiar replied.

“What do you want me to do now?”

“Well, you left them here with no way off, right?” Xiar asked.

“Yes.  They had weapons of their own available.  Farbick may not have succeeded in taking control with Telleron tech.  If that’s the case, then we may be fired upon when we enter.”

“Do they have any of our skortch weapons?”

“No.  I do believe Farbick would never teach them how to rebuild the ones we destroyed, even if they tortured both Starbright and himself to death.”

Xiar nodded at the comm panel.  Yes, he did believe that Farbick was capable of that kind of heroism that you saw every Saturday on Earther-television Jungle Jim movies.  He had seen it in action during the failed invasion of Earth.

“You lead an assault team, then, and my men will follow.  We’ll link up when you’ve secured the base.”  Xiar heard a low whistle of discontent from the other end after giving that command, but he didn’t care.  This risking your life thing they kept doing for no visible gains really had to stop somewhere.  And he was still the Captain, wasn’t he?  Who better to give the orders and bring up the rear?

Out the front viewing screen, Xiar saw a flood of Tellerons come boiling out of Golden Wing 27 with skortch pistols raised high.

Commander Biznap waved a weapon in Xiar’s direction.  The fool was leading from the front.  How could he be doing that?  Didn’t he care if he lived or died?  In their last invasion, more Tellerons skortched themselves than killed their supposed enemies.  Of course, that turned out to be a good thing for everybody but Corebait and Sleez.  They had all benefitted from contact with the Earther primates.  But Galtorrians were different… weren’t they?

Biznap was rushing the front doors when the doors suddenly opened and some actual Galtorrians walked out.  They were all small.  Many of them were wearing short pants.  They looked like… children.

“Captain?” said Biznap through the communicator.  “They are not offering any resistance.  In fact, they want to give us this base.”

“What?”

“They say that Farbick told them if they gave the moon and this base to us, we would feed them with our material synthesizers.  They will give us this entire world to live on if we are willing to feed them.  They are all children.”

Xiar’s mind raced back to the troubles given them by Earther children… the stolen Golden Wing, the tadpole rebellion, the changes made to how Tellerons treated each other…

“Do we feed them, sir?”

“YES!  Our problem of being homeless is solved!  We can live here.  How is Farbick doing?”

Biznap took a moment to talk to these unexpected children.  He didn’t appear to react well to what he was told in answer.

“Xiar, Farbick and Starbright are gone.  These kids say that Senator Tedhkruhz came and took them, along with the two Galtorrian overlords.”

“Oh, no.”  Xiar was truly saddened by the news.  Farbick was supposed to be an inferior yellow-skinned Fmoog.  Green-skinned Tellerons were supposed to hate them for their inferior skills and buffoonery   But he liked Farbick.  Farbick was soft-spoken and as competent as any Telleron he had ever known.  And he realized for the first time that he had never admitted that to himself before.  But that would change… if only he could get Farbick back.

*****

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Novel Ways to Make a Portrait

As both an artist and a writer I portray people I have known. I can also say that I have portrayed people I love, but that is rather redundantly repetitive because I basically love all people, even the really nasty ones who hate me in return.  It’s a teacher thing.  But portraits as a writer/artist/cartoonist/fool is not a straightforward thing.  Let me start by unpacking my portraits of the Cobble Sisters.  Sherry and Shelly Cobble are twin sisters.  They are in several of my YA novels about the little town in rural Iowa where I grew up.

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They are nudists.  That means their family believes there are health benefits to not wearing any clothes when they are at home or spending private time with the rest of their family and friends.  I can claim that they are based on real people, because they are, but that takes considerable explaining.

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                                                                                                                                                                             Sherry Cobble

I have a pair of identical twin cousins who I grew up with and learned about the unique things twin share from them.  But the Cobble Sisters are not a direct portrait of them.  They are not nudists.  And they would probably beat me to a pulp if I dared to insist that they were.

The nudist/naturists I once knew and lived near were in Iowa City where I went to grad school (and where I found the original model for the picture), and in Austin, Texas where my girlfriend’s sister was living in a clothing-optional apartment complex.  My parents lived in an Austin suburb and when my girlfriend and I visited the area in the 80’s, I stayed at my parents’ home and she stayed at the crazy communal resort for naked people where her sister lived.  This situation provided the background for the embarrassment humor in my novel Superchicken.   That’s the story that includes an episode where the main character is tricked into going to a nudist camp as a guest with the Cobble family.  Poor Superchicken didn’t realize until he got there that it was a place where you have to take off all your clothes to blend in.

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Which leads quite naturally into the second portrait I want to talk about.  Edward-Andrew Campbell is called “the Superchicken” by his friends in Norwall, Iowa.  That nickname is actually my nickname from high school.  It comes from part of the George of the Jungle Saturday morning cartoon show by Jay Ward (Rocky and Bullwinkle’s creator).

The nickname was hung on me by a girl I had a huge crush on from grade school through junior high.  Superchicken in the cartoon show was this mild-mannered chicken who could gain super powers by drinking super sauce and then fight crime.  She obviously thought I was full of hidden talents just like him.

So Superchicken is a me character.

But the picture is not me drawing myself as a boy.  It is modeled on my young second cousin who was my little buddy for the last two years of high school and during my first couple of years in college.  The portrait in the novel, however, is part me and part a student from my early years as a teacher.  The Anita Jones portrait is drawn from a Sears catalog model, while the real girl was the most popular girl in my grade at school,  I wasn’t the only boy hopelessly in love with her.

Finally, since I am well over the word-count target already, I want to talk about the portrait of the main character in my novel about to be published, Miss Francis Morgan.

On the left you see who Francis really was.  Mother Mendocino was born to be a teacher, and it is her natural-born love of teaching and rapport with kids that I am portraying in the novel.  In the novel, though, everything that happens in that classroom was really something that happened in my classroom, not hers.  Especially the invasion of the classroom by three-inch tall fairies.  But it should also be obvious that Miss Morgan is not a portrait of me.  I am not female.  I could never respond to and touch kids the way she does because our society frowns on that from male teachers.  And further, she is not Hispanic because the novel is set in 1990’s Iowa rather than the deep South Texas town where these things happened.  So I based the drawing on another teacher I knew from Iowa, one that had always been the next door neighbor girl when I was a kid.  She babysat me and was older than me.

So, my portrait art that I am mangling the discussion of in this post is made up mostly of amalgamated portraits.  A little of this person added to a lot of that one, with a sprinkle of me mixed in for goof-factor effect.  The novel Magical Miss Morgan is being edited by Page Publishing as I write this and will be available soon.  I am hoping that a few of you may be foolish enough to buy one and read it.   I truly believe in my goofy old heart that you will like it.

 

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The Insufferable Superiority of Dead Guys

I may have stupidly revealed this secret before, but since it is already probably out there, here it is again; I have been on a lifelong quest to find and learn wisdom.

Yep, that’s right.  I have been doing a lot of fishing in the well of understanding to try and find the ultimate rainbow trout of truth.  Of course, it is only incredibly stupid people who actually believe that trout can survive living in a well.

So I have been looking at a lot of what passes for wisdom in this world, and find that for the most part, it consists of a bunch of words written by dead guys.

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Boris Pasternak qualifies.  He is a dead guy.  At least, he has been since 1960.  Pasternak is a Russian.  His novel Doctor Zhivago is about the period in Russian history between the beginnings of the revolution in 1905 and the First World War.  He won the Nobel Prize for Literature for it in 1958, but the Soviet government, embarrassed by it, forced him to turn down the prize.

Nobel novelist is probably something that qualifies a dead guy as wise.

I am led to believe that he knew where to fish for the trout of truth.

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I like the idea that the real value in literature, as in the life it portrays, is found in the ordinary.  And yet, Boris speaks of it oxymoronically as extraordinary.  Wisdom is apparently found in contradicting yourself.

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I like the idea of a world infused with compassion.  But is he saying love may lead to misperceptions of how the objects of our love are mistreated?

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This man saw Leo Tolstoy on his deathbed when he was himself but a boy.  Like Tolstoy he questioned everything.  And like Tolstoy, when the end came, he believed in hope for the future.

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The worst part of getting wisdom from dead guys, guys you never met in real life but only came to know from books, is that you cannot argue with them.  You can’t question them about what they meant, or ask them if they ever considered one of your own insights.  You never get to tell them if you happen to fall in love with their ideas.

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Richard Feynman is a physicist, scientist, and writer of science-based wisdom.

Richard Feynman is also dead since 1988.

He is considered a brainiac superhero by science nerds everywhere, and not only do his words still live in his writings, but so does his math.

But what he is actually saying is, that in truth, we really never “know” anything.  It can never be fully understood and maybe the questions that we ask are more important than the answers.

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Wait a minute!  Feynman, are you calling me a fool?  

Of course, I can’t get an answer out of him.  Richard Feynman is dead.

But he does suggest what I can do about it.

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I had or worked with a large number of teachers in my life who would be absolutely horrified by that advice.

So, what conclusion can I reach other than that Richard Feynman thinks I’m a fool even though he never met me?

I don’t really know.  Maybe I should learn the lesson that you must be careful when you listen to dead guys talking.  But I do like what some of them say.  Perhaps that is my trout of truth.

 

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The Siege at Castle Evernight

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I believe I gave you fair warning that I would be telling the story of how, in our family D & D game, we conquered a castle that was occupied by the forces of evil.  Well, this is it.  It happened in the castle I described as an adventure setting last week.

The heroes, led by the halfling Gandy Rumspot (number two son’s character) and Mira the Kalashtar (daughter the Princess’s character) were asked by the Kingdom of Breland to investigate what happened to their ally, the Duke of Passage, Dane Evernight, in the Kingdom of Aundair.

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So they loaded up their trusty airship and flew to Passage.  Where they immediately learned of two mysterious boys made completely of stone and, yet, still living.

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They found the two in the city square north of the castle.

Druealia the wizardess; You two boys are golems?  Living statues?

Angel statue;  We weren’t before Dr. Zorgo took us into the lab.  We were castle pages to the Duke of Passage.

Gandy the rogue;  He changed you?  Who is this Dr. Zorgo?

Faun statue; Zorgo was the Duke’s court physician.  When we woke up in the castle, everybody had been turned into some sort of golem.  Stone golems, rag golems, animated statues… even the Duke himself.  None of us remember much about our lives before our minds were put in these new bodies.

Mira the Kalashtar; We have to get inside the castle and put things right!

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So, the question became, “How do we get into the castle without this Doctor Zorgo finding out and turning us into golems too?”

The answer came from a visiting professor from Morgrave University in Sharn.  Professor Hootigan was a sentient giant owl.  Not only could he warn them about the dangers of facing a mindflayer, a psionic monster who can read your thoughts and attack your mind, which Zorgo actually was, but he could fly the two lightest members of the adventuring party up to the summit of the castle, bypassing all the many traps and defenses that Zorgo had most likely laid.  And it didn’t hurt that both Hootigan and Mira were psionically able to protect the group from Zorgo’s mind attacks.

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So up they went.  Hootigan’s flying skill roll was high enough to not only get them inside, but get them in quietly enough not to awaken the sleeping stone gargoyles who guarded the heights.

They were protected from Dr. Zorgo’s routine mind probes of the castle by Mira’s mind-shielding powers.

Once they were past Zorgo’s lab, they soon discovered two different things.  Zorgo hadn’t yet changed the Duke’s daughter, Sien, into a golem yet.  She was still imprisoned in the castle’s dark pit, called an “oubliette”.

They also discovered that fighting golems was extremely difficult.  They discovered this in a fight with three golems they dubbed Moe, Curly, and Larry for some mysterious reason.

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After a very frustrating slap-fight in which they discovered that you can’t kill or wound a rag golem with weapons, they finally won the day when they discovered all they had to do was stop the Larry golem from playing “Pop Goes the Weasel” on his fiddle.  That took away their will to fight.  And they were even helpful as former faithful servants of the Duke.  They revealed that all the golems in the castle were controlled by one golem-control wand wielded by Dr. Zorgo himself.

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First they sneaked down to the oubliette and rescued Duchess Sien.  Then they had to steal back her magical armor and swords.  Many more golem guards and gargoyles were in the way of achieving their goals, but they used a bit of trickery to turn the odds in their favor.

They tricked Major Jak Pumpkinhead into thinking that the castle was being assaulted from the front.  When all the castle defenders rushed to the front towers, Gandy closed the inner gates on them, locking them all inside their very own defensive positions.

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Finally they confronted Dr.  Zorgo himself.  This time Mira’s defensive mind shields were not so successful.  Zorgo incapacitated Sien Evernight and Gandy Rumspot with mind attacks because they did not have their own psionic defenses (and because Mira rolled a 4 when she needed at least a 10 on the 20-sided dice).  Dr. Zorgo set the golden golem that had once been Duke Dane Evernight on a course to killing Mira.  At the last possible moment, Mira threw her magic dagger at Zorgo’s golem wand, rolled an 18, and destroyed it.   The gold golem, realizing he was now free, exacted his revenge.  He grabbed Dr. Zorgo and plunged off the balcony of the castle’s summit with him to a jarring destruction at the bottom of the 300-foot tower and cliff.

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It was a mostly “happy ever after” event.  The player characters now owned a castle, provided that Fate agreed to marry Duchess Sien and become the new Duke of Passage.

The numerous golem servants, having nowhere else to go, and no longer being human, elf, dwarf, or whatever they had been previously, stayed on to be castle servants.  Duke Evernight’s golden head was retrieved from the bottom of the cliff and, still able to talk, was to be the useful adviser of the new Duke.

That is pretty much typical of our D & D adventures.  Full of slapstick humor and mindless destruction, it was a whee of a time that made us laugh and enjoy time spent together playing weird imagination games with various toys, props, and dice.

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Why Do You Think That? (Part Two)

In my short, sweet sixty years of life, I have probably seen more than my share of movies.  I have seen classic movies, black-and-white movies, cartoon movies, Humphrey Bogart movies, epic movies, science fiction movies, PeeWee Herman movies, Disney movies, Oscar-winning movies, and endless box-office stinkers.  But in all of that, one of the most undeniable threads of all is that movies make me cry.  In fact they make me cry so often it is a miracle that even a drop of moisture remains in my body.   I should be a dried-out husk by now.

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I wept horribly during this scene.  Did you?

And the thing is, people make fun of you when you cry at movies.  Especially cartoon movies like Scooby Doo on Zombie Island.  (But I claim I was laughing so hard it brought tears to my eyes.  That’s the truth, dear sister.  So stop laughing at me.)  But I would like to put forth another “Why do you think that?” notion.  People who cry while watching a movie are stronger and more powerful than the people who laugh at them for crying.  A self-serving thesis if ever there was one.

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Movies can make you cry if you have the ability to feel empathy.  We all know this.  Old Yeller is the story of a dog who endears himself to a prairie farm family, saves Travis’s life at one point, and then gets infected with rabies and has to be put down.  Dang! No dry eyes at the end of that one.  Because everyone has encountered a dog and loyal dog-love somewhere along the line.  And a ten-year-old dog is an old dog.  The dogs you knew as a child helped you deal with mortality because invariably, no matter how much you loved them, dogs demonstrate what it means to die.  Trixie and Scamper were both hit by cars.  Queenie, Grampa’s collie, died of old age.  Jiggs the Boston Terrier died of heat stroke one summer.  You remember the pain of loss, and the story brings it all back.

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Only psychopaths don’t feel empathy to some degree.  Think about how you would feel if you were watching Old Yeller and somebody you were watching with started laughing when Travis pulls the trigger on the shotgun.  Now, there’s a Stephen King sort of character.

But I think I can defend having lots of empathy as a reason for crying a river of tears during Disney’s The Hunchback of Notre Dame.  You see, identifying with Quasimodo as the main character, hoping for what he hopes for, feeling like a monster and completely unloved, and fearing what he fears connect you to the story in ways that completely immerses you in the experience.  This is basically a monster movie.Original-Hunchback_of_Notre_Dame

But the film puts you inside the head of the malformed man, and you realize that he is not the monster.  Righteous Judge Frollo and the people who mistreat Quasimodo for his deformity of outward appearance are the real monsters.  If you don’t cry a river of tears because of this story, then you have not learned the essential truth of Quasimodo.  When we judge others harshly, we are really judging ourselves. In order to stop being monstrous, and be truly human, you must look inside the ugliness as Esmeralda does to see the heroic beauty inside others.  Sometimes the ideas themselves are so powerful they make me weep.  That’s when my sister and my wife look at me and shake their heads because tears are shooting out of me like a fountain, raining wetness two or three seats in every direction.  But I believe I am a wiser man, a more resolved man, and ultimately a better man because I was not afraid to let a movie make me cry.

The music also helps to tell the story in ways that move my very soul to tears.  Notice how the heroine walks the opposite way to the rest of the crowd.  As they sing of what they desire, what they ask God to grant, she asks for nothing for herself.  She shows empathy in every verse, asking only for help for others.  And she alone walks to the light from the stained glass window.  She alone is talking to God.

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Yes, I am not embarrassed by the fact that movies make me cry.   In fact, I should probably be proud that movies and stories and connections to other people, which they bring me, makes me feel it so deeply I cry.  Maybe I am a sissy and a wimp.  Maybe I deserved to be laughed at all those times for crying during the movie.  But, hey, I’ll take the laughter.  I am not above it.  I am trying to be a humorist after all.

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Sometimes Even Mickey Boasts a Little!

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May 19, 2017 · 3:30 am

Crayon Addictions

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A simple, black-and-white drawing done in pen and ink.  Elegant. Easy to understand.  At least, if you can get past the weird little kid inside a birdhouse who has apparently saddled a mutant pigeon-sparrow. The black and white is the essential underpinning.  The bones of the idea.

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So, adding color makes things a little more complex.  I started with the girl’s face. Here is where I establish the basic color-theme.  And give more character to the surprised face peering through the portal of the bird house.

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Much of the work in coloring this little articus projecticus is a matter of pattern.  I like doing wood-grain patterns in colored pencil.  It looks good when it’s finished.  But it also takes time to do line after line.

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The last step is to color the bird-riding fairy-kid. Here I am completing the color-echoes and the pattern-making.  More lines.  More care with giving the shapes volume by using light and shadow.  And now we are at the final destination.  The picture is complete.

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Where We Go From Here

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The 1957 Pink and White Mercury of Imagination

I have so many ideas for posts that I have to pause for a minute and sort through them so I don’t get so busy writing I forget something that is a very good idea.  So, I intend to write today about things I am planning to post.

Sunday I wrote part one of “Why Do You Think That?”  It was specifically about the insane notion that “All kids are good kids”.  The kind of thing only a weird old retired teacher could believe.  There needs to be at least a part two.  I have some other weird beliefs to defend.  “Even we atheists need religion” is one.  “Everybody is a nudist under their clothes” is another.  “Conservatives and Liberals are different animals” is another that might get me killed.

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I wrote a blog post before about accepting entries in an inter-stellar bad-poetry-writing contest.  I have an insane urge to put some of my own ridiculously bad and morally indefensible poetry in that contest.  There is enough of that to seriously challenge for the worst poet in the galaxy title.

I have also been doing some colored-pencil artwork that I want to talk about the process of the making of it and show you the work in stages of progress.   That is a way a blogger can make more out of nothing.

Trump is trying hard to take over my blog with clownish buffoonery, but, of course, I am trying to get away from doing that all the time.  The Great Orange Face is certainly an easy mark for something to make fun of.  But I can’t keep up with other political humorists.  I am too dedicated to avoiding insult humor to deal with a clown that invites you so enticingly to throw pies at his face.  He does it so often, and I have already thrown so many pies… that my arms are about to fall off.

After a particularly bad night of vomiting and breathing problems, I am once again thinking about writing about death and the extinction of the whole human race.  Playing checkers with the Grim Reaper is an unusual source for humorous blogs, but I have enough inside information and first hand experience to turn it into a wild board game played on a roller coaster at midnight.

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                                                                                                                                                                     Yes, I am randomly re-visiting illustrations from my picture file.

I am currently writing a comedy horror novel called The Baby Werewolf.  It is a story I have been working on for twenty years.  It challenges my very skills as a surrealist. There should be plenty of things to complain about in this blog along the way.  I know you probably aren’t interested in that.  But I am. And don’t tell anybody this, but I don’t write this blog for you, the reader.  I write it for me.  It makes me laugh and it makes me cry and it gives form and permanence to the never-ending dialogue going on in my head.

So, as I approach the 500 word mark, this blog stands revealed as a writer’s road map.  If you are one of those readers who actually reads the whole blog and don’t just click “like” after looking at the pictures, then you know what sorts of things to avoid in the future with this goofy old blog thing.

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Stardusters… Canto 47

galtorr-primex-1

Canto Forty-Seven – In the Flower Garden

“Don’t get too near that old plant again, Brekka,” warned George Jetson.  He shuddered with the memory of it scooping her up in the mouth-like blossom and nearly munching her to pieces as it had done to the scabby.

“Silly boy, the man-eating plant is now my friend.  He… or she… or it… is calling to me, telling me it will never harm me again.  In fact, it wants to help me and protect me.”

As the emerald-green girl tadpole walked closer to the huge blossom, the plant seemed to be smiling with flower-petal lips.  George looked at Menolly.  Menolly looked back and shrugged her bare shoulders.  She appeared to be creeped out by the carnivorous flower as much as George was.

Brekka stopped, naked and defenseless, directly under the giant blossom that was grinning at her.  She reached up with her left hand.

The blossom lowered to her.

“Oh, no!” gasped George and Menolly together.

But the blossom stopped an inch above her hand and let her stroke it… her… or him… under what could’ve been a chin, but definitely had the look of sepals.

“That’s a good boy, Lester… er, good girl… er, well… that’s good anyway.  You aren’t going to hurt anyone ever again, are you?”

The plant pursed its “lips”.

“Well, yes, I suppose you can eat all of those scabby thingies that you want.  That wouldn’t bother me a bit.”

The plant rubbed leaves together to get an actual chirping sort of sound.

“Oh, really?”

“What did he say?” Menolly asked Brekka.

“He says he… or… she can provide cuttings and runners to make baby plants that we can eat.  She says she… or… it can process carbon out of the air with photosynthesis and make plenty of food for us…  It says it… or he… um, can feed the whole Bio-dome if we want it to.”

“That’s good…” said George, “but if the plant is our friend now, wouldn’t that be eating our friend?”

“Lester says the plants on his… er… her world do it all the time… eat each other, I mean.”

“That will help with some of the food shortage problem, won’t it?” asked Menolly.

“Sure,” said Brekka.

“Maybe we should go talk it over with Sizzahl?” suggested George.  He really wanted to get himself and the girls away from the creepy plant-monster.

“You and Menolly go,” Brekka said.  “I want to stay here and play with Lester.”

“Are you sure that’s safe?”

“Lester can’t eat Tellerons without getting really, really sick.  So he will never again try to eat one of us… er, she won’t.  As long as we keep Sizzahl and the Morrells away from it… er, him.  Geez, the boy-girl thing is really confusing.”

So, George seized the opportunity to get away.  He dragged Menolly with him.  Brekka seemed happier with Lester anyway, and George was thinking… well, maybe he and Menolly could try some more… kissing.

*****

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Filed under aliens, humor, novel, NOVEL WRITING, Paffooney, science fiction