
On the last night of my son’s 14-day leave from the Marine Corps for the holidays, we took him out to eat and then saw a family movie together. It was the Pixar movie Coco. And what a perfect movie it was! First of all, it is about family. It is about the connections we have to those who’ve come before us. Grandparents and Great Grandparents and Great Great Grandparents… the greatness just keeps flowing back into the past. And this movie connected living family members to those who came before.


We spent a lot of our time over the holiday visit talking about the past and those who came before us. My kids didn’t really get much of a chance to know great grandparents in real life, and great great grandparents were long gone. My son only knows about Great Great Grandpa Raymond through my stories about Sunday afternoon baseball, listening to Harmon Killebrew and the Twins playing on the radio with Grandpa Raymond. Great Grandma Beyer got to hold Number One Son and Number Two Son, but only Number One was old enough to remember her at all, and that only in the vaguest possible ways. I try to keep them alive with family stories and anecdotes. Much in the same fashion the movie did, although the main character Miguel (ironically the Spanish version of Michael) actually visits the land of the dead. I haven’t personally gone quite that far.

The movie also expresses a deep genetic love of music, especially guitar music. My kids are all musical, and both of my sons play guitar. Number Two Son is particularly gifted in a Spanish-style ability to pick out complex tunes by ear and by sheet music. The movie’s music is without question the thing that makes it the best movie we have seen this year.

And the movie is filled to the brim with bright and appealing artwork, being an animated movie filled with Mexican art, even having a guest cameo appearance by the incomparable Frida Kahlo. This is easily the best movie she has been in since she died in 1954. The comedy of this whole extended skeleton dance of a movie is laugh-out-loud gorgeous. And artwork is also something I share a love for with my three children.

So I put him on an airplane in DFW today, and he is now back at his base. But I had him here for a precious little while and we capped it off with a precious little movie. Now, I have to admit, this post is not entirely a movie review. It is more about how my family made use of it and interacted with it. It is more of a family story that I needed to tell to keep the goodness of it alive and vibrant, painted in bright colors. But if you really want to know what I think of the movie, then I will shout at you, “YOU MUST SEE THIS MOVIE!!!” With three exclamation marks and everything. It is simply that good.













Of course, “Why should anyone believe me of all people?” is definitely the question. I am only a retired school teacher who spent a career finding and verifying information, followed by a simple and clearly-defined presentation of the information to be learned. I have revealed myself in this blog to have the letter “L” on my forehead for “liberal” which translate into Republicanese as “loser”. And that’s where we will stay if we don’t fight back.




Finding My Voice
As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies. The novel is written in third person viewpoint with a single focus character for each scene. But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.
Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.
In Canto Two, Valerie Clarke, the central main character of the story, is the focus character. Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head. Canto Three is focused through the mind of Trailways bus driver Ed Grosland. Canto Four focuses on Sheriff’s Deputy Cliff Baily. And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane. Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.
The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.
That kind of fractured character focus threatens to turn me schizophrenic. I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them. How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people? Especially when some of your characters are stupid people with limited vocabularies and limited understanding?
The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.
I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself. That is considerably less schizophrenic than the other book. But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.
The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view. That is even more of an exercise of losing yourself inside the head of a character who is not you. One of the first person narrators is a girl, and one is a werewolf. So, I have really had to stretch my writing ability to make myself into someone else multiple times.
I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world. But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.
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Tagged as My Little Pony, Snow Babies