500 Words

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When I started this whole blogging-every-day thing, I decided the rule had to be 500 words written in a day.  And I meant to hold myself to writing 500 words somewhere in the writing day, whether it was my blog post or the novel I was working on, or a combination of both.  I followed that rule religiously through more than 1,500 blog posts and five first draft novels.  I found it easier and easier to surpass 500 words on a daily basis.  There are all sorts of bits of time available and I collect ideas faster than a rich kid generates empty candy wrappers.  The more I call on the well of words for more words, the more words are available.  Now, it seems, writing only 500 words is the trick.

I suppose I have become an Old Man of Words.  I know both the rules and the exceptions.

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Knowing that I can write more than 500 words easily, then the question becomes, why don’t I?  Well, the cardinal rule is “Say it short.  Say it simple. And say it sweet.”  That rule can generate a lot of wonderful writing, full of juicy ideas that splash with flavor when you bite into them.  Ernest Hemingway knew that rule.  Every poet knows it.  Readers generally prefer the easily accessible idea expressed with elegance.

Now, I also have to admit a guilty pleasure in perpetrating purple paisley prose.  That is the style of writing in which I generally write convoluted sentences with complex ideas that fold back in on themselves and over-use alliteration to criminal degrees.  Charles Dickens liked to do that with descriptive details.  Paragraphs about the boarding schools of London, the streets filled with child chimney sweeps and flower girls, and dingy mind-dulling workhouses could take up two or three pages per paragraph.  And two pages further on, he layers more details on the same setting.  Piles and piles of words and wordplay fill the pages of William Faulkner, James Joyce, and Marcel Proust.  And if you haven’t read at least something from each of those gentlemen, you will never know what you are missing.  But you can prune your paragraphs like a greenhouse master florist with limited space will do to his orchids, and you can actually end up fitting great beauty and powerful content into something even more limited than a 500-word essay.  In fact, if you take your ideas and distill them, and keep distilling them, over and over, you will eventually have pared the words down into poetry.

So, there you have it.  The reason my essays are about 500 words.  This one is four hundred and forty one words.

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Writer’s Block on a Thursday

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The 1957 Pink and White Mercury of Imagination

I don’t have writer’s block.  I can write as long as I can think and move my fingers on the keyboard to crystallize that thinking into words.  The Pink and White Mercury of Imagination is always moving, either driving forward in the present and towards the future, or in reverse, rewriting the past.  It is never parked.

But somewhere along the way today, the route got sidetracked onto a looping detour.

Hence, this car-themed drive through the idea-capturing process.

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A picture of me reading painted long ago and not with me in the picture..

I started reading a new novel.  It is a 500-plus-pager by Kate Morton called Distant Hours.  It is a Gothic novel, but in a very different way from the one I am writing in The Baby Werewolf.   That book starts as a first person narrative, and then flashes back to the past as a series of third person narratives focused on single characters per section.  My novel is a first person narrative throughout, though told by three different narrators.  It would make an interesting writing analysis post, but I haven’t read enough of that novel nor completed mine to a point where I can compare and contrast them.  And those of you who get bored easily have already tuned out and just looked at the pictures by this point.

I also thought about writing a post about Uber-driving conversations and how that impacts the quality of my driver-service.  But the best stuff there can’t be revealed without breaking confidences.  Doctors, lawyers, bartenders, and Uber drivers are tasked with providing a touch of confidentiality.

I wanted to complain more about Trump and evil Republicans.  But that gets far too tiring.  And if the collection of my posts on WordPress is like a flower garden, the political rants I do are definitely the garden-choking weeds.

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A much better thing for my garden is to chase the flitting butterflies of near-perfect ideas with a butterfly net made of idea lists like this particular post.

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So, it is true that I never actually have writer’s block.  I do get writer’s detours, writer’s delays, and writer’s just-not-satisfieds- with-those-ideas sorts of things.  But not today.  I made the problems the topic and the topic wrote itself.

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The State of the Onion

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Yep, the state of the onion is stinky.  The great onion that is our world is hyuge.  And it tastes like an onion.  Especially if you eat it from the inside out.  Mmm… I love onions. I want to eat them all myself, every onion in this garden.  But if I am going to do that, I am going to need the support of all sides.  Yes, there is blame to go around on many sides.  But I need their support to get rid of all the dietary restrictions illegally placed upon our garden by the last onion-master-in-chief.  That illegitimate onion-master was not even raised in this garden.  He seems to think that everyone has a right to clean, pesticide-free soil to plant their roots in.  But all garden vegetables are not created equal.  Tomatoes are poisonous.  They all have radical religious beliefs that makes them hate our onion-ness.  They are therefore terrorists, believe me.  They are trying to sneak across the southern border of the garden and take over the onion-growing space that good, conservative, right-thinking onions have and need more of.  They are trying to spread their poison in our garden.  They want to replace our onion laws with their own stinky Tomatillo Law.  And corn.  The Corn Party tries to defeat every item on the onion agenda.  When we pass a law that all corn voters need to be stripped of their kernels before they can be allowed to vote, they selfishly vote against that law.  Government in this onion garden cannot work if they continue to do that.  And we need a wall to keep illegal jalapenos from crossing the garden’s southern border.  They are not the best vegetables, I guarantee you.  They are onion-eaters and foul mixed vegetables.  And promises were made to spring onions that were brought into this garden as seeds and now are crying that they deserve not to be uprooted and thrown into distant gardens where they don’t even speak the proper vegetable languages to get by.  I know this garden loves those onions.  I love those onions too.  I want to eat them too.  They are very nutritious.  But their protections are now gone.  I leave it up to the Corn and Onions of Congress to build that wall, and if they do, I will let the spring onions stay.

And now you can heap praises on me for the state of our economy.  Yes, I take credit for all the fertilizer I have created by speaking tons of bull manure every single day.  The quality of my manure is fabulous… simply fabulous, believe me.  It is the finest manure any garden has ever received.  And I, Donald J. Onioneater, am the finest onion-master you have ever seen.  No onion-master before me has done as well, except maybe for Abraham Limabean.  He was pretty great.  Although I don’t really know why.  Maybe I should have said Andrew Jackfruit instead.  So the state of the onion is stinky.  And let’s all work together now to MAKE THE GARDEN GREAT AGAIN!

 

 

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Aeroquest… Canto 12

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Canto 12 – Goofy in Flintstone Land

Trav wasn’t wild about the plasticized fake tiger fur he was wearing.  It was itchy and uncomfortable in all the most private of places.  He kept his gob hat and eye-patch, though, unwilling to give up that part of his personal style.  He was wearing this disguise only because Frieda had insisted.

Downtown Bedrock was an unusual place.  For some reason unknown to Trav, the city designers had modeled things on an old Earth cartoon show called the Flintstones.  It made sense to Trav, in a weird way, to have people dress up like cave-man cartoon characters and live in synthetic stone houses that looked like hollow mushrooms with flat tops.  But he could form no reasons in his head for why a whole planet full of normal people would follow through on a strange idea like that.  He thought he was more-or-less unique in the universe, the only one given to such ideas.

At a shop for selling Pterodactyl Burgers, he met a man named Fred347 Rubble.  He was polishing the stone countertop with a white cloth and pouring the occasional Guava Juice for the customers.

“Excuse me,” Trav said, after gulping down the Guava Juice, “but do you know anyone who knows anything about Ancient artifacts?”

“You are the second one to ask that question of me in a week,” said Fred347.

“So, do you?”

“I know who would be able to answer your question, but you don’t want to go there.”

“Oh, yes, I do.  I need to find out about the Hammer of God.”

The balding Fred347 glared at Trav as if he’d just said something completely stupid.  It made Trav grumble to himself.  Ged always thought he was stupid too.  He’d show old Ged Aero, though.  He’d find that hammer and make a fool of the know-it-all hunter from Questor.

“You have to go up Mount Quagmire to the mansion of Rocko Slaghoople.  He’s the man who knows about ancient things around here.  He’s a notorious gangster, though.  He’s got a rock-caster with exploding bullet-rocks, and he likes to use it on guys like you.”

“Why thank you.  I appreciate getting the straight poop, old Jester.”  Trav saluted with two fingers to the brim of his gob hat.

“Yeah, go find out about poop from Slaghoople, moron.”

Trav was taken slightly aback.  Why did people always respond to what he said rather than what he meant?  It was a mystery well beyond a man like him.

A brisk walk got him to the top of Quagmire Mountain, where he could look down over a broad expanse of Bedrock City.  The whole city was too big to see in one go.  Millions and millions of people lived there in a sprawl of single to three-story rock homes. They were all people who wore fake fur and propelled their vehicles with bare feet.

Slaghoople Manor was a big oval rock with round holes for windows and crude wooden doors.  The whole thing was dusty gray with veins of purple running through the rock.  Palm trees leaned out from either side of the front of the building.  Two thugs in fake leopard skins stood guard.

“Ay!” cried one of the thugs.  “Whatcher dooin’ there?”

“I’ve come to see Rocko about an Ancient artifact, the Hammer of God!”

Each of the thugs pulled out an over-size wooden rock-caster.  It was a cartoonish-looking hand-held catapult.  “Getchuz inside!” ordered a thug.

“Okay, okay.  Don’t shoot me with your scary-looking rock-thingies!”  Trav grinned at his own joke.

“You’d do well not to laugh at the boys,” said a sultry voice from inside the open doorway.  Trav entered to see a beautiful blond woman wearing what he would later learn was a Raquel-Welch-1,000,000-Years-B.C. Bikini.  It was striking on the young lady, revealing much of her two best features.  “Those weapons look foolish to an outsider like you, but they pack a deadly charge and can easily separate you from your head.  Thog and Thing are deadly serious.”

“Who are you, beautiful lady?” Trav squeaked.

“Here they call me Gina Rock-a-Bridgeada.  In the Galtorr Imperium, I was called Dana Cole.”

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Writing the Critical Scene

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It is a novel I started writing in 1998 with an idea I first got in 1976. So I have been working on this book for either 20 years, or 32 years, depending on when you want to credit the actual work to have started.

It got it’s theme from the fact that I was sexually assaulted when I was ten in 1966, and the feeling the repressed memory of the trauma caused in me whenever I asked myself the question, “Am I a monster?”

Unfortunately the answer to that question, for practically everybody, is, “Sometimes yes.”

Psychological damage sticks with you for the rest of your life.  It makes you flinch at things that other people don’t.  More than once I must have confused both my mother and old girlfriends when I was compelled to wriggle out of hugs and physical contacts by panic.  I felt unlovable.  I felt like a monster.  And for a lot of that time, I didn’t know why.  But it is a novel critical for me to write.  Pain needs to become art in order to completely go away.  I need to imprison the feelings and ideas in a book.

I am now at the point in that novel where I must write the scenes at the crisis point, the high point of the action, and I have to control the flinching.  I have to control the reactions I could so easily fall into.  It is critical that I get the scene right.  The success or failure of the whole novel is at stake.

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I have played it over and over in the cinema in my head a thousand times… several thousand times.  It is difficult.  But it is there.  Soon I will have it down, crystallized in words.  It make take considerable time to publish it, though, because editing it will be at least as hard as writing it.  And I seriously have to get it right.

 

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Wake Up Sunday Morning!

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As weekly rituals go, one of the most important ones came every Sunday morning when I was a kid.  My parents were 50’s people.  By that I mean they were teenagers and young adults during the post war boom of the 1950’s when everything seemed hopeful and bright and alive with wonderful possibilities.  As a kid in the 1960’s the Sunday morning routine was this;

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  • Wake up grouchy from staying up too late to sneak a look at the late-night monster movie on Saturday.
  • Read the funny papers.
  • Learn life lessons from Family Circus, Dagwood Bumstead, Pogo, Lil’ Abner, and Steve Canyon.
  • Eat scrambled eggs and toast for breakfast.
  • Complain about having to go to church and Sunday school.
  • Go to Sunday School and church at the Methodist Church in Rowan, Iowa.
  • Complain about having to go to church every Sunday on the way home from church.
  • Pray over Sunday dinner and be really, actually thankful for all the positive good things in life.

Obviously the most important thing in that routine was complaining, because I listed it twice.  But when it got down to it, we were thankful for all the good things about life.  We were positive people.  We sometimes listened to Norman Vincent Peale on the radio.  We knew we ought to be positive and thankful and love goodness and be kind.

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Somewhere along the way, though, the world forgot the life lessons of Family Circus.

Somehow we managed to screw things up.

Environmental scientists like Paul Ehrlich, who wrote The Population Bomb, warned us that the world could soon be ending.  And we ignored them.

Richard Nixon taught us not to trust politicians any more.

We stopped believing in things like the wholesome goodness of scrambled eggs.

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We let corruption in our government and inequality in the economic sphere become the norm.  The greedy people who were cynical and had no empathy for the rest of us took over.  That is how we ended up with someone like Donald Trump.  Racism, fear, and complaining now rule the emotional landscape in America and most of the world.

So, what is the answer?  What do we do?

Well, The Family Circus is still out there.  We can learn from it, laugh a little, and apply some of those life lessons.  Especially this one;

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Return of the Star Wars Figures

On a previous Saturday I admitted to the crime of using 12-inch action figures to play the Star Wars role-playing game.  The Dungeons and Dragons RPG world was horrified.  You are supposed to use scale-appropriate metal miniatures.  How can you simulate combat without small figures on a grid?  I have to confess.  It was via x’s and dots on graph paper.  But we didn’t use the action figures to represent ranges and lines of site in combat.  And one of my players was my niece, an actual girl.  So, I guess, to be honest, we were actually playing with dolls.

But it helps to have a lot of dolls.

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Emperor Palpatine, Snow Trooper, Obi-Wan, Jar Jar, Quigon, Droid Soldier, and home-made Mace Windu

We started play after the first two movies in the Prequel Trilogy.

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Wicket, Imperial Walker, Astroboy (What’s he doing there?) Darth Vader, Little Anakin, and Boba Fett.

We got creative with stories.

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Jango Fett, General Grievous, and Admiral Akbar

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Anakin Skywalker

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Robot from Lost in Space, R2D2, Slave Girl Leia, and a Green Orion Slave Girl Dancer from Star Trek

So there is evidence available to my offspring to help them have me committed to an institution.  The truth is, these are not even all of my Star Wars Dolls.  So this morning’s confession session is now at an end, though all of the horrible truth is not yet revealed.

 

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Magical Miss Morgan

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My latest published novel is now for sale.

You can see it by clicking here on Amazon Books.

And you can see it by clicking here on Barnes & Noble.

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The Philosophy of Bad Poetry

I do write poetry. But I must admit, I am not a serious poet.  I am a humorist at heart, so I tend to write only goofy non-serious poems like this one;

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So here is a poem that rhymes but has too much “but-but-but” in it.  A poem about pants should not have too many “buts” in it.  One butt per pair, please.  So this is an example of spectacularly bad poetry.  Why do we need bad poetry?  Because it’s funny.  And it serves as a contrast to the best that poetry has to offer.

As a teacher I remember requiring students to memorize and recite Robert Frost’s poem, “The Road Not Taken”.  Now this sort of assignment is a rich source of humorous stories for another day.  Kids struggle to memorize things.  Kids hate to get up in front of the class and speak with everybody looking at them.  You get a sort of ant-under-a- magnifying-glass-in-the-sun sort of effect.  But in order to truly get the assignment right and get the A+,  you have to make that poem your own.  You have to live it, understand it, and when you reach that fork in the road in your own personal yellow wood, you have to understand what Frost was saying in that moment.  That is the life experience poetry has a responsibility to give you.

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Hopefully I gave that experience to at least a few of my students.

Bad poetry makes you more willing to twirl your fingers of understanding in the fine strands of good poetry’s hair.  (Please excuse that horrible metaphor.  I do write bad poetry, after all.)

But all poetry is the same thing.  Poetry is “the shortest, clearest, best way to see and touch the honest bones of the universe through the use of words.”  And I know that definition is really bad.  But it wasn’t written on this planet.  (Danged old Space Goons!)  Still, knowing that poetry comes from such a fundamental place in your heart, you realize that even bad poetry has value.  So, I will continue writing seriously bad poetry in the funniest way possible.  And all of you real poets who happen to read this, take heart, I am making your poetry look better by comparison.

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Internal Evil, External Policy

CjUSsQkVAAE2A9TThe Republicans have found another scandal to pursue.  Two FBI personnel were texting each other messages about how stupid and incompetent Donald Trump is.  (As well as why one of them may have voted for him since they hated Hillary too.)  The one agent who was involved in the Mueller investigation of Trump was immediately removed from the investigation when evidence of the possibility of lack of impartiality surfaced.  This happened long before the Republican Conspiracy Elephants sniffed out the detail to make a big stinky in the media about it.  Now, apparently the FBI has become a secret society wrongfully plotting against Trump.

One wonders how a Republican government can investigate a Republican scandal and do it in a way that at least looks like justice in action instead of howling at the wind in order to make it blow in the other direction.

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The basic problem is what the Republican mind has on the inside.  Basically they all have the same thought embedded in the peanut they think with.  “If it doesn’t benefit me and what I want from government, then it isn’t true no matter what facts you show me.”  And of course, that thought has a corollary (even though they don’t know what corollary means), “I’m good with any lie told as long it supports hatred of those people I want to hate.”  Republicans who think with larger pieces of produce, and so don’t have those thoughts engraved in their brains, have either left the Republican Party, like George Will did, or separated themselves from the Trump faction and started a campaign to take their party back, like Bill Crystal did.

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Anybody who thinks about the evidence honestly, without partisan bias, has to admit that there is obviously guilt involved in all of this.  And Trump himself blowing back against the prevailing winds is only making it more and more obvious that he is at the top of the pile of evil actors.  They cannot keep going down this path of shouting down the truth without turning Trump into Hitler, and 2018 into 1939.  Muslims will take the role of Jews.

So, what can we do about it?  We make our votes count.  And when the Mueller investigation reaches its conclusions, we believe them.

Dave Granlund / politicalcartoons.com

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