
No man is really fit to judge his own character. You can’t see it objectively from the inside. But one of the benefits of being a fiction author is that you don’t have to judge yourself. You can get away with judging everybody else around you. And they don’t even need to realize that that is what you are doing.
I am going to dissect three examples from my own fiction.
The first, as you have probably already guessed, is Valerie Clarke, the heroine of Snow Babies, When the Captain Came Calling, and Sing Sad Songs.

Valerie is named after the prettiest girl I went to school with, the one in my class that was in school with me from kindergarten to twelfth grade. The one who used to politely laugh at my jokes and smile at me a lot when I needed someone to look at me and not scowl. She is a very lovely lady now with grandchildren and a good life in Iowa. And besides the name and the beauty, that’s about as far as the real Valerie goes in the make-up of this crucial main character.

The spirit and the personal history of this character come from a very composed and determined young lady that I taught as both a seventh and an eighth-grader. I have referred to her before in this blog as Sasha. But that’s not her real name. And I am not going to ever give you her real name because she’s entitled to the secrets I may have revealed about her in creating this character, as well as entitled not to be burdened with the things in my stories about her that she never did in real life.
In the course of the novels I write, I dramatized the loss of her father, writing a scene in which she comes home to find him after he has committed suicide over the loss of his part of the family farm that he co-inherited with his older brother. Kyle Clarke’s suicide is the single most devastating scene I have ever written up until now. It stopped the novel in the middle. I had to write two other whole novels before I could pick it up and continue. But Sasha’s missing father in real life did not commit suicide. The love that develops between Valerie and Tommy in Snow Babies and the love she finds with Francois in Sing Sad Songs are also facts that do not belong in real life to Sasha.
But the part of Valerie Clarke that really is Sasha is her indomitable will, the way she simply cannot be stopped when she makes up her mind to accomplish something. And that smile that melts your defenses and forces you to accept everything she is about change in your life for the better, whether it is painful or not. The bravery that Valerie shows when she loses someone or something that is important to her is also Sasha. Overcoming disappointment and how one manages to do it is a real key to someone’s character. It helps you decide whether that character is right to be the heroine or is a better fit to be the villain of a story. And Sasha could never have been a villain.

And finally, there’s the thing about the character of Valerie Clarke that has attached itself to my own daughter, the Princess, whose real name I also never use in this blog. She was roughly the same age as the character of Valerie as I was actually putting the story of Snow Babies down in sentences, paragraphs, and Cantos. Some of the more private details about Valerie come from her, things I could never have learned about the first Valerie or Sasha because I never lived in the same house with them. And these more private details are probably the reason that my own daughter has not read a story with Valerie Clarke in it.
So, now I have revealed the basic anatomy of the character creation of one of three promised characters that I am proudest to have created in my fiction.































Another Saturday Gallery Peek
The thing about being an artist that I can’t seem to really explain, if I even am one, is “Why?” I mean why am I an artist? I am not a camera. You look at my imperfect drawings, and you can see it is a drawing. Even if I did photo-realistic drawings, I would still have to wonder “Why?” Why go to all that work if we have cameras for that?
And if we draw something that never was, but might have been… if only we were made like gods and could control everything around us completely… why is that worth doing? Just to see things through my eyes? I have weird eyes. They see skateboards with flaming Bart Simpsons on them saying, “Eat my shorts!” What is the value of that?
Perhaps this sort of “Seeing through someone else’s eyes” gives us a perspective that we could get no other way. I know I love art museums, art books, and art collections even more than I like looking at my own art. I love looking at the world as other people see it.
Maybe artwork, in one form or another is the closest we can come to truly sharing what’s inside us with other human beings, mind to mind, heart to heart, liver of blood-curdling revelation to liver of blood-curdling revelation… wait, you mean not everyone has a liver like that?
So, not everyone lives life the way I do, or knows what I know, or remembers the sweet, sad things I remember, or sees things the way I see them. Is that, then, the reason why for being an artist? Or cartoonist if you believe that I am not a real artist?
If I truly am an artist… and I am not convinced that I truly am, then I don’t answer the why questions. It is the job of the scientist to do that. I only ask the questions. And I do it by drawing the next inexplicable thing.
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Tagged as Saturday Art Day