
Canto 152 – Ged on Mingo
The Ancient Red Dragon starship popped out of jump space to find the planet Mingo bustling with activity. The spaceways around the heavily industrialized planet were crammed with merchant ships of every kind, from gargantuan, cigar-shaped mass haulers to the smallest of independent beetle-shaped personal transports. It wasn’t that no one noticed the dragon-shaped vessel as it arrived from the complex gravitic web of outer space; it was more a matter of everyone being too busy to care.
Three system defense boats came out to look over Ged’s Ancient spacecraft, but as they scanned it and found it was not alive, they quickly lost interest. It had no weapons that registered on any kind of detector. The human signatures on the routine life-scan would tell the transport police that nothing about this unusual craft suggested it was hostile in any way.
“Ged-sensei, we have arrived at the place your girlfriend is hidden,” said Billy Iowa, coming out of his clairvoyant trance. “I see her in the palace below, the one called David King’s Hall in the Ruined Palaces District.”
“It is a shame we don’t have any computer database available on this ship,” remarked Ged. “I suppose even if it did, it couldn’t tell us anything about Emperor Mong or his planet Mingo.”
“We have to get down to that palace and save her,” asserted Junior, looking determined.
“Don’t get ahead of us, Smurf,” growled Alec. “What are the Ruined Palaces?”
“It’s a place where the buildings have all been attacked at one time or another,” said Billy, looking with his inner eye. “Their damage has been preserved as a part of the decor of the buildings. David King’s Hall is one of the three biggest ones.”
“Whoa,” said Alec, half-laughing, “why would they rebuild something and make it look like it’s still ruined?”
“An evil sense of humor,” said Phoenix. “It’s like something Bres might do.”
“You put Bres down too much!” said Alec, suddenly hot.
“No, he can’t be put far enough down, Alec,” answered Phoenix coolly. All could see the air begin to sizzle around the Phoenix.
“Yeah, whatever.” Alec backed off from the subject.
“We do have to go down there,” said Ged at last. “We need to be prepared to use our Psion powers. We know what rot warriors are, but we have no experience of what they can do.”
Taffy King, who had only been looking at the back of Rocket Rogers’ neck before, spoke up. “I grew up around them.” Her blue snake’s eyes glowed with angry fire. “They are like robots who don’t work right. They lurch around and stumble into things, but when they are ordered to fight, they do it one hundred to one. They overwhelm the opponent with bone-headed force.”
“What are they really?” asked Sarah innocently.
“Re-animated skeletons,” offered Rocket. “I’ve seen them before on Bradalanth Colony. They are bones and circuits and some patches of leathery skin. Mechanoids with no brains.”
“Monsters!” moaned Hassan Parker.
“Remember, young ones,” said Ged, “they are easily defeated because they cannot think for themselves. As long as we work together and let no one get overwhelmed by numbers, we should be able to overcome them. I worry more about what other problems may arise as we try to get past Emperor Mong’s living minions.”
“Geez, you sound like an old holo-cartoon show!” remarked Phoenix.
“You disagree with something?” Ged was suddenly a bit annoyed.
“Oh, no. You are right. It just sounds so cartoonish!”
“So, what will we do, Sensei?” asked Junior carefully, afraid of rousing more ire from Ged.
“Sarah? Can you help us see the distant places Billy can sense?”
“Yes, Sensei.” Sarah was capable of transferring images from one mind to another.
“Jackie, if you see the place, can you teleport us there one by one?”
The pretty, brown-skinned girl smiled at Ged for the first time in a while. “You know I can!”
“Well, then, that’s our way in.”












































Strawberry Fields
This foolish essay about berries that mean love to me is only partly inspired by the Beatles song, “Strawberry Fields Forever.” That’s because, of course, their song was only about meditating. In the lyrics they take you to the “Strawberry Fields where nothing is real… but it’s nothing to get hung up about…” They are talking about a blissful place of no worries where we all need to go. And then staying there forever.
This, of course, I could never do. Worrying about the future is tattooed on my behavioral imperatives in the dark part of my stupid old brain. And while I often found that place of no worries, and lingered there for a bit, I found you could never really get anything done if you stayed in that state of strawberry fields forever.
But don’t get me wrong, strawberries are a critical part of every healthy mental diet.
You see, my meditations on strawberries when I was a child of eight, nine, and ten centered on the strawberry patch at Great Grandma Hinckley’s place.
She was, as I incorrectly recall, slightly older than Jesus when I was that age. By that I mean, though she seemed museum-quality ancient to me, I had derived wisdom about life, love, and laughter from her before Sunday School taught me any of those things said in Jesus’s words.
And I was given the task of mowing her lawn in the little plot of land surrounding her little, tiny house in the Northern part of Rowan where I also lived and grew and celebrated Christmas and Halloween and Easter and the 4th of July. And though I was doing it because she was so old, I never even once thought she was too old and frail to do it herself. Grandma Hinckley’s willpower was a force of nature that could even quell tornados… well, I thought so anyway when I was eight. And she gave me a dollar every time I did the lawnmowing.
But there were other things she wanted done, and other things she wanted to teach me. There was the garden out back with the strawberry patch next to it. She wanted me to help with keeping the weeds and the saw grass and the creeping Charlie from overrunning the strawberries and choking them to death. (Creeping Charlie wasn’t an evil neighbor, by the way. He was a little round-leafed weed that grew so profusely that it prevented other plants from getting any sunlight on their own leaves, causing a withering, yellowing death by sunlight deprivation. I took my trowel to them and treated them like murderers. I showed them no mercy.)
And Grandma always reminded me not to be selfish and eat the very berries I was tending in the garden. She taught me that eating green strawberries (which are actually more yellow than green, but you know what I mean) was bad because they could give you a belly ache, a fact that that I proved to myself more than once (because eight-year-olds are stupid and learn slowly.) She also taught me that it is better to wait until you have enough strawberries to make a pie, or better yet, strawberry shortcake with whipped cream. She taught me that delayed gratification was more rewarding in the long run than being greedy in the short run and spoiling everything for everybody.
She always gave me a few of the ripe strawberries every time I helped her with them, even if I had eaten a few in the garden without permission. Strawberries were the fruit of true love. I know this because it says so in the strawberry picture. Even though I probably never figured out what true love really means.
My Great Grandma Nellie Hinckley was the foundation stone that my mother’s side of the family was built on. She was the rock that held us steadily in place during the thunderstorms, and the matriarch of the entire clan of Hinckleys and Aldriches and Beyers and other cousins by the dozens and grandchildren and great grandchildren and even great great grandchildren. I painted the picture of her in 1980 when she passed away. I gave it to my Grandma Aldrich, her second-eldest daughter. It spent three decades in Grandma’s upstairs closet because looking at it made Grandma too sad to be so long without her. The great grandchild in the picture with her is now a grandmother herself (though no one who has seen this picture knows who it is supposed to be because I painted her solely from memory and got it all wrong.) But Grandma Hinckley taught me what true love means. And true love has everything to do with how you go about taking care of the strawberry patch.
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