One work of comic strip art stands alone as having earned the artist, Winsor McCay, a full-fledged exhibition at the Metropolitan Museum of Art in New York City. Little Nemo in Slumberland is a one-of-a-kind achievement in fantasy art.
Winsor McCay lived from his birth in Michigan in 1869 to his finale in Brooklyn in 1934. In that time he created volumes full of his fine-art pages of full-page color newspaper cartoons, most in the four-color process.
The New Year’s page 1909
As a boy, he pursued art from very early on, before he was twenty creating paintings turned into advertising and circus posters. He spent his early manhood doing amazingly detailed half-page political cartoons built around the editorials of Arthur Brisbane, He then became a staff artist for the Cincinnati Times Star Newspaper, illustrating fires, accidents, meetings, and notable events. He worked in the newspaper business with American artists like Winslow Homer and Frederick Remington who also developed their art skills through newspaper illustration. He moved into newspaper comics with numerous series strips that included Dreams of the Rarebit Fiend and Little Nemo in Slumberland. And he followed that massive amount of work up by becoming the “Father of the Animated Cartoon” with Gertie the Dinosaur, with whom he toured the US giving public performances as illustrated in the silent film below;
The truly amazing thing about his great volume of work was the intricate detail of every single panel and page. It represents a fantastic amount of work hours poured into the creation of art with an intense love of drawing. You can see in the many pages of Little Nemo how great he was as a draftsman, doing architectural renderings that rivaled any gifted architect. His fantasy artwork rendered the totally unbelievable and the creatively absurd in ways that made them completely believable.
I bought my copy of Nostalgia Press’s Little Nemo collection in the middle 70’s and have studied it more than the Bible in the intervening years. Winsor McCay taught me many art tricks and design flourishes that I still copy and steal to this very day.
No amount of negative criticism could ever change my faith in the talents of McCay. But since I have never seen a harsh word written against him, I have to think that problem will never come up.
My only regret is that the wonders of Winsor McCay, being over a hundred years old, will not be appreciated by a more modern generation to whom these glorious cartoon artworks are not generally available.
So, what if it is true that the future begins with the story-teller? Smart phones are obviously descendants of the communicators and tricorders and computers that Gene Roddenberry introduced to us in the original Star Trek series. George Orwell gave us timely predictions and warnings of the rise of fascism and authoritarianism in his novel, 1984.
If we truly wish to be a force for good, we have to take the evil bull by the horns and turn its momentum away from the future we seek to protect. Like Solzhenitsyn we may be gored in that bull-fight and end up spending time in the gulag. But those of us who choose to be writers, especially story-tellers, must take on that responsibility. What if ours is the story that changes the mind of a nation, like when the Adventures of Huckleberry Finn took on slavery and the unjust treatment of others who think that, because they are white, or have money, or are somehow smarter than everyone else, they have the right to abuse, take advantage, or even kill other people? What if ours is the story that turns the rich into selfish engines of greed as Atlas Shrugged obviously did?
It is a tremendous responsibility. It is a power we must not wield unwisely, even if our talent level is only that of the disastrously lazy Sorcerer’s Apprentice.
What sort of a story-teller will I be?
What sort will you be?
Where will I lead my readers (If indeed there ever are any)?
And where will you lead yours?
If any questions are important now during these days of self-reflection, isolation, and Coronavirus, it will surely be these. So, tell me what you think.
Life has generally become an intrinsically unfair and unequal exercise in struggling just to stay the same, let alone trying to better ourselves.
But wealthy white folks need their tax breaks to fatten the money piles they sit upon. Like well-fed dragons on their treasure hordes.
And the angel weeps.
Beloved by Toni Morrison has been banned in Florida. As has Margaret Atwood’s The Handmaid’s Tale, and a biography of Rosa Parks, and George Orwell’s 1984, and Ray Bradbury’s Fahrenheit 451, and many other books, including books about the Holocaust like Art Spiegelman’s Pulitzer Prize graphic novel Maus.
And wealthy white so-called Conservative Republicans have failed to conserve these books, and smile, because they have managed to exert control over what other people are allowed to read and think, because they believe they have the right to tell others what is true and what is evil because it’s Woke… whatever that means.
And the angel weeps.
And a ten-year-old girl who was raped and is pregnant with a baby that will probably kill her if it is carried to term has to flee to another distant State to get the abortion that saves her life because the Supreme Court took away the legal precedent that was supposed to protect her.
But wealthy white evangelical so-called Christians smugly laugh and sing praises to those who made this happen. They got what they wanted for 50 years. The right to save a life by making babies be carried to term no matter the consequences. Of course, they won’t lift a finger to help once the child is born, even if it is born into a family that can’t afford to feed it. In fact they want to take away food stamps because those people are just lazy and need to learn how to pick themselves up without help from anywhere… no matter how hard they work at McDonalds because you can’t get food stamps without at least a starvation-wages job.
And the angel weeps! Why does nobody care about that?
I often wonder what the future will think of me… or if they will even think of me at all. Even my family may not remember the real me, particularly those who haven’t read anything I have ever written. My mother passed away in 2021 never knowing that I was sexually assaulted when I was ten. She didn’t want to know anything like that. She didn’t read this blog. She didn’t read any of my novels. But that is mainly because she never read any blog posts or any novels… ever. She was a career RN and read all kinds of things about nursing, health, and medicine. She had thick books of pharmaceutical knowledge and looked up every medication ever prescribed to any member of her family. But my personal inner truth, the things that I have written that define me in my own terms and my own inner mythos, are all available to anyone who wants to read them. They are all available on Amazon. One on Barnes and Noble. And I give e-book copies away for free every month. But hardly anyone takes me up on those things.
So, what does this issue matter to anyone but me? Diddly-poop. I would like to be remembered as a good writer after I am gone. But that is not something I have any control over. Neither did anyone who now has a legacy as a writer. Edgar Allen Poe and Franz Kafka died in extreme poverty. H.P. Lovecraft died in obscurity, horribly alone and mentally ill. The Philosopher Friedrich Nietzsche died after having a mental breakdown over the beating of a horse. And their work left a legacy. The legions of unremembered authors have none. I will end up wherever I belong after I am gone.
I exist. Not even God can change that now. And I have written and published my writing on the internet. It has the potential to live on after me as long as there is an internet. The world probably has less than fifty years of life left as it is. So, for now, I have to be satisfied that you bothered to read this and look at my drawings, whether you bothered to register a like or not. That is my legacy, or a ghost of it anyway.
Self examination is a critical feature of living a stoic life. And I find Stoicism to be a workable philosophy. I do believe that I have no power to alter the world around me, only the power to control and change myself. I find it works fine as a teacher. A teacher with self control can lead most of the students in the classroom down the happy path. That leaves only a few weirdos that you have to knock on the brain with a rubber hammer (figuratively, of course.)
But tonight my blood pressure is 176 over 90 (go-to-the-ER level numbers.) My blood sugar is 153. I made the fatal mistake of eating spaghetti and meatballs from the microwave. I get tired of a strict diabetic diet. But I can’t afford insulin either. Sometimes I feel more like not examining myself in that particularly painful way and just risking eating what I like without worrying about sudden death that I can’t avoid anyway.
There are some things I feel like I have to write yet. But I find it is harder and harder to do it with glaucoma eyes and arthritically-challenged fingers to use for battling an overly sensitive and somewhat vengeful keyboard and word processor. I have a story in my head about an autistic boy who wants to live alone in the forest and hears music in his head that no one else can hear. I have a story about teenagers battling suicidal depression by sitting in a circle naked down by the river, eating marijuana brownies and talking to ghosts. I have another story about teenagers learning about love during a journey to the center of the Earth where a monster has imprisoned one of their girlfriends. I have a really weird Aeroquest Sci-Fi story with flower people as bad guys and space goons eating a space station out from under the heroes. It’s already done. I just need to proofread and publish.
And I probably won’t get any of it done. Writing The Haunted Toy Store is going molasses-in-January slowly.
But we have to have hope to continue. And I do have hope. She lives inside my head and thinks she’s the Leopard Goddess of the Wastelands most of the time. But she’s still there. Still real.
The truth is sometimes Mickey tells lies. For instance, the title of this post is intended to lure you in with expectations of a juicy something that doesn’t actually exist. There is no controversy on the internet over this particular Mickey. He hasn’t done a very good job of keeping it secret that he tells a lot of lies. In fact, most of the most embarrassing and terrible secret things that he had been keeping secret for going on sixty years are now published in this blog. Talk about a life being an open book!
Of course, being a lover of internet conspiracies and ufo’s and junk, there is always that other Mickey to talk about. Yes, Disney has generated its share of conspiracy theories.
Everyone on the internet knows, for instance, that when Walt Disney died, he had his body frozen cryogenically so that he could be re-animated once a cure for his lung cancer was found. Of course, Snopes.com already did the investigation on it and brought out the fact that not only was Disney cremated with full documentation of the process, the first cryogenic freezing of a human being didn’t occur until a year after his death. This lie about Mickey’s dad, then is easily debunked. See, the internet lies about Mickey!
Of course, the notion that Disney was a racist and a Nazi and worked with the CIA are much harder to disprove.
A character from the original version of Fantasia that doesn’t help Mickey’s image.
Most heads of super-wealthy corporations are by nature fascists. The dictatorial style and oppressive oligarchic command structures of fascism organically grew out of business practices. Henry Ford, John D. Rockefeller, and J.P. Morgan were also Nazis. And, of course, no one believes me when I start in on the Disney/alien connection. After all, what’s with alien beings in Escape from Witch Mountain, Lilo and Stitch, and even Chicken Little? I may have some more conspiracy-theory investigating to do.
So, let me assure you that lies about Mickey are actually lies. The thing about Mickey’s dream in the 1960’s of seeing Annette Funicello naked is a lie… er, probably. The notion that Mickey trained himself to be a cartoonist by copying Disney characters like Carl Barks’ ducks are… err… um… lies… maybe. Well, anyway, the point is… don’t spread lies on the internet about Mickey. That’s my job.
Rogelio was definitely in la Tierra de los Muertos, the Land of the Dead. The general scene around him was black. The ground, the sky, the distance… all darkest black. The buildings, trees, and other physical features were painted in with lots of shades of gray, the sparse highlights being white. Rogelio himself was still naked, riding the skeletal horse with white bones and flesh of nearly transparent gray. He could feel the leather saddle under him as if he was naked, but he did have a semi-transparent appearance of grungy, homemade clothing, and a nearly transparent gray cowboy hat that looked beat up and droopy all around.
“So, this is what Texas looked like in your day, before cameras were invented?” he asked Steven. Mainly to test if Steven was still there in his head.
“Of course not! We had cameras then. Just not around here. And what you’re seeing is the long-dead world of the past through inadequate living-human eyes from the present world. Nothing that lived then is still alive in the here and now. So, all you can see is the bones of the dead world.”
“But this is Dallas?”
“The outskirts… It was a big city for the time, but much smaller than the Dallas you live in. We’re headed for the place I first met her… the Mercado.”
“The marketplace?”
“One of them, yes.”
“And you mean you met Yesenia there?”
“No, I mean Imelda, the girl I fell in love with.”
I continued to wonder at the people I saw as we entered the mercado. They were all skeletons of varied colors with only the merest gray outlines of the clothing and hats they wore. There were many cowboy hats like mine and many more Mexican sombreros. There were also three civil war kepis that were probably confederate, but you couldn’t tell by the gray color because all clothing was made of lines of gray.
I dismounted from the horse outside of what was obviously a general store. I mean, of course, Steven made me dismount. I felt kinda funny walking around naked wearing only ghost clothes, but when anybody looked at me, they weren’t looking with human eyes, but only the dark eye sockets of their colored skulls.
And then I saw her. It was Yesenia naked, dressed only in what was obviously supposed to be a fancy hooped skirt. She was with a bright pink skeleton lady similarly dressed in what was likely an expensive hooped skirt.
Steven made us saunter over to the display box of mangos where Yesenia was looking at the ghost-gray produce.
“I bet those mangos aren’t near as sweet as you, hon,” Steven said.
“Don’t let mama hear you talking to me, gringo. I am not allowed to speak with the Americanos from England.”
“Ah, but you do seem to speak English.”
“I do. Father taught me. It helps our business that I can speak it good.”
“What’s your family business?”
“Vacas y caballos… ah, I mean, cows and horses. We have a ranch out west of town.”
“My name is Steven. I herd for Bill Davies’ Bar W Ranch, to the East.”
“How old are you, Steven of Bar W?”
“Fifteen. How old are you?”
“Fourteen, but soon to be having my quinceañera.”
“Oh, wow! That’s going to be a big day for you, huh?”
“Oh, yes. I wish I could invite you. But mama won’t allow it.”
“What’s your name, pretty lady?”
“Imelda Dolores Gonzalez.”
“Where are you staying tonight, Imelda Dolores?”
“At Zuniga’s Inn down the street.”
“If you are awakened at midnight, it will be me.”
She looked at us and blushed in the most heart-stabbingly beautiful way. I knew in an instant that Steven was completely in love with her, and he was capable of doing really crazy things about that love.
The pink skeleton that was obviously Imelda’s mama was coming back out of the store.
“Run away quickly so we are not discovered!”
“Midnight, my lovely… remember!”
“Perhaps.” That beautiful blush returned to her face. Steven made my legs run back to the horse. We mounted and Steven waved our cowboy hat at Imelda/Yesenia from a distance.
The most important part of a novel is how it ends. It is the ending of the story that does the most to establish the theme, make the points the author wants to make, or gives you the all-important feeling that the story is complete.
I have written nine good novels and ended the story nine times. I have reason to believe they are good books. Two of them were contest finalists. I have gotten no bad reviews (of the minimal number of times someone besides me has actually read one of these books). And even experienced editors have told me that my books are competent and good enough to be potential best sellers. But, of course, they have little chance of ever reaching a wider audience. I am an Indie author and have either published through pay-to-publish publishing companies or the free Amazon/Kindle publishing services. The way the story of me being a published author will end, though, is not a story of success and wealth and critical acclaim. I am dissolving into abject poverty and fatal ill health. I will not last to see my books hit the big time. And when I croak and become worm food, my books will be forgotten and mostly ignored, even by my family who look at it as a pie-in-the-sky dream rather than reality. Reality, unfortunately, really sucks.
The fact is, all the greatest and most worthwhile people that ever lived have suffered terribly and they were forced to endure much. Greed, villainy, injustice, inequality, bullying, rape, murder, and income taxes prevail in an unbalanced and unjust world. If Guy McPherson in the opening video is to be believed (if you haven’t already watched it, I suggest you don’t. Hearing that message from a credible climate scientist like him is very depressing.) then greedy, rich, and powerful people made the decision to murder us all decades ago, and there is nothing we can do about it.
So, here is how my story ends; I will continue to tell stories and write essays like this one until the very end. And, for me, that will come any day now. It is the only thing worth doing for me at this point in my life. I also hope that you will take heed of my example and endeavor to be the author of your own story’s end. And I am not suggesting you commit suicide or hole up in a bunker somewhere. I suggest you spend every day as if it is your last one on Earth. Cherish your loved ones. Do what pleases you to do. And, most of all, be the author of how your own story ends… plotted out with grace, theme, and meaning. A tribute to how you lived. And maybe you will be able to tell me sometime in the next life about what a colossal fool I was when I wrote this essay.
I intend to to spend a lot of time in this essay talking about Twitter nudists, but that is not what this essay is about. A rather large amount of the meaning behind all of this has more to do with setting priorities, what things to pursue, and what things to abandon.
A lot of my time on Twitter is filled with tweets by nudists, authors who write about nudists, Russian video artists, and Tom Hiddleston fans. I do not fully understand the connections between those things.
If I manage to stay alive long enough to see the next Avengers movie, and hopefully even beyond that, then I am going to have to budget my time and moderate my efforts towards certain endeavors. Does that mean I intend to give up all association with nudists? Or possibly twitter?
Of course not. I am simply not that smart. To give up on Twitter, I mean. It is an ungodly waste of time. It is a media of questionable value to me because I have achieved no measurable marketing value as a writer from it. I have learned a lot about actual nudists and naturists from it. I have made connections with naturist authors and thinkers and other websites through Twitter. I have even learned how valuable some young women and men find pictures and .gifs of Tom Hiddleston with his shirt off and smiling. I am not sure I understand it. But I have learned the obsession is very real.
This is an example of a nudist Tweet from Twitter that I get daily in my feed.
And I have come to accept, to a large degree, that nudism is a good thing. It is a way of life that has good effects on the people who participate in it. They have more confidence in themselves. They are definitely firm in their beliefs about most things. They are positive. And they get enough vitamin D from sunshine to be happy most of the time, and are rarely depressed. I wish I had embraced nudism when I had the chance back in the 1980’s. I might have been happier and healthier than I am now. And even now they are a very accepting group of people, willing to welcome me when I am old and weathered and covered in psoriasis plaques and sores. They are almost as inclusive as Tom Hiddleston fans. But I don’t actually know why his fans want to fill my Twitter feed every day with Loki’s face.
But I said this essay was really about setting priorities. And, like the video suggests, I have to be willing to let go of things. I have to adapt to circumstances and stop doing things that don’t really help me. I have to finish more of my long list of projects. I have to focus. ed
Drawing nudes that are not sexual or erotic in nature has long been an obsession with me. Anatomy drawing is essential to learning to draw believable figures… even cartoon figures.
Uber driving was on my list of things to evaluate and I have already discarded it. It does not pay well. The accident I had in August of 2018 was a difficult financial blow as well as an effective confidence-shaker. The penalties for Uber driving become apparent at tax time because they don’t take care of withholding like other employers are required to. So there is extra money to pay at tax time. I had to continue Uber driving for a while simply because I had another large tax bill to pay on top of the expenses that go along with the sin of being in poor health.
I also have to finish things I have started.
Look for the BARE NECESSITIES, the simple bare necessities… forget about your worries and your strife…ed
I have finished paying taxes for 2023. I have finished rebuilding the retaining wall in the yard. I have finished driving for Uber to make money. I have absolutely no problem finishing writing projects, considering all the novels I have published in the last three years. And I definitely need to finish this essay.
So, what have I decided to give up? Twitter? Twitter nudists? No. I might give up following rabid Tom Hiddleston fans, though.
Angelfish are like the kings of the aquarium. They swim about in slow, stately fashion.
As a teenager I was very much into raising tropical fish in an aquarium. Having fish to watch and fuss around with is a healthy, mind-calming hobby that literally helps you learn about environmental issues. Keeping an aquarium is all about keeping fundamental forces of biology in relative balance.
The lovely pearl gourami is a fascinating finny friend that fills the tank with beauty and color.
Some fish are there just for beauty. The angelfish and gouramis I have pictured already are mainly that. Though you could also say that kissing fish, the pink kissing gouramis, also provide comic relief.
Kissing gouramis actually perform the kissing ritual in the tank, and I really don’t know why, but I suspect it is about courting and sex.
Goldfish are the pigs of the fresh-water tank. They are slow and rather stupid, and they eat massive quantities of fish food, so they also poop excessively.
Keeping an aquarium is a balancing act.
Albino Angelfish
Neon Tetra
.
.
.
.
a fancy Veiltail Guppy
If you put the wrong fish together, problems ensue. Fully grown angelfish will eat expensive guppies and neon tetras. Goldfish waste so much fish food and make so much fish poop that the tank has to be cleaned nearly every day to prevent it become a befouled cesspool of toxic filth and bacteria. Unless…
Cory Catfish
You employ bottom-feeders like the corydorus catfish or the red-tailed black shark (actually a loach, not a shark) to feed on the waste and be the janitor-fish.
A carefully balanced tank is a living work of art that grows and changes and progresses…
Red-Tailed Black Shark
…Until something goes wrong. Every fish tank I ever put together eventually had a crisis that made the whole ecology crash. All the fish would die and the tank would smell bad. This would usually happen when I wasn’t there to tend it as needed, when I was away at college or on vacation. Water has to be refreshed. The water can never be allowed to cool lower than seventy degrees, even in winter. The air pump can’t break down and stop aerating the aquarium. The filter has to be clean and unclogged. And disease has to be treated.
In a way, our entire planet earth is like that too. Of course, if it was all sealed under glass, it would be a terrarium, not an aquarium. But we can identify the same sorts of threats to the ecosystem of the terrarium we live in as would be found in a tropical fish tank. Donald Trump and his Republican fat-cats are the goldfish. Global warming threatens the air and water in the tank. An asteroid could break the glass and spill the contents out. So many things could crash our carefully balanced fish tank. And there is an even greater environment out there beyond the edges of our little solar system. Does the title make sense now in a way it didn’t before? No? Oh, well, I tried.
Catch a Falling Star 
Winsor McCay
One work of comic strip art stands alone as having earned the artist, Winsor McCay, a full-fledged exhibition at the Metropolitan Museum of Art in New York City. Little Nemo in Slumberland is a one-of-a-kind achievement in fantasy art.
Winsor McCay lived from his birth in Michigan in 1869 to his finale in Brooklyn in 1934. In that time he created volumes full of his fine-art pages of full-page color newspaper cartoons, most in the four-color process.
As a boy, he pursued art from very early on, before he was twenty creating paintings turned into advertising and circus posters. He spent his early manhood doing amazingly detailed half-page political cartoons built around the editorials of Arthur Brisbane, He then became a staff artist for the Cincinnati Times Star Newspaper, illustrating fires, accidents, meetings, and notable events. He worked in the newspaper business with American artists like Winslow Homer and Frederick Remington who also developed their art skills through newspaper illustration. He moved into newspaper comics with numerous series strips that included Dreams of the Rarebit Fiend and Little Nemo in Slumberland. And he followed that massive amount of work up by becoming the “Father of the Animated Cartoon” with Gertie the Dinosaur, with whom he toured the US giving public performances as illustrated in the silent film below;
The truly amazing thing about his great volume of work was the intricate detail of every single panel and page. It represents a fantastic amount of work hours poured into the creation of art with an intense love of drawing. You can see in the many pages of Little Nemo how great he was as a draftsman, doing architectural renderings that rivaled any gifted architect. His fantasy artwork rendered the totally unbelievable and the creatively absurd in ways that made them completely believable.
I bought my copy of Nostalgia Press’s Little Nemo collection in the middle 70’s and have studied it more than the Bible in the intervening years. Winsor McCay taught me many art tricks and design flourishes that I still copy and steal to this very day.
No amount of negative criticism could ever change my faith in the talents of McCay. But since I have never seen a harsh word written against him, I have to think that problem will never come up.
My only regret is that the wonders of Winsor McCay, being over a hundred years old, will not be appreciated by a more modern generation to whom these glorious cartoon artworks are not generally available.
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Filed under art my Grandpa loved, artists I admire, artwork, book review, cartoon review, cartoons, comic strips, commentary
Tagged as Little Nemo in Slumberland, Winsor McCay