






Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.” His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988. And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

His style is uniquely recognizable and easily identifiable. Nobody cartoons a Foon-man like Don Martin.
The googly eyes are always popped in surprise. The tongue is often out and twirling. Knees and elbows always have amazingly knobbly knobs. Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.
And then there is the way that Martin uses sound effects. Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

And there is a certain musicality in the rhyming of the character names he uses. Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!
Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist. Like me he was obsessed with nudists and drawing anatomy. Like me he was not above making up words with ridiculous-sounding syllables. And like me he was also a purple-furred gorilla in a human suit… wait! No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more. Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

Filed under artists I admire, artwork, cartoon review, cartoons, comic book heroes, goofiness, humor, illustrations
“Today I thought I would tell you about Bruce Timm.”
“Bruce Timm? Who the heck is he?”
“You know. That artist with that style… you know, the Batman guy.”
“You mean he played Batman?”
“No. He designed Batman; The Animated Series.”
“Oh, that guy… the guy who draws girls really good.”
“Yes, that’s the one.”

“He gave all the DC heroes their modern, animated look… their style and flair. He made them angular, immediately identifiable, and powerful.”

“Yeah, I think he not only did the Batman cartoon, all film noir and retro-cool, but the Superman series that followed it, the Justice League, and all the cartoon series and movies that went along with those.”
“But that’s not all he did, either, is it?”
“No, there’s more. He wanted to be a comic book artist, but before he got into animation, Marvel and DC turned him down.”

“I heard he worked at Filmation for a while.”
“Yes, he got a chance to draw and design characters for Blackstar, Flash Gordon, He-Man and the Masters of the Universe, She-Ra; Princess of Power, and the Lone Ranger.”
“Dang! He was busy. But only superhero stuff?”
“In 1989 he went to work for Warner Brothers. He worked on Tiny Toon Adventures.”
“That Spielberg/Bugs Bunny thing? The one with Buster and Babs Bunny?”
“Yeah, that one, believe it or not.”

“Tell me more about the girls. I want to hear about him drawing girls. Wonder Woman in Justice League was hot.”
“Showing you is probably better than telling you. Be prepared to cover your eyes, though. He liked to draw the female figure nude and semi-naked.”

Betty and Veronica from the Archie comics.


“I like how he draws pretty girls.”
“You would.”
“He’s the artist you wish you could be, isn’t he?”
“Pretty much. He’s about four years younger than me. If I had gone the comic-book artist route instead of becoming a public school teacher, our careers might’ve been parallel.”
“Except he has talent.”
“Yeah, there’s that.”
Filed under art criticism, artists I admire, comic book heroes, humor
I took pictures that I drew back in the 70s and 80s and updated them with digital art, redrawing the pictures with a stylus, a touch-screen phone, and an AI digital assistant. I took pictures I drew of real-life people I knew and updated them. I can’t make them look much like the real people. I have turned most of these into fictional characters anyway, but I won’t use any real names.

Clint was a student whom I loved to hate. He held classroom farting contests in my fourth period class with his mindless minions. He gave me no end of trouble for two years. But when I finally got the relief of his graduation from 8th grade, he was the kid I hugged the hardest, hoping to make it hurt, and the kid I missed the most.

Shelly Cobble, one of the twin Cobble Sisters, was both a member of the Pirates and a nudist at home.

Sherry Cobble, the self-proclaimed smarter twin, was also a Pirate and even more of a nudist than sister Shelly. And, no, they are not based on my twin cousins. Yes, I am pretty sure that’s true.

Sherry again as a high school senior, still a member of the Pirates’ liars’ club and still a nudist.

Shelly again, same grade still, nudist still, Pirate still, but maybe the nicer sister.

Edward-Andrew Campbell, better known as the Superchicken, still in Junior high at the time of this picture.

Andrew Doble, Pirate, liar, not a criminal according to him, most likely a criminal to local law enforcement.

Dennis.


And so, I run out of time for more. But I like what I have done.
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There are many, many things I appreciate about other people’s artwork. It is not all a matter of envy or a desire to copy what they’ve done, stealing their techniques and insights for myself, though there is some of that. Look at the patterns Hergé uses to portray fish and undersea plants. I have shamelessly copied both. But it is more than just pen-and-ink burglary.

I like to be dazzled. I look for things other artists have done that pluck out sweet-sad melodies on the heartstrings of my of my artistically saturated soul. I look for things like the color blue in the art of Maxfield Parrish.
I love the mesmerizing surrealism of Salvador Dali.
I am fascinated by William-Adolphe Bouguereau’s ability to create photo-realistic and creamy-perfect nudes.
Basil Wolverton’s comic grotesqueries leave me stunned but laughing.

The dramatic lighting effects employed by Greg Hildebrandt slay me with beauty. (Though not literally. I am not bleeding and dying from looking at this picture, merely metaphorically cut to the heart.)
I even study closely movie-poster portraits like Bogart and Bergman in this Casablanca classic poster.
I could show you so many more art pieces that I dearly love to look at. But I will end with a very special artist.
This is the work of my daughter, Mina “the Princess” Beyer. Remember that name. She’s better than I am.

The first story that started all the naked stuff was the Superchicken novel which in many ways mirrored my own first experiences of nudism. Where Edward-Andrew accidentally ends up camping with the nudist Cobble Sisters and their family, and learns to like it, I accidentally ended up repeatedly visiting the clothing-optional apartment complex on Manor Road in Austin. All of it is about getting used to girls and the whole girlfriend business.
I was initially horrified by what I was caught up in. But it went on to be a thing where I got to know Ysandra and also Crazy Andrea in a way that was not sexual, and really not intimate, but definitely the kind of friendship that loosened the iron chains of traumatic childhood experiences… and helped me heal.
The nudist Cobble Sisters, as you have probably realized by now, are based on the nudist twins from my early years of teaching. I will not give you real names. If you feel the need to call them names in the comments, you can use Rani and Dani. Not even close to their real names.
But I understood twins well. I have twin girl cousins that are the same age as the younger of my two sisters. I have taught at least six pairs of identical twins and at least two pairs of brother-sister twins. one pair of maternal twins that were boys, and one pair of maternal twins that were girls (those are the twins that don’t look exactly alike.) I taught one pair of Vietnamese twins, one pair of African-American twins, and two pairs of Hispanic Twins. I have gotten Facebook wedding pictures and new baby pictures from the last pair of Hispanic Twins in the past seven years.
But the point is that the twins and their nudism have not only taken over my fiction, they have taken a bit of control over my life. Rani and Dani would have a gigglefit if they read this.
The Cobble twins play a key role in my “I-am-not-a-monster” novel, The Baby Werewolf. They play an even more important role in the companion book, Recipes for Gingerbread Children. Sherry Cobble is one of the multiple narrators in the book, The Boy… Forever. So, I have naked people in half of my books. Some of my friends and relatives wonder if that doesn’t spoil the stories. But I would beg to differ. I find it to be a key feature. And the nudists on Twitter and the Clothes-Free Life website, seem to agree. A Field Guide to Fauns is a book a wrote completely set in a residential nudist community. I wrote it for nudists. And I joined the AANR nudist organization to become a nudist myself.
So, this is all the overlong and overcomplicated explanation for why I am writing a book of naturist essays with lots of stuff with naked people in it. I will do my best to make Governor Abbott and Governor DeSantis hate and ban my books. When they jail me, it will be a badge of honor.
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Lately I have been having problems with passing out during low blood-sugar moments in the middle morning, early afternoon, and shortly after supper, usually when I have already had a snack and my sugars haven’t balanced yet. When I pass out, perchance… I dream. Vivid dreams. So, for art day, I will post images I have made based on dreams I have had.

This one has shadows on everything. I exhausted three pens drawing shadows. Yet, there are no shadows on the child-figures. In the dream, they were glowing white ghosts.

Snowboy is one of the main villains in The Bicycle-wheel Genius. But the boy-robot made entirely of snow, ice, and circuitry first appeared in a 1978 dream that happened while I had a fever from the flu.

This dream is a mental-disturber caused again by fever. Here the two gigantic toys play with the little girl. I was not actually in this dream. I was an observer floating above. I think the bear was inspired by a Care-Bear.

This picture has all the elements of the actual dream, the candle, the line of glowing pixies, the sleeping princess, and Prince Charming. But nothing here looks like it did in the dream. The prince and the princess were both young teens that I did not know in real life. The fairies were larger and a lot more obviously nude.

I actually passed out while writing this post. It happened right here, before I could post this dream of living colors. All the colors were in motion in the dream, something I couldn’t really represent here.

I knew when I dreamed this dream that the Bambi-kin in this dream were members of my family, but at the time I dreamt it I had not met my wife yet, let alone had three kids of my own. Yet I knew that it was not my family at the time of the dream because one of my sisters was not there.

This is from a dream I had in college at Iowa City. I made an entire cartoon out of it called Babysitters Hate My House, It is about a babysitter having a horrible time with my two sons as she loses control when they show her the man in the basement that, “Daddy built out of a kit.”

And, finally, this dream featured not only the spirit stag and the medicine man, but the bolt of lightning in the background. The Dakotah people say having a dream with lightning in it makes you a “lightning dreamer”, a magic man, or a shaman. So, I guess that qualifies me to be one.
I used an AI digital assistant, an electronic stylus pen, and my Android touch screen to create these digital fairies. All of this is experimental, but all fun as a theme park.




Yeah, not gallery quality, but fun to do. I am, however doing this on a very small touch screen with a stylus operated by arthritic fingers. And I am now addicted.
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I am a writer who learned to write by reading. Seriously. No, stop laughing at me. I mean it this time. I know I joke more often than not. But this is real. All the good and bad things about my life, all the pain I have endured, all the joy I have allowed to tickle me blue (I refuse to turn pink when tickled, I choose blue instead,) and all the wisdom I have gained by being battered by experience come from the same place, the library of the reading I have done and taken to heart.
Life began for me with Dr. Seuss. The Cat in the Hat and the Cat in the Hat Comes Back taught me that you have to learn hard lessons from life. If you let the cat in the door, not only will your talking goldfish end up in a teapot, but he will be unhappy and two little things will mess up your house. Oh, and if you make the added mistake of letting the cat take a bath, you will turn the snow in the entire neighborhood Pepto Bismol pink. Horrors! But I not only learned the wisdom of not repeating mistakes I have made, but I never let any cats with red-and-white top-hats into our house throughout my entire childhood. Not even the ones who could talk.

The most important lesson I learned from multiple books I read as a child, Treasure Island, Kidnapped, Robinson Crusoe, and The White Stag, was that I could experience other people’s lives through reading a good book. I was ready for most of the bad people and bullies in my youth because I had been on that ship with Jim Hawkins. I could deal with loneliness and isolation because I had been on that island with Robinson Crusoe. I could evaluate the amount of trouble I was in and make a plan to get out of it because I had been Kidnapped in the book. And I had my own white stags to follow in the forests of my planned future… and fortunately, lost the trail to become a teacher.
Of course, when you read a book, the author gives you insights into the nature of the characters in the story. You see inside the people being told about, learning that they have their own inner story that you can clearly read and learn from and even become.
And the truth of the matter is that real people have their own inner story too. Something is going on inside almost everyone. (Maybe not carrot people. I have only ever met one. But vegetables, unlike humans are simple and not filled with conflict.)
You can read real people’s stories too. If you watch them carefully with empathy as your quiet superpower, you can read the elements of conflict within them. Though never as thoroughly as you could if you were reading them in a book. You can sense their embodiment of familiar archetypes.
Reading living people in the real world is something school teachers do. Students especially are emotionally naked almost every minute of almost every class. (Not literally naked. That would be gross… and possibly illegal.) But the stories pass before your eyes constantly. It would be impossible NOT to read them.
I have seen and studied in depth the writing of Ernest Hemingway, William Faulkner, Mark Twain, Michael Crichton, Terry Pratchett, and Neil Gaiman. By reading I have learned how they write. And they Write Naked. That’s the book Diane Callahan talks about in the very excellent video I linked to the start of this post.
Sometimes I write literally naked. (I know you may think that’s gross, but I have my reasons. And, besides, I am literally a nudist.) But I write emotionally naked too, as the video suggests I should. That involves writing about certain horrible words that make up what I most need to write to be authentic. Let me list a few of those.
So, I write with awful words about terrible things. And it is apparently a key to writing well. What some of us won’t do to touch your heart with the next sentence you read! Write with real emotion. Thank you for putting up with me.
Filed under writing teacher
Naked Innocence
To be clear, I will have to write a post called Naked Experience to go with this post. It is a William Blake style of thing. You know, that English Romantic Poet guy who was into drawing naked people even more than me? The writer of Songs of Innocence and Experience? You know, this stuff;
Well, maybe you don’t know. But Blake gave the world the metaphor of the innocent lamb and the tyger of experience (tyger is his spelling, not mine, and it didn’t blow up the spell checker, even though it made the thing unhappy with me again). There is a certain something I have learned about nakedness that I mean to innocently convey. I learned it from anatomy drawing class and spending time with nudists. Naked is not evil. Naked is not pornography. Nakedness, itself, is a very good thing.
At this point the avid clothing-wearers among you are probably saying to yourself, “This guy is nuts! If God had wanted us to be nude, then we wouldn’t have been born with clothes on.” And I must admit, I cannot argue with logic like that.
But on a more serious note, I believe nudity is a fundamentally essential part of the nature of art. After all, pictures of naked people are a central part of what people have been drawing since they first started etching them with charcoal on cavern walls. And all art, including this blog, is about the human experience. What it means to be human. What it feels like to be alive on this Earth and able to feel.
And there is nothing sinister and immoral in drawing nudes to portray that fact. I am trying to show metaphorically the music of existence, the pace, the symmetry, the musical score… It isn’t focused on the private bits, what some call the naughty parts, even when those things are present in the picture. “How dare that naughty Mickey show the naked back end of that butterfly! It ought to have pants on at least!” Yes, I am making a mockery of that outrage itself. I am not a pornographer. These pictures were not created to engender any prurient interests. These pictures are part of Blake’s lamb. They will not bite you. Though blue-nosed people who wish to control what others think may very well bite me for daring to say so.
I have posted a lot of writing and artwork on this blog that I held for the longest time to be completely private and personal. I hardly ever showed any of it to anybody before I posted it here. But I am old. I no longer have secrets. I am capable of telling you everything even though I have never met most of you in real life. And I have no shame. I have become comfortable with emotional and intellectual nudity. And when I am dead, the body I have kept hidden from the world for so long will be no more. It’s just a thought. It’s a naked thought. And it is completely innocent.
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Filed under artists I admire, artwork, commentary, humor, nudes, Paffooney, strange and wonderful ideas about life
Tagged as nudes, William Blake