This picture was created from my porcelain doll made for me by my mother from the pattern and mold called, “Tom Sawyer.” I used my digital art tools to trace the photo and color it in on top of an AI background.
This doll, made by my mother also, I call “Nicole” after my niece whom she resembles.
You can judge for yourself how well I did recreating this photo of Nicole and the Grey Stuffed Dog.
I had originally thought to call this post “A Walk with God.” But that would probably offend my Christian friends and alienate my Jehovah’s Witness wife. It would bother my intellectual atheist friends too. Because they know I claim to be a Christian Existentialist, in other words, “an atheist who believes in God.” Agnostics are agnostics because they literally know they don’t know what is true and what is merely made up by men. And not knowing offends most people in the Western world.
But Debussy’s Reverie is a quiet walk in the sacred woods, the forest of as-yet-uncovered truths.
And that is what I need today. A quiet walk in the woods… when no literal woods are available.
I have apparently survived the Covid pandemic. But this pandemic has been hard on me. Having had the Omicron variant, I am left without the strength I once had even though I am fully vaccinated. I have lost the power to be a substitute teacher, a job I love. The loss of the ability to teach in any form still drives me to tears. I am a prisoner in my room at home most days. My soul is in darkness, knowing that the end could be right around the corner. There is so much left to do, to say, to write down for those who come after so they can fail to read any of it and reinforce the cruel irony that informs the universe. I have stories and lessons and morals and meanings to give the world still if only someone is willing to listen.
I am not afraid to die. I have no regrets. But I have been in a reverie about what has been in the past, what might have been, and what yet may be… if only I am granted the time.
And, as always, I feel like I have more writing yet to do. I am about to finish The Education of PoppenSparkle. And I have started He Rose on a Golden Wing, The Haunted Toystore, and AeroQuest 5. And I have stories beyond that to complete if I may.
But the most important thing right now is having time to think. Time for Reverie. And reflections upon the great symphony of life as it continues to play on… with or without me.
The difference between who you want to be and who you are is humbling.
The recipe for humble pie requires good, clear eyesight.
And you need a reliable mirror that only shows the flaws in the reflected image, not in the mirror itself.
And you need to look at every detail in the whole of you. Even the secret things that you tend to conceal from everybody, especially yourself.
And writing a novel, if you do it right, is a form of baking humble pie.
The good and the not-so-good is reflected in reviews, which are often written with mirrors that have flaws.
But what you see, if you are honest with yourself, can show you that, even though you are far from perfect, you are exactly what you are supposed to be.
“Lately Mickey hasn’t been doing much of any writing on his work in progress. I, a professional Professor of knowing practically everything and knowing most of it wrongly, am here to give the hopeless goofy guy some much needed advice. Of course, I shall offer that advice incognatively… err, incontranatively… err… anonymously because Disney enjoys suing schoolteachers and other criminals who misuse their intellectual property.”
“But I can’t help myself when it comes to giving opinions on stuff that ain’t really my business but fascistinates… err, fusstinates… err… highly interests me. So, here goes.”
“Write about something Over the Rainbow. I mean your imagination is really garganteelian… err… gigantickingly… err… really pretty big. You can make up something being about made-up worlds, witches who fly around in soap bubbles and other such nonsensical things. Maybe talking scarecrows and heartless metal guys and really big kitty cats… make a story with something beautiful and imaginative, though maybe not as beautiful as that Judy Garland chick… she was really georgeous… err… magnifical… err… really hot-looking! But she is so old she is dead now. So, you can’t put her in the film version of what you write.”
“Or you could write something extra creepy. Something totally like the Addams Family. You’ve got a talent for writing stuff that seems extra morbeedious… err… mackahbreebrious… err… extra spooky. You can turn peoples’ stomachs inside out and make them feel all gooey in their courageousness because of weird evilness and dark happenstances… err… murderiferous scenarios… err scary stuff. It helps that you can be funny here and there when you scare us. You can be totally spooky-ooky in your stories and sometimes you make us sharpen wooden stakes and make necklaces of garlic. Do an Uncle Fester shtick. Of course, Jackie Coogan is so old he is dead now, so you can’t use him in your film version.”
“Or there is always the absolutely romantical… like a story about a three hour cruise where funny guys get shipwrecked on a desserted island with girls that wear bikinis where you don’t see the cutie’s belly button. And “desserted” is the right word because the dessert is actually coconut-cream pie. But you are good at writing about faskinating… err… interesstrial… err… attention-requiring young women and really dorky guys and how they can fit together like puzzle pieces that you don’t even have to use scissors to make them fit together. Romantical comedy is a thing you can do too. So, we don’t even need to talk about Dawn Wells who played Mary Ann. You couldn’t cast her in the movie version because you’re still sad about Covid having taken her away in 2020.”
“But anyway, you got no excuses now, Mickey! You know you can write It’s just getting anybody to read the danged thing you can’t do. So, write something!!!”
My childhood was shaped by television events like the annual showing of The Wizard of Oz and classic movies on Friday nights when I was allowed to stay up past my bedtime to watch the whole thing. I have told you before how much I loved the comedy of Red Skelton. Another comedian who shaped who I am through his wondrously manic movie performances was Danny Kaye.
One of those Friday movie classics that really struck home was the wonderful, kid-friendly movie Hans Christian Andersen.
1952 movie poster from Wikipedia
The movie was about a storyteller from a previous century and embroidered his biographical story with his famous children’s stories in the form of songs. And Danny Kaye could trip through multi-syllabic, fast-paced musical numbers like no other rubber-faced clown I have ever seen. I wanted to be such a story-teller from a very early age. I even wanted to write the kind of stories that could be made into songs. Let me show you a few of the bits that amazed me and killed me with laughter.
This song from the Inspector General was doubly engaging because the corrupt businessmen were trying to poison the character Danny played with the wine he was supposed to drink during the drinking song.
The movies Danny Kaye was in were mostly about the musical comedy. But sometimes they were just about the music. He appeared in musicals like White Christmas with Bing Crosby and stage musicals like Lady in the Dark which won him awards on Broadway. He made movies about music like The Five Pennies and A Song is Born. He always said he couldn’t read music, but he demonstrated perfect pitch and scored a number one hit with The Woody Woodpecker Song recorded for the animated cartoons of Walter Lantz. How cool is that?
And you already know that The Wizard of Oz is my favorite movie of all time. In 1964 Danny became the host for CBS’s annual showing of the film. He was able to do funny songs that made you snort your hot cocoa through your nose from laughing, and he could also do beautiful ballads like these.
I will always take the opportunity to watch a Danny Kaye movie one more time, whether it comes on YouTube or a Netflix oldie or a $5 DVD from the bin at the front of the Walmart Superstore. And I will always think of him in his role as Hans Christian Anderson.
Oh, and he was a very funny comedian too when he wasn’t singing, as in The Court Jester and The Secret Life of Walter Mitty.
Humble Pie
The difference between who you want to be and who you are is humbling.
The recipe for humble pie requires good, clear eyesight.
And you need a reliable mirror that only shows the flaws in the reflected image, not in the mirror itself.
And you need to look at every detail in the whole of you. Even the secret things that you tend to conceal from everybody, especially yourself.
And writing a novel, if you do it right, is a form of baking humble pie.
The good and the not-so-good is reflected in reviews, which are often written with mirrors that have flaws.
But what you see, if you are honest with yourself, can show you that, even though you are far from perfect, you are exactly what you are supposed to be.
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Filed under artwork, autobiography, commentary, empathy, feeling sorry for myself, irony, Paffooney, self portrait, strange and wonderful ideas about life