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The Colors of Character

I have told you before that I am blessed with the mental quirk known as synesthesia. I get sensory impressions of things that they can’t possibly have, but my brain imposes them anyway. For instance, today is a Thursday, so it is a yellow-ochre day. You can’t actually see the colors of a day or a month, but I do. I have very strong impressions with crossed-up sensory input. Mondays are teal blue, except in the month of September which is sky blue, so they become a darker blue or indigo-color day every week. And this weird mental mini-illness also applies to fiction.

For example, the character of Atticus Finch, the lawyer and father of Scout in To Kill a Mockingbird comes across to me as a beige character. He represents a hero who struggles to do what is essentially right in a difficult situation. He faces raising Scout and her older brother Gem in a time and place where racism and vindictiveness are often dominant, and fairness and a sense of equity is often lost in the face of those problems. Hence, I believe that if he was some kind of pure, saintly character, he would be pure white as a character. But he has to make compromises. He has to shoot the rabid dog. He has to accept food and other goods in lieu of fees from people who can’t otherwise pay a lawyer for legal help. He has to defend a black man from wrongful rape charges as a public defender. But he is definitely a good man. He understands and accepts the shortcomings of a damaged soul like Boo Radley. He defends Tom Robinson, the black man, as an equal, even as a friend. He has to defeat the Ewells in court, but he understands and feels sympathy for abused Mayella Ewell.

Atticus Finch is beige in color because he is a character of firm principles who is not perfect, and slightly browned by the compromises of a regular hard life.

Captain Ahab, from the novel Moby-Dick, is a very different character, though he is played here by the same actor, Gregory Peck. Ahab is a dark navy-blue character. Navy blue is a color associated with the sea and the Navy (well, duh!), but also represents the depths of the ocean, the darkness that can fill the deepest corners of the obsessive mind. It is not quite a black villainous color, but definitely darker than what is needed. Ahab is a main character in his story, but definitely not a hero. He is an obsessive-compulsive nightmare, which is also a navy-blue thing. He is a storm-cloud threatening to sink his own ship, which he eventually does, and also a navy-blue thing.

Captain Keith Mallory, the anchoring main character in the plot of Alistair Maclean’s novel The Guns of Navarone, is a Kelly green character.

Now, that, of course, is not a mere Irish association, although Mallory is probably an Irish name. The color, for me, smacks of military discipline, resilience, irrepressible life and hope, and responsibility. Captain Mallory is not the leader of the commando raid on the impossibly secure anti-ship gun site on the island of Navarone, but leadership is thrust upon him when Major Franklin is injured climbing the cliff towards the guns. He is forced to adapt and make incredibly hard choices, leaving Franklin behind to be cured of gangrene by the enemy while in possession of false information that Mallory intentionally made him believe, knowing it would be tortured out of him. He also must decide to execute the resistance girl who had been helping the commandos until it was revealed she was a plant and actually helping the Germans. He is a Kelly green character of life and hope because he finds a way to succeed in the mission and brings most of the group out of it alive, having struck a major blow to the Germans.

This essay is not about Gregory Peck, though he is in all the pictures. I am merely using him to illustrate the idea that characters in fiction have different colors for me. He is a very good actor to be able to change color so easily. But the colors represent for me the kinds and qualities of the characters. I know it is not an entirely rational thing. But like the synesthesia effects on the days of the week, the colors perceived by my irrational Mickey-brain for fictional characters mean something to me, and I am attempting to explain in the best way that an irrational Mickey can.

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Suddenly Exposed

I transformed into a nudist in the sixth decade of my little life. It was not a sudden thing. It was a slow-moving freight train that built up momentum for a long, long time, and was basically unstoppable as it reached the wall of decision. I plowed through that and now find myself attached to a writers group who write nudist novels.

My Twitter nudist friends have now actually discovered my novel with the nudist Cobble Sisters in it, Recipes for Gingerbread Children. And they liked it. They invited me to become a “writer of stories without clothes” and take part in their nudist literature group. I accepted. Somebody is actually reading and reviewing my novel, even if it is a review posted on Amazon.uk. I have had memberships for a while now with nudist websites that are very artist and story-teller friendly. Here is a link to a couple of them to tempt and horrify you.

https://www.clothesfreelife.com

https://www.truenudists.com

I have long been interested in nudism/naturism. The feeling of being naked in the great sunshiny outdoors has always appealed to me. I have practiced it every chance I was given from the time I was a boy skinny-dipping in Duffy’s Creek or playing jungle boy in Bingham Park Woods. I always did that alone and in secret though. I was always thoroughly terrified of being caught in the act by the older boy who abused me. I imagined him being everywhere. But that never happened again after that one horrible day. And it became a carefully guarded secret. I loved certain books like Kipling’s First Jungle Book where Mowgli is naked and unafraid in the deadly jungle where a tiger stalked him, or The Adventures of Huckleberry Finn where Huck and Jim spend time nude on the raft in the Mississippi leaving their considerable cares and clothing aside, or Golding’s Lord of the Flies where nearly naked Ralph must run to keep from literally losing his head to the naked savages all the other boys have become.

I admit I was actually wearing pants in this photo, and I photo-shopped out my psoriasis sores.

And in many ways that has always been the theme of my flirtations with nudism. The attraction to it was nothing sexual. Rather, it was always about facing a dangerous world without any kind of armor.

And I can honestly say that is a large part of what makes me a writer, too. When you write fiction that actually tells the truth about life as you see it, you are facing a dangerous world of critical readers with no emotional armor on. Your soul is opened up to a world of people you will never actually meet who will judge your naked self without mercy.

But, I have not as yet actually revealed myself as a nudist with evidence to back that up. I have shown you a drawing of me as a boy in Iowa, nude, but only a drawing. I have shown you an artfully cropped picture of me partially nude in which I was actually wearing pants. Am I not a hypocrite and a coward if I don’t show you the real thing? (If the idea frightens you too much, you don’t have to look.) But here is the real nudism thing, actually nude, warts and sores and all.

Yes, I know I am wearing a hat and shoes, but it still counts as naked.

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Spinning Wheels of Thought

Picture borrowed from; https://www.townsends.us/products/colonial-spinning-wheel-sp378-p-874

I start today with nothing in my head to write about. I guess I can say that with regularity most days of the writing week. Sundays in particular are filled with no useful ideas of any kind. But I have a certain talent for spinning. As Rumpelstiltskin had a talent for spinning straw into gold, I take the simple threads of ideas leaking out of my ears and spin them into yarns that become whole stories-full of something to say. And it is not something out of mere nothing. There is magic in spinning wheels. They take something ordinary and incomplete, and turn it into substantial threads useful for further weaving.

Of course the spinning wheel is just a metaphor here for the craft of writing. And it is a craft, requiring definable skills that go well beyond merely knowing some words and how to spell them.

My own original illustration.

The first skill is, of course, idea generation. You have to come up with the central notion to concoct the potion. In this case today, that is, of course, the metaphor of using the writing process as a spinning wheel for turning straw into gold. But once that is wound onto the spindle, you begin to spin yarn only if you follow the correct procedure. Structuring the essay or story is the next critical skill.

Since this is a didactic essay about the writing process I opened it with a strong lead that defined the purpose of the essay and explained the central metaphor. Then I proceeded to break down the basic skills for writing an essay with orderly explanations of them, laced with distracting images to keep you from dying of boredom while reading this, a very real danger that may actually have killed a large number of the students in my writing classes over the years (although they still appeared to be alive on the outside).

My mother’s spinning wheel, used to make threads for use in porcelain doll-making, and as a prop for displaying dolls.

As I proceed through the essay, I am stopping constantly to revise and edit, makeing sure to correct errors and grammar, as well as spending fifteen minutes searching for the picture of my mother’s spinning wheel used directly above. Notice, too, I deliberately left the spelling-error typo of “making” to emphasize the idea that revising and proof-reading are two different things that often occur at the same time, though they are very different skills.

And as I reach the conclusion, it may be obvious that my spinning wheel of thought today spun out some pure gold. Or, more likely, it may have spun out useless and boring drehk. Or boring average stuff. But I used the spinning wheel correctly regardless of your opinion of the sparkle of my gold.

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Characters in Colored Pencil

Here is a post I am proud of for no good reason. It is littered with artworks and my own goofy ideas about fiction writing.

authormbeyer's avatarCatch a Falling Star

As a novelist, certain characters, as I understand them, have to be portrayed in a certain specific way.  It may be because the character is based on a real person, so those characteristics are tied to reality and changing them will impair the character’s realism.  It may also be because the character has a very special function in the story, possibly a metaphorical or thematic function so a change in those particulars can derail the entire story.  But portraying them in colored pencil is not nearly so arcane.  Colored pencil is my own preferred medium, the one I know best how to use as an artist.

Snow Babies 2

Snow Babies

These characters are not specifically people.  They are created in nature when a person dies in a blizzard by freezing to death.  They act like banshees in that they serve both as omens of impending death, and collectors of the spirit forms…

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Pencil, Pencil, Pen, Pen, Pen…

Yes, students actually eat pencils in class.

My daughter forgot her pencil case in school over the weekend. Now, for normal students, this is no really big deal. But for the Princess, like it is for me as an amateur artist, the pencil case, with her colored pencils and pens in it, is one of the most necessary things for life.

Of course, we did not have an opportunity to go back to school for her pencils and pens. So, panicky, she texted her teacher whereupon the pencil case in question was found and put aside for her until early this morning. She then stole my pens and pencils for the weekend, depriving me and causing me to be the one with the anxiety disorder and heart palpitations.

Of course, pens and pencils were always a critical issue when I was a teacher for 31 years, plus two years as a substitute teacher. Unlike the Princess, students in an English classroom NEVER have a pen or a pencil to write with. I swear, I have seen them gnaw pencils to pieces like a hungry beaver or termite. And they chew on pens to the point that there is a sudden squishy noise in their mouth and they become members of the Black Teeth Club. (Or Blue Teeth Club for the more choosy sort of student.)

A piece of an actual classroom rules poster.

Having students in your class who actually have pencils and pens to learn with is a career-long battle. I tried providing pens for a quarter. I would by cheap bags of pens, ten for two dollars, and sell them to panicky writers and test takers with a quarter (and secretly free to some who really don’t have a quarter). I only used the pen money to buy more cheap pens. But that ran afoul of principals and school rules. A teacher can’t sell things in class without the district accountant giving approval and keeping sales tax records. Yes, the pencil pushers force teachers to give pens, pencils, and paper away for free. I finally settled -on a be-penning process of picking up leftover un-popped pens, half-eaten pencils, and the rare untouched writing instrument apparently lost the very instant the student sat down in his or her desk. These I would issue to moaning pencil-free students until the supply ran out (which it rarely ever did) at no cost to myself.

I also tried telling them repeatedly that they had to have a writing instrument, or they needed to beg, borrow, or steal one. And if they couldn’t do that, I’d tell them, “Well, you could always prick your finger and write in blood.” That was a joke I totally stopped using the instant a student did exactly what I said. A literalist, that one. And it turns out you can’t read an essay that a student writes in actual blood.

But, anyway… My daughter is safely in school now and no longer panicking because she has her precious pencil case back in her possession. And she probably will not ever make that same mistake again. (And she will probably not return my pens and pencils either.)

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Filed under humor, kids, Paffooney, pen and ink, self pity, teaching, Uncategorized

Rascal’s Excuse Note

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May 18, 2019 · 5:16 pm

Writing a Horror Story

Here’s another old blog post about writing and publishing books that are hard to write because of what they contain.

authormbeyer's avatarCatch a Falling Star

Candle-lit nightmares become stories and keep me awake late at night.

I am now closing in on the publication of The Baby Werewolf, a novel whose story began with a nightmare in 1978.  It was a dream I had about being a monster.  I woke up in a cold sweat and realized, to my complete horror, that I had been repressing the memory of being sexually assaulted for twelve years, the thing that almost brought me to suicide in 1973 and that I couldn’t put into words when I talked to counselors and ministers and friends who tried to keep me alive without even knowing that that was what the dark black words were about.

I don’t normally write horror stories.  Yes, it is true, a character of some sort dies at the end of practically every novel I have ever written, but those are comedies.  I am…

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Working on Snow Babies

Here’s an old post about the publishing part of the writing process. This was at a time when PDMI Publishing was still a business and still planned to publish this book.

authormbeyer's avatarCatch a Falling Star

I really don’t have to put very much into this blog since most of my 500 words are already taken up with novel editing.  So I will just put in a few comments on this novel that has consumed me since 2012.   It is called Snow Babies Val at the barn

because it is basically about lost children and a blizzard that threatens to take them away completely.  Now, there are fantasy creatures in the story, child-like ghost-things that come in the teeth of the blizzard to take away the souls of those who die in the cold.  But the title actually refers more to the child characters in the story, Valerie Clarke (as seen above) and the four runaways from the Trailways bus.  It is a story of survival during a blizzard, and survival when you have lost the ones you love.  It is also a story of quilts… patchwork quilts… of…

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Another Sick Day…

I am today blessed to have my son home from the Marines, no longer on active duty. Now he will find a post-service job and make a new place for himself in the world. Meanwhile, I am too ill to do very much. And I have to stop the words of the song “Oh, Danny Boy…” from playing in my head so much…
“But when ye come, and all the flowers are dying,
If I am dead, as dead I well may be,
You’ll come and find the place where I am lying…”

I am not dead yet. And though ill, I have to stop focusing on that part. For now, there is still life to be lived and books to be read.

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The Way Mickey’s Mind Works

I wrote this post a year ago about plans that I have now accomplished.

authormbeyer's avatarCatch a Falling Star

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If you’ve read any of the crap that Mickey wrote about before in this goofy blog, you probably already suspect that Mickey’s mind does not work like a normal mind.  The road map above is just one indicator of the weirdness of the wiring that propels Mickey on the yellow brick road to Oz and back.  He just isn’t a normal thinker.

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But having a few bats in the old belfry doesn’t prevent the man from having a plan.  If you read all of Mickey’s hometown novels, you will discover he hasn’t written them in time order.  Main characters in my 2016 novel weren’t even born yet in my 2017 books.  If you look at them in chronological order rather than the order written, you will see characters growing and changing over time.  A shy kid in one novel grows into a werewolf hunter in the next.  A girl who…

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