If there is a Church of Sacred Landscapes then Bob Ross is its Jesus Christ. That is not a sacrilegious statement of bizarre cult-mindedness. Painting is a religion that has its tenets. And Bob Ross explained to us the will of God on his painting show on PBS. All the illustrations used in this post come from the Facebook page Joy of Painting with Bob Ross. All the wisdom comes from things the Master said on the show.


Bob Ross was the prophet of the paintbrush. He would present us with a lightly prepared canvas at the beginning of the show and then proceed on camera to take his brush and palette knife, and all his paints, and create a piece of the world before our very eyes. And he was not Picasso or Van Gogh or even Norman Rockwell. He was not a talented artist, but rather a very practiced one who knew all the tricks and shortcuts to sofa painting, the art of knocking out scene after scene after scene. He could make his little piece of the world in only half an hour, and he made it obvious how we could do the same. His work was not gallery quality… but his teachings were Jesus-worthy.
His work was natural, flowing, and realistic in the random complexity it presented. He took standard paintbrush strokes and pallet knife tricks and made them dance across the canvas to make happy little trees.
His painting methods presented us with a philosophy of life and a method of dealing with whatever mistakes we might make.
And of course, any good religion must take into account the existence of evil.

Bob Ross tells us that evil is necessary as a contrast to what is good and what is true. We need the dark. But we don’t have to embrace it. Bob’s paintings were never about the dark bits. He always gravitated towards the light.

Of course, sometimes you have to beat back the darkness. A good artist takes care of his tools.
Bob Ross admonishes us to look and to learn and love what we see. The man radiated a calm, gentle nature that makes him a natural leader. His simple, countrified wisdom resonates because we need calm and pastoral peace in our lives. It is one of the main reasons mankind needs religion.
So I definitely think we ought to consider building a Bob-Rossian Church of the Sacred Landscapes. We have our prophet. The man has passed away, yet he is risen to paint again endlessly on YouTube.
And if you are willing to try… Bob Ross will smile upon you.


































The Be-Bop Beat of Mickey’s Brain
Truthfully, when I look back at the string of posts in the picket fence of this daily blog, I fail to see the overall map of it in any semblance of pattern or order. Honestly, I did not set out to be purposefully wacky.
I did, however, set out to be purposefully surreal. I mean it, I consciously put bizarrely dissimilar things together in an attempt to find parallels and connections in unlike things because, not only is it funny and surprising, but is a comic act that serves to keep the mind nimble and never numb. I do think quite a lot. And I try to see connections between things where others wouldn’t. For instance, the Coppertone girl with her bare butt and Bullwinkle with his unicycle are both being threatened in a way that is both comic, and taking advantage of their inherent image of innocence. Neither will lose anything by it. The girl stands to brown her pale white behind in the sun, while Bullwinkle will probably land on his head and it will make a decent cushion to preserve him because of it’s empty and rubbery qualities.
I must also admit to a bit of the old telling of stretchers, the misrepresentation of the truth, the loquacious layer-onner of lies. Not Trumpian lies that land on you like elephants dropped like bombs out of B-52’s. Instead, fictions that entertain and elucidate. It is the most likely reason I keep saying connecting words and phrases like “truthfully” and “honestly” and “I mean it”. Those are words that liars love.
Yes fiction writers like me tell little white lies.
I have now published my novel Recipes for Gingerbread Children. It is a novel based on real people I have known and loved and listened to. It is about an old German woman, a survivor of WWII concentration camps, who loves to tell stories to children and bake gingerbread cookies, especially gingerbread men. It features a pair of teenage nudist girls who believe in going completely naked whenever you are indoors, even if you are in someone else’s house. It features Nazis, both in flashback and ghostly forms. It also features fairies from the Hidden Kingdom of Tellosia, a fairy kingdom filled with little three-inch tall magical people living under our very noses. And it has a werewolf in it, though admittedly a very young one. It is a comedy with its requisite sad parts, and it is definitely an example of surrealism. It is also full of lies… err, I mean fiction.
But the real purpose of this supposedly be-bop brain fart in blog-post form is not so much to explain my blog (because how do you explain a blog that goes from Flashbacks and Foobah to telling about Madman Trump to Another novel part… #37 to Centaurs to a book and movie review, to this eccentric and eclectic thing, which probably exists more to make alliteration jokes than anything else in the most musical beat I can bang out?) but to prove that I do often think about thinking and how things fit together and what it all means… and how to write a run-on sentence that adds to the effect rather than simply annoys. And, yeah, I’m doing that. And it feels like a good thing to do.
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