There are magical flowers in Mrs. Pennywhistle’s garden.
And what do I mean by that?
She grows snapdragons, pansies, and nasturtiums like any good granny-gardener would.
But amongst the children of our little town, the rumor is that she’s actually a witch.
A good witch.
Not a bad witch.
Her spells only fascinate, never glammer, never take over your little-boy or little-girl mind.
This is the magical blossom she got from old Dr. Mirabilis. He’s a wizard from Peru that she found in the nursing home in Belle City. He gave it to her as a gift when his arthritic hands could no longer keep it alive on the hospital window sill. She cares for it like it was her own baby.
It’s magical power is as an aid to contemplation. It’s gentle purplish-pink color is calming when you stare at it. Its odor is mesmerizing. She uses it to talk to the doctor now that he is gone, and she can no longer visit him to talk about her flower garden.
These pretty posies are planted all around the edges of the garden.
Especially around the carrots and cabbage.
Do not stick your little noses between the pink and white petals.
They have an awful smell.
But their magic is keeping the rabbits out.
Especially from the cabbages and carrots.
And the pansies are the clowns and punchinellos of the flower bed.
See their angry eyes under bushy-black eyebrows? And their too-serious little broomlike moustaches?
How can you do anything but laugh?
And the White Rose…
That’s the avatar of Mrs. Pennywhistle herself.
When she can no longer keep that one growing, it means the gardener has gone.
And the garden will soon be gone for good as well.
From the time I could first remember, I was always surrounded by stories. I had significantly gifted story-tellers in my life. My Grandpa Aldrich (Mom’s Dad) could spin a yarn about Dolly O’Rourke and her husband, Shorty the Dwarf, that would leave everybody in stitches. (Metaphorical, not Literal)
And my Grandma Beyer (Dad’s Mom) taught me about family history. She told me the story of how my Great Uncle, her brother, died in a Navy training accident during World War II. He was in gun turret aboard a destroyer when something went wrong, killing three in the explosion.
Words have power. They can connect you to people who died before you were ever born. They have the power to make you laugh, or make you cry.
Are you reading my words now? After you have read them, they will be “read.” Take away the “a” and they will change color. They will be “red.” Did you see that trick coming? Especially since I telegraphed it with the colored picture that, if you are a normal reader, you read the “red” right before I connected it to “reading.”
Comedy, the writing of things that can be (can bee, can dee, candee, candy) funny, is a magical sort of word wrangling that is neither fattening nor a threat to diabetes if you consume it. How many word tricks are in the previous sentence? I count 8. But that wholly depends on which “previous sentence” I meant. I didn’t say, “the sentence previous to this one.” There were thirteen sentences previous to that one (including the one in the picture) and “previous” simply means “coming before.” Of course, if it doesn’t simply mean that, remember, lying is also a word trick.
Here’s a magic word I created myself. It was a made-up word. But do a Google picture search on that word and see if you can avoid artwork by Mickey. And you should always pay attention to the small print.
So, now you see how it is. Words have magic. Real magic. If you know how to use them. And it is not always a matter of morphological prestidigitation like this post is full of. It can be the ordinary magic of a good sentence, or a well-crafted paragraph. But it is a wizardry because it takes practice, and reading, and more practice, and arcane theories spoken in the backs of old book shops, and more practice. But anyone can do it. At least… anyone literate. Because the magic doesn’t exist without a reader. So, thank you for being gullible enough for me to enchant you today.
When I was a boy, the Western reigned supreme on both television and in the movie theaters. Part of the benefit of that was being indoctrinated with “the Cowboy Way” which was a system of high ideals and morality that no longer exists, and in fact, never did exist outside of the imaginations of little boys in the 1950’s and 1960’s. We learned that good guys wore white hats and bad guys wore black. You only won the shootout if you shot the bad guy and you didn’t draw your gun first.
Of course, the cowboys who were the “White Knights of the Great Plains” we worshiped as six-year-olds and the singing cowboys on TV were not the same ones we watched when we were more mature young men of ten to twelve. John Wayne starring in Hondo (after the book by Louis L’Amour) was more complicated than that, and we learned new things about the compromises you make in the name of survival and trying to do things the best way you can. From Jimmy Stewart and John Wayne in The Man Who Shot Liberty Valence we began to see that sometimes you shot the villain in the back from down the street to save your simple friend from the gunfight in the street when he was too naive and green to win.
Wyatt Earp at the OK Corral was the white hat we wanted desperately to be when we grew up. And then I saw on PBS in the late 60’s a documentary about the real shootout and the real compromises and consequences of the thing we once thought was so clearly good versus evil.
Wyatt went from the TV hero,
To the mostly moral man fighting what seemed like lawlessness,
To a morally ambiguous angel of death, winning on luck and guts rather than righteousness, and paying evil with vengeance while suffering the same himself from those dirty amoral cowboys, sometimes good, but mostly not.
And then along came Clint and “the Man with No Name”. More ambiguous and hard to fathom still…
Who really was The Good, the Bad, and the Ugly? What made any one of them worse than the other two? You need to listen to the music before you decide. We are all of us good, bad, and ugly at times. And all of it can be made beautiful at the end with the right theme music behind it. Did we ever learn anything of real value from cowboy movies? Of course we did. They made us who we are today. They gave us the underpinnings of our person-hood. So, why do they not make them anymore? The video essay at the end of my wordiness has answers. But basically, we grew up and didn’t need them anymore. And children and youths of today have different heroes. Heroes who are heroic without shootouts and letting the bad guy draw his gun first. Ideally, heroes who are us.
The secret to this essay is that the title is a pun. And yes, I know you probably don’t find it very punny. But I wanted to talk about the difficulties of portraying the difficulties of communication in a talk-a-lot-sometimes-talk-too-much world.
Yes, my current work in progress, Fools and their Toys, is about a man who can hardly talk at all because of undiagnosed autism who suddenly, miraculously finds a voice through ventriloquism, and then finds himself needing to communicate to a boy who is deaf and only speaks sign language and another boy who is profoundly distracted with ADD and bipolar disorder. He needs to communicate desperately because he knows things that have been locked up in his head for years that may help the FBI stop a cereal killer. No, that is a pun again. Shame on me. The murderer commits multiple murders of young boys, not breakfast food
Danny O’Day… not mine, but very much like mine.
I chose to write this rather insane novel about how not to communicate with real people because I, myself, as a kid was given to all kinds of communication theatrics and tricks of entertainment. I was also a shy kid after the age of ten for very sinister reasons.
It is important to realize that you absolutely have to communicate with others in life. Even if something is preventing you, like my own bout of self-loathing brought on by a sexual assault committed against me by an older boy. I got a ventriloquist’s dummy for Christmas near the time of the terrible event. It was Danny O’Day from the Montgomery Ward’s Christmas catalog. I taught myself to do ventriloquism. And then I gave it up when I realized the puppet would say things I didn’t want anyone to hear.
Edgar Bergen, Charlie McCarthy, and Mortimer Snerd
Never the less, I continued to be fascinated life-long with ventriloquists and the little people they created.
Edgar Bergen was often in movies on TV during the Saturday afternoon matinee on Channel 3. I often saw his lips move. I was actually a better mouth-still ventriloquist than the old master.
Jerry Mahoney, Paul Winchell, and Knucklehead Smiff
Paul Winchell used to have a TV show in the 50’s which I saw on re-runs as a boy in the 60’s. He was also the voice of Tigger, Dick Dastardly, and Gargamel. (If you don’t recognize any of those cartoon characters, I mourn for your inadequately-filled childhood.)
Shari Lewis, Lambchop, and Charlie Horse
And, of course, I was fascinated and enthralled by Shari Lewis and Lambchop any time they were on TV, especially Sunday nights with Ed Sullivan.
Learning about ventriloquism never solved any problems for me. But it gave me a way to talk to myself that simulated having real friends. It helped me survive the dark years of being a teenager.
It is, of course, Jeff Dunham who fascinates me now.
Ventriloquism, humor, made-up characters, and the ability to talk with them is what I am chiefly concerned with now. My life and my current novel is taken up with talking, though not the normal talking of normal people. Talking with the voices that come from strange locked trunks inside you, the secrets you always meant to keep, but sooner or later have to be said out loud by someone. And maybe that someone is a dummy.
I gave you a list of places where my ideas for fiction come from, and in the end, I failed to explain the thing about the bottle imp. Yes, I do get ideas from the bottle imp. He’s an angry blue boggart with limited spell powers. But he’s also more than 700 years old and has only been trapped in the bottle since 1805. So, he has about 500 years of magical life experience to draw from and answer my idea questions. Admittedly it would be more helpful if he were a smarter imp. His name is Bruce, and his IQ in human terms would only be about 75. But, then, I don’t have to worry about misfired magic. If I asked him to, “Make me a hamburger,” he wouldn’t immediately change me into a fried, ground-beef patty because he is not smart enough to do that high of a level of magic spell.
But he is just barely intelligent enough to tell me a truthful answer if I asked him a question like, “What would happen if I put an alligator’s egg in a robin’s nest as a joke, and the robin family decided it was their own weird-looking egg and then tried to hatch it?” The answer would be truthful according to his vast knowledge of swamp pranks. And it would also be funny because he’s too dumb to know better. In fact, he told me about a mother robin who worked so diligently at hatching an alligator egg that a baby alligator was hatched. She convinced it that it was actually a bird. And when it came time for the baby birds to learn to fly, the baby alligator couldn’t do it… until she talked it into flapping madly with all four legs. Then, a mother’s love and faith in her child got an alligator airborne.
Yeah, that hasn’t proved to be a very useful story idea. I put it into a story I was writing during my seven years in high school, and then lost the manuscript. (I was a teacher, not a hard-to-graduate student.) But it was proof that you can get your writing ideas from a bottle imp.
So, if you decide to use bottle imps as an idea source for fiction, the next step is to find and acquire the right sort of bottle imp. I got mine from Smellbone, the rat-faced necromancer. I bought it for an American quarter and three Canadian loonies more than a dozen years ago. I found it at his Arcana and Horse-Radish Burger Emporium in Montreal. But I am not sure how that information helps you. Smellbone died in a firey magical-transformation accident involving an angry Wall-Street financier and a dill pickle. The whole Emporium went to cinders in an hour.
If you are going to try to capture the bottle imp yourself, which I strongly do not recommend, you are going to need a magical spell-resistant butterfly net, a solid glass jar, bottle, or brass urn. A garlic-soaked cork to fit the bottle. A spell scroll ready to cast containing at least one fairy-shrink spell. And an extremely limited amount of time to actually think about what you are doing.
Now I have told you how I get writing ideas from a bottle imp. Aren’t you glad I did not include this idea in the post about where ideas come from? After all, I am a fiction writer. I get my jollies from telling lies in story form. And bottle imps, especially angry blue bottle imps named Bruce, or Charlie, or Bill, are more trouble than they are worth. They can curse you with magical spells of infinite silliness and undercut your serious nature for a lifetime.
The theorem goes, “If you sit an infinite number of monkeys behind an infinite number of typewriters and let them tap away at random for an infinite amount of time, they will eventually come up with all the works of Shakespeare, and in addition to that, all the works of literature that have ever been written and ever will be written.”
Now, that is a daunting theorem. All the great works of literature by Mickey will be recreated by monkeys? And even worse, they will probably produce much better versions of all of it. Plus versions of it written in German, Mandarin Chinese, Urdu, and Californian (a really difficult language to translate.) All languages ever created on all the planets of the universe, as a matter of fact. The proof is there. It hinges on the mathematically precise definition of “Infinite.”
But you have to remember, infinite is the biggest number there is.
So many variations will be there in the truthfully infinite amount of stuff that infinite monkeys will produce that one version of Shakespeare’s Hamlet will have a final act where, instead of everyone dying or accidentally killing themselves, Hamlet will talk them all into putting on yellow chicken costumes and dancing with hula hoops as a means of acquiring absolution for their sins.
And a version of it will also exist where all the letter “B’s” will be replaced by “P’s” and all the vowels will be doubled so that Hamlet’s famous soliloquy will begin, “Too pee oor noot too pee, thaat iis thee quueestiioon…”
Accurately imagining the conditions required to have infinite monkeys tapping out infinite works of literary art means that any ridiculous thing that Mickey thinks of will have to actually be typed out by one or more (or infinite) monkeys in all of that infinite monkey writing. Somewhere Eugene Ionesco’s play Rhinoceros will have nothing but characters who are rhinoceroses at the beginning of the play who turn into human beings by the end of the play. (That is the exact opposite of the real French absurdist’s play, for those of you who did not have to read such stuff in college literature courses.)
In fact, in order to think up all the ridiculous variations of every work of literature would take Mickey an infinite amount of time. Mickey probably doesn’t really want to live that long.
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And then there is also the question of the physics of infinity. Is the universe itself, I mean, the one we all live in presently, actually infinite? Astrophysicists don’t think so according to current observable data on the astronomical model of this universe. And then you have the problem of infinite monkeys made of infinite matter. The universe would be filled to overflowing with infinite monkey-matter. And that leaves no matter or space to be used for infinite typewriters. The whole universe would be monkey-matter. And that would also mean no room for bananas, or, in fact, any monkey food of any kind. What is going to motivate the infinite monkeys to work for an infinite amount of time on their monkey literature which they won’t have typewriters to write on anyway?
And then there is another horrible thought that occurs to me. In this picture to the left, do you see the evil monkey? Believe me, if you have an infinite amount of monkeys, one or two (or possibly an infinite number of them) will definitely be evil geniuses.
And evil monkeys do evil monkey-business.
At least one or two (or possibly… you know…) evil monkey geniuses will disassemble infinite typewriters to make infinite doomsday devices. Typewriters will be re-engineered into computers and will become filled with monkey-viruses that will rewrite the operating software of the universe. And then, everything becomes an infinite monkey-villain paradise where the evil geniuses among the monkeys will live the perfect life for monkey criminals full of monkey crimes and monkey debauchery and the kind of infinite chaos that infinite monkey-villains enjoy.
This thinking about infinite monkeys leads to one very definite infinite-monkey conclusion; WE DO NOT WANT TO MESS WITH GIVING INFINITE TYPEWRITERS TO INFINITE MONKEYS!!!
They came in the mail every November in the 1960’s. Particularly important was the Monkey Ward’s catalog because there was a Montgomery Ward Catalog Store in Belmond on Main Street. Mom and Dad could order, pay for, and pick up things there, particularly Christmas and birthday gifts. The four of us; my little brother, my two younger sisters, and I would argue about who would get to look at it next for hours at a time (the catalog, not the store… although the man who ran the store sold tropical fish in the back, so I could look at that for hours).
I, of course, dog-eared different pages than my sisters Nancy and Mary did. And David was eight years younger than me and was into baby toys, blocks, and books.
Nancy owned the three on the left.
I was nutty about model trains… and so was Dad.
I am amazed at how cheap things were back then compared to now. Of course, things were more easily destroyed because of the cheaper plastics and simpler ingredients and materials common in the 1960’s. So, it is truly amazing how many of those toys I still have. And how many survived me only to be destroyed by my own children.
And it often wasn’t enough to look at just the Monkey Ward’s catalog. (Grandpa Aldrich always called it “Monkey” instead of “Montgomery”, a pretty standard old-farmer joke in the 60’s). Grandpa and Grandma Aldrich always got a copy of the Sears catalog. And we would pour over that to find treasures that Monkey Ward’s didn’t have. That was inconvenient for Mom and Dad. The nearest Sears store was in Mason City, 50 miles northeast.
I was 10 years old in ’66.
Mary Poppins was a 60’s Disney hit.
Just the mention of Christmas catalogs of old when discussing with sisters flashes me back to the time when I was in grade school and Christmas time was all about being good for Santa because… well, toys.
And old Christmas catalogs still fascinate me. I love to look back through ten-year-old Mickey-eyes at a simpler, kinder time. Although, if I’m honest with myself, it probably wasn’t really any better than now. I just choose to believe that it was.
I have friends and relatives that believe in angels. Religious people who believe in the power of prayer and the love of God. And I cannot say that I do not also believe. But I also happen to believe that angels live among us.
My Great Grandma Nellie Hinckley was, as far as I am concerned, an angel. Born in the late 1800’s, she was a practical prairie farmer’s wife. She knew how to make butter in a churn. She knew how to treat bee stings and spider bites. She knew how to cook good, wholesome food that stuck to your ribs and kept you going until the next meal rolled around. She knew how to cook on a wood-burning stove, and knew why you needed to keep corn cobs in a pile by the outhouse door. Or, in the case of rich folks, why you needed to read the Sears catalog in the little room behind the cut-out crescent moon.
She also knew how to head a family. She had seven kids and raised six of them up to adulthood. She sent a son off to World War II. She had nine grandchildren and more great grandchildren, of which I was one of the not-so-great ones, than I can even count on two hands and two feet, the toes of which I can’t always see. Great great grandchildren were even greater. Tell me you can’t believe she was a messenger from God, always knowing God’s will, and making the future happen with a steady hand, and eyes that brooked no nonsense from lie-telling boys.
Mother Mendiola was an angel too. I met her at my first school, Frank Newman Junior High in Cotulla, Texas. She was the seventh grade Life Science teacher. She had been a nun before becoming a teacher, and she was a single lady her whole life. But she was a natural mother figure to the children in her classes. She’s the one who taught me how to talk to fatherless boys, engage them in learning about things that excited them, and become a lifelong mentor to them, willing to help them with life’s problems even long after they had graduated from both junior high and high school. She was not only a mother to students, but she nurtured other teachers as well. She showed Alice and I how to talk to Hispanic kids even though we were both so white we almost glowed in the dark. She went to bat for kids who got in trouble with the principal, and even those who sometimes got into trouble with the law. She had a way of holding her hand out to kids and encouraging them to place their troubles in it. She even helped pregnant young girls with wise counsel and a loving, accepting heart, even when they were seriously in the wrong. When they talk about being an “advocate for kids” in educational conferences, they always make me picture her and her methods. I can still see her in my mind’s eye with clenched fists on her hips and saying, “I am tired of it, and it will get better NOW!” And it always got better. Because she was an angel. She had the power of the love of God behind her every action and motivation. It still makes me weep to remember she is gone now. She got her wings and flew on to other things a long time ago now.
Some people may call it a blasphemy for me to say that these people, no matter how good and critically important they were, could really be angels. But I have to say it. I have to believe it. I know this because I saw them do these things, with my own two eyes, and how could they not be messengers from God? It convinces me that I need to work at becoming an angel too.
Before now I have never talked about my childhood friend Jimmy Crafton. It took a long long time to build up enough courage. Writing this on Christmas Eve 2017 makes it easier. Yes this is a very important re-post.
It is not a terrible story. I can’t think of anybody that fits the idea of a “hero” any more than Jim. I remember him as a pale-faced little boy with a thousand Watt smile full of tiny white teeth. He was two years younger than me. He was in my sister’s class at Rowan Elementary. He was outgoing and funny. And he was a hemophiliac. He had the rare condition of having too little of the essential blood-clotting proteins in the blood that the vast majority of us get to take for granted. Every day for him was a risk of having an ordinary injury like a bruise or scrape cause him to bleed to death. He missed great gobs of school days with injuries and crippling pain and the need to go to the emergency room in Mason City for life-saving blood transfusions. We were told when I was eight that he probably wouldn’t last past his tenth birthday. The teachers all gave us strict rules for playing with him on the playground… what not to do, what to immediately report, and what not to allow him to do. I remember one time he decided to wrestle both Bobby and me at the same time. He had a deep and passionate love for the sport of wrestling, big in the high schools of Iowa. He aggressively took us both down and pinned us both with minimum effort. And you should stop laughing at how wimpy that makes me sound. Remember, I had to play the game by different rules than he did. Bob and I both had to live with the consequences if bad things were to happen.
The miracle of Jim Crafton was that he did not die in childhood due to his genetic medical difficulty. In fact, he grew up, went to college, and became a doctor all because of the gratitude he had towards the doctors and medical professionals who helped him conquer hemophilia in childhood. He got married. And he even had a son. Those were things he accomplished in life that no one believed were possible back in the 1960’s.
But now we get to the part that I can’t write without typing through tears. A hemophiliac relies on regular transfusions of blood to supply the clotting factors that he cannot live without. And there was no effective screening technique for HIV in blood supplies before 1992. Further problems arose from the blood bank practice of mixing blood donations together by blood type. That meant that even clean blood donations were likely to become tainted through mixing. Far too many of the hemophiliacs in America were given infected blood and became AIDS sufferers at a time when a diagnosis of HIV was basically a death sentence. And worse, AIDS sufferers were often isolated and treated like lepers for fear of contracting the disease from ordinary contact with them. You might remember the sad case of Ricky Ray in Florida. He and his two brothers were all hemophiliacs. They all were infected. They were expelled from school. They even had to live in hiding after loving members of their community burned their house down. We were horrible to people who were dying of AIDS.
But I can’t leave this essay on such a sad note. My friend Jimmy was a hero, a doctor, and a dad. He lived a life worth living and worth knowing about. His life was a gift to all of us lesser beings. And this is the time of year for remembering those we have loved and lost. Jim died of AIDS decades ago. But he still lives in my heart and my memory. And if you have read this little story, he lives in you now too. That is a sort of magic, isn’t it? I only wish I had more powerful magic to give.
If you have the bad habit of reading this particular blog more than once, then you are probably aware that I used to be a public school teacher. Even worse, I used to be a middle school English teacher. Aagh! Seventh graders! It explains a lot about how life has warped my intelligence, personality, and world view. It also explains somewhat where I found such a fountain-like source for some of the worst jokes you ever heard.
Now, as to the question of why I have chosen in my retirement early-onset senility to become a humor-blogger… well, that is simply not something I can answer in one post… or even a thousand. But kids are the source of my goofball clown-brain joking around.
Kid-humor, you see, is stunted and warped in weird ways by the time period you are talking about. The eighties, nineties, two thousands, and the tens are all very different. And those are the various sets of students that I attempted to learn moose bowling from by teaching them English.
Still, there are certain universal constants.
Potty humor really kills. If you want to make a thirteen-year-old crack up with laughter, roll around on the floor, and maybe wet his or her pants, then you only need to work the “poop” word, or the “nickname for Richard” word, or the “Biblical word for donkey” word into the conversation. Of course the actual words, even though we all know what they actually are, are magical words. If you actually say them to kids in school as their teacher, those words can actually make you magically and permanently disappear from the front of the classroom. All kids are big fans of George Carlin and his seven words, even though most of them have never heard of him.
And violent humor is popular with kids from all decades. The most common punch line in the boys’ bathroom is, “… and then he kicked him in the Biblical word for donkey!” followed closely in second place by, “… and then she kicked him in the Biblical word for donkey!” I am told (for I don’t actually go in such scary places myself) that in the girls’ bathroom the most popular punch line is, “…so I kicked him right in the soccer balls, and he deserved it!” Why girls are apparently obsessed with soccer, I don’t know… or particularly care.
So my education in humor began with bad-word jokes, slapstick humor, put-downs, and rude noises coming from unfortunate places. Humor in the classroom is actually a metaphorical mine field laced with tiger traps, dead-falls that end with an anvil hitting you on the head, or being challenged to a life-or-death game of moose bowling. (Don’t know what moose bowling is? Moose bowling is a very difficult game that, in order to knock down all the pins and win, you have to learn to roll a moose down the alley.) Sounds like I spend too much time watching cartoons and playing video games, doesn’t it? Well, there’s more. And it gets worse from here. But I will spare you that until the next time I am foolish enough to try making excuses for my really bad jokes.
Catch a Falling Star 
Heroes of Yesteryear (Cowboy Movies)
When I was a boy, the Western reigned supreme on both television and in the movie theaters. Part of the benefit of that was being indoctrinated with “the Cowboy Way” which was a system of high ideals and morality that no longer exists, and in fact, never did exist outside of the imaginations of little boys in the 1950’s and 1960’s. We learned that good guys wore white hats and bad guys wore black. You only won the shootout if you shot the bad guy and you didn’t draw your gun first.
Of course, the cowboys who were the “White Knights of the Great Plains” we worshiped as six-year-olds and the singing cowboys on TV were not the same ones we watched when we were more mature young men of ten to twelve. John Wayne starring in Hondo (after the book by Louis L’Amour) was more complicated than that, and we learned new things about the compromises you make in the name of survival and trying to do things the best way you can. From Jimmy Stewart and John Wayne in The Man Who Shot Liberty Valence we began to see that sometimes you shot the villain in the back from down the street to save your simple friend from the gunfight in the street when he was too naive and green to win.
Wyatt Earp at the OK Corral was the white hat we wanted desperately to be when we grew up. And then I saw on PBS in the late 60’s a documentary about the real shootout and the real compromises and consequences of the thing we once thought was so clearly good versus evil.
Wyatt went from the TV hero,
To the mostly moral man fighting what seemed like lawlessness,
To a morally ambiguous angel of death, winning on luck and guts rather than righteousness, and paying evil with vengeance while suffering the same himself from those dirty amoral cowboys, sometimes good, but mostly not.
And then along came Clint and “the Man with No Name”. More ambiguous and hard to fathom still…
Who really was The Good, the Bad, and the Ugly? What made any one of them worse than the other two? You need to listen to the music before you decide. We are all of us good, bad, and ugly at times. And all of it can be made beautiful at the end with the right theme music behind it. Did we ever learn anything of real value from cowboy movies? Of course we did. They made us who we are today. They gave us the underpinnings of our person-hood. So, why do they not make them anymore? The video essay at the end of my wordiness has answers. But basically, we grew up and didn’t need them anymore. And children and youths of today have different heroes. Heroes who are heroic without shootouts and letting the bad guy draw his gun first. Ideally, heroes who are us.
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